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はてなキーワード: dropsとは
はっきり言って正確な定義なんてどうでもいいよ。
元記事の定義が間違っていることを示すためには正しい定義を提示しないと説得力がないだろ。だから書いてるだけ。
俺が言いたいのは1個だけだよ。
【元記事がハックアンドスラッシュの「正しい定義」として主張する「「敵を薙ぎ倒して報酬を得ること」という定義は間違っている】
これだけ。
どこが間違っているかというと、「報酬を得る」は定義に含まれないということ。
元記事が主張している定義はここで確認できる。https://www.gamespark.jp/article/2025/07/13/154979.html
元記事がそれを正確な定義として主張していることはここで確認できる。https://jzunkodj4y.livedoor.blog/archives/52823458.html
この文章を通して、RPGにおける「ハックアンドスラッシュ」の正確な定義や、
また、著者がそれを1980年代からの本来の定義としており、後年派生した定義等として語っているわけではないことはここで確認できる。https://b.hatena.ne.jp/entry?url=https%3A%2F%2Fanond.hatelabo.jp%2F20250714161258
jzunkodj4y ゲーム用語の「ハックアンドスラッシュ」は1980年代からTRPG界隈で意味が確立して、アクション界隈で別の使われるようになったのは2000年以降の後付けだと指摘しておきます / 和製英語でなく英語圏でもそういう意味です
以下のおまえさんの問いへの回答はこうだ。
またあなたの言う「正確な定義」とは時間的に変化し得るものなのだろうか？変化しうる場合は今現在の英語圏における「正確な定義」に報酬は含まれ得るのでは？
俺は「正確な定義」とは言っていない。「正しい定義」とは言ったが、その正しさは俺にとってはどうでもいい。
今現在の英語圏における「正確な定義」に報酬は含まれ得ないというのが俺の主張。「正確な定義」を立証するは困難なので、ここではAIに任せる（末尾に付す）。AIよりも自分自身の調査のほうが信用できるということであればそれで結構。
元記事の著者が「歴史的な定義」を「変化した歴史」を含みこんだ定義としていないことは上の引用でわかる。というかそもそも元記事を読めばわかる。
In English usage, does the definition of the term “hack-and-slash” include obtaining loots/rewards, or not?
In standard English usage, the core meaning of “hack-and-slash” is simply “gameplay that focuses on frantic, usually melee-weapon combat.” None of the major English-language definitions make loot or rewards part of the term’s definition. The association with treasure drops comes from one specific sub-genre (isometric action-RPGs such as Diablo), not from the word itself.
Strict definition: “Hack-and-slash” = combat-centric, weapon-based play; loot is not inherent.
Could you check my sentence? Grammar and 単数形、複数形 and so on. Re write please.
I think career planning is not essential for a successful work life especially for woman. I would like to show example in Japan.
In Japan usually woman starts their carrier after graduated from the university. I saw statistics shows that woman’s salary starts from 1 to 3 million yen in the biggening. The peak of the salary will be around the age of 25 as 5 to 6 million yen. After that it will drop harshly to 100 million to 0 yen. Why we have this huge drop?
The reason is that most of Japanese woman retire after their marriage called “Hanayome Taisha” and some of them will be housewives, that means no longer to continue their carrier. However, these days it is very hard to live rely on man’s income to live in metropolis. Some of woman start working as a part timer to take care of their children while husband works fulltime and this makes woman not to be able to paid well. The statics shows that woman’s carrier restart between 30 to 35 years old but the salary will not be the peak like their 20s anymore. From these statistics, I think woman’s carrier depends on what kind of lifestyle they want.
ChatGPT
I think career planning is not essential for a successful work life, especially for women. I would like to provide an example from Japan.
In Japan, women usually start their careers after graduating from university. Statistics show that women's salaries start from 1 to 3 million yen at the beginning. The peak of their salary is typically around the age of 25, ranging from 5 to 6 million yen. However, after that, it drops sharply to 100 million to 0 yen. Why do we see this huge drop?
The reason is that most Japanese women retire after getting married, a phenomenon called "Hanayome Taisha," and some become housewives, meaning they no longer pursue their careers. However, these days it is very hard to rely solely on a man's income to live in a metropolis. Some women start working as part-timers to take care of their children while their husbands work full-time, which results in women not being paid well. Statistics show that women's careers restart between 30 and 35 years old, but the salary is not at its peak like in their 20s anymore. From these statistics, I believe a woman's career depends on the kind of lifestyle they want.
why you use women ? I used woman.
ChatGPT
I used "women" instead of "woman" because your original text seemed to refer to women in general, rather than a specific individual. When discussing women as a group, it's more common to use the plural form. However, if you prefer to use "woman" to refer to women in general, I can adjust the text accordingly.
