Pearce might give one of my 10 favorite performances of the decade here, but as a whole I just couldn’t get on this movie’s wavelength. Maybe I could have in the 2.5 hour version that’s buried within.
]]>One of the few reasons why I’m begrudgingly excited for the series is that they can fix everything post-Neville’s stand.
Harry and Voldemort fighting around the castle is cool, but that final showdown in front of nobody, Voldemort evaporating and the Elder Wand talk at the end just irk me. You could have squeezed so much more emotion out of all that.
Two things they won’t improve though: the Prince’s tale and the resurrection stone sequences. I bawl like a baby every single time.
]]>Dobby…………..
#EKL #9
]]>I’m sorry, I just couldn’t get over Nosferatu looking like zombie Jim Carrey from those sonic movies.
]]>Really, really great. I'm such a sucker for a good news/journalism movie. This is one of the better ones I've seen in a very long time.
Pairs well with Conclave and Saturday Night as a stressful, claustrophobic procedural/thriller. I would like many more such films.
]]>I understand why Yates gets so much shit, but the way he streamlines the stories of the later movies is honestly pretty impressive. Yeah, a lot of cool stuff got cut, but for the most part he totally maximizes the dramatic impact of what’s there. Half Blood Prince’s omissions from the book should annoy me much much much more than they do, and the fact I like this a great deal is a testament to his skill as a director.
I’m pretty sure the HBO series coming up is going to be a more literal translation of the story, but I’m certain it won’t be as lyrical as the Yates block.
]]>Timmy is going to conquer the world, holy cow.
A Complete Unknown is admittedly a superficial look at Dylan, but I think that’s the point.
The mystery and contradictions that surround him is what makes Bob who he is. And the film makes the case that Bob Dylan is what he does to the world around him, by being such an off-beat, singular figure. It’s an argument that I fully bought into.
EKL #8
]]>Watched on Sunday December 15, 2024.
]]>Upstate New York cinema.
]]>Montage is one of the most powerful tools in filmmaking.
]]>Watched on Wednesday December 25, 2024.
]]>Cuaron directs this thing like its the last movie he’ll ever make. It’s too bad the story doesn’t live up to his effort.
I firmly believe that time travel doesn’t belong in the fantasy genre.
]]>Dad loved it, mom and sister hated it. Sometimes the holiday vibes are worth sacrificing for the sake of true cinema.
]]>An increased exposure to him recently has made me realize that Hoult just doesn’t do it for me.
He’s fine, but he lacks that extra thing (ex. Messina’s general sliminess, Collette’s face, Simmons’ voice) that would make him a more interesting person to watch.
Anyway, the movie is good! I love a good moral quandary, and it’s nice to see Clint try again, he even used a real baby this time! I hope he directs the next film in the Ant-Man franchise.
]]>Watched on Wednesday December 18, 2024.
]]>This review may contain spoilers.
Well that was a lot.
I don’t even know what to say about this, other than that it’s one of the bleakest and most unnerving depictions of the darkness within us that I’ve ever seen with a masterful performance by Juliette Gariépy at its center.
]]>Seeing an adult 2D animated movie in the theaters is all I dream about.
EKL #5
]]>A textbook example of the whole being greater than the sum of its parts. Cat and mouse thrillers are up there as one of my favorite sub genres, and this one ranks up with the best of them thanks to Justin Kurzel's steady hand, rock-solid performances and crisp visuals.
The pacific northwest is having a moment in film! Please keep those tax breaks coming, because I need more rivers, forests and lakes and less deserts at the movies.
If you liked this, give Oliver Stone's Talk Radio a watch!
]]>A rare DNF. Not because I didn’t like it, but because I’m an idiot and can’t focus when the Yankees could theoretically made a trade or free agent signing at any minute.
Will definitely revisit this in the future. This was so so so impressive and clever.
Juan Soto I miss you so much 💔
]]>I full on sobbed in seat F12 of the IMAX theater at AMC Lincoln Square this morning.
This movie is an absolute masterwork in every sense, and the 70mm IMAX format made this a once-in-a-lifetime audio/visual experience that’s right up there with seeing U2 at Sphere.
I never feel more alive than when art is able to move me the way this does.
