- published: 25 Nov 2023
- views: 447736
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 β November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6Β ft 2Β in (1.88Β m), 180Β lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0β1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21β innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128β127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
"A Shoulder to Cry On" is a song written by Merle Haggard, and recorded by American country music artist Charley Pride. It was released in January 1973 as the first single from the album Sweet Country. "A Shoulder to Cry On" was Charley Pride's eleventh number one on the country charts. The single stayed at number one for a single week and spent thirteen weeks on the country chart.
"A Shoulder to Cry On" is a ballad performed by American singer-songwriter Tommy Page. Released in 1988, the song became one of Page's early hits, peaking at #29 on the Billboard Hot 100. Lyrically, the song is about a man who will be "a shoulder to cry on" for his friend (possibly his lover).
"A Shoulder to Cry On" was written by Page solely. The song is one of Page's early songs. Years before the song was released, one of Page's friend was very sick. To show her that his thoughts were with her, he composed this ballad. Page confesses that whenever he writes a love song, it is about someone who doesn't exist. However, he explained that the song was not about his imagination, but about his friend who was very sick at that time.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929β1980), was a jazz pianist.
Bill Evans may also refer to:
π λ΄κ° μ± μ½μ λ λ€μΌλ €κ³ λ§λ λΉ μλ°μ€ (Bill Evans) νλ μ΄λ¦¬μ€νΈ β» μμ€24λ μμ μ λν μ μκΆ μμ μκ° μλλ―λ‘ μμ λ° κ΄κ³ λ₯Ό ν΅ν΄ μμ΅ μ°½μΆμ ν μ μμ΅λλ€. ν΄λΉ μμμ μλμΌλ‘ κ΄κ³ κ° λ°μν μ μμΌλ©°, κ΄κ³ λ‘ μΈν μμ΅μ μμ μ μκΆμμκ² λμκ°λλ€. - #νλ μ΄λ¦¬μ€νΈ #λΉμλ°μ€ #BillEvans #μ§μ€ν리 #λ μν리
Five 00:00 Introduction by Humphrey Lyttelton 00:50 How my heart sings 01:50 Nardis 05:53 Who can I turn to 11:37 Someday my prince will come 17:37 How deep is the ocean 23:11 Waltz for debby 29:17 Five 34:11 Elsa 36:45 Summertime 41:43 Come rain or come shine 47:18 My foolish heart 52:35 Re: Person I knew 57:49 Israel 01:02:09 Five 01:07:38 Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)
Bill Evans : piano,Larry bunker : drum , Chuck Israel : bass.
Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.
Just great!
Purchase a pdf of this transcription ($5) - https://www.patreon.com/MichaelSolomon/shop/my-foolish-heart-bill-evans-187869?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=productshare_creator&utm_content=join_link Bill Evans: piano, Larry bunker: drum, Chuck Israels: bass. This is a live recording of the Bill Evans Trio playing βMy Foolish Heartβ. I transcribed Bill Evansβ piano solo by ear. This performance was on March 19, 1965 at the BBC studios in London as part of the program Jazz 625. The best way to support me as an artist and youtuber is to subscribe. Iβm interested in creating some really innovative music related content so supporting me helps me so much in doing that. If you feel called to support me on patreon, thatβs also greatly appreciated - https://www.patreon...
Adam has a new course! - https://openstudiojazz.link/maness Adam Maness is gonna teach you the key to emulating Bill Evans on the piano. π€ Are you hip to Sugar Chords? https://youtu.be/DoOTYEpdYJM
Probably my favorite track from Bill. His genius is on full display here. Amazing stuff.
Music to enjoy in the background. Music to work to. Music to love to. Β© Music & Movie is Copyrighted. #JazzTone #BackgroundMusic #BillEvans #LuxuryJazz
The Oslo Concerts
SETLIST 1. Dixie Hop 2. Smells Like Teen Spirit 3. Sex Pots 4. Kiss From Rose 5. Black Hole Sun 6. Hearts Of Havana 7. Dancing Barefoot 8. Jean Pierre Besetzung Bill Evans (sax) Niels Lan Doky (keys) Darryl Jones (bass) Harves Mason (drums) Der kreative Ansatz der Jazz/Takes Supergroup ist so komplex wie knifflig, das Konzept ist einfach. Es geht darum, einen Kanon zeitgenΓΆssischer Musik quer durch diverse Genres zu interpretieren. Und zwar so, dass die Ohren der ZuhΓΆrer*innen am Ende der kΓΌnstlerischen Transformation nur ein Ergebnis funken kΓΆnnen: Mehr Jazz geht nicht. Um diesem kΓΌnstlerischen Verwandlungsprozess auf die BΓΌhne zu bringen, treten vier Jazzmusiker an, die eins eint: Jeder von ihren ist lange im Musicbiz dabei, und jeder hat schon erfolgreich in den unterschiedlichsten Ko...