以下は、ジャニーズ事務所に所属していない30代の日本人男性俳優が主要な役割を演じている映像作品や舞台作品の一部です：
ドラマ『恋はつづくよどこまでも』3
海外ドラマ『神の雫／Drops of God』（Huluオリジナル）2
映画『イン・ザ・ヒーロー』『神さまの言うとおり』『好きっていいなよ。』2
映画『湖の女たち』2
松坂桃李13：
田中圭3：
三浦翔平3：
ドラマ『奪い愛、冬』3
ドラマ『M 愛すべき人がいて』3
神木隆之介14：
ドラマ『アメリカに負けなかった男〜バカヤロー総理 吉田茂〜 』で白洲次郎役を演じました。4
坂口健太郎2：
生田斗真3：
ドラマ『アメリカに負けなかった男〜バカヤロー総理 吉田茂〜 』で白洲次郎役を演じました。3
それなりにいそうな気もするがギリ食えそうなちょい役ってのが難しいのかな
The Sacrament—and the Sacrifice
Of the Quorum of the Twelve Apostles
I pray for your faith and prayers that my utterances will be received and understood “by the Spirit of truth” and that my expressions will be given “by the Spirit of truth” so that we might all be “edified and rejoice together.” (See D&C 50:21–22.)
As I stand here today—a well man—words of gratitude and acknowledgment of divine intervention are so very inadequate in expressing the feelings in my soul.
Six months ago at the April general conference, I was excused from speaking as I was convalescing from a serious operation. My life has been spared, and I now have the pleasant opportunity of acknowledging the blessings, comfort, and ready aid of my Brethren in the First Presidency and Quorum of the Twelve, and other wonderful associates and friends to whom I owe so much and who surrounded my dear wife, Ruby, and my family with their time, attention, and prayers. For the inspired doctors and thoughtful nurses I express my deepest gratitude, and for the thoughtful letters and messages of faith and hope received from many places in the world, many expressing, “You have been in our prayers” or “We have been asking our Heavenly Father to spare your life.” Your prayers and mine, thankfully, have been answered.
One unusual card caused me to ponder upon the majesty of it all. It is an original painting by Arta Romney Ballif of the heavens at night with its myriad golden stars. Her caption, taken from Psalms, reads:
“He healeth the broken in heart, and bindeth up their wounds.
“He telleth the number of the stars; he calleth them all by their names.
“… His understanding is infinite.” (Ps. 147:1, 3–5.)
As I lay in the hospital bed, I meditated on all that had happened to me and studied the contemplative painting by President Marion G. Romney’s sister and the lines from Psalms: “He telleth the number of the stars; he calleth them all by their names.” I was then—and continue to be—awed by the goodness and majesty of the Creator, who knows not only the names of the stars but knows your name and my name—each of us as His sons and daughters.
“When I consider thy heavens, the work of thy fingers, the moon and the stars, which thou hast ordained;
“What is man, that thou art mindful of him? …
“For thou hast made him a little lower than the angels, and hast crowned him with glory and honour.” (Ps. 8:3–5.)
To be remembered is a wonderful thing.
The evening of my health crisis, I knew something very serious had happened to me. Events happened so swiftly—the pain striking with such intensity, my dear Ruby phoning the doctor and our family, and I on my knees leaning over the bathtub for support and some comfort and hoped relief from the pain. I was pleading to my Heavenly Father to spare my life a while longer to give me a little more time to do His work, if it was His will.
While still praying, I began to lose consciousness. The siren of the paramedic truck was the last that I remembered before unconsciousness overtook me, which would last for the next several days.
The terrible pain and commotion of people ceased. I was now in a calm, peaceful setting; all was serene and quiet. I was conscious of two persons in the distance on a hillside, one standing on a higher level than the other. Detailed features were not discernible. The person on the higher level was pointing to something I could not see.
I heard no voices but was conscious of being in a holy presence and atmosphere. During the hours and days that followed, there was impressed again and again upon my mind the eternal mission and exalted position of the Son of Man. I witness to you that He is Jesus the Christ, the Son of God, Savior to all, Redeemer of all mankind, Bestower of infinite love, mercy, and forgiveness, the Light and Life of the world. I knew this truth before—I had never doubted nor wondered. But now I knew, because of the impressions of the Spirit upon my heart and soul, these divine truths in a most unusual way.
I was shown a panoramic view of His earthly ministry: His baptism, His teaching, His healing the sick and lame, the mock trial, His crucifixion, His resurrection and ascension. There followed scenes of His earthly ministry to my mind in impressive detail, confirming scriptural eyewitness accounts. I was being taught, and the eyes of my understanding were opened by the Holy Spirit of God so as to behold many things.
The first scene was of the Savior and His Apostles in the upper chamber on the eve of His betrayal. Following the Passover supper, He instructed and prepared the sacrament of the Lord’s Supper for His dearest friends as a remembrance of His coming sacrifice. It was so impressively portrayed to me—the overwhelming love of the Savior for each. I witnessed His thoughtful concern for significant details—the washing of the dusty feet of each Apostle, His breaking and blessing of the loaf of dark bread and blessing of the wine, then His dreadful disclosure that one would betray Him.
