- published: 29 Apr 2022
- views: 99834
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Bill Evans (born December 30, 1948) is a current college basketball head coach for Idaho State University and a former head coach for Southern Utah University.
From the Craft Recordings release Bill Evans – You Must Believe In Spring. Listen/order: https://found.ee/BillEvansYMBIS Recorded in 1977 and released in 1981, just months after Evans’ death, the album marks the artist’s final studio recording with bassist Eddie Gomez and drummer Eliot Zigmund and includes stunning performances of “We Will Meet Again (for Harry)” and “B Minor Waltz (for Ellaine).” This 2022 edition of You Must Believe in Spring features all-analog mastering, cut at 45-RPM from the original tapes by Kevin Gray at Cohearent Audio. Pressed on 180-gram vinyl at RTI Record Technology, Inc. (RTI), the album is presented as a 2-LP set in a gatefold package, with new liner notes from music journalist, author and historian Marc Myers. You Must Believe in Spring will also be ...
My painting of Bill Evans - Gouache on card. 'Gary's Theme' from the album 'You Must Believe in Spring' (1981) on Warner Bros.Records. Eddie Gomez - bass and Eliot Zigmund - Drums Gary's Theme is a composition given to Bill Evans as a birthday present by his friend the late jazz arranger and vibes player Gary McFarland. It was Evans who gave it the title 'Gary's Theme'.
Provided to YouTube by Universal Music Group Gary's Theme (Remastered 2022) · Bill Evans Gary's Theme ℗ 2022 Craft Recordings., Distributed by Concord. Released on: 2022-04-29 Recording Producer, Producer: Helen Keane Recording Producer, Producer: Tommy LiPuma Studio Personnel, Mastering Engineer: Doug Sax Recording Engineer, Studio Personnel, Remix Engineer: Al Schmitt Upright Bass, Associated Performer: Eliot Zigmund Drums, Associated Performer: Eddie Gomez Associated Performer: Bill Evans Composer Lyricist: Gary McFarland Auto-generated by YouTube.
Gary's Theme by Bill Evans from the album You Must Believe In Spring 1977 Get the midi here: https://miditools.ai/jazz-ballads/bill-evans-garys-theme-1977 Transcribed by: @itsRemco & @MidiTools Original recording: https://www.youtube.com/watch?v=IM3PfiRSins Wikipedia: William John Evans was an American jazz pianist and composer who mostly played in trios. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New ...
This video shows Bill Evans playing with his last regular trio - bassist Marc Johnson and drummer Joe La Barbera nearly a year and a half before his tragic and untimely death. Live from Iowa. 30th January 1979. http://www.facebook.com/pianopod All copyrights reserved to original/rightful singer/songwriter/artist/music production companies. No copyright infringement intended Copyright Disclaimer under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Provided to YouTube by Universal Music Group Gary's Theme (Live) · Bill Evans Getting Sentimental ℗ 2003 Fantasy, Inc. Released on: 2003-01-01 Double Bass, Associated Performer: Michael Moore Associated Performer, Drums: Philly Joe Jones Composer Lyricist: Gary McFarland Auto-generated by YouTube.
▪️▪️▪️ Telegram channels dedicated to lesser-known music and related cultural agenda ▪️▪️▪️ ▪️ Lesser-known music that has outlived its time ... https://t.me/thousandandonetunes ▪️ The influences of 70s and more ... https://t.me/nutsandnuggets ▪️ Musical eclecticism and the aesthetics of the 80s ... https://t.me/giverstakers ▪️ Cultural agenda and memories of the 90s ... https://t.me/bubblegumandcandies ▪️ 2000s dance scene and contemporaries ... https://t.me/digital_giraffe ▪️ Hand picked soundtracks & library music for fine dining ... https://t.me/michlenplaylist ▪️ Important Soviet Essential Grooves & Heritage ... https://t.me/sovietpearls ▪️ Organic Field Recordings & More ... https://t.me/fieldrecordingsforcreativeminds
Provided to YouTube by Universal Music Group Gary's Theme (Live From The ORTF, Paris, FR / November 26. 1979) · Bill Evans The Paris Concert: Edition 2 ℗ 1984 Craft Recordings., Distributed by Concord. Released on: 1984-01-01 Producer, Recording Producer: Helen Keane Producer, Recording Producer: Yves Abiteboul Mastering Engineer, Studio Personnel: Vlado Meller Associated Performer: Bill Evans Associated Performer, Upright Bass: Marc Johnson Associated Performer, Drums: Joe LaBarbera Studio Personnel, Remix Engineer: Frank Laico Composer Lyricist: Gary McFarland Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.