- published: 21 Jan 2016
- views: 477891
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms in which it was introduced by former child star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists, including Chet Baker, Bill Evans, Duke Ellington, Frank Sinatra, Sarah Vaughan, Ella Fitzgerald, Andy Williams, Shirley Bassey, Miles Davis, Etta James, Nico, Chaka Khan, Elvis Costello, and Rickie Lee Jones. In 2015 it was announced that the Gerry Mulligan quartet featuring Chet Baker's version of the song will be inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation’s audio legacy".
The song is usually performed in C Minor, although for vocalists the key of B Minor is fairly common. Frank Sinatra recorded the song in B Minor, and the theatrical version was also in B Minor. Ella Fitzgerald recorded the song in G Minor.
My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, NY, on February 12, 1964.
The concert was part of a series of benefits staged at the recently built Philharmonic Hall (now known as the Avery Fisher Hall), co-sponsored by the NAACP, the Congress of Racial Equality and the Student Nonviolent Coordinating Committee. Davis's set that night was ostensibly in support of voter registration in Mississippi and Louisiana, but he also mentioned in a Melody Maker interview that one of the concerts was in memory of John F. Kennedy, who had been assassinated the previous year. Kennedy's death had struck at the hopes of many in the Civil Rights movement, a cause dear to Miles, who had expressed his admiration for the President in 1962: "I like the Kennedy brothers; they're swinging people."
Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers. Davis biographer Ian Carr notes that the former were "taken too fast and played scrappily", while the Funny Valentine pieces "were played with more depth and brilliance than Miles had achieved before." He goes on to laud the album as "one of the very greatest recordings of a live concert … The playing throughout the album is inspired, and Miles in particular reaches tremendous heights. Anyone who wanted to get a vivid idea of the trumpeter's development over the previous eight years or so should compare [earlier recordings of "My Funny Valentine" and "Stella by Starlight"] with the versions on this 1964 live recording."
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Provided to YouTube by Universal Music Group My Funny Valentine · Bill Evans · Jim Hall Undercurrent ℗ 1962 Capitol Records LLC, Courtesy of Blue Note Records under license from Universal Music Enterprises. Released on: 2002-01-01 Producer: Alan Douglas Associated Performer, Piano: Bill Evans Associated Performer, Guitar: Jim Hall Composer: Richard Rodgers Author: Lorenz Hart Auto-generated by YouTube.
Provided to YouTube by Virgin Music Group My Funny Valentine · Bill Evans · Eddie Gomez · Jack DeJohnette Some Other Time: The Lost Session From The Black Forest ℗ 2016 Resonance Records Released on: 2016-04-22 Composer: Richard Rodgers Composer: Lorenz Hart Auto-generated by YouTube.
A 1968 Bill Evans recording that was released just a few years ago on the album Some Other Time. Score: https://musescore.com/user/1431431/scores/8970407 Recording: https://youtu.be/XYenLUxEYOU 0:00 Head In 1:24 Piano Solo 4:11 Head Out #jazz #piano #billevans
Provided to YouTube by Columbia My Funny Valentine · Bill Evans Piano Player ℗ 1973 Sony Music Entertainment Inc. Released on: 1998-04-20 Producer: Teo Macero & His Orchestra Drums: Jimmy Cobb Composer, Lyricist: Lorenz Hart Producer: Irving Townsend Composer, Lyricist: Richard Rodgers Trumpet: Miles Davis Mixing Engineer, Re- Mastering Engineer: Mark Wilder Bass: Paul Chambers Auto-generated by YouTube.
Provided to YouTube by Virgin Music Group My Funny Valentine · Bill Evans My Funny Valentine ℗ 2023 Elemental Music Records Released on: 2023-03-10 Composer, Writer: Richard Rogers Composer, Writer: Lorenz Hart Auto-generated by YouTube.
Provided to YouTube by Universal Music