はてなキーワード: official websiteとは
It's sudden, but right now in Japan, creativity is facing a true crisis. Characters like Uzaki-chan, Onsen Musume, and Tojo Rika are being targeted and flamed, game character designs are being infiltrated by political correctness, Johnny's Entertainment is being dismantled, swimsuit photo sessions in parks are being canceled, Hitoshi Matsumoto is being publicly shamed, and the new AV law was enacted without considering the opinions of those directly involved. Every form of expression in every venue is currently under unreasonable pressure.
How does this connect to the Tokyo gubernatorial election? In fact, a major event directly linked to this is occurring in the 2024 Tokyo gubernatorial election. As a creator, I hope this message reaches you.
What I am about to share is a story about someone named Himasora Akane, who you should know about to resist such pressures. But before I dive into that story, I want to express my deep gratitude to my old friend Nozomi for giving me the opportunity to post this article in a place where many creators will see it. As someone who also loves manga, anime, and games, I hope this information will benefit Japanese society and support Nozomi's activities.
Himasora Akane Should Be the Governor of Tokyo
First, I would like to make a straightforward request to you as a creator: please support Himasora Akane for governor. In this election, please write "Himasora Akane" on your ballot. The voting day is July 7th. Even if you are not a Tokyo resident, I ask that you at least listen to this story. If you find it interesting, please share it with your friends, family, and acquaintances. You can check Himasora Akane's campaign promises and the background of their candidacy on their Twitter (X) posts linked below:
Himasora Akane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
Himasora Akane Will Not Allow Our Culture to Be Burned
Himasora Akane is an ordinary otaku who loves manga, anime, and games. Known as "Cognitive Profiling Detective Akane Himasora," he has been active on Twitter (X) and YouTube, and now he is running for governor. Akane, who is deeply concerned about the repression and destruction of otaku culture, is challenging those who seek to destroy our culture alone. Akane will never allow those who try to burn our culture.
As mentioned at the beginning, all forms of expression are currently under pressure. Otaku culture, in particular, seems to be a prime target.
Uzaki-chan Blood Donation Poster Controversy (2019): A collaboration between the Japanese Red Cross Society and the manga Uzaki-chan was flamed for allegedly being overly sexual in its PR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hired by the Matsudo Police Department in Chiba Prefecture was deemed too sexual for public agency PR.
Onsen Musume Controversy (2021): Characters personifying local hot springs were criticized as sexist.
Mie Transport Official Character Controversy (2024): A character in a bus driver's uniform released by Mie Transport was flamed for evoking sexual images.
These controversies are often fueled by so-called political correctness and feminism. For creators, these are direct threats. If these factions label your work as sexual and demand it be burned to ashes, could you resist? How would you feel if your painstakingly created work, like your own child, was trampled by people who have no regard for your efforts? Could you continue your creative activities while constantly shrinking away?
Himasora Akane saw something behind these flaming incidents. He started investigating the key figure behind the Onsen Musume controversy, a representative of a general incorporated association in Tokyo. This association's core business, the Young Female Victims Support Project, received substantial public funds from Tokyo. Akane submitted public document disclosure requests to Tokyo and thoroughly dug into the organization. During his investigation, Akane uncovered many suspicions suggesting this project was unworthy of public funding, which he exposed one by one on social media.
Negligent accounting reports, taking protected girls to the Henoko base protest in Okinawa, Communist Party members waiting in the bus used to protect girls—these revelations drew significant attention online. The investigation extended beyond this general incorporated association to other NPOs receiving public funds, and Akane named this cluster of issues the "WBPC problem" after the initials of these organizations.
Akane's YouTube Channel (WBPC Problem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
From here, Akane's story expanded to resident audits, resident lawsuits, and national compensation lawsuits concerning the Tokyo Young Female Victims Support Project. Akane discovered that behind many flaming incidents, there is no clear command structure but a group of various political organizations and activists working together like an amoeba. He named this group the "Nanika Group" (Nanika means "something" in Japanese), a reference to the mysterious, ominous "something from another place" in the manga HUNTER×HUNTER, which Akane loves. The Nanika Group is also connected to welfare interests, where public funds flow unchecked. Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
For creators, this means the tax money they earn through hard work is used to burn their precious works. It's an intolerable situation.
