  |
はてなキーワード: Photoとは
Scale Photo Upは、高度なAI技術を活用して画像や動画の解像度を2倍に引き上げる画期的なソフトウェアです。ぼやけてピクセル化された低解像度の写真や動画を鮮明で高解像度な作品に変換し、細部のディテールを強化しながらノイズや欠陥を自然に補正します。
このソフトは、古い家族写真や名作映画、ソーシャルメディアの動画クリップなど、これまで活用しづらかった映像を現代の高解像度基準にリマスターしてよみがえらせることができます。AIは単にピクセルを拡大するだけでなく、欠落した部分をインテリジェントに再構築し、エッジを滑らかにして非常に自然でクリアな仕上がりを実現するため、プロフェッショナルな出力が可能です。
主な特徴としては、2倍のAIアップスケーリング、ピクセルパーフェクトな画質向上、複数画像一括処理、動画全フレームのアップスケール、古いメディアのノイズ低減と修復、マルチGPU対応による高速処理、自動ハードウェア検出による最適設定、完全ローカル処理によるプライバシー保護などがあります。
ユーザーインターフェースはシンプルでワンクリックのアップスケールが可能。複雑な設定は不要で、パソコンのCPUやGPUの性能を最大限に活用して効率的に処理を行います。また、JPG、PNG、RAWなどの画像形式やMP4、MKV、AVIなど多様な動画形式に対応しており、ハイエンドなワークステーションからミッドレンジPCまで幅広く利用できます。
古い映像の修復や家族の思い出の復元、SNS向けコンテンツの画質向上、さらにはサムネイルやBロールの品質強化まで、多彩な用途で創造性を拡げることができるツールです。クラウド不要の完全オフライン処理なので、データを外部に送ることなく安全に利用できます。
https://ja.taiwebs.com/windows/download-scale-photo-up-13763.html
約 3,460 件 （0.29 秒）
「アークメイク」は「アートメイク」の間違いとして回答します。アートメイクは、皮膚の浅い部分に専用の針で色素を入れて着色する施術で、美容目的で眉やアイライン、リップなどに施されます。医療行為とされており、日本では医師または医師の指示を受けた看護師のみが行うことができます。
全然違う
韓国アートメイク 𝐊-𝐛𝐞𝐚𝐮𝐭𝐲 𝐀𝐫𝐭𝐢𝐬𝐭 연우 (@sof_artmake)
Instagram · sof_artmake
3150 人以上のフォロワー
目元と骨格の流れに合わせたデザインで、お客様に合わせたアークメイクを完成⭐️ 目の奥行き感とイメージがより暖かく見えますよね？ . Photo by 韓国アートメイク K ...
間違える人がいるのかなあ？🤔
Trump just posted a photo of himself holding up a piece of paper claiming to show tattoos on Kilmar Abrego Garcia that are related to MS-13. The paper he’s holding up has been digitally altered to add the characters MS-13.
The claim comes from neo-Nazis on X who say the tattoos cover up “MS-13.”
[image or embed]— Matt Novak (@paleofuture.bsky.social) 2025年4月19日 7:18
BSのリンクからまずは写真を見てほしいんだけど（XやTruthSocialを共有はしたくないので）
「このキルマー・アブレゴ・ガルシアのタトゥーをMS13と読むことはどう考えても無理筋だろ、何考えてるんだ」
という指摘でアメリカのインターネッツは大盛り上がりをしていた。
ちなみにMS13 Tatooと検索すればいくらでも本物が出てくるが、MS13 のメンバーは隠喩など使わずに、MS13というタトゥーをする。
Arialと思われるフォントで
M S １ ３
🍁 ☺ ✞ 💀
と絵柄をこのように解釈するのだ、というおそらくICEだかDOJだかの役人がこじつけるために書いた説明と
という説明が書いてある。
エルサルバドルで収監されている彼と民主党の上院議員が面会した際にとられた写真にはどちらの説明書きもない、当たり前だが。
MとSはこじつけとしてまだギリギリ成り立つかもしれないが、１と３は誰もが無理だろ・・・と思っていた。
誰もがMS13というArialフォントの書き込みは説明だろうと解釈していた。
ところが、トランプはどうやらこれを本物と思っているのではないか、認知能力がやばいのではないか、とものすごく盛り上がっている。
インタビュー全般について読むべきところはたくさんあるが、認知症の老人との会話、話が分からない5歳児との会話を思い出す。
ちなみにトランプの英語はぐっちゃぐちゃなので、意味は通るような通らないようなことを言っている。
該当部分について翻訳しておく
T：トランプ
M:では、1人の男と1つの裁判所命令について質問させてください。キルマー・アブレゴ・ガルシア。彼はこの国に不法入国したサルバドル人男性ですが、エルサルバドルに送り返さないよう保護命令を受けています。あなたの政府は彼をエルサルバドルに送り返し、それが誤りであったことを法廷で認めました。そして今、最高裁判所は、彼を米国に戻すようにとの命令を支持しました。それに従うために何をしているのですか？
T：間違いだと言った法律家は、長い間ここにいて、私たちが任命したわけでもない。そして、わかってほしいのは
T：この人物はMS-13ギャングのメンバーで、タフで、何度も小競り合いを繰り返し、妻を殴り、妻は彼のことを話すことさえいやがるようなやつだ。こいつはメリーランド州の純真で素晴らしい紳士ではない。
M：彼が善人かどうかは言っていません。法の支配についてです。最高裁の命令は有効なのです、閣下。
T：彼は不法入国したんだ。
M：あなたは彼を取り戻すことができますよね。この机の上には電話がありますよ。
T：できるさ。
M：あなたは、電話を取って、大統領としての権限で、エルサルバドルの大統領に電話をして、「彼を送り返せ」ということができますよね。今すぐに。
T：できる。それは、そいつが、あなたが言うような紳士だったとしたらの話だ。それならそうしよう。
T：でも彼はそうじゃない。
M：彼の開放を促進するように。
T：私はそれを決める人間ではない。我々には、それをやりたくないという法律家がいるんだ、テリー
M：あなたは大統領ですよ？しかし、しかし、責任はこのオフィスにあります
T：わたしは、いやいやいやいや、法律には従うさ。君は私に法律に従ってほしいんだろう。私がもし、自分の思ったことをなんでもやる大統領だとしたら、私は彼をこのまま、彼にふさわしい場所にとどめておくだろう