Chris Nolan undefeated.
]]>The choice to sprinkle some of the Armstrong connections into the story rather than doing all that in the end is understandable, but much less fun.
]]>Mysteries are so fun and cool.
]]>Pretty good! Despite being a carbon copy of the graphic novel (as it should be tbh, don’t mess with perfection) there’s a handful of really cool choices made that really make the story come alive visually.
]]>Nothing hits quite like a pulpy, throwaway airport thriller turned into a prestige drama. That this flows this smoothly and builds to a satisfying emotional and almost lyrical denoument makes it all the more wonderful.
In this particular moment in time (I will never write that phrase again, I promise) I also think it’s an important statement that we are not our institutions, and our institutions are not us. That it’s important to release ourselves from the past. How a broken soul lets in as much as it lets out. How suspicious we all should be of those who seek power, and the things they’ll bring to it.
Love da movies.
]]>Easily the neatest trick this movie pulls off is not drawing attention to the many many seemingly throwaway lines and moments that make it all come together in the end.
I need Wake Up Dead Man yesterday.
]]>Watched on Tuesday November 26, 2024.
]]>Whoops, I forgot that I didn’t like this.
]]>Wicked gave me goosebumps multiple times. How embarrassing.
]]>Sequel when?
EKL #3
]]>We used to be a society that made well-lit, extremely horny fantasy epics with excellent production design and terrible performances. What happened to us? Why did we let Ronald Reagan do this to us?
Watching this triggered a deeper think about something I’ve become a little obsessed with recently: the concept of what storytelling should be. And where I’ve settled on it for now is that we’ve become a little too concerned with thoughts and people explaining them to each other than motivations and action. It goes back to the old adage: who needs a monologue when a look and a well-chosen piece of music can do the same job just as well? And why use three chords when two will do?
Maybe that’s a symptom of the 8-episode miniseries/TV season becoming the dominant artform and it’s bleeding into everything else, or maybe we’re just in a world where everyone’s got something to say and our art is reflecting that, but I kind of yearn for the simplicity of these kind of stories.
Arthur’s born by an act of deception, and he conceives a son under similar circumstances (except with his vengeful half-sister sorceress! Wow!) who’s destiny is to kill him. Nice, simple, icky and to the point. I love it! It all happens within two a 2ish hour runtime and it works!
When Netflix was peaking, the phrase “8-hour movie” started popping up, and I’m not sure there’s a phrase that I despise more than that. That mindset is what turns tight stories like this into bloated, meandering series that either overstay their welcome or get cancelled before they’re finished.
Time, in my opinion is the ultimate enemy of storytelling. I don’t claim and never will to be a TV aficionado, but what I have seen of the “8-hour movie” crop feels like empty calories, or glorified deleted scenes to a movie that should have been.
I hope some of this made sense and it’s not just me shouting into the void at nothing, but something flipped in my brain when I finished the first episode of The Penguin and felt no interest in continuing it, and I’ve been grappling with that conflict ever since.
]]>I’m not someone who holds the first in an extremely high regard, so I ended up having an awesome time with this.
It’s just a big, bloody movie with an all-timer Denzel performance in it, and some fun palace intrigue. Movies are so good.
]]>Yeah, cat people are the weird ones.
]]>“Grant gives a Hugh-MUNGO-us performance!” - The Ghost of Gene Shalit
]]>No, actually there is something wrong with Binghamton.
]]>Great book, better movie. I will watch this 1,000 more times.
EKL #2
]]>Feels like we’re at the place where this is the Blazing Saddles of the millenial generation
]]>My neck is gonna hurt for a week from the whiplash that the scene of the modern day parents telling their son what to do if he’s pulled over by a cop gave me. Zemeckis, you’re a madman.
Bob seems to have fallen into this mode directors of his age seem to fall into where telling a story is almost an end to justify the means of playing with new tech. I don’t really like that, though I have to admit this was a surprisingly compelling watch.
]]>I wonder what dress Mikey Madison is going to be wearing when she wins the Oscar in a few months.
]]>Watched on Thursday October 24, 2024.
]]>Watched on Monday October 21, 2024.
