- published: 14 Apr 2021
- views: 19396
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Wrap Your Troubles in Dreams may refer to:
"Wrap Your Troubles in Dreams" (also known as "Wrap Your Troubles in Dreams (and Dream Your Troubles Away") is a popular song written by Harry Barris with lyrics by Ted Koehler and Billy Moll, published in 1931.
The original 1931 popular hit recording was made by Bing Crosby with the Gus Arnheim Orchestra, but the song has become a standard, recorded by many other artists since, including Frank Sinatra, Doris Day, Dean Martin, and Nico. Bing Crosby recorded the song four times over his career as well as performing its film debut in the Mack Sennett short, One More Chance (1931). An outtake from one of the sessions recorded on June 9, 1939 was preserved by blooper compiler Kermit Schafer in which Bing has his most famous “blowup” when he continues singing ad-lib and occasionally risqué words perfectly in tune.
“Life’s really funny that way.
Sang the wrong melody
We’ll play it back
See what it sounds like, hey-hey.
They cut out eight bars,
the dirty bastards.
I didn’t know which eight bars,
Wrap Your Troubles in Dreams is the third studio album from The 69 Eyes, released in 1997 and produced by Gaga Goodies / Poko Rekords. It was turning point for The 69 Eyes, as they began their transformation from glam metal to gothic rock. Along with their change in musical direction, the band became more popular. It was recently re-released on Cleopatra Records for distribution within the US. The album features a cover song of Call Me, a popular song by the American rock band Blondie.
Call Me
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter Almost every one of the eleven albums featuring Bill Evans that were issued during his pivotal early years (1956-1964) with Riverside were trio performances. Of the two exceptions, one was strictly speaking not an Evans record (Know What I Mean?, a quartet album that featured Bill but was under the leadership of Cannonball Adderley). The other is Interplay. Adding trumpet and guitar to create an unusual quintet alignment, concentrating on standard tunes, and with brighter tempos than are generally associated with his playing, it is a uniquely valuable addition to the catalog of perhaps the most ...
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he...
Provided to YouTube by Universal Music Group Wrap Your Troubles In Dreams (And Dream Your Troubles Away) (Version 4 / Live At The Village Vanguard / 1967) · Bill Evans The Complete Bill Evans On Verve ℗ 1998 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 1997-10-07 Producer: Helen Keane Composer Lyricist: Harry Barris Composer Lyricist: Billy Moll Composer Lyricist: Ted Koehler Auto-generated by YouTube.
Provided to YouTube by Compulsion Wrap Your Troubles in Dreams (And Dream Your Troubles Away) · Bill Evans · Barris Interplay ℗ Compulsion Released on: 1962-01-01 Auto-generated by YouTube.
Album: The Interplay Sessions (1962) Bill Evans: Piano, Freddie Hubbard: Trumpet, Jim Hall: Guitar, Percy Heath: Bass, Philly Joe Jones: Drums; Composition: Barris, Koehler, Moll Recorded at the Nola Penthouse Sound Studios, NYC, July 16, 1962
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
So much heartaches and pain
Always on my way
Living on living day by day
I got no fortune i got no past
Just going nowhere nowhere fast
How long does forever last
I'm not living in the past for you
I've gotta find my way thru
Life goes on without any breaks
I got it baby what it takes
Dreaming on and on of better days
So many things to get done
Everyone's here a chosen one
We've got a long long way to come
I'm not living in the past for you
I've gotta learn my way thru
Just
WRAP YOUR TROUBLES IN DREAMS
It ain't that hard it seems
[x2]