Bill Evans : Saxophone - Etienne MbappΓ© : Bass - Fred Dupont : B3 - Nicolas Viccaro : Drums
Provided to YouTube by CDBaby The Sunday After Β· Bill Evans Escape β 1996 Bill Evans Released on: 1996-10-20 Auto-generated by YouTube.
Die WDR BIG BAND feat. Bill Evans mit dem MusikstΓΌck "Vans Joint" (K: Bill Evans, A: Michael Abende). Weitere Gastsolisten sind Dave Wreckl (Schlagzeug) und Mark Egan (Bass). Die WDR BIG BAND wird geleitet von Chefdirigent Michael Abene. Soli spielen Bill Evans (Tenorsaxofon) und Frank Chastenier (Hammond). Das Konzert "Bill EvansΒ΄s Special" wurde aufgezeichnet fΓΌr WDR JAZZLINE auf den Leverkusener Jazztage 2009. Mehr WDR Big Band: http://www.wdr-bigband.de https://www.facebook.com/wdrbigband/ Mehr WDR Jazzline: http://www1.wdr.de/fernsehen/kultur/w...
Mike Mainieri : Vibraphone - Bill Evans : Saxophone - Γtienne MbappΓ© : Bass - Nicolas Viccaro : Drums - Anthony Jambon : Guitare
Ernie Watts:as Bill Evans:ss Stanley Turrentine:ts Michael Brecker:ts Don Grolnick:p Yoshio Suzuki:b Adam Nussbaum:ds Select Live Under The Sky
Provided to YouTube by CDBaby In only in your Dreams Β· Bill Evans Push β 1993 Bill Evans Released on: 1993-11-12 Auto-generated by YouTube.
Today on #SoulmatesMonday : Bill Evans' Soprano Saxophone SOLO You want to see Bill Evans with his Mandoki Soulmates LIVE? See us live on stage with our brand new Double Album βLiving in the gap + Hungarian Picturesβ: βΊβΊ https://www.eventim.de/artist/mandoki-soulmates/ We show you guys an unique live performance of our soulmate. Touching moments from our last βWings of Freedomβ concert tour. Moments, we don't want to miss! Bill, we are very proud of you and we can't wait to go on tour with you again. Your Mandoki Soulmates π€π» Letβs ROCK! ________ ________ Mandoki Soulmates on Facebook: βΊ https://www.facebook.com/mandoki.soulmates Mandoki Soulmates on Instagram: βΊ https://www.instagram.com/themandokisoulmates/ Mandoki Soulmates Hompage: βΊ https://mandoki-soulmates.com
Provided to YouTube by CDBaby Vans Joint Β· Bill Evans Soul Insider β 2000 Bill Evans Released on: 2000-12-15 Auto-generated by YouTube.
Final Set of the 2010 NYC run, here is a special treat, an upscaled version of DREAMS with jazz great Bill Evans on saxophone. Talk about strange coincidences, two musicians named Bill Evans played and recorded with Miles Davis. The other was of course the jazz legend, pianist, Bill Evans. This Bill Evans was really diggin' what Derek was puttin' down. An amazing night. Gregg Allman, Butch Trucks, Derek Trucks, Warren Haynes, Oteil Burbridge, Jaimoe, and Marc QuiΓ±ones .
William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Life is full of lots of up and downs
But the distance feels further
When it's headed for the ground
And there's nothing more painful
Then to let your feelings take
you down
It's so hard to know
The way you feel inside
When there's many thoughts
And feelings that you hide
But you might feel better
If you let me walk with you
By your side
Chorus:
And when you need
A shoulder to cry on
When you need
A friend to rely on
When the whole world is gone
You won't be alone
I'll be there
I'll be your shoulder to cry on
I'll be there
I'll be your friend to rely on
When the whole world's gone
You won't be alone 'cause I'll be there
All of the times
When everything is wrong
And your feeling like
There's no use going on
You can't give it up
I'll help you work it out
And carry on
Side by side
With you till the end
I'll always be the one
A Shoulder To Cry On Continued
To firmly hold your hand
No matter what is said or done
Our love will always continue on
Chorus:
Everyone needs a shoulder to cry on
Everyone needs a friend to rely on
When the whole world's gone, you won't be alone
'Cause I'll be there
I'll be your shoulder to cry on
I'll be there
I'll be the one to rely one
When the whole world's gone, you wont be alone
'Cause I'll be there
And when the whole world is gone
You'll always have my shoulder to cry on