T：聞くんだ、私は厄介な問題の面倒を見るために、それは、とても無能な男がやってしまったどうしようもないミスを、きみらのようなやつらが、素晴らしい、天才だと言っていて、実はまったくの無能だった男が起こしたミスだ。だろ？そしていまや、すべてのメディアが、間違いだったと言っているように、完全に無能な男が、我々の国境を開き、何百万もの人間が入ってきてしまった。
私はその問題で選挙戦を戦った。それが一番ではなかったが、一番に近い問題だった。
とても簡単だ、ちょっと待って、犯罪者、殺人者、犯罪者が、この国にいたときには、我々は、すぐにかれらを追い出す必要がある。そして我々はそれをしているんだ。
T：また君は、そうやって一人の男の例を出すんだろう、だが、その選ばれた男の例も
M：彼は
T：彼は、ギャングのメンバーじゃない、と主張しているが、彼ら（ICEかな）はみた、彼の拳を、彼はMS13のタトゥーをしている
T：そうだ、まて、まて、彼はMS１３の、タトゥーを、拳に、MS１３の
M：彼は、いや、違うといわれているが、そのように解釈しているといっていますね。次の話題に行きましょう。
T：それはないぞ、M-S-1-3、それはM-S-1-3だ
T：加工された？テリー、それはだめだ。彼にはタトゥーがある。彼は、おい、君には人生で最大のチャンスをくれてやっているだろう。インタビューさせてやっているじゃないか。私が君を選んだのは、簡単に言えば、私が君のことを聞いたことがないからだ。まぁそれはいい。
M：ええ。この話が来たのは知っていました。
T：だが私は君を選んだ、テリー、でも君は、ちっともナイスじゃないな、彼はMS-13のタトゥーをもっている。
M：わかりましたわかりました。同意できないということで合意できますね。私は次の話題に行きたい。
M：写真なら見ましたよ。同意できないということに合意できますよね。
T：おい、見たのに、加工されたと思っているのか
M：次へ行きましょう、次へ
T：加工はされていない、見るんだ
M：わかりましたよ
M：いや、公平に言って、そのように解釈できるとされるタトゥーをしていますね、私は専門家ではないですが。ウクライナの話題に・・・
T：いや、いや、テリー、違う、違う、彼の手にはクリアに、間違いようがなく、MSと書かれている。解釈じゃない。だから、人々はニュースをもう信じないんだ、フェイクニュースだから。
Ｍ：彼がエルサルバドルで写真にとられたとき、それらのタトゥーは写っていなかったですよね？でもいいです、次に行きましょう
Ｔ：いや、彼は
Ｍ：エルサルバドルでの写真にそれらのタトゥーは写っていない。
Ｔ：いやそこに、おーおー、そこにはなかった？
Ｍ：ぜひ、写真をご覧ください。
Ｔ：でも、いまはそこにタトゥーはあるんだろ？
Ｍ：ない、何を・・・
Ｔ：でもいまはあるんだろ？
Ｔ：テリー
Ｔ：彼はＭＳ－１３のタトゥーがある、いいな？
Ｔ：それは、それは、、、君はなんでそんなに不利益なことをするんだ
Let’s face it: starting a conversation on a dating app can feel terrifying. You see someone you’re interested in, you type out a message, and then… you delete it. “Is this too boring?” “Will they even respond?” “What if I sound awkward?”
We’ve all been there. That first message can make or break your chances of connecting with someone amazing. But here’s the good news: you don’t have to overthink it. With the right opening line, you can spark a conversation that feels natural, fun, and meaningful.
At MixerDates, we believe that every great connection starts with a great conversation. That’s why we’ve put together this guide to help you craft the best dating app opening lines—ones that stand out, show your personality, and lead to real connections. Ready to ditch the “hey” and start making an impact? Let’s dive in!
[:contents]
Before we get into the best opening lines, let’s talk about why your first message is so important.
Your opening line is your chance to make a great first impression. It’s the gateway to a conversation that could lead to something special. A thoughtful, creative message shows that you’re genuinely interested—not just swiping mindlessly.
Your first message sets the tone for the entire conversation. A boring or generic opener might lead to a dull chat, while a fun or intriguing one can spark excitement and curiosity.
Let’s be real: everyone loves feeling special. When you put effort into your opening line, it shows that you care enough to stand out. And on MixerDates, where we value authenticity and positivity, that effort goes a long way.
Now, let’s get to the good stuff—the best dating app opening lines that actually work. These are divided into categories to suit different personalities and situations.