]]>This movie made me realize there is probably a split reality somewhere in the universe where Donald Trump is the beloved but insane owner of my New York Yankees and Hal Steinbrenner is a cartoonishly evil President Businessman.
Go Yanks! Beat Cleveland/Detroit!
]]>Fall is here 🍁🍂🦃
EKL #1
]]>This is not a good movie, but it’s bad in much more interesting ways than its predecessor, and there’s a high chance it ruins the first one for all of the Joker bros. Nice job, Todd.
]]>Watched on Saturday September 28, 2024.
]]>The script might have needed another pass.
]]>Loved the cast, attention to detail and how it was filmed, but this is a story about Saturday Night Live when it should be about Lorne Michaels.
It all comes together nicely at the end, but the build up feels narratively scattershot, devoting time to the aura of SNL over telling a compelling story. If you gave Sorkin this script with all its great parts, he would have built a fucking ferrari.
All that being said, Cooper Hoffman is single handedly making me believe in the power of neopetism. Also, we need Robert Wuhl in a hell of a lot more movies.
]]>A masterclass of economy in storytelling.
]]>Judy Greer’s character would have been a great tweeter if given the opportunity.
]]>Catherine O’Hara has that superpower where she can make literally any line funny, and I don’t think we talk about her enough.
]]>Watched on Friday August 30, 2024.
]]>Think of this list as a desert island ranking. If I were to be stranded and could only have my top 5 from a given year to entertain myself, what year would I pick?
That's how I rank a year in film.
*Note: Going to the movies only became part of my weekly routine in 2013, so this ranking will only consider that year onward.
1. The Irishman
2. Little Women
3. Knives Out
4. Once Upon a Time in Hollywood
5. Ad Astra
1. Blade Runner 2049
2. Star Wars: The Last Jedi
3. Lady Bird
4. The Post
5. Logan Lucky
1. Oppenheimer
2. The Holdovers
3. Mission: Impossible - Dead Reckoning
4. Spider-Man: Across the Spider-Verse
5. The Boy and the Heron
1. Steve Jobs
2. Ex Machina
3. Spotlight
4. Star Wars: The Force Awakens
5. Inside Out
1. The Batman
2. Glass Onion
3. Top Gun: Maverick
4. Tar
5. Avatar: The Way of Water
1. Arrival
2. Kubo and the Two Strings
3. Hell or High Water
4. Jackie
5. The Conjuring 2
1. Annihilation
2. Mission: Impossible - Fallout
3. Mamma Mia! Here We Go Again!
4. A Star Is Born
5. Mandy
1. Conclave
2. Dune: Part Two
3. The Order
4. Challengers
5. A Complete Unkown
1. Interstellar
2. Gone Girl
3. Snowpiercer
4. X-Men: Days of Future Past
5. The Grand Budapest Hotel
1. West Side Story
2. No Time to Die
3. The Last Duel
4. The Harder They Fall
5. Being the Ricardos
...plus 2 more. View the full list on Letterboxd.
]]>With honorable mentions!
...plus 5 more. View the full list on Letterboxd.
]]>List idea stolen from Brandon Hart on LB.
I do this all the time lol.
...plus 62 more. View the full list on Letterboxd.
]]>Alamo is the best!
Dec 2021 - 2
2022 Total: 32
Feb - 3
Mar - 5
Apr - 3
May - 2
Jun - 4
Jul - 2
Aug - 3
Sep - 2
Oct - 3
Nov - 3
Dec - 2
2023 Total: 22
Feb - 2
Mar - 3
Apr - 1
May - 1
June - 4
August - 1
September - 2
October - 2
November - 4
December - 2
2024 Total: 30
February - 2
March - 2
April - 3
May - 4
June - 2
July - 3
August - 1
September - 2
October - 4
November - 4
December - 3
2025 Total: 1
January - 1
December 2021
December 2021
February 2022
February 2022
February 2022
March 2022
March 2022
March 2022
March 2022
March 2022
...plus 76 more. View the full list on Letterboxd.
]]>Movies I've been able to see projected on film. At least that I've known of.
70mm (3x)
35mm
70mm
70mm and 35mm
70mm
70mm
35mm
35mm
70mm
35mm
35mm
...plus 7 more. View the full list on Letterboxd.