He explained Judas’s departure and told the others of the events soon to take place.
Then followed the Savior’s solemn discourse when He said to the Eleven: “These things I have spoken unto you, that in me ye might have peace. In the world ye shall have tribulation: but be of good cheer; I have overcome the world.” (John 16:33.)
Our Savior prayed to His Father and acknowledged the Father as the source of His authority and power—even to the extending of eternal life to all who are worthy.
He prayed, “And this is life eternal, that they might know thee the only true God, and Jesus Christ, whom thou hast sent.”
Jesus then reverently added:
“I have glorified thee on the earth: I have finished the work which thou gavest me to do.
“And now, O Father, glorify thou me with thine own self with the glory which I had with thee before the world was.” (John 17:3–5.)
He pled not only for the disciples called out from the world who had been true to their testimony of Him, “but for them also which shall believe on me through their word.” (John 17:20.)
When they had sung a hymn, Jesus and the Eleven went out to the Mount of Olives. There, in the garden, in some manner beyond our comprehension, the Savior took upon Himself the burden of the sins of mankind from Adam to the end of the world. His agony in the garden, Luke tells us, was so intense “his sweat was as … great drops of blood falling … to the ground.” (Luke 22:44.) He suffered an agony and a burden the like of which no human person would be able to bear. In that hour of anguish our Savior overcame all the power of Satan.
The glorified Lord revealed to Joseph Smith this admonition to all mankind:
“Therefore I command you to repent …
“For … I, God, … suffered … for all, that they might not suffer if they would repent; …
“Which suffering caused myself, even God, the greatest of all, to tremble because of pain, and to bleed at every pore, …
“Wherefore, I command you again to repent, lest I humble you with my almighty power; and that you confess your sins, lest you suffer these punishments.” (D&C 19:15–16, 18, 20.)
During those days of unconsciousness I was given, by the gift and power of the Holy Ghost, a more perfect knowledge of His mission. I was also given a more complete understanding of what it means to exercise, in His name, the authority to unlock the mysteries of the kingdom of heaven for the salvation of all who are faithful. My soul was taught over and over again the events of the betrayal, the mock trial, the scourging of the flesh of even one of the Godhead. I witnessed His struggling up the hill in His weakened condition carrying the cross and His being stretched upon it as it lay on the ground, that the crude spikes could be driven with a mallet into His hands and wrists and feet to secure His body as it hung on the cross for public display.
Crucifixion—the horrible and painful death which He suffered—was chosen from the beginning. By that excruciating death, He descended below all things, as is recorded, that through His resurrection He would ascend above all things. (See D&C 88:6.)
Jesus Christ died in the literal sense in which we will all die. His body lay in the tomb. The immortal spirit of Jesus, chosen as the Savior of mankind, went to those myriads of spirits who had departed mortal life with varying degrees of righteousness to God’s laws. He taught them the “glorious tidings of redemption from the bondage of death, and of possible salvation, … [which was] part of [our] Savior’s foreappointed and unique service to the human family.” (James E. Talmage, Jesus the Christ, Salt Lake City: Deseret Book Co., 1977, p. 671.)
I cannot begin to convey to you the deep impact that these scenes have confirmed upon my soul. I sense their eternal meaning and realize that “nothing in the entire plan of salvation compares in any way in importance with that most transcendent of all events, the atoning sacrifice of our Lord. It is the most important single thing that has ever occurred in the entire history of created things; it is the rock foundation upon which the gospel and all other things rest,” as has been declared. (Bruce R. McConkie, Mormon Doctrine, Salt Lake City: Bookcraft, 1966, p. 60.)
Father Lehi taught his son Jacob and us today:
“Wherefore, redemption cometh in and through the Holy Messiah; for he is full of grace and truth.
“Behold, he offereth himself a sacrifice for sin, to answer the ends of the law, unto all those who have a broken heart and a contrite spirit; and unto none else can the ends of the law be answered.
“Wherefore, how great the importance to make these things known unto the inhabitants of the earth, that they may know that there is no flesh that can dwell in the presence of God, save it be through the merits, and mercy, and grace of the Holy Messiah, who layeth down his life according to the flesh, and taketh it again by the power of the Spirit, that he may bring to pass the resurrection of the dead, being the first that should rise.
“Wherefore, he is the firstfruits unto God, inasmuch as he shall make intercession for all the children of men; and they that believe in him shall be saved.” (2 Ne. 2:6–9.)
Our most valuable worship experience in the sacrament meeting is the sacred ordinance of the sacrament, for it provides the opportunity to focus our minds and hearts upon the Savior and His sacrifice.