While the examples above are great starting points, the best opening lines are the ones that feel authentic to you. Here are some tips to help you craft your own:
Reference something from their profile—a photo, a hobby, or a shared interest. It shows you’re paying attention and not just copying and pasting.
Avoid heavy or overly serious topics right off the bat. Keep the tone light and playful to make the conversation enjoyable.
Don’t try to be someone you’re not. If you’re naturally funny, lean into that. If you’re more thoughtful, go for a sincere compliment or question.
“Hey” or “What’s up?” might be easy, but they’re also forgettable. Put in a little effort to stand out.
This gives the other person an easy way to respond and keeps the conversation flowing.
At MixerDates, we’re all about creating a positive, inclusive space where you can feel comfortable being yourself. Here’s why our platform is the best place to put these opening lines into practice:
We welcome everyone, no matter who you are or who you love. Our platform is designed to be a safe space where you can connect with like-minded people.
Our users create detailed profiles that make it easy to find shared interests and craft personalized opening lines.
We encourage our community to be genuine and kind, so you can feel confident starting conversations without fear of judgment or rejection.
Don’t just take our word for it—here’s what one of our users had to say:
“I met my partner on MixerDates, and it all started with a simple message about our shared love for travel. The conversation flowed naturally, and the rest is history. I’m so grateful for this platform!”
While a great opening line can spark a conversation, building a real connection takes more than just a clever message. Here are the key elements to look for when seeking a meaningful connection:
A strong connection starts with alignment on the things that matter most. Do you share similar values, life goals, or visions for the future?
Look for someone who is willing to share their thoughts, feelings, and vulnerabilities—and who encourages you to do the same.
Healthy relationships are a two-way street. Both people should be putting in effort to communicate, plan dates, and support each other.
A true connection allows both people to be themselves without judgment. Look for someone who celebrates your uniqueness and encourages you to pursue your passions.
Communication is the foundation of any strong relationship. A mutual connection thrives on honesty, transparency, and the ability to resolve conflicts in a healthy way.
At MixerDates, we’re here to help you find these key elements in a partner. Our platform is designed to connect you with people who share your values and are looking for the same things you are. Starting a conversation on a dating app doesn’t have to be stressful. With the right opening line, you can spark a connection that feels natural, fun, and meaningful. And at MixerDates, we’re here to help you every step of the way.
So, what are you waiting for? Craft that perfect opening line, join MixerDates, and start connecting with people who value authenticity and positivity. Your perfect match is out there—and they’re just one message away.
写真が好きといっても、一眼レフとか、そっち系ではなくて、スマホで自分や家族の写真をやたらめったら多数撮るというほう。
旅行に行けば、あっちで写真とって、また取り直して、また取り直して、そして別な場所にいったらまた撮って、という感じ。
写真撮りすぎで、いいかげんうんざりしていた。よって旅行に行った時は、最初私の顔は楽しそうに顔をしているが、そのうち仏頂面になっていってた。
で、子供が5年前に生まれ、お互いが撮った写真をGoogle Photoで共有し見られるようにした。
最初は写真撮るの多すぎ、面倒、と思っていたのだが、生まれてから数年経って写真を見返すと、これが最高なんだな。
子供の成長の記録が多数残っている。かわいくて仕方ない。
そう思うと、昔、写真撮りすぎな妻の前で「また撮るのー？」といって仏頂面していた自分の行動は、間違いだったのかなとも思う。
妻、悪かった。
サブスクがいつの間にか増えていたので、断捨離のための整理をかねて...
Google Photo で半分ほどの容量を占めているが残りは、GmailとDriveが10GBずつ程度。
50GBで月額130円。
iPhoneのバックアップが主な理由。写真のシンクはしていない。
無償分がはみ出るリソースで、円安前は110円で済んでいたんだけどな。
ほぼ Route 53 のゾーン利用料。
20ドルかぁー、20ドルなぁーって思いながら使っている。Notionはちょっとダメだったので、これはまあ、イイかと思っている。
大学時代からAtokを使い続けているので惰性のようなものだが、買い切りからサブスクに切り替えてからもう何年経ったのだろうか？
家族がネット広告に曝されることでネトウヨ化したり、エセ科学を真に受けたりするのを避けるには、しょーががない支出ととらえている。
有料で有益なコンテンツを得るためというよりは、害になるコンテンツ避けの為にお金を払っているという感覚がある。
国際政治チャンネルを放置したままにしている...、まぁ、お布施みたいなものだが。
非公開魚拓を保存出来るのと、robot.txtで拒否しているものの収集も出来るが、面倒なので外に置いておくという使い方かな?
