- published: 23 Mar 2015
- views: 465
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Heavy Traffic is a 1973 American adult animated comedy-drama film written and directed by Ralph Bakshi. The film, which begins, ends, and occasionally combines with live-action, explores the often surreal fantasies of a young New York cartoonist named Michael Corleone, using pinball imagery as a metaphor for inner-city life. Heavy Traffic was Bakshi and producer Steve Krantz's follow-up to the successful and coolly controversial film Fritz the Cat, the first animated feature to receive an X rating. Though producer Krantz made varied attempts to produce an R-rated film, Heavy Traffic was given an X rating by the MPAA. The film received positive reviews and is widely considered to be Bakshi's biggest critical success.
The film starts out in live action, introducing the protagonist Michael Corleone, a 22-year-old virgin (inaccurately referred to as 24 in the movie's trailer) playing pinball in New York City. The scene then transitions into animation. New York has a diseased, rotten, tough, and violent atmosphere. Michael's Italian father, Angelo "Angie" Corleone, is a struggling mafioso who frequently cheats on Michael's Jewish mother, Ida. The couple constantly bicker and try to kill each other. Michael ambles through a catalog of freaks, greasers, and dopers. Unemployed, he dabbles with cartoons, artistically feeding off the grubbiness of his environment. He regularly hangs out at a local bar where he gets free drinks from the female black bartender, Carole, in exchange for sketches of the somewhat annoying Shorty, Carole's violent, legless bouncer devotee. One of the regular customers at the bar named Snowflake, a nymphomaniac transvestite, gets beaten up by a tough drunk who has only just realized that Snowflake is a man in drag and not a beautiful woman. Shorty throws the drunk out and the bar's white manager abusively confronts Carole over this. Fed up with her manager, Carole quits.
Heavy Traffic is the twenty-fifth studio album by English rock band Status Quo. Published in 2002, it hit #15 on the UK charts. The album was released following the reunion of Francis Rossi with writing partner Bob Young, who co-wrote many of the band's songs between 1968 and 1981. This is the first album to feature drummer Matt Letley.
Heavy Traffic OST is the soundtrack to Ralph Bakshi's 1973 film Heavy Traffic. The film's score was performed by Ed Bogas and Ray Shanklin. The soundtrack album was released on Fantasy Records in 1973. The album was released on compact disc in 1996 as part of a compilation that featured both the soundtracks to Fritz the Cat and Heavy Traffic on the same disc.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Provided to YouTube by CDBaby Heavy Traffic Ahead · Bill Evans · Don Rigsby Bill Evans Plays Banjo ℗ 2001 Bill Evans Released on: 2001-01-01 Auto-generated by YouTube.
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our YT: http://www.youtube.com/user/classicmoodexp Join our Google +: https://plus.google.com/u/0/b/113483374521317576387/113483374521317576387/posts Join our Facebook: http://www.facebook.com/classicmoodexp Spotify: http://open.spotify.com/user/1184062239 Deezer: http://www.deezer.com/profile/305140685 🎷🎶 🎷🎶 🎷🎶 Subscribe to our channel for the best music masterpieces: http://bit.ly/ClassicMoodExperience Classic Mood Experience The best masterpieces ever recorded in the music history. Explore Classic Mood Experience music, the best jazz, blues, rock, pop, R&B, soul, lantin songs ever recorded by Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Rei...
Bill Evans on the Creative Process and Self-Teaching Conversation With His Brother Harry, 1966 Songs appeared: 0:00 Spartacus Love Theme (aka Emily) 13:06 I Like New York in June, How About You? 17:53 Star Eyes (Analyzing the Melody and Harmonics) 22:07 Star Eyes (Full Song) 40:52 Very Early 42:15 Time Remembered 43:07 My Bells “I believe that all people are in possession of what might be called a universal musical mind. Any true music speaks with this universal mind, to the universal mind in all people. The understanding that results will vary only in so far as people have or have not been conditioned to the various styles of music in which the universal mind speaks. Consequently, often some effort and exposure is necessary in order to understand some of the music coming from a differen...
In THE BANJO IN AMERICA, Bill Evans takes the viewer on a musical adventure, following the Banjo from its West African roots to the new world, performing musical examples from the 1700's to present day on vintage instruments. From an 18th century African dance tune to the music of the Civil War, and from early 20th century ragtime to folk and bluegrass banjo styles, to Bill's own incredible original music, THE BANJO IN AMERICA illuminates as well as entertains, exposing audiences to over 250 years of American music.
Provided to YouTube by CDBaby Raising the Beams · Bill Evans · Steve Smith Bill Evans Plays Banjo ℗ 2001 Bill Evans Released on: 2001-01-01 Auto-generated by YouTube.
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our YT: http://www.youtube.com/user/classicmoodexp Join our Google +: https://plus.google.com/u/0/b/113483374521317576387/113483374521317576387/posts Join our Facebook: http://www.facebook.com/classicmoodexp Spotify: http://open.spotify.com/user/1184062239 Deezer: http://www.deezer.com/profile/305140685 🎷🎶 🎷🎶 🎷🎶 Subscribe to our channel for the best music masterpieces: http://bit.ly/ClassicMoodExperience Classic Mood Experience The best masterpieces ever recorded in the music history. Explore Classic Mood Experience music, the best jazz, blues, rock, pop, R&B, soul, lantin songs ever recorded by Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Rei...
Dr. Jason Sifford, piano The University of Iowa Piano Pedagogy Video Recording Project IMTA Level C3 from Travel the Keyboard Jazz Highway Published by Edward B. Marks Music Company The leveling of the pieces is copyrighted by the Iowa Music Teachers Association, who has given us permission to use it for this project. To receive a repertoire list, please contact IMTA directly. (www.iamta.org)
Tony Trischka performs a medley of Bill Monroe songs in the Washington, DC studios of WAMU's Bluegrass Country. Join us at http://www.bluegrasscountry.org Host: Chris Teskey Video: Peter Swinburne Audio: Jerad Walker
The RBA and the FOMC have cut rates; more is expected although the fiscal response, particularly in Australia, will be important.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
On Saturday night when our work is done
We load our music up on the run
Heavy traffic ahead, heavy traffic ahead
We got to ramble ramble there's heavy traffic ahead
We pull out of Nashville right on time
The Blue Grass special heads down the line
We traveled around from state to state
The Bluegrass boys are never late
Late in the evening about sundown
You know we've come from some other town
We do our work with a good will