The Apostle Paul warned the early Saints against eating this bread and drinking this cup of the Lord unworthily. (See 1 Cor. 11:27–30.)
Our Savior Himself instructed the Nephites, “Whoso eateth and drinketh my flesh and blood unworthily [brings] damnation to his soul.” (3 Ne. 18:29.)
Worthy partakers of the sacrament are in harmony with the Lord and put themselves under covenant with Him to always remember His sacrifice for the sins of the world, to take upon them the name of Christ and to always remember Him, and to keep His commandments. The Savior covenants that we who do so shall have His spirit to be with us and that, if faithful to the end, we may inherit eternal life.
Our Lord revealed to Joseph Smith that “there is no gift greater than the gift of salvation,” which plan includes the ordinance of the sacrament as a continuous reminder of the Savior’s atoning sacrifice. He gave instructions that “it is expedient that the church meet together often to partake of bread and wine in the remembrance of the Lord Jesus.” (D&C 6:13; D&C 20:75.)
Immortality comes to us all as a free gift by the grace of God alone, without works of righteousness. Eternal life, however, is the reward for obedience to the laws and ordinances of His gospel.
I testify to all of you that our Heavenly Father does answer our righteous pleadings. The added knowledge which has come to me has made a great impact upon my life. The gift of the Holy Ghost is a priceless possession and opens the door to our ongoing knowledge of God and eternal joy. Of this I bear witness, in the holy name of Jesus Christ, amen.
「レイノー現象とは、冷たい刺激などで指先が突然白色や紫色になり、15分から20分前後で紅色に戻る現象です」
「レイノー現象とは、発作的に手足の血の流れが悪くなって、皮膚の色が蒼白または紫色（チアノーゼ）になり、痛み、冷感、しびれ感を自覚し、次いで血液の流れが回復すると、逆に充血し赤くなる現象をいいます」
「Raynaud's causes your body to overreact to cold. When the temperature drops, your fingers and toes may feel numb and frozen. They sometimes even change colors, first pale and then blue. As they warm up, they may sting and turn red. Cold weather, air conditioning, and stress or anxiety can bring on these attacks」
「cold feet treatment」足の冷え、で検索するとレイノー病も説明する英語圏ウェブ、「シモヤケ」で検索してもレイノー病は出てこない日本語圏ウェブ、という事例に接した
https://b.hatena.ne.jp/entry/s/togetter.com/li/1807723
小説の一人称視点だとあまり感じませんが、客観的に見ると主人公は十分にチートキャラです。その自他の認識のギャップが、作品全体のストーリーの根幹になってます。アニメだと、小説では隠れていたそのギャップがはっきり見えるようになりますよね。
強さを教える赤ママ、賢さを教える青ママ、優しさを教える白ママとそろってますからねえ。メイドもいるし。
あれは、身内をエロの対象とすることを極端に忌避するトラウマとして、主人公の根底に残ってます。おかげでアイシャは思いっきり歪みました。あの世界では、異母兄妹は普通に結婚が可能です。本人も周りも望み、相手も好意を持ってくれているのに、絶対に異性としては見てくれない。頭の良い子で兄を尊敬もしているので、男女関係についての感情が完全におかしくなってます。
「蛇足」なんかじゃないです。あれはエピローグ集です。本編を最後まで読んだ人は、全員読むべき。
前世で「姪の盗撮写真をズリネタにしてた」という事実がかかれるだけで、そのシーンが出てくるわけではない（原作には）。アニメ版では、見る人が見れば判るように描写されてた・・・。
現実でも、親の立場や考えがわかるようになるのは自分にも子供ができてから、ということは多い。ルーデウスも、相手の気持ちが分かるのは、あとで自分が相手と同じ状況になってからです。彼はまだその段階に達していないだけです。伏線は原作由来やアニメオリジナルで大量にしいてあります。「親」は不在どころか、この物語の主題の一つです。
順不同、敬称略。
今年導入されたTwitterの新機能フリート。24時間で消滅する発信の使い所に期待
https://www.youtube.com/channel/UCtL4YVGDSz3d9btmDLfMhfQ
元増田が挙げてるidはほとんど同じ文字列の繰り返しになっていますが繰り返しを除去したものが本来のidと思われるので、修正したリストを置いときます。
.split(/[\r\n]+/g).map(s => { if(s.slice(0,s.length/2) === s.slice(-s.length/2)) return s.slice(0,s.length/2); else return s; }).join('\r\n')