今年で契約が切れるので更新が必要になる。どーしよっかなぁー、1Passwordで継続するか、Dashlaneに戻すか悩むなぁー。
プライベート(家庭)ではない、仕事用のアカウントのパスワードマネージャーとして。
世界情勢が物騒になってしまって、空の状況や要人の動きなどをウォッチするに便利なのでついつい契約してしまう。
銀行口座は連携せずクレジットカードと電子マネーの使用履歴を管理している。
支出の記録はバラバラになってしまうので、マネーフォワードでまとめている。
ココヘリか、YAMAPか悩む所だが、"登山"にはほとんど行かないので行動履歴を重視してYAMAPに課金している。
最近はヒザが気になりだして、山歩きをしていない。
少額でも送料が無料になるのだが、欲しいものは一通り揃ったので買うものは無いから次回更新は無しかな。
クルマに乗らないしなぁー、遭うかどうかわからんトラブルに備えて4,000円払うのはムダかなのぉー。
自分が遭いそうなトラブルについては、既に車載しているしなぁー、でもレッカー代って高いしなぁー。自動車保険付帯に変えようかなぁー。
無償アカウントで登録だけしておくと値下げする時期にお知らせがあるので、セールスしているタイミングで有償契約をする。
以降は、自動更新にしておかなければ更新時に値下げオファーが届くので、セール価格で更新する。
朝日新聞は購読料の選択肢が複数あって、読者としては良心的な方だと思う。読売や産経、毎日はちょと高くて手を出しづらい。
(<追記:2024/08/19 15:31>ブコメに教えてもらった。毎日新聞スタンダードなら年払いだと9,240円(770円/月)で本紙ウェブ版とWSJ日本版を読めるそうだ</追記>)
エモ記事に関しても、あれは「新聞」というよりは、「朝日新聞」という読み物を求めている読者に向けたコンテンツなのだろうなと思う。
そういう意味で、朝日新聞はポッドキャストも含めて「朝日新聞」というコンテンツを売り物にしようと舵を切ったのだろう。
昨年はサブスクで年額28ドルくらいだったような気がする、更新時期のタイミングで自分で自分に購読ギフト25ドルを贈って切り替えた。
セールのタイミングで129ドル、通常で250ドルなので、セール時期に更新したいところだ。
左右問わない論説だが基本はアトランティック主義である。そのスタンダードをウォッチする用。
Business Insiderの方が質・量ともに良い。"ジャパン"は解約して更新はしない。
党派性が強いわけではないがリベラル、アトランティック主義のど真ん中を。
日経新聞より安いし、アジアのニュースであればこちらの方が拾いやすい。
初年はセール時に年額29ドルだったが、更新時のセールオファーを使って次年は年額20ドルになった。
中国、東南アジアのニュースをウォッチする用と思って購読したが、CNAの方が良いかなと思っている。
上記の「朝日新聞」のところにある毎日新聞に Wall Street Jornal も付帯するため。
https://mainichi.jp/info/wsj/ にあるように日本版に限らずWSJ本紙が購読出来る。
特に理由無くサブスクを始めたが、月単位なので、イマイチだったら解約する。
ドル円 155円換算で、年額223,487円 (18,624円/月)
| services | ドル | 円 |
|---|---|---|
| Google Drive | ¥3,000 | |
| iCloud | ¥1,560 | |
| Google Cloud | ¥2,000 | |
| AWS | ¥3,500 | |
| ChatGPT Plus | $240.00 | ¥37,200 |
| Atokパスポート | ¥3,960 | |
| Youtubeプレミアムファミリー | ¥27,360 | |
| ニコニコチャンネル | ¥7,920 | |
| megalodon.jp | ¥3,780 | |
| 1Password 3年版ファミリー 5人用 | ¥4,166 | |
| Dashlane Premium | $39.99 | ¥6,198 |
| Flightradar24ゴールド | ¥2,700 | |
| マネーフォワード | ¥5,300 | |
| YAMAP | ¥5,700 | |
| モンベル会員 | ¥1,500 | |
| JAF会員 | ¥4,000 | |
| 朝日新聞デジタル | ¥11,760 | |
| New York Times | $25.00 | ¥3,875 |
| Bloomberg | $129.00 | ¥19,995 |
| Foreign Affairs | $39.95 | ¥6,192 |
| Business Insiderジャパン | ¥6,600 | |
| New Yorker | $49.44 | ¥7,663 |
| Atlantic | $109.99 | ¥17,048 |
| Nikkei Asia | $119.00 | ¥18,445 |
| 文藝春秋 電子版 | ¥5,400 | |
| Washington Post | $20.00 | ¥3,100 |
| South China Morning Post | $96.00 | ¥14,880 |
| 毎日新聞 | ¥9,240 | |
| The Times | £12 | ¥2,364 |
| ¥246,407 | ||
| ¥20,534/月額 |
こうして並べてみると ChatGPT Plus が高い。
今はまだ、長い文章の要約をさせたり、理解が難しい話を読む時に対話的に質問したりして容易に概略化するのに使っている程度で、あんまり創造的に使いこなせていない。
昔からゲームはやらないし、あとは10年くらい前からアニメ、アイドルなども追わなくなってしまったので、この程度をコンテンツに費やすのは苦とは感じないです。
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
この件、新聞各紙やNHKも報じて思ったより大ごとになって驚いていますが致し方ないと思います。
カメラ好き・写真趣味の界隈でも概ね「明らかに機能説明や性能イメージと認識される画像はともかく作例と誤認させる画像はアウト。しかも他社機による写真だったとはカメラメーカーとして情けない」という見解です。
ごく一部アレなLUMIXファンがめちゃくちゃな擁護をしたり他社ユーザーに当たり散らしたりしてお恥ずかしい限りですが（ゲームハードみたいにカメラでも熱狂的なファンがいるのです…）ほとんどのユーザーはまともです。
例えば機能紹介の小さな画像はストックフォト（素材画像）で問題なかったでしょう。
こうした画像は機種が違っても使い回されることがありますしユーザーもあくまでイメージであることを認識しています。
一方でカメラは写真を撮る製品ですから大きく扱われた画像は作例と捉えられるのが普通です。
