- published: 25 Nov 2023
- views: 447736
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William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 β November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6Β ft 2Β in (1.88Β m), 180Β lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0β1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21β innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128β127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Gone with the Wind is a novel written by Margaret Mitchell, first published in 1936. The story is set in Clayton County, Georgia, and Atlanta during the American Civil War and Reconstruction era. It depicts the struggles of young Scarlett O'Hara, the spoiled daughter of a well-to-do plantation owner, who must use every means at her disposal to claw her way out of the poverty she finds herself in after Sherman's March to the Sea. A historical novel, the story is a Bildungsroman or coming-of-age story, with the title taken from a poem written by Ernest Dowson.
Gone with the Wind was popular with American readers from the onset and was the top American fiction bestseller in the year it was published and in 1937. As of 2014, a Harris poll found it to be the second favorite book of American readers, just behind the Bible. More than 30 million copies have been printed worldwide.
Written from the perspective of the slaveholder, Gone with the Wind is Southern plantation fiction. Its portrayal of slavery and African Americans is controversial, as well as its use of a racial epithet and ethnic slurs. However, the novel has become a reference point for subsequent writers about the South, both black and white. Scholars at American universities refer to it in their writings, interpret and study it. The novel has been absorbed into American popular culture.
Gone with the Wind is a 1936 novel by Margaret Mitchell.
Gone with the Wind may also refer to:
Gone with the Wind is a jazz album released by The Dave Brubeck Quartet in 1959 on Columbia CL 1347 (monophonic) and CS 8156 (Stereo).
The origin of the album came out of the Quartet's desire to create an album of original music using unusual meters they discovered abroad such as in traditional Turkish folk music, which eventually became Time Out. However, the label executives insisted that the band first create a more conventional album to cover the risk of their preferred concept.
The album was recorded in Los Angeles, California on April 22 and 23, 1959. This is a concept album paying tribute to the State of Georgia. For this album, the quartet members picked personal favorites. Eugene Wright selected "Ol' Man River". "Short'nin Bread" was a pick of Joe Morello. Favored by Paul Desmond were "Lonesome Road" and "Basin Street" with Dave Brubeck choosing "Georgia on my Mind" along with "Swanee River." The album has received such reviews as "All... you would expect from Dave Brubeck", the "most swinging" album recorded up to that point, and as one of the "classic" Dave Brubeck Quartet lineup's lesser efforts. By contrast, Time Out was highly successful and eventually hailed as a landmark achievement in the genre.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
π λ΄κ° μ± μ½μ λ λ€μΌλ €κ³ λ§λ λΉ μλ°μ€ (Bill Evans) νλ μ΄λ¦¬μ€νΈ β» μμ€24λ μμ μ λν μ μκΆ μμ μκ° μλλ―λ‘ μμ λ° κ΄κ³ λ₯Ό ν΅ν΄ μμ΅ μ°½μΆμ ν μ μμ΅λλ€. ν΄λΉ μμμ μλμΌλ‘ κ΄κ³ κ° λ°μν μ μμΌλ©°, κ΄κ³ λ‘ μΈν μμ΅μ μμ μ μκΆμμκ² λμκ°λλ€. - #νλ μ΄λ¦¬μ€νΈ #λΉμλ°μ€ #BillEvans #μ§μ€ν리 #λ μν리
Five 00:00 Introduction by Humphrey Lyttelton 00:50 How my heart sings 01:50 Nardis 05:53 Who can I turn to 11:37 Someday my prince will come 17:37 How deep is the ocean 23:11 Waltz for debby 29:17 Five 34:11 Elsa 36:45 Summertime 41:43 Come rain or come shine 47:18 My foolish heart 52:35 Re: Person I knew 57:49 Israel 01:02:09 Five 01:07:38 Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)
Bill Evans : piano,Larry bunker : drum , Chuck Israel : bass.
Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.
Just great!
Purchase a pdf of this transcription ($5) - https://www.patreon.com/MichaelSolomon/shop/my-foolish-heart-bill-evans-187869?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=productshare_creator&utm_content=join_link Bill Evans: piano, Larry bunker: drum, Chuck Israels: bass. This is a live recording of the Bill Evans Trio playing βMy Foolish Heartβ. I transcribed Bill Evansβ piano solo by ear. This performance was on March 19, 1965 at the BBC studios in London as part of the program Jazz 625. The best way to support me as an artist and youtuber is to subscribe. Iβm interested in creating some really innovative music related content so supporting me helps me so much in doing that. If you feel called to support me on patreon, thatβs also greatly appreciated - https://www.patreon...