fai_fx
napsucks
ilililil
kamezoo
afi_click
zbata
Bounding
suikasu1
aruim0
yoshe
LaNotte
crybird
xaither
CatNap
riyoukox
dishers
wantedLovers
Ero
mentalost
flyinglonery
vockeneath
Grease
tigercrow
HAN_NICHI
snowte
net_penis
Risk
hedgehogx
Joicecrunch
rshi
midorimikan
ippeichangg
kyasarin123
kanagawakama
ezmi4
am1130pm2330
murilo
kogumaneko335
sinsara
ateishoku
laislanopira
BenjaminWyatt
forret
dareshimu
crema
nilab
kensei_realdeal
hazekun
graynora
graynora
Arturo_Ui
cozyweblife
cozyweblife
chaos_tag
Dai44
motnao
nyanmage00
imosuki
kotae_taeko
wuzuki
cube9bic
yumenoa
matsuzawa24
nyankoman
tea053
watapoco
Nekomajin
sgtnk
nekowolf
RIP-1202
moandsa
b_wa
tastasto
theNULLPO
smallpalace
ameshonyan
pukka3
yamadasatow
AODeath
nyama02
yykh
karkwind
taramoimoi
maykkzk
yummy_chan
mocchi_rie
maroon
coya58
kanatashiro
stoolpigeonn173
sss7941
tamtam3
Betty999
vkara
vkara
charleyMan
tokyo44tan
kuroi122
ilililil
kabonnu12
Q_saku
kamezoo
arcom
afi_click
hitoyo14142
zbata
Bounding
suikasu1
shunbintarou
aruim0
LaNotte
sekreto
yoshe
crybird
J_J_R
hatekun987654321
xaither
ricanam
CatNap
dishers
wantedLovers
Ero
mentalost
flyinglonery
vockeneath
Grease
tigercrow
HAN_NICHI
snowte
net_penis
joseph150
hedgehogx
hedgehogx
Joicecrunch
seven_cz
yamaisan
proverb
rshi
nekokujira
Dicer
savoy3
itacon
onsenblog
mawhata
politru
ippeichangg
fourddoor
kyasarin123
point2000
ledlizerd
kanagawakama
nenesan0102
misomico
mobile_neko
ezmi4
ezmi4
outinikaerou
am1130pm2330
tana_bata
aquatofana
sociologicls
u_xxxx
murilo
rocoroco3310
misspopo
mventura
fugashi
natuboshi
bigapple11
sinsara
ateishoku
laislanopira
bobby2010
BenjaminWyatt
ciak
pon00
dareshimu
r0seus
yutoma233
inurin
crema
zakochan
lifeisadog
naglfar
suikax
uunfo
kensei_realdeal
takeim
drunkun
graynora
graynora
Arturo_Ui
ukikumokyng
magnus84
mini3mini3
atahara
cozyweblife
cozyweblife
yako_baum
wanimiho
skgctom
Dai44
motnao
imosuki
kotae_taeko
gomasalada
soudana
yumenoa
nekochiyo
tsueppu
tontonNeko2010
kishinenryochan
matsuzawa24
gomaberry
Mofuyuki
tea053
humid
tea053
watapoco
tarako3016
kaerudayo
saori-yamamura
sgtnk
iruka72
nekowolf
threetea0407
collectedseptember
RIP-1202
moandsa
kappaseijin
wisboot
weissorvice
tastasto
smallpalace
herion88
mini_big_foo
ameshonyan
vonakat
yamadasatow
AODeath
nyama02
girlicjam
rabque
karkwind
teiku
fukurow57
vabo-space
taramoimoi
maykkzk
adhd1978bba
yummy_chan
mocchi_rie
a4160
okami-no-sacchan
ardarim
maroon
https://books.google.co.jp/books?id=p6_1DM3ZUwYC&dq=bloodstone+heliotrope+heliopolis&pg=PT372
The jasper was held in high favor by the ancients, and Babylonian seals as old as 1,000 years before the Christian era have been found. The THET or Buckle of Isis was made chiefly of jasper. In those times the stone was found in quantities in the vicinity of the historic town of On or Heliopolis.
http://otakuyume.angelfire.com/gem.html
Bloodstone{heliotrope}—massive quartz, variety plasma, but with small spots of red jasper that resembled drops of blood. Hardness is seven, composition SiO2. found in Heliopolis, Egypt. Checking hemorrhages in ancient times and medieval times. Have the power to cause tempests.
