- published: 17 Nov 2013
- views: 65504
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Bill Evans (born December 30, 1948) is a current college basketball head coach for Idaho State University and a former head coach for Southern Utah University.
Bill Evans Trio - Elsa (1961) Personnel: Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums) from the album 'EXPLORATIONS' (Riverside Records)
Bill Evans: piano Chuck Israels: bass Larry Bunker: drums London, England March 19, 1965
If you would like the sheet music in PDF format, please visit my website at http://www.rowanhudson.com/shop or send me an email at [email protected]. I charge £5 (or $7 US) per transcription. If you're interested in hearing my own music you can listen here: Rowan Hudson's Passing Ships: https://rowanhudson.bandcamp.com/album/rowan-hudsons-passing-ships Solo Piano Music: https://rowanhudson.bandcamp.com/album/whalebed-ten-pieces-for-piano I also offer online Jazz Piano lessons via Skype so feel free to send me a message if that's something you'd be interested in. Recording cited for education purposes only
Bill Evans Trio "Explorations" vinyl reissue available at the Craft Recordings online store: https://found.ee/billevanstrio-explorations-craftstore-j The second album by the original Bill Evans group - released in 1961 - was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards plus three compositions from the jazz world that became synonymous with the trio's sounds, the album was cited by Evans years later as among his own favorite recordings. #BillEvans #CraftRecordings #RiversideRecords Follow Bill Evans: YouTube: https://www.youtube.com/channel/UCdO7L_kUAm5TTEz1-aRXIHA Facebook: https://www.facebook.com/...
Provided to YouTube by Universal Music Group Elsa · Bill Evans Trio Trio 65 ℗ 1965 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 1965-02-03 Producer: Creed Taylor Composer Lyricist: Earl Zindars Auto-generated by YouTube.
Elsa, covered by Jim Avakian, inspired by Bill Evans arrangement. Song Written by Earl Zindars.
Cannonball Adderley with Bill Evans Trio - Elsa (1961) Personnel: Cannonball Adderley (alto sax), Bill Evans (piano), Percy Heath (bass), Connie Kay (drums) from the album 'KNOW WHAT I MEAN?' (Riverside Records)
Track from the album Know What I Mean? (1959), released on Riverside. The album features Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. Subscribe to Cannonball Adderley on YouTube: https://www.youtube.com/channel/UCl4UPK7V2zZafyPUmci71KQ/?sub_confirmation=1 Subscribe to Bill Evans on YouTube: https://found.ee/billevans-youtube #cannonballadderley #billevans Subscribe to Craft Recordings on YouTube: https://found.ee/craft-youtube-subscribe Subscribe to the Original Jazz Classics channel on YouTube: https://found.ee/OJCYouTube Shop the Craft Recordings store for vinyl, box sets and more: https://found.ee/CraftStore-e Follow Craft Recordings: Website: https://Craftrecordings.com Newsletter: https://found.ee/CraftNewsletter Yo...
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.