]]>Yeah.
...plus 30 more. View the full list on Letterboxd.
]]>I need to watch more new movies. Here’s a list to hold myself accountable.
...plus 86 more. View the full list on Letterboxd.
]]>x2
...plus 21 more. View the full list on Letterboxd.
]]>2023 let's GOOOOOOOOOOOOOOOOOOOO
]]>A god.
...plus 10 more. View the full list on Letterboxd.
]]>...plus 27 more. View the full list on Letterboxd.
]]>Dad.
]]>The best of the best.
...plus 15 more. View the full list on Letterboxd.
]]>With honorable mentions!
]]>W/ honorable mentions!
]]>With honorable mentions.
]]>With honorable mentions.
Garland's follow up to the intellectually provocative Ex Machina is more vague, but somehow twice as profound. Nature, belonging, science, the origins of us, it's all there. MIMIC BEAR.
Just one hell of a good time at the movies. Everyone's beautiful, the songs are lovely and it's just an overall great time at the movies. The feel-good movie 2018 needed.
Since it's inception, the mission impossible series has been pushing a cart to the top of the hill. That hill is called "Perfect Action Movie Hill". Christopher McQuarrie was finally able to get it to the top. Fallout is an all-timer action movie, and a great movie to boot.
While there are some bumps in the road, when Bradley Cooper's first film sings, it sings. Shallow may go down as one of the definitive movie moments of the era. Movie magic.
Transcendent. Ominous. Stunning. Powerful. Crowd pleasing. One of many no-trailer watches this year that knocked me on my ass. Cage is next-level.
Since seeing it on a whim, this movie has sat with me like a cannonball. Corey Finley's debut is dark, nasty, but somehow endlessly watchable. Cooke and Taylor joy need to be in 100 more movies together. Finley will win an Oscar someday.
I guess I just needed some pick-me-ups this year. Paddington 2 got the year of to a roaring start as one of the best sequels with 100 years of cinema squished between bread and marmalade.
Amazing blend of pulpy heist sensibilities with the brutal honesty of a documentary.
Had I not been asked to go see this for my job, I probably wouldn't have seen it. So getting paid to sit through this was pretty much the best possible outcome I could have hoped for.
I adore every last minute of this movie. The idea of the girlfriend of a superfan of a missing artist connecting with that artist, bringing the music back out of him is one of those ideas I wish I thought of first.
The execution of said idea is f-l-a-w-l-e-s-s. Byrne, O'Dowd and Hawke are all as fantastic as you'd expect them to be. There are a handful of moments that I just couldn't wait for the movie to follow-through on, and they didn't disappoint. The commentary this has on fan culture really spoke to me, as I'm a superfan of many things, so I'm always thinking about when I'm taking my passions a bit too far.
Most importantly of all though, this is one of those movies I just couldn't stop thinking about for all the right reasons.
Another spellbinding achievement in stop motion animation by Wes Anderson. Isle of Dogs is one of his most engrossing and overall entertaining movies to date.
With honorable mentions.
]]>With honorable mentions.
]]>With honorable mentions.
]]>Batman and Robin is actually great.
...plus 21 more. View the full list on Letterboxd.
]]>Probably my favorite director.
...plus 2 more. View the full list on Letterboxd.
]]>I rarely see movies in the theaters more than once anymore. Check descriptions for a rough estimate of how many times I saw them.
10.
4.
4.
3.
3.
3.
3.
3.
3.
3.
...plus 36 more. View the full list on Letterboxd.
]]>Call me a Nolan fanboy idc.
There are two types of people in the world: people who have Interstellar near or the top of their Nolan list where it belongs, and people who have it towards the bottom where it does not belong.
As you can see, I have it in the right place.
For some reason, when I watch Interstellar I get the feeling that Nolan thinks he is making his best movie. Whether he is or not is up to the audience, and while I don't think it's his best, I do think it gets really damn close.
I love the story, the scope, the visuals, the music, the ending, the characters; all of it. Interstellar is one of the most audacious sci-fi films ever made.
"Whatever doesn't kill you makes you.... stranger."