Adam has a new course! - https://openstudiojazz.link/maness Adam Maness is gonna teach you the key to emulating Bill Evans on the piano. π€ Are you hip to Sugar Chords? https://youtu.be/DoOTYEpdYJM
Probably my favorite track from Bill. His genius is on full display here. Amazing stuff.
Music to enjoy in the background. Music to work to. Music to love to. Β© Music & Movie is Copyrighted. #JazzTone #BackgroundMusic #BillEvans #LuxuryJazz
The Oslo Concerts
SETLIST 1. Dixie Hop 2. Smells Like Teen Spirit 3. Sex Pots 4. Kiss From Rose 5. Black Hole Sun 6. Hearts Of Havana 7. Dancing Barefoot 8. Jean Pierre Besetzung Bill Evans (sax) Niels Lan Doky (keys) Darryl Jones (bass) Harves Mason (drums) Der kreative Ansatz der Jazz/Takes Supergroup ist so komplex wie knifflig, das Konzept ist einfach. Es geht darum, einen Kanon zeitgenΓΆssischer Musik quer durch diverse Genres zu interpretieren. Und zwar so, dass die Ohren der ZuhΓΆrer*innen am Ende der kΓΌnstlerischen Transformation nur ein Ergebnis funken kΓΆnnen: Mehr Jazz geht nicht. Um diesem kΓΌnstlerischen Verwandlungsprozess auf die BΓΌhne zu bringen, treten vier Jazzmusiker an, die eins eint: Jeder von ihren ist lange im Musicbiz dabei, und jeder hat schon erfolgreich in den unterschiedlichsten Ko...
Bill Evans : Saxophone - Etienne MbappΓ© : Bass - Fred Dupont : B3 - Nicolas Viccaro : Drums
Provided to YouTube by CDBaby The Sunday After Β· Bill Evans Escape β 1996 Bill Evans Released on: 1996-10-20 Auto-generated by YouTube.
Die WDR BIG BAND feat. Bill Evans mit dem MusikstΓΌck "Vans Joint" (K: Bill Evans, A: Michael Abende). Weitere Gastsolisten sind Dave Wreckl (Schlagzeug) und Mark Egan (Bass). Die WDR BIG BAND wird geleitet von Chefdirigent Michael Abene. Soli spielen Bill Evans (Tenorsaxofon) und Frank Chastenier (Hammond). Das Konzert "Bill EvansΒ΄s Special" wurde aufgezeichnet fΓΌr WDR JAZZLINE auf den Leverkusener Jazztage 2009. Mehr WDR Big Band: http://www.wdr-bigband.de https://www.facebook.com/wdrbigband/ Mehr WDR Jazzline: http://www1.wdr.de/fernsehen/kultur/w...
Mike Mainieri : Vibraphone - Bill Evans : Saxophone - Γtienne MbappΓ© : Bass - Nicolas Viccaro : Drums - Anthony Jambon : Guitare
Ernie Watts:as Bill Evans:ss Stanley Turrentine:ts Michael Brecker:ts Don Grolnick:p Yoshio Suzuki:b Adam Nussbaum:ds Select Live Under The Sky
Provided to YouTube by CDBaby In only in your Dreams Β· Bill Evans Push β 1993 Bill Evans Released on: 1993-11-12 Auto-generated by YouTube.
Today on #SoulmatesMonday : Bill Evans' Soprano Saxophone SOLO You want to see Bill Evans with his Mandoki Soulmates LIVE? See us live on stage with our brand new Double Album βLiving in the gap + Hungarian Picturesβ: βΊβΊ https://www.eventim.de/artist/mandoki-soulmates/ We show you guys an unique live performance of our soulmate. Touching moments from our last βWings of Freedomβ concert tour. Moments, we don't want to miss! Bill, we are very proud of you and we can't wait to go on tour with you again. Your Mandoki Soulmates π€π» Letβs ROCK! ________ ________ Mandoki Soulmates on Facebook: βΊ https://www.facebook.com/mandoki.soulmates Mandoki Soulmates on Instagram: βΊ https://www.instagram.com/themandokisoulmates/ Mandoki Soulmates Hompage: βΊ https://mandoki-soulmates.com
Provided to YouTube by CDBaby Vans Joint Β· Bill Evans Soul Insider β 2000 Bill Evans Released on: 2000-12-15 Auto-generated by YouTube.
