- published: 21 Mar 2015
- views: 482
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
"The Song Is You" is a popular song composed by Jerome Kern with lyrics by Oscar Hammerstein II. It was written for their musical Music in the Air (1932) and sung in that show by Tullio Carminati. In later years the song became often associated with Frank Sinatra.
"The Song Is You" is the recurring musical theme of the 2003 Guy Maddin film The Saddest Music in the World. Nine different versions of the song were arranged for the film by composer Christopher Dedrick, whose work received a Genie Award.
The Song Is You is a 1994 box set by the American singer Frank Sinatra.
This five disc box set contains every studio recording Frank Sinatra performed with Tommy Dorsey and his orchestra, a few tracks of alternate recording takes, and a full disc of mostly-unreleased radio broadcasts. It is considered a definitive look at the first years of what would become a half-a-century long career.
"The Song Is You" is a popular song from 1932 by Jerome Kern and Oscar Hammerstein II.
The Song Is You may also refer to
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Provided to YouTube by The state51 Conspiracy The Song Is You · Bill Evans · Lee Konitz Bill Evans and Lee Konitz Play the Arrangements of Jimmy Giuffre ℗ 2015 TP4 Music Released on: 2015-01-01 Composer: Kern Auto-generated by YouTube.
here is his Canadian concert http://www.youtube.com/watch?v=vepKSrMIcew Brill Enans (p) Mark Jhonson(b) P J Jones (ds Kenny Burrell(g) No piano solo. Only guitar,drums solo.
Five 00:00 Introduction by Humphrey Lyttelton 00:50 How my heart sings 01:50 Nardis 05:53 Who can I turn to 11:37 Someday my prince will come 17:37 How deep is the ocean 23:11 Waltz for debby 29:17 Five 34:11 Elsa 36:45 Summertime 41:43 Come rain or come shine 47:18 My foolish heart 52:35 Re: Person I knew 57:49 Israel 01:02:09 Five 01:07:38 Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)
Album: You Must Believe In Spring (1977) (released in 1981) Bill Evans: piano, Eddie Gomez: bass, Elliott Zigmund: drums; Composition: Billy Rose, Edward Eliscu, Vincent Youmans
THE BEST OF BILL EVANS (FULL ALBUM) William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked as the leader of a trio.[2] His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, rec...
From the album "Together Again" (1976). Lyrics: When lonely feelings chill The meadows of your mind, Just think if winter comes, Can spring be far behind? Beneath the deepest snows, The secret of a rose Is merely that it knows You must believe in spring. Just as a tree is sure Its leaves will reappear; It knows its emptiness Is just the time of year. The frozen mountain dreams Of April's melting streams, How crystal clear it seems, You must believe in spring. You must believe in love And trust it's on its way, Just as the sleeping rose Awaits the kiss of May. So in a world of snow, Of things that come and go, Where what you think you know, You can't be certain of, You must believe in spring and love.
From the Craft Recordings release Bill Evans – You Must Believe In Spring. Listen/order: https://found.ee/BillEvansYMBIS Recorded in 1977 and released in 1981, just months after Evans’ death, the album marks the artist’s final studio recording with bassist Eddie Gomez and drummer Eliot Zigmund and includes stunning performances of “We Will Meet Again (for Harry)” and “B Minor Waltz (for Ellaine).” This 2022 edition of You Must Believe in Spring features all-analog mastering, cut at 45-RPM from the original tapes by Kevin Gray at Cohearent Audio. Pressed on 180-gram vinyl at RTI Record Technology, Inc. (RTI), the album is presented as a 2-LP set in a gatefold package, with new liner notes from music journalist, author and historian Marc Myers. You Must Believe in Spring will also be ...
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
I hear music when I look at you;
A beautiful theme of ev'ry
Dream I ever knew.
Down deep in my heart I hear it play.
I feel it start, then melt away.
I hear music when I touch your hand;
A beautiful melody
>From some enchanted land.
Down deep in my heart, I hear it say,
Is this the day?
I alone have heard this lovely strain,
I alone have heard this glad refrain:
Must it be forever inside of me,
Why can't I let it go,
Why can't I let you know,
Why can't I let you know the song
My heart would sing?
That beautiful rhapsody
Of love and youth and spring,
The music is sweet,
The words are true -