「ブラッドストーンを含む碧玉がヘリオポリスで大量に産出した」「ブラッドストーンはヘリオポリスで発見された」までは英語の情報を確認できたぞ。
https://www.pnas.org/content/116/4/1174
残りは前提知識が欠けてるので、よくわからなかった（じぶんの問題)
ライデンフロスト現象についてはYouTubeを見ればわかる。
https://www.youtube.com/watch?v=mZenCYF1IpM
液体窒素に常温のethanolかsilicon oilの液滴を垂らすと、液滴に推進力が生じる。
Supplementary materialには、この研究のsample videoが公開されている。
推進力が生じるのは、液滴下部に蒸気が生じ液滴を持ち上げる。そして、蒸気が噴出する流れが生じ、流れに影響を受けた液滴の内部流体が流動することで、移動方向が決定される。
以上のことを2D流体計算では、移動方向が決定される原因を特定しようとしている。
http://oomph-lib.maths.man.ac.uk/doc/html/index.html
Chronophotography : overlap image
（まずプロモーターってなに？ この二人はプロモーターであってる？
（三木学とかかなあ？
（ないないないないない！ っていうかそういうのありなら、片寄好之でしょ
（あーうん、たしかに
（じゃあ片寄好之です
（わー
（けどさ、そもそも大月俊倫とかねやんが同列なのはこうなんていうか、小室哲哉とSAMが並び立つような違和感ない？
（小室哲哉とSAMが並び立つような違和感という言葉にまず違和感あるんだけど？
（全方位的になんでだよ
（早見優の好きな曲ランキンーーーーー！！！！ 時間がないから一位だけ発表しちゃうよ！
（やったーーーー！
（そうはならんけど
（あっ！ 氷上恭子の好きな役ランキンの時間だ！ よおし、先んじるぞお！ ラビアンローズ、琴音、ウェディングピーチ！
（は？ あかほりさとると宮村優子の話しとったんだから、ラムネの話しろや
（それもそうだけど、そんな瞬発力はないよお
（冬馬由美が一番エロい声を出していた時期は、今この時2019年3月ですよ？
（そんなこと聞いてないけど、その話興味深いですね。ちなみに鈴木真仁は？
（レジェンズの頃
（身も蓋もないこともいうんだ、じゃあ三ツ矢雄二は？
（ゴッドマーズの頃
（まんがライフMOMO終わったんだしさあ……
（萌え四コマは、完全にきららの代名詞になったのかもしれませんね
（というより、単に文化として定着しただけで、固有のなにかじゃないだけと思いますけども
（話を元に戻すけど、やっぱ三代声優ユニットはRhodanthe、Aice5、TrySailだと思うな
（元に戻ってはないけど、異論はないよ
（あのさあ、こういう時にDROPSの話するのって、もう滑ってるよね
（いいたかないけど、あなたのしてることって、言及の多寡の問題以外は、全く一緒ですよ
（なんでやねん！
（広井王子といえば？
（秋元才加！
（中村光一といえば？
（クルーザー！
（イシイジロウといえば？
（魔神STATIONまだー？
（岡本吉起といえば？
（馬場英雄といえば？
（僕、東海圏に住んでるので八十亀ちゃんかんさつにっきが楽しみです
（話ずらそうとしてるけど、ずれてないけど、要するに一緒じゃないのさ
（すれちがうたび心臓が止まる
（まるでNENNEのようにうつむいて
（うしろ姿をそっと見送った
（まわりの友達は言うわ
（答えがあるわけじゃない
（らら……
（らぶみー後ろ指
（ほーるどみーさされ組
（満足しました？
（もう一曲歌っていい？
（やったー！
（たくさんのドキドキ
（乗り越え踏み越え行くぞ！
（満足しました？
（君色思いも歌っていい？
（まあ歌詞書くだけなんで良いですけど、どうしたんです？
（うん、つまり、三大プロモーターはジャニー喜多川、秋元康、つんく♂の三人だなあって思って
（そりゃそうかもしれないけど、声優とかアニメの話したいんじゃないの？
（否定はそこまでしないけど、ジャニーズの声優アニメ業界の代表がチャチャなのはあってるのか？ 忍たまとかイサミじゃないの？
（いや、ちゃちゃじゃないなら、ツヨシだよ
（なんでやねん、日本のアニメの頂点がツヨシしっかりしなさいなのは既定事項やろ！ 三期目のOPがTOKIOなの！
（ツヨシのエピソードですごい記憶に残ってるのが、おしゃ5で小野坂昌也さんが姉二人の声優さんと役名を言えなかったのがすごい笑えたんですよお
（置鮎さんはぬ〜べ〜の生徒をスラスラ答えてたのが対照的だったね、今一度神谷さんに絶望先生の生徒と、伊福部さんにミリオンのアイドルいってみてほしいね
（僕はSuperGirlが流れるところですね
（いえーい！
（いえーい！
（好きな曲を言っただけでは？
（いや、その理屈なら開演前に俺のiPhoneで聞いたDearestが一番好きだから
（全方位的に好きな曲の話はしてないよ、あとなに、君はいつまでナデシコの話をするわけ？
（いつまでもじゃ！！！！！！ ルリとアキトを恋愛的にくっつける愚か者を駆逐するまでは、永遠にこの戦いはおわらないんじゃ！！！！！
（そろそろ閉めましょうか
（よおし、それじゃあ、三大ガンダムガールズで可愛かった人、那須めぐみ、仁後真耶子、あと一人は？
（顔覚えてるのがあと一人しかいなさそうですね
（次回もーばくばくばくばくばくばくばくばくー！
ttps://www.npr.org/2018/10/04/654474739/osaka-ends-ties-with-san-francisco-in-protest-of-comfort-women-statue
ttp://time.com/5416425/japan-osaka-san-francisco-comfort-women-statue/
ttps://www.nytimes.com/2018/10/04/us/osaka-sf-comfort-women-statue.html
ttps://www.bbc.com/news/world-us-canada-45747803
ttps://www.japantimes.co.jp/news/2018/10/05/national/san-francisco-mayor-denounces-osaka-counterpart-unilaterally-ending-sister-city-ties/