Final Set of the 2010 NYC run, here is a special treat, an upscaled version of DREAMS with jazz great Bill Evans on saxophone. Talk about strange coincidences, two musicians named Bill Evans played and recorded with Miles Davis. The other was of course the jazz legend, pianist, Bill Evans. This Bill Evans was really diggin' what Derek was puttin' down. An amazing night. Gregg Allman, Butch Trucks, Derek Trucks, Warren Haynes, Oteil Burbridge, Jaimoe, and Marc QuiΓ±ones .
William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Damn, standing here bring back a gang of memories, man
Sitting on this old block
All the violence and drugs you know, I lived through it
Get this shit on, yeah nigga, you and them motherfuckers
Rest in player pieces my niggas, blow
Innocent bystanders, be laying up in the streets
In the concrete jungle where real niggas, be packing heat
Leaving your insides exposed to the witnesses walking by
Here today and gone tomorrow, my nigga, we born to die
Keep your eyes open partner, ain't no rules in this shit
My nigga died with three kids and a wife, ain't that a bitch
I can't go clubbing because I'm thugging with some G's for real
I see some niggas at the party, and I'm subject to kill
Keep my head over the water, Uzi in the stash
Niggas try to wet me up that's why I dumped on they ass
I had a homey named Money, now, he's R.I.P
Niggas set him and killed him for some key's and G's
I don't know why the fuck they did it, niggas plotting and scheming
That's why you can never be blind to a broke man's dream
Because see I'm losing it. I can't take it, I miss my peers
Talk to my nigga, Makaveli, he been dead for two years
Episodes of divine intervention, invade my mind
Got me thinking, damn, I could've been dead, a couple times
Killer pits and extra clips, around my bed, when I'm sleep
Stash my Glock under my pillow, twenty gage by my feet
Sitting on my old block, reminiscing again
For my homies, dead and gone in the wind
Gone with the wind, gone with the wind
Gone with the wind, gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Too many niggas smile in my face and back stab
I'm left throwing niggas in the trunk and kidnap
Thugging and loving bitches, obsessed with this mob shit
Niggas thinking they moving and bailing out the cut with the quickness
Suckers be blind to this real shit, we bring the pain
Bossalini, Fetty Chico, Shiznilti still in the game
Immortalized forever, having my homies, up in the grave
Thinking back on, when I used to drank yac in my younger days
Bust the twelve gage shotty, too young to buy liquor
Little bad ass niggas grew up to be mob figures
Living life on a razor, cars, money and bitches
Niggas plotting to kill us, coming in coupes and a milli's
We go to war till they feel us, bury they ass on the realest
Ohh, shove us in the path, so eliminate you for scrilla
Niggas dying on the front line
Spending most of they life, ducking the one time, no sunshine
In the world of sin, from the gutter to the pen
Got me swimming in the game with a brim on my shark's fin
Sitting on my old block, reminiscing again
For my homies, dead and gone in the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
I ain't no bitch but if you bone me, I'm coming
Running double, trying to murder something
Eyes red and heart pumping
Serving niggas out the back of the Caddy
Hitting corners, ain't no love for you, snitch ass niggas in California
Ducking suckers and shady bitches, scheming to gaffle riches
Niggas living fictitious, running game and selling fishes
Paranoia of surveillance vans, watching me close
Nigga propped up with dreams, died back in ninety four
Suckers laid down my homie, I just had to get off
Can't be acting like no bitch nigga, because war is raw
They say nice guys finish last and the good die young
Too many real niggas put to death by the hand of the gun
Sitting on my old block, reminiscing again
On my homies, dead and gone in the wind
Gone with the wind, gone with the wind
Gone with the wind, gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind
Sitting on my old block, reminiscing again
Put the fire to the blunt, take a sip of the Hen
Sitting on my old block, reminiscing again
All my homies, dead and gone with the wind
Gone with the wind, gone with the wind