Himasora Akane Is Fighting Against Those Who Burn Our Culture
In November 2022, a major event marked a turning point in this series of controversies. The general incorporated association under scrutiny held a press conference at the parliamentary office building, gathering media and announcing a lawsuit against Akane. This "Legal Harassment Press Conference," as it was called online, involved multiple layers of power: the government, the media, and a team of seven lawyers targeting a single individual.
However, Akane did not back down. Instead, he intensified his pursuit, exploiting the opponent's careless statements as lawsuit fodder. This led to an outpouring of support on social media, with his Twitter follower count skyrocketing and 160 million yen in donations for legal fees.
The following year, a resident audit request filed by Akane resulted in Tokyo's official website recognizing some improper points and deciding to audit the organization. However, Tokyo's lenient audit led Akane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike for allocating public funds through dubious sole-source contracts. Tokyo began excessively redacting documents in response to public document requests, attempting to conceal the issue. Koike's promise to end document redaction quietly disappeared from her campaign page.
Throughout this battle, Akane has been a target of criminal complaints and faced threats, yet he persists. His book "Netoge Senshi" was released amid bookstore threats, but only the criminal complaint was widely reported by the media, portraying Akane negatively.
Himasora Akane is an ordinary otaku, a top-tier online gamer during his student days, and a talented game creator who worked for a major game company and later a venture company. His meticulous work on the game "Shin Goku no Valhalla Gate" was betrayed by the company's CEO, leading to a seven-year legal battle that Akane ultimately won, securing 600 million yen. This experience fuels his fierce opposition to having his creations burned.
Before investigating the Young Female Victims Support Project, Akane exposed fraudulent feminist "knights" on his YouTube channel, shaking the internet. He detests lies and has an uncanny ability to detect them.
Akane is a special individual with extraordinary abilities, honed through his experiences in games, court battles, and extensive document analysis. His pursuit of truth and justice makes him a suitable candidate for governor, promising a world without lies and where honest people do not suffer.
What We Can Do to Protect Our Culture
Creative expression can be crushed if we are not vigilant. Even in modern Japan, otaku culture is on thin ice. The recent cessation of Visa transactions for DMM (Fanza) is a reminder of how a single card company can wield its power to dictate what is deemed appropriate expression. Expression freedom is fragile and constantly under threat.
To those reading this, I urge you to vote for Himasora Akane. Support him to protect our culture. Despite his harsh demeanor and preference for solitary battles, he is now seeking help for the first time. Akane feels the danger in this gubernatorial election and believes that if he does not become governor, everything will end. He has taken a stand for the people of Tokyo and Japan.
I wrote this article to support his spirit and spread the word. Please vote for Himasora Akane and help create a miracle.
To you, the creator, I sincerely hope this message reaches you.
Digital Single
Planning Director : Motoki Ohmori
Producer:Akinori Sasaki
Ape:
GENKI(Super SHIMADA Brothers), TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
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Cinematographer:Koretaka Kamiike
1st Camera Assistant:Yoshihiro Hatae
2nd Assistant Camera:Yuto Mori
3rd Assistant Camera:Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
Lighting Director:Motoki Tanaka
1st Lighting Assistant:Nodoka Takayabu