腕前はともかくユーザーも同じ写真を撮ることができるということですね。
作例は炊飯器なら実際に炊いたごはんの試食、化粧品なら無料サンプルのようなものです。
今回はその作例が借り物で、その機種では撮れない写真が含まれていることが問題の本質です。
※画像元
「LUMIX」商品サイトでのストックフォト使用、新機種以外にもあったと認める パナ「認識の甘さを反省」（1/2 ページ） - ITmedia NEWS
https://www.itmedia.co.jp/news/articles/2405/31/news098.html
More bad news for Panasonic: Lumix S9 product page controversy and the use of stock photos *UPDATED* - Photo Rumors
https://image.itmedia.co.jp/l/im/news/articles/2405/31/l_my_0530panasonic01.jpg
当該機種で撮影してない点はさておき、これはセーフと考えます。
パナソニックのオートフォーカス性能（ピントを合わせ続ける力）はソニーやキヤノンに比べ弱いのでたやすく撮れるかはわかりませんが、同じ写真の撮影は可能だからです。
https://image.itmedia.co.jp/l/im/news/articles/2405/31/l_my_0530panasonic05_w480.jpg
https://image.itmedia.co.jp/l/im/news/articles/2405/31/l_my_0530panasonic07_w360.jpg
記事で解像度の違いが指摘されていますが、とはいえサイトに掲載するサイズに縮小した範囲では問題になりません。
https://pbs.twimg.com/media/GOki_m9aAAAtt-e.jpg
これは微妙です。
というのもこの新型機LUMIX S9はメカシャッターという機構を省いて小型化を実現しています。
スマホで目の前を通過する電車や車を撮影すると斜めに歪んで写る現象を知っている方も多いと思いますが、メカシャッターがないカメラも同じことが起こるのです。
そのため鳥の翼がこのように写せるかはわかりません。
歪んでも直線的な人工物と違って気にはならないかもしれませんが。
https://image.itmedia.co.jp/l/im/news/articles/2405/31/l_my_0530panasonic03.jpg
光学的な説明は省略しますがこのレンズでこのような背景がきれいにぼけた写真は撮れません。
一眼（レンズ交換式カメラ）はレンズとボディで構成されますが他のボディを使っても不可能です。
このレンズはメーカー希望価格4万円台と安くライトユーザーをターゲットにしたレンズですが、この画像を信じて買って「なぜかサイトの写真みたいに撮れない…」とガッカリした方もいるであろうと思うと胸が痛みます。
複数の機種で同様の問題があり、パナソニック自身もミスではないことを認めています。
わかりませんが、新型機に注目が集まったことが一因でしょうか（たまたま元画像を知っている人の目に触れた、など）。
またカメラファンほどサイトの画像だけで判断しないので「実害」がなくあまり問題視されなかったのかもしれません。
問題が発覚してから界隈では各社のサイトを検証する動きがありましたが今のところ特に見つかっていません。
一般の方からするとパナソニックは家電メーカーかもしれませんが、ミラーレス一眼においては派手さはなくとも堅実な良い製品を作り続けている立派なカメラメーカーです。
シェアは小さいですが動画分野で定評があり製品自体は悪くありません。
それなのに広報宣伝がユーザーを騙すような形になって結果的に自社製品に泥を塗ってしまったのは大変残念です。
前回の記事では日米における画像生成AIの使われ方の違いを説明しました。
雑にまとめると以下です
以下のPostが X (Twitter) で話題になっていました。
https://twitter.com/Pureevilbich/status/1751662096381587457
元の投稿は (r/TwoXChromosomes)になされたものです。
内容はインスタグラムの写真を使われてポルノ画像を作られてしまったという話です。調べてみると友人、知人に LoRAされた AIポルノを生成されたという被害はそこそこ稀にあるトラブルのようです。今回炎上しているのは警察が対応してくれないということについてです。以下翻訳：
(r/TwoXChromosomes) url:https://x.gd/gl4BT
・・・そして警察は、彼らは何もすることができないと言った。電話は４分にも満たなかった。（もちろん110ではない普通の電話だ）警察は私の名を聞くことすらしなかった。警察は私に彼らをブロックしてこれ以上接触してこないことを願いましょうと言った。まるで私がまだブロックしていないかみたいな言い草だ。
何者かは私のインスタ写真を使いAI生成に使ったのだ・・・そしてそれは気持ち悪いほどリアルに見えた
全く加工していない写真に見えた。指の形まで精巧で。まさに不気味の谷だった。私は震えていて、どうすればいいのかわからない
これが女性としての人生として受け入れろとでもいうのだろうか？
…And the police officer said they can’t do anything about it. The phone call (to the non-emergency line) lasted four minutes. He didn’t even ask for my name. He told me to block them and hope they don’t contact me again. Like I hadn’t already blocked them by the time I decided to report it.
The person had taken a photo of me from my instagram and put it though an AI generator… and it looked sickeningly realistic. It didn’t look altered at all. Even the fingers were fine. It was so uncanny-valley. I am shaking, and I don’t know what to do.
ホスティングサービスにDMCA削除通知を提出しましょう。あなたの著作権で保護された画像があなたの許可なく使用されているのです。(+2.9k)
Laws always lag far behind technology.