That was the moment when I, just barely 13, knew this was going to change my life. Little did I know that it changed Hollywood's too. In every subsequent watch, 3 in true IMAX, has made that fact all the more obvious. The Dark Knight and it's authentically scary an terroristic approach to a "superhero" showed that comic book movies could be more than, well, comic book movies if they really tried. Some have, some haven't and some made 2019 comic book movie that shall not be named. Can't win em' all I guess. While the sub-genre of films had shed their skins in the past, this was the first time it was rewarded by critics and audiences alike.
The Dark Knight was and still is a phenomenon, which means it's probably time to mention Heath Ledger. While it's certainly odd that his version of the character is the last time we've seen the clown prince of crime in live-action, it makes sense because Ledger was so damn good and in addition to being funny, creepy and terrifying, he was finally relevant. Pitting him and Batman against each other as ideologies instead of adversaries is the best call the Nolans made crafting this. Like Joker said, he wasn't interested in a fistfight, their battle was for something much bigger: the soul of a city.
Terrorists by and large want to kill as many people as possible, but the mission doesn't end there. Psychological scars are as impactful as real ones, and for proof of that look at the shitshow the U.S. has become since 9/11. The note the movie ends on is that we can't stop trusting each other. We can't stop doing the right thing.
Since The Prestige, Nolan's been all but committed to using his cache to make big, original movies, while he still has the means and influence to do so. One day that luck may run out, and while I by no means want that to happen I know that if he eventually is forced to scale things down, it'll probably be as good as The Prestige. And I fucking love The Prestige so it's really a win-win.
To date, this is Nolan's most narratively complex movie as far as I'm concerned. So much so that I watched the movie 3 or 4 times before I even understood the plot and all of the twists and turns it takes. Even now I'm sure if I explained what I think happened I would mess it up or outright get it wrong because of how much there is in this. Some people may see that as a bad thing. I do not. Not even close.
Really, I just love a good rivalry movie, and this one's one of the best. Jackman's the better (ahem) showman while Bale is the better pound for pound magician, which is always a fun dynamic to play with. Even when they're friendly, the friction is always there and lingers long after they split apart. Scarlett Johansson is present as well.
Easily my biggest movie regret, and this isn't even close to the point where I'm not sure I have a #2, is that I did not see this in theaters when it came out in 2010. Yeah, perhaps the biggest original movie of this decade and the last and my stupid 15-year-old self watched in in October or something on DirecTV on-demand. Hopefully, with it being the movie's 10th anniversary soon and Tenet on the horizon there are some special big format screenings I can check out. Sigh. Stupid me.
But anyways, Inception rules. Nolan's complex, twisty heist film really is a landmark in cinema to me. Not only is it a pop culture legend, it was a doorbusting success in the middle of 2010 (an awful year in movies and the middle of a global recession) that showed original movies can still captivate audience as much as IP blockbusters if you have the right people behind the camera.
Tenet is just a few months away, and with a bigger price tag, smaller name cast, 10 years deeper into "Hollywood has no ideas" we'll see if lightning will strike again. I hope it does.
But enough about all that. The movie is just awesome. It's been said a million times how clever the story is and how fun it is to see this cast of mostly indie stars tackle a blockbuster. Love that this is the only somewhat traditional "big" movie Leo's done post-Titanic, and how it was a hell of an introduction to Tom Hardy who's put in excellent work since, especially in Venom.
This was also probably Marion Cotillard and Elliot Page's first exposure to a big audience, something they've both capitalized on pretty well. Joseph Gordon-Levitt is there too.
What really sets this apart for me, and earns a spot above Dunkirk and Tenet is the movie's beating heart. Nolan's often been called a cold filmmaker, something I have never for the life of me been able to understand. The ending of this movie gets me everytime, as does the final scene with Cillian Murphy and his father.
Being the most recent, Tenet could jump around a little as time goes by, but I don’t really expect it to.
As of now, I love it and it was a lone bright spot of a really shitty year.
As you can see, we just made a big jump to 4 and a half stars and above.
Insomnia is easily Nolan's most underrated film. It's his audition to leave indie land for studio world, and obviously it was an audition he nailed.