2nd Lighting Assistant:Akito Saito, Takahiro Shiba, Haruka Koshino, Akira Nishimoto, Yukinori Suda, Miyuki Kawajiri, Shun Tanaka
Production Designer:Hiroki Akimoto
Stage setting:Hiroshi Takizawa
Decoration:Toshihiko Abe, Kouichi Hayashi, Mio Shibata
Landscaping:Taishiro Ishigaki
Diorama:Shinnosuke Wada(HEDGEHOG)
Casting:Tossy(TAKA & Tossy)
Stylist Assistant : Minori Ogawa, Go Kasuya
Artist Costume Production : Daisuke Matsubara(Office Matsubara)
Hat Production:Haruyo Inadome(Atelier Inadome)
Hair:Masahiko Fukuda
Hair-Makeup Assistant:Homma Aoi, Shirai Nene
Ape Costume Designer : Ryosuke Nakagaki
Special makeup artist:Kenji Sato
Special makeup artist Assistant : Ryosuke Dobashi, Sasaka Inoue, Luna Imanishi, Materu Takizawa
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Online Editor:Toyokazu Tanno
Assistant Editor:Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
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Digital Single
Planning Director : Motoki Ohmori
Producer:Akinori Sasaki
Ape:
GENKI(Super SHIMADA Brothers), TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer:Koretaka Kamiike
1st Camera Assistant:Yoshihiro Hatae
2nd Assistant Camera:Yuto Mori
3rd Assistant Camera:Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
Lighting Director:Motoki Tanaka
1st Lighting Assistant:Nodoka Takayabu
2nd Lighting Assistant:Akito Saito, Takahiro Shiba, Haruka Koshino, Akira Nishimoto, Yukinori Suda, Miyuki Kawajiri, Shun Tanaka
Production Designer:Hiroki Akimoto
Stage setting:Hiroshi Takizawa
Decoration:Toshihiko Abe, Kouichi Hayashi, Mio Shibata
Landscaping:Taishiro Ishigaki
Diorama:Shinnosuke Wada(HEDGEHOG)
Casting:Tossy(TAKA & Tossy)
Stylist Assistant : Minori Ogawa, Go Kasuya
Artist Costume Production : Daisuke Matsubara(Office Matsubara)
Hat Production:Haruyo Inadome(Atelier Inadome)
Hair:Masahiko Fukuda
Hair-Makeup Assistant:Homma Aoi, Shirai Nene
Ape Costume Designer : Ryosuke Nakagaki
Special makeup artist:Kenji Sato
Special makeup artist Assistant : Ryosuke Dobashi, Sasaka Inoue, Luna Imanishi, Materu Takizawa
Colorist:Haruka Okutsu(imura office inc.)
Online Editor:Toyokazu Tanno
Assistant Editor:Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect:Simon Nagaike
Production Manager:Miri Yatsuzuka, Daichi Koike, Ryota Teragaki, Koki Mugii, Miu Hosoi
Production:SHOW TiME INC.
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Digital Single
Planning Director : Motoki Ohmori
Producer:Akinori Sasaki
Ape:
GENKI(Super SHIMADA Brothers), TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer:Koretaka Kamiike
1st Camera Assistant:Yoshihiro Hatae
2nd Assistant Camera:Yuto Mori
3rd Assistant Camera:Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
Lighting Director:Motoki Tanaka
1st Lighting Assistant:Nodoka Takayabu
2nd Lighting Assistant:Akito Saito, Takahiro Shiba, Haruka Koshino, Akira Nishimoto, Yukinori Suda, Miyuki Kawajiri, Shun Tanaka
Production Designer:Hiroki Akimoto
Stage setting:Hiroshi Takizawa
Decoration:Toshihiko Abe, Kouichi Hayashi, Mio Shibata
Landscaping:Taishiro Ishigaki
Diorama:Shinnosuke Wada(HEDGEHOG)
Casting:Tossy(TAKA & Tossy)
Stylist Assistant : Minori Ogawa, Go Kasuya
Artist Costume Production : Daisuke Matsubara(Office Matsubara)
Hat Production:Haruyo Inadome(Atelier Inadome)
Hair:Masahiko Fukuda
Hair-Makeup Assistant:Homma Aoi, Shirai Nene
Ape Costume Designer : Ryosuke Nakagaki
Special makeup artist:Kenji Sato
Special makeup artist Assistant : Ryosuke Dobashi, Sasaka Inoue, Luna Imanishi, Materu Takizawa
Colorist:Haruka Okutsu(imura office inc.)
Online Editor:Toyokazu Tanno
Assistant Editor:Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect:Simon Nagaike
Production Manager:Miri Yatsuzuka, Daichi Koike, Ryota Teragaki, Koki Mugii, Miu Hosoi
Production:SHOW TiME INC.
https://www.coca-cola.com/jp/ja/brand...
【コカ・コーラ】 Coke STUDIO Mrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒 Coca-Cola TVCF
https://www.youtube.com/watch?v=qk0vg...
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https://youtu.be/ywkMu0kj_Fg?si=kjVt5...