File a DMCA takedown notice with the hosting service. It's your copyrighted image being used without your permission, you can even sue if you want. (+ 2.9k)
AI画像生成自体は罪になりません。上記のやりとりではインスタグラムの写真を勝手に学習に使われたということで、著作権侵害として対処しようとしています。
ただし日米で法律が異なるのに注意です。
日本ではよく知られたように著作物のAI使用は広く認められています。ただし
第三十条の四
著作物は、次に掲げる場合その他の当該著作物に表現された思想又は感情を自ら享受し又は他人に享受させることを目的としない場合には、その必要と認められる限度において、いずれの方法によるかを問わず、利用することができる。ただし、当該著作物の種類及び用途並びに当該利用の態様に照らし著作権者の利益を不当に害することとなる場合は、この限りでない。
とあります。『著作権者の利益を不当に害することとなる場合』に該当すると良いのですが。そうじゃないと困る。
また、プライバシーの侵害という観点から見れば「宴のあと事件」「石に泳ぐ魚事件」などの判例をみるに民事で訴えることは可能なように思えますね。
さらにいえば、もともと日本ではポルノの扱いが厳しくてポルノ画像を公共の場に送信するのは禁止されています（猥褻物頒布罪）
なので上で話題になっている男は日本なら刑事罰で捕まるはずです。
こんなわけで、アメリカで起こっている問題がそのまま日本ですぐさま問題になるわけではありません。
日本における表現規制の厳しさに救われたようなちょっと不思議な状況ですね
あくまで現状においてですが、LoRAによるAIポルノ被害は日本では全然耳にしません。
アメリカ人はフォトリアルなポルノを作るのに対し、日本人は萌え絵を作る。
萌え絵のおかげで日本人女性はあまり被害に遭わないというちょっと不思議なおはなし。
もちろんこれはあくまで傾向です。例外はありますよ。アメリカ人にも萌え絵を生成する萌えオタはいます。また、古くはグラビアアイドルでコラ画像を作る日本人もいました。
昔はコラ画像を作る技術を持った人たちはごく一握りだったのに対し、技術を持たないアホが画像生成AIを手にしてしまったということが数々の問題を引き起こしています。
アメリカでは大量のアホがフォトリアルなエロ画像を生成しているせいで出てくる問題なわけです
逆に言い換えれば、日本にも知人でLoRAする知人の写真で追加学習させるアホが探せばいるかもしれないけれど数が少なすぎて表面化しないということですね
念のためAI画像生成絵師さん達の名誉のために書いておきますが、Pixiv等でルールを守って投稿されている方々は何のトラブルも起こしていません。生成している絵もこだわりが込められていて、使う道具が違うだけで愛があるのだと感じます。まともな人ほど静かで目に入らない、問題のあるやつほど悪目立ちするというのが話がこじれる原因ですね
一連の記事は絵師とAI絵師の対立を煽るものではないことを強調しておきます。（いちおう私は絵師の立場です）
RoLA → LoRA
あー すでにあるんですか・・・・困りましたね
In a discussion about the case, someone raised an objection to "someone who was not a party to the incident, who was not from Nagasaki, and who was not from Hiroshima, complaining about it. Seeing that opinion made me aware of my position, so I will say what I must say.
I was born in Nagasaki and am a third-generation A-bomb survivor.
I say this because I grew up hearing the stories of the A-bomb damage directly from those who suffered from the atomic bombings.
I feel that it is unacceptable for someone like me to speak about the A-bomb damage.
However, there are few A-bomb survivors left, so I will speak up.
In Nagasaki, children grow up hearing stories about the atomic bombing. We were made to sit in the gymnasium of an elementary school in the middle of summer, where there was not even an air conditioner or a fan, and for nearly an hour we were made to listen to stories about the atomic bombing. It was hard for me anyway.
I think it was even more painful for the elderly people who told the stories. But I don't think an elementary school kid could have imagined that. I, too, have forgotten most of the stories I was told. I can only remember one or two at most.
Another thing is that at this time of year, pictures of the victims of the atomic bombing are pasted up in the hallways.
In other parts of the country, these are grotesque images that would cause a fuss from the parents who are always nagging about them.
Recently, even the A-bomb museum has become more gentle in its exhibits, and most of the radical and horrifying exhibits that would have traumatized visitors have been removed.
I don't know how elementary schools now teach about the A-bomb damage. But when I was in elementary school, there were photos on display.
There was one photo that I just couldn't face as an elementary school student. It was a picture of Taniguchi Sumiteru(谷口稜曄). If you search for it, you can find it. It is a shocking picture, but I would still like you to see it.
I couldn't pass through the hallway where the photo was displayed, so I always took the long way around to another floor to avoid seeing the photo.
My grandfather was under the bomb and went to the burnt ruins of the bomb to look for his sister. I can understand now that he couldn't turn away or go another way.
There would have been a mountain of people still alive and moaning in the ruins of the burnt ruins. There would have been many more who would have died out in agony.
My grandfather walked for miles and miles, towing a rear wheelchair, through the narrow streets of rubble-strewn Nagasaki in search of his sister.
My grandfather was not a child then. But of course there were elementary school children who did the same thing he did. I am not speculating that there were. There were. I heard the story from him, and I still remember it.
A young brother and sister found their father's corpse in the ruins of the fire and burned it themselves. They didn't have enough wood to burn him alive, and when they saw his brain spilling out, they ran away, and that was the last time they ever saw him again.
I can never forget that story I heard when I was a kid, and even now it's painful and painful, my hands are shaking and I'm crying.
I keep wondering how that old man who ran away from his father's brain was able to expose to the public the unimaginably horrible trauma, the scar that will never heal, even after all these years.
Now I think I understand a little.
Why I can't help but talk about my grandfather and the old man now, even as I remember my own trauma.