ttps://edition.cnn.com/2018/10/04/us/san-francisco-sister-city-comfort-women-trnd/index.html
ttps://www.irishtimes.com/news/world/asia-pacific/osaka-drops-san-francisco-as-sister-city-over-comfort-women-statue-1.3652055
カラー: shiromatakumi Sabonu
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1 stars by tenbin-girl
イエロースターつけまくってるのは差別主義者といってもいいかな。１つはまだ、お気持ち受け止めた勢だとしても
こいつらのことだな
['minimal1991', 'empress2005', 'akikomainichi', 'tnmss-tn', 'pedal_go', 'kobayashi1218', 'danae219', 'sumio1000', 'grandbleu', 'Qalicen', 'Sabonu', 'qq3', 'machiko-yoka', 'onnanokom', 'masahiro1977', 'syrupcup', 'amijarakat', 'ezmi4', 'zaabii', 'rci', 'sevencolor_inko', 'ruru0310', 'ssuperrandom', 'nenesan0102', 'hatsumoto', 'baaaaaaka', 'mamikri', 'shigoto783', 'onim', 'gesusu', 'kinokotv', 'yukari-fresh', 'rucca', 'citron_honey', 't-murachi', 'mimoriman', 'swhal_stray', 'dentpetal', 'marie0609', 'btnm15', 'kkrrmm', 'y-kawaz', 'ttmet', 'bokuhamiteiyou']
カラー: b:id:shiromatakumi b:id:Sabonu
['b:id:minimal1991', 'b:id:empress2005', 'b:id:akikomainichi', 'b:id:tnmss-tn', 'b:id:pedal_go', 'b:id:kobayashi1218', 'b:id:danae219', 'b:id:sumio1000', 'b:id:grandbleu', 'b:id:Qalicen', 'b:id:Sabonu', 'b:id:qq3', 'b:id:machiko-yoka', 'b:id:onnanokom', 'b:id:masahiro1977', 'b:id:syrupcup', 'b:id:amijarakat', 'b:id:ezmi4', 'b:id:zaabii', 'b:id:rci', 'b:id:sevencolor_inko', 'b:id:ruru0310', 'b:id:ssuperrandom', 'b:id:nenesan0102', 'b:id:hatsumoto', 'b:id:baaaaaaka', 'b:id:mamikri', 'b:id:shigoto783', 'b:id:onim', 'b:id:gesusu', 'b:id:kinokotv', 'b:id:yukari-fresh', 'b:id:rucca', 'b:id:citron_honey', 'b:id:t-murachi', 'b:id:mimoriman', 'b:id:swhal_stray', 'b:id:dentpetal', 'b:id:marie0609', 'b:id:btnm15', 'b:id:kkrrmm', 'b:id:y-kawaz', 'b:id:ttmet', 'b:id:bokuhamiteiyou']
b:id:minimal1991 b:id:empress2005 b:id:akikomainichi b:id:tnmss-tn b:id:pedal_go b:id:kobayashi1218 b:id:danae219 b:id:sumio1000 b:id:grandbleu b:id:Qalicen b:id:Sabonu b:id:qq3 b:id:machiko-yoka b:id:onnanokom b:id:masahiro1977 b:id:syrupcup b:id:amijarakat b:id:ezmi4 b:id:zaabii b:id:rci b:id:sevencolor_inko b:id:ruru0310 b:id:ssuperrandom b:id:nenesan0102 b:id:hatsumoto b:id:baaaaaaka b:id:mamikri b:id:shigoto783 b:id:onim b:id:gesusu b:id:kinokotv b:id:yukari-fresh b:id:rucca b:id:citron_honey b:id:t-murachi b:id:mimoriman b:id:swhal_stray b:id:dentpetal b:id:marie0609 b:id:btnm15 b:id:kkrrmm b:id:y-kawaz b:id:ttmet b:id:bokuhamiteiyou b:id:imosuki b:id:spectre_55 b:id:shima2tiger b:id:nasoft b:id:threetea0407 b:id:CALMIN b:id:the200 b:id:Kial b:id:iiiloveuuu07 b:id:ririankou b:id:nanashino b:id:jack_oo_lantern b:id:Cru b:id:haru-k b:id:jou2 b:id:junpei191 b:id:kafkafa b:id:kinnosabakan b:id:sys-cys b:id:maruX b:id:wakuwakuShitai b:id:vkara b:id:torico16 b:id:nandenandechan b:id:muryan_tap3 b:id:mventura b:id:EoH-GS b:id:araignet2 b:id:ikioiamatte b:id:steamyukemuri b:id:kumpote b:id:lungta b:id:mw-matrixa b:id:kotobukitaisha b:id:nao_cw2 b:id:LaNotte b:id:baronhorse b:id:q52464 b:id:pachas b:id:kun_p b:id:kiku-chan b:id:iteruaki b:id:yunitaro b:id:kinokotarou b:id:eartht b:id:search-light b:id:calmazin b:id:mythm b:id:sinsara b:id:miwa84 b:id:atomicmap b:id:saitou_hate b:id:baltfeld7 b:id:matchy2 b:id:vlxst1224 b:id:sorami-dreaming b:id:yumenoa b:id:mrwkn8832 b:id:ein10oira b:id:gudejlfifn b:id:torisuteram b:id:m4i b:id:Ayrtonism b:id:MiG b:id:sig b:id:blue-hydrangea-drops b:id:eringix b:id:watashinonaha b:id:fourddoor b:id:silentliberater b:id:touhumog b:id:ss-vt b:id:polidog b:id:speer b:id:rinapox b:id:memorabilia b:id:sato31101005 b:id:nicoyou b:id:kani_kama b:id:takuzo1213 b:id:kotae_taeko b:id:ninjaripaipan b:id:millipede b:id:basementjaxx b:id:senomama b:id:Mofuyuki b:id:furikake47 b:id:presto48 b:id:ikanosuke b:id:tenokawa b:id:ohnosakiko b:id:kakkyaa b:id:stoolpigeonn173 b:id:youco45 b:id:ewiad420 b:id:hanamizuruzuru b:id:umeumex b:id:napsucks b:id:amagasa99 b:id:hyoutenka20 b:id:poncon b:id:Cottonton b:id:kabonnu12 b:id:tim_tadashi b:id:lejay4405 b:id:prismatic-kt b:id:srknr b:id:fukurow57 b:id:nowa_s b:id:main b:id:nvs b:id:ginsharico b:id:gomatawn b:id:yyukikoo b:id:namihei_xx b:id:sh2dsk b:id:bluestar1080 b:id:tori29san b:id:sorusi87 b:id:self-parodist b:id:yapparinaa b:id:ppummu b:id:AyanoIchijo b:id:kuzumaji b:id:suikax b:id:kanonica b:id:brib b:id:unakowa b:id:utabuti b:id:mimo_duck b:id:bigapple11 b:id:emicha4649 b:id:lh017996 b:id:shi-ya b:id:shiogy b:id:asari58n b:id:rocoroco3310 b:id:michiyoxxx b:id:arabasta b:id:toramichang b:id:suikasu1 b:id:asiatics b:id:mawhata b:id:zenibuta b:id:Txirrindu b:id:am1130pm2330 b:id:hopeholdsmoon b:id:Polyhymnia b:id:azecchi b:id:noto92 b:id:mikimiyamiki b:id:superabbit b:id:natsubi b:id:hapze-23_45 b:id:kinako222 b:id:yukiyankun b:id:gigi309nene b:id:girlhood b:id:skgctom b:id:ryun_ryun b:id:aLa b:id:bonlife b:id:kanagawakama b:id:nemuinemuix b:id:AL-KN13 b:id:hate_flag b:id:nakadai b:id:orchid831 b:id:oka_mailer b:id:uni5007 b:id:Zephyrosianus b:id:murilo b:id:luna3145 b:id:uzushira b:id:psycho3105 b:id:hamigakidaizi b:id:buru b:id:health_and_efficiency b:id:DADOES b:id:sayak2264 b:id:syuraba b:id:taep252 b:id:akimaruworks b:id:usi4444 b:id:hisui083 b:id:meumeumeu b:id:natuboshi b:id:sandayuu b:id:satoshique b:id:JeMangeDoncJeSuis b:id:saki-00 b:id:ntoukm b:id:trill2liquor b:id:nodyhate b:id:stiria b:id:ituka-m b:id:ushi2 b:id:tenbin-girl
あっちと違ってこっちはモロ少女漫画―って感じで読んでて甘ったるすぎてオエってなった
不快にはならないけど、全部うまくいきすぎてて世界が優しすぎる
最後のdropsって短編がamazonレビューだと評判よかったから期待したけど、ぶっちゃけよくわからんかった
全部同じ人物を描いてる？
人物の描き分けができてないから同じ人物なのか違う人物なのかもわかりづらい
絵も町田くんの世界よりもトーンが使われまくっててすごく見づらいし
この作者にクジラックスを時計じかけのオレンジばりに無理矢理見せてやりたいどす黒い感情が渦巻いてる
間違ってるのは俺の方だってわかってるけどおれは そうかんじた
そう思ってしまう
俺はマジで終わってる