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Publisher Houbunsha opened an official website for the television anime adaptation of Rasuko Ookuma's Hoshikuzu Telepath (Stardust Telepath) manga on Thursday, revealing the main staff members and a key visual (pictured above). The anime is set to premiere in 2023. Staff Directo... mangamanhwa.org
The official website for Avex Pictures and Tatsunoko Production's original Pole Princess!! pole dancing anime began streaming a video on Friday featuring the pole dancing routine of the character Sana Murafuji (voiced by Rina Hidaka). Hidaka also performs the song "Avaricious Heroine" featured in the video. Ayaka of STUDIO TRANSFORM choreographed the video. Source: mangabuddys.com
The staff previously streamed a video for Yukari Mikoshiro's routine in late December. The staff also debuted a prologue episode 0 on December 23, and released the first five-minute episode on YouTube on January 13. Future episodes will also release on YouTube.
そのためには、どこの新聞社、どの記事に、どういう誤りがあったかを明確にするべきだ。
そうでないと、辻元が誤報のせいでデマ被害を受けたという話が、これまた事実かどうか検証することができない。
一部メディアが、立憲民主党は、党所属議員と自民党議員の夜の飲食を見合わせる方針を決めた。と報道しました。しかも私が指示したように報じられたことが、テレビやネットでも大々的に拡散したようです。
「自民と飲み会自粛令の謎」 (辻元清美 official website)
一部メディアって、どこだよ。
辻元は、新聞社の社名、該当の記事をまったく明らかにしないまま、産経新聞に当てこすりをして誤報があったと主張している。
しかも今回、産経新聞はタイトルが煽り気味だったというだけで、記事の内容自体はきわめて事実に忠実であったと私は思う。
仮に産経新聞に何か問題があったり、産経新聞が誤報を流したと主張したいのであれば、辻元は正々堂々とその社名をさらして抗議するべきだ。それをやらずに被害者アピールする辻元は、卑怯者のそしりを免れない。
辻元が今日まで、たくさんのデマ被害に苦しめられてきたのは、まぎれもない事実である。
しかし、被害者の言っていることが100%正しいとは限らないのであって、その真偽を見極めることが我々には必要なのだ。
サッカーに詳しくない方々にまで広まっているようなので、用語を中心に簡単に解説します。
埼玉スタジアム浦和ゴール裏ゲートに張られた「JAPANESE ONLY」の弾幕について - Togetterまとめ
サガン鳥栖戦での出来事について|URAWA RED DIAMONDS OFFICIAL WEBSITE
■ゴール裏209番ゲート
熱いサポーターが集まる北側ゴール裏エリア、なかでも中心部にある出入り口。
普段はサポーターによってサポーターに向けて「此処ニ求ムハ闘士ノミ」「行こうぜ 浦和と共に」と掲示されている。
問題の段幕が掲示されたのはスタンドの選手に向けてではなく、客席に入ろうとするサポーターに向けて。
写真の手前側は通路(コンコース)、段幕をくぐった奥側が客席。
なお下側に柵があるのは「満席」のため。他のゲートは通行可能。
り・ただなり/イ・チュンソン
2007年に日本国籍を取得し帰化した。韓国国籍の在日韓国人4世として生まれる。
2012年より浦和レッズに在籍している。元日本代表。2011年にはドイツのケルンでプレーしていた。
今回の問題についてTwitterで言及した。
■マルワン君
ドメサカブログ : テレ東「Youは何しに日本へ?」にフランス人の浦和サポーターが登場
http://blog.livedoor.jp/domesoccer/archives/52023789.html
■URAWA BOYS
複数あるサポーター集団の一つで、代表的存在。コールリーダーがゴール裏全体の応援を統率している。
■ACL
AFC・チャンピオンズ・リーグ。アジア各国の強豪クラブチームが出場する大会。
■その他
今節と前節、スタメン・ベンチ入りした選手は全員日本人だった。
今シーズン在籍している唯一の外国人のマルシオ選手は、手術のためブラジルに帰国中。
一部の浦和レッズサポーター、新加入・李忠成にブーイング。差別的行為か?
http://supportalfootball.net/blog/2014/03/06/urawasabetsu/
しかし浦和には95年の曺貴裁(チョウ・キジェ)選手と郭慶根(クァク・キョングン)選手以降、韓国人選手は所属したことがない。
サポーター自身が排他的な傾向を持つことがある(例えば、女子供は去れなど)。