Because this level of suffering is nothing compared to their words being forgotten.
It's nothing compared to the tremendous suffering that once existed that will be forgotten, like my hands shaking, my heart palpitating, my nose running with vertigo, and so on.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire.
In other words, my grandfather was one of the happiest people in the ruins of the fire.
My grandfather and that old man were, after all, just people wading in the depths of hell.
I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles on the ground in Nagasaki 78 years ago, and no one paid any attention to it.
Their suffering, which I can't even imagine, is nothing compared to the countless, unimaginable suffering they witnessed, which they pretend never happened.
Memories fade inexorably with each passing human mouth. The memories that those people could never allow to be forgotten are almost forgotten.
The tremendous suffering of 78 years ago is mostly gone, never to be recounted.
Those who suffered the most from the atomic bombing died rotting in the ruins of the fire without being able to tell anyone about it.
Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are still in their graves.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words.
But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing.
I know how it feels to think that I am the only one. Still, I hope that you will not shut your mouth. I know that I have closed my mouth because I thought I shouldn't talk about it, and that is the result.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for fun.
I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
すまん。勝手に翻訳した。拡散はどうするかな。redditとかに投稿するのがいいのか?
----
I have seen some posts asking if they should talk about "the case" even though they were not involved in it and were not born in Nagasaki or Hiroshima, and I am a bit aware of it, so I have to say what I have to say. I say this because I was born in Nagasaki, am a third generation atomic bomb survivor, and grew up hearing the stories of those who experienced the atomic bombing firsthand. I know it's a little bit too much for me, but I'm going to say this because there are very few survivors left.
In Nagasaki, children grow up hearing stories about the atomic bombing. They were stuffed into sushi for nearly an hour in the gymnasium of an elementary school in the middle of summer, with no air conditioner or fan, and told stories about the atomic bombing. That was a hard time for me. I think it must have been even harder for the old people who told the stories, but there was no way an elementary school kid could imagine such a thing, and I had forgotten most of the stories I had been told for a long time. I have forgotten most of the stories I was told. I can only remember one or two at most. There is one more hard thing. Every year around this time, a row of grotesque images that would drive the PTA crazy in other areas are prominently displayed in the hallways. These days, I hear that the atomic bomb museum has been bleached out and many of the radical and horrifying exhibits that traumatized visitors have been taken down. I don't know if they are still there, but they were there when I was in elementary school.
There was one photo that I just couldn't face when I was in elementary school. It is a picture of Sumiteru Taniguchi. If you search for it, you can find it. It is a shocking picture, but I would like you to take a look at it. I couldn't pass through the hallway where the photo was posted, so I always took the long way around to another floor of the school building to avoid seeing the photo.
Now I'm thinking that my grandfather, who headed into the burnt ruins to look for his sister, couldn't have turned away or taken a different path. There would have been a mountain of people still alive and moaning, not just pictures, and a mountain more who would have given up at the end of their suffering. He walked for miles and miles, towing his handcart through the narrow streets of rubble-strewn Nagasaki in search of his sister. My grandfather was not a child at the time, but of course there were children who did similar things. Not that there wouldn't have been. There were. I heard the story from him, and I still remember it. A young brother and sister found their father's body in the ruins of a fire and they burned it. They didn't have enough wood to burn his body, and when they saw the raw brain that spilled out, they ran away and that was the last time they ever saw him anymore.
I can never forget the story I heard when I was a kid, and even now it is painful and painful, my hands are shaking and I am crying. I keep wondering how the old man who escaped from that father's brain could have been able to unravel the most horrible trauma imaginable and expose it to the public with scars that will never heal.
Now I think I can understand a little.
The reason I can't help but talk about my grandfather and that old man, even if I have to rehash my own trauma, is that this level of suffering is nothing compared to the fact that their words will be forgotten. My hands shaking, my heart palpitating and dizzy, my nose running with tears, it's nothing compared to the tremendous suffering that was once there and will be forgotten.
My grandfather, who went through an unimaginable hell, lived to see his grandchildren born, and met his sister's death in the ruins of the fire. In other words, my grandfather was one of the happiest people in the ruins of the fire. My grandfather and that old man were, after all, just people wading in the depths of hell. I think that the suffering that even people who had experienced unimaginable pain could not imagine was lying like pebbles in Nagasaki 78 years ago, and no one paid any attention to it. Their suffering, which I can't even imagine, is nothing compared to the countless, tremendous suffering they witnessed, which they pretend never happened.
Memories fade inexorably every time people talk about them. The memories that those people could not allow to be forgotten are now largely forgotten; the tremendous suffering of 78 years ago is mostly gone, never to be recounted again. Those who suffered the most from the atomic bombing died rotting in the ruins of the fire, unable to tell anyone about it. Many of those who saw it with their own eyes kept their mouths shut and took it with them to their graves. Most of those who spoke a few words are now under the grave.
Compared to the words of the old men, my own words are so light. I would rather keep my mouth shut than speak in such light words. But still, someone has to take over. I realize that even my words, which are so light, are only the top of the voices that are left in this world to carry on the story of the atomic bombing. I know how it feels to wonder if someone like myself is allowed to speak about this. Still, I hope that you will not shut your mouth. This is the result of our silence.
Sometimes I almost choose to stop imagining the unimaginable suffering and live my life consuming other people's suffering for the fun of it. I am writing this while I still have some imagination of the suffering of the old people whose voices, faces, and even words I can no longer recall.
Translator's note: The original post in Japanese is a response to a post by a Japanese contributor who wondered if he was qualified to speak out on the subject of the A-bomb when he was not from Hiroshima and Nagasaki, but still spoke out about Barbie and the A-bomb. I translated it here because I think it deserves to be read by the world.
I must talk about various things regarding the Barbie incident.
I saw a post about it from someone who is neither directly involved nor from Nagasaki or Hiroshima, and it made me realize that there are things I must say.
I was born in Nagasaki and grew up listening to stories from the survivors, being a third-generation survivor myself. Most survivors are no longer with us, so I feel compelled to speak up.
In Nagasaki, kids grow up hearing about the atomic bomb. We were packed like sushi in a gymnasium without air conditioning or even fans during the scorching summer, and we listened to stories about the bomb. It was incredibly tough for me.
I imagine it was even harder for the elderly who spoke about their experiences. As a child, I couldn't fully comprehend their pain, and now, I can hardly remember most of the stories I heard. I can only recall one or two.
Every year during this time, gruesome images that would make PTA elsewhere go crazy were displayed in the hallways. I heard that many of the horrifying exhibits that used to traumatize visitors at the Atomic Bomb Museum have been removed, and the museum has been considerably sanitized. I'm not sure about the current situation, but that's how it was when I was there.
There was one photograph that I could never bear to look at as a child – a picture of Tadashi Taniguchi. You can find it if you search, but it's a shocking image with a viewer discretion warning. Still, I want people to see it.
I couldn't walk down the hallway where that photo was displayed, and I always took a different route, avoiding it so I wouldn't have to see it.
Now, I think of my grandpa who went to the ruins to search for my sister. He couldn't look away or take a different path. The pain must have been unimaginable.
Besides photographs, there were many living people moaning in pain back then, and there must have been even more who succumbed to suffering.
My grandpa walked for miles, pulling a handcart through the debris-laden streets of Nagasaki, searching for my sister.
Even though my grandpa was not a child, I'm sure there were elementary school kids who did similar things. I don't just think they might have been there; they were there. I heard the stories from the people themselves, and I still remember them.
I can't forget the stories I heard as a child, such as the young siblings finding their father's burnt corpse in the ruins and cremating him. They didn't have enough firewood, and their father ended up half-burnt. They ran away after seeing the brain tissue oozing out, and that became their final farewell.
I can never forget those stories I heard as a child, and even now, they still bring pain and suffering, making my hands tremble and tears flow.
I wonder how my grandpa, who ran away from that father's brain tissue, could expose his unimaginable trauma and everlasting scars to the world.
Now, I feel like I understand a little.
Even someone like me, who experienced such unimaginable trauma, has gone through pain that I can't even imagine being compared to being discarded, forgotten, and ignored. Compared to what those people experienced, my suffering means nothing.
My trembling hands and the palpitations and dizziness I experienced are nothing compared to the tremendous pain that many others went through.
Memories fade irreversibly every time they pass through people's lips. The memories that I couldn't bear to be forgotten are almost forgotten now.
The unimaginable pain that existed 78 years ago has mostly disappeared, and we can no longer pass it on.
The people who suffered the most from the atomic bomb perished in the ruins, rotting away without being able to convey it to anyone.
Even those who saw it with their own eyes mostly took the memories with them to their graves. Most of them are now under the tombstones.
Compared to the words of the elderly, my words seem so light. I think that speaking with such light words would be better than keeping silent, as silence has led to this result.
I feel like I might occasionally choose to stop imagining the unimaginable pain and consume the suffering of others in an amusing way to live on.
Before I forget the pain and suffering of those elderly people, whose faces and voices I can no longer recall, I will leave this here.
ワイも金はない側の人間だけど、ここまで落ちてないという自負はある
外資系の保険会社で働いていた夫・邦夫さん（仮名・59歳）の早期退職を機に、心機一転、北関東のはずれにある小さな町に、二人の子供とともに移住した田辺恵美さん（仮名・51歳）。
前編『59歳外資系勤務夫が51歳妻と地方移住も…「奥さんは働かないの？」近隣住民が向ける好奇の目に切り裂かれたメンタル』では都内から車で3時間ほどの移住先へ引っ越してから、ご近所との交流に一抹の不安を覚えながらも、新生活が始まった様子を伝えた。
上の娘は私立中学校へ、下の息子は公立の小学校への編入手続きを済ませたのだが、これが失敗に終わってしまう。
PHOTO：iStock
「言葉遣いや地元の慣習に馴染めなかった娘は学校でも浮いてしまったようで、毎日暗い顔をしていました。私立と言っても地方では結局地元の人間の集まりなんですよね。同じ小学校や同じ町内から通学しているようなコばかりで、遠方、それも東京からの編入生である娘は周りから距離を置かれていたようです。
本人は普通に振舞ってるつもりなのに『気取ってる』『セレブぶってる』とか言われて仲間外れにされたみたいですね。息子は息子で『でかくて変な成金趣味の家の子供」という目（偏見？）で見られていたようです。『成金趣味』だなんて、小学生が日常的に使う言葉じゃないと思うので親や周りのおとなの影響でしょう。
一番ショックだったのは先生方もよそよそしかったことです。授業参観に行った時、いくら手をあげても指してもらえない娘の姿や、休み時間に他の子供たちが先生に誘われて校庭で遊んでる中、ひとりで教室に残る息子の姿を目にした時は胸が押しつぶされそうになりました」
