- published: 10 May 2021
- views: 9256
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
No Cover, No Minimum is a 1960 live album by Billy Eckstine. It was recorded in Las Vegas and features Eckstine both as a vocalist and also on trumpet, backed by an orchestra arranged and directed by his pianist, Bobby Tucker. Production was by Teddy Reig. The album was originally released by Roulette Records, and was reissued in 1992 on the Blue Note label with 10 additional, previously unreleased tracks.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Bill Evans (born December 30, 1948) is a current college basketball head coach for Idaho State University and a former head coach for Southern Utah University.
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter At the time this album was recorded in 1956, Bill Evans was a pianist known only to a few insiders and those fans who had heard him featured with George Russell and Tony Scott. An introverted personality who felt unready for the spotlight, Evans had to be persuaded that his personal harmonic and rhythmic sense and his profound lyricism were worthy of a full showcase on one of the era’s leading independent labels. Fortunately he consented and this strong session, featuring future Evans trio drummer Paul Motian and the initial recording of signature compositions ""Waltz for Debby"" and ""Five,"" tu...
New Jazz Conceptions (1956) Personnel: Bill Evans (Piano) Teddy Kotick (Bass) Paul Motian (Drums) -- Bill Grauer, Orrin Keepnews (Producer) Jack Higgins (Recording Engineer)
Provided to YouTube by Resurfaced Records No Cover, No Minimum (Take 2) · Bill Evans New Jazz Conceptions ℗ Resurfaced Records Released on: 2017-10-27 Composer: Bill Evans Lyricist: Bill Evans Auto-generated by YouTube.
Provided to YouTube by Jazz Classics No Cover, No Minimum (Tk 2) · Bill Evans Trio New Jazz Conceptions (Original Album Plus Bonus Tracks 1956) ℗ Salt & Pepper Released on: 2013-01-01 Composer: Bill Evans Auto-generated by YouTube.
Bill Evans - Piano Teddy Kotick - Bass Paul Motian - Drums. DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only. If you like this recording, I strongly recommend you buying the record.
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter At the time this album was recorded in 1956, Bill Evans was a pianist known only to a few insiders and those fans who had heard him featured with George Russell and Tony Scott. An introverted personality who felt unready for the spotlight, Evans had to be persuaded that his personal harmonic and rhythmic sense and his profound lyricism were worthy of a full showcase on one of the era’s leading independent labels. Fortunately he consented and this strong session, featuring future Evans trio drummer Paul Motian and the initial recording of signature compositions ""Waltz for Debby"" and ""Five,"" tu...
Provided to YouTube by Digital Remasterings No Cover, No Minimum · Bill Evans Bill Evans: Only the Best (Remastered Version) ℗ Digital Remasterings Released on: 2012-01-01 Composer: Bill Evans Auto-generated by YouTube.
Provided to YouTube by Believe SAS No Cover, No Minimum (Remastered) · Bill Evans 100 (100 Tracks Remastered) ℗ Forrest Hill Released on: 2014-07-01 Composer: Bill Evans Music Publisher: D.R Auto-generated by YouTube.
Provided to YouTube by Digital Music Marketing No Cover, No Minimum (Tk 2) (New Jazz Conceptions) · Bill Evans Trio What Is This Thing Called Love? ℗ ABC Recordings Released on: 2024-07-22 Producer: Bill Evans Composer: Bill Evans Lyricist: Bill Evans Music Publisher: Copyright Control Auto-generated by YouTube.
Provided to YouTube by Jazz Classics No Cover, No Minimum (Tk 1) (Bonus Track) · Bill Evans Trio New Jazz Conceptions (Original Album Plus Bonus Tracks 1956) ℗ Salt & Pepper Released on: 2013-01-01 Composer: Bill Evans Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
And like that it's over
Some more goodbyes for us to go through
You're out the door
And it seems like this time next year
We can't be here
No more endless summers
Fates disappeared...
'Cause it's in my head
The things you said
You don't trust me now to be
Your best friend, it's all been read
In everything you said to me
But I don't mean this
And you don't see
Just thoughts that I can't show you
You don't trust me
When I come home
It'll be the same way