This movie plays out like standard cop thriller on the page, but it's Nolan's choices as a director that elevates this to something a bit more resonant. Pacino kills it in a pretty comfortable tortured cop role, but the choices of Robin and Swank push this over the top. Williams is legitimately unsettling, and his interactions with Pacino are really effective. Swank's bright eyed optimism and commitment to justice, and how they come to a head in the film's final moments are really lovely and played more earnestly than it would have been by a lesser filmmaker.
This is by far the most "conventional" Nolan has made to date, which based on its quality, tells you all you need to know about how great of a filmmaker he is. A Nolan version of Cats would be great. He's just that skilled.
There's a chance that when all is said and done, Dunkirk goes down as Nolan's best movie. The film's structure, something Nolan's said has been stuck in his mind for decades, is as much of a "twist" as it is a narrative puzzle.
While all his movies have this (some more than others) feeling, Dunkirk feels the most thought out to me. Like Scorsese with Goodfellas, I wouldn't be surprised if Nolan made this movie in his head already, and filming was just committing that memory to celluloid.
As I've said before, I love Dunkirk, but it'll probably hang in the middle of Nolan's filmography, as it isn't as rewatchable to me as others on this list, even below it.
Good! But not my favorite. Origin stories really aren't my thing and Nolan's vision for this isn't ideal for me, but this is still a solid Batman picture.
By vision I mean that waaayyy to much of this is soundstage-y. Yeah Batman (1989) has a lot of that too, but it's art deco style is so damn memorable that it really works. This? Not so much. This movie feels smaller and more claustrophobic than I like my Batman to feel. All issues that are addressed and fixed in the follow up.
Begins is good, don't get me wrong, it's just not one I'd watch without immediately following it up with the sequels.
Messy, but admirable.
Nolan had an impossible job on this one and he did his best with it, it just isn't my thing. Losing Ledger and the Joker character makes this feel incomplete to me, and I think a lot of people. The trilogy was forced to expand, in my opinion, too far out from the realism they set out to achieve when the first film started to roll cameras.
...plus 1 more. View the full list on Letterboxd.
]]>At this rate, 7 is going to be the best movie ever made.
]]>My ranking of the films of 2016.
Dislike begins with Live By Night
5/5
5/5
5/5
4.5/5
4.5/5
5/5
4.5/5
4.5/5
4.5/5
4.5/5
...plus 61 more. View the full list on Letterboxd.
]]>****Note: 4.5 and 4 star movies are ranked in alphabetical order until the end of the year.
BEST PICTURE: Tar
BEST DIRECTOR: Todd Field, Tar
BEST ACTOR: Austin Butler, Elvis
BEST ACTRESS: Cate Blanchett, Tar
BEST SUPPORTING ACTOR: Brendan Gleeson, The Banshees of Inisherin
BEST SUPPORTING ACTRESS: Janelle Monae, Glass Onion
BEST ORIGINAL SCREENPLAY: Glass Onion
BEST ADAPTED SCREENPLAY: Pinnochio
BEST ANIMATED FEATURE: Pinnochio
BEST ORIGINAL SCORE: The Batman
BEST PRODUCTION DESIGN: The Batman
BEST CINEMATOGRAPHY: Tar
BEST VISUAL EFFECTS: Everything Everywhere All at Once
...plus 29 more. View the full list on Letterboxd.
]]>Interesting year!
...plus 37 more. View the full list on Letterboxd.
]]>Dislikes begin at High Life
BEST PICTURE: The Irishman
BEST DIRECTOR: Martin Scorsese, The Irishman
BEST ACTOR: Adam Driver, Marriage Story
BEST ACTRESS: Lupita N'Yongo, Us
BEST SUPPORTING ACTOR: Joe Pesci, The Irishman
BEST SUPPORTING ACTRESS: Florence Pugh, Little Women
BEST ORIGINAL SCREENPLAY: Rian Johnson, Knives Out
BEST ADAPTED SCREENPLAY: Steven Zaillian, The Irishman
BEST ANIMATED FEATURE: Toy Story 4
BEST ORIGINAL SCORE: Max Richter, Ad Astra
BEST PRODUCTION DESIGN: The Irishman
BEST CINEMATOGRAPHY: Roger Deakins, 1917
BEST VISUAL EFFECTS: The Irishman
...plus 64 more. View the full list on Letterboxd.
]]>My ranking of the films of 2018!
Dislikes begin at Teen Titans Go! To the Movies.
BEST PICTURE: A Star is Born
BEST DIRECTOR: Christopher McQuarrie, Mission: Impossible - Fallout
BEST ACTOR: Bradley Cooper, A Star is Born
BEST ACTRESS: Lady Gaga, A Star Is Born
BEST SUPPORTING ACTOR: Evan Peters, American Animals
BEST SUPPORTING ACTRESS: Emily Blunt, A Quiet Place
BEST ORIGINAL SCREENPLAY: Corey Finley, Thoroughbreds
BEST ADAPTED SCREENPLAY: Paul King and Simon Farnaby, Paddington 2
BEST ANIMATED FEATURE: Isle of Dogs
BEST ORIGINAL SCORE: Johann Johannsson, Mandy
BEST PRODUCTION DESIGN: Mandy
BEST CINEMATOGRAPHY: Rob Hardy, Mission: Impossible - Fallout
BEST VISUAL EFFECTS: Mary Poppins Returns
...plus 87 more. View the full list on Letterboxd.
]]>My ranking of the films of 2017.
Dislike begins at mother!
BEST PICTURE: Blade Runner 2049
BEST DIRECTOR: Christopher Nolan, Dunkirk
BEST ACTOR: Daniel Day-Lewis, Phantom Thread
BEST ACTRESS: Frances McDormand, Three Billboards Outside Ebbing, Missouri
BEST SUPPORTING ACTOR: Sam Rockwell, Three Billboards Outside Ebbing, Missouri
BEST SUPPORTING ACTRESS: Laurie Metcalf, Lady Bird
BEST ORIGINAL SCREENPLAY: Liz Hannah and Josh Singer, The Post
BEST ADAPTED SCREENPLAY: Aaron Sorkin, Molly's Game
BEST ANIMATED FEATURE: Coco
BEST ORIGINAL SCORE: Alexandre Desplat, The Shape of Water
BEST PRODUCTION DESIGN: The Shape of Water
BEST CINEMATOGRAPHY: Roger Deakins, Blade Runner 2049
BEST VISUAL EFFECTS: Blade Runner 2049
...plus 68 more. View the full list on Letterboxd.
]]>spoderman
]]>W/ contenders.
...plus 1 more. View the full list on Letterboxd.
]]>Father.
...plus 15 more. View the full list on Letterboxd.
]]>Pretty good writer/director IMO.
]]>...plus 15 more. View the full list on Letterboxd.
]]>Make all of the movies, Jordan.
]]>Hell yeah
]]>A few movies I need to watch soon.
...plus 11 more. View the full list on Letterboxd.
]]>Disclaimer: J.K. Rowling sucks
...plus 1 more. View the full list on Letterboxd.
]]>...plus 33 more. View the full list on Letterboxd.
]]>August 2018 - 8
September 2018 - 3
October 2018 - 4
November 2018 - 7
December 2018 - 4
January 2019 - 2
February 2019 - 3
March 2019 - 2
April 2019 - 5
May 2019 - 5
June 2019 - 6
July 2019 - 3
August 2019 - 3
September 2019 - 2
October 2019 - 5
November 2019 - 3
December 2019 - 2
January 2020 - 2
February 2020 - 4
March 2020 - 2
July 2021 - 2
August 2021 - 3
October 2021 - 3
August 2018
August 2018
August 2018
August 2018
August 2018 x2
August 2018
August 2018
September 2018
September 2018
September 2018
...plus 75 more. View the full list on Letterboxd.
]]>Update August 17th BOY WAS I WRONG LOL:
Changing this list to reflect my decision to clump 2020/2021 into one year.
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My favorite list to do every year!
This list will only be updated if films on the list are pushed to 2021, otherwise cancelled or if a major unexpected film is moved up/dated for 2020 unexpectedly. Last year's list never changed, so this shouldn't be a problem.
2020 seems much more wide open than years past so I’m really not confident that more than 3 or 4 will actually make my list at the end of the year. Excited to see what 2020’s ends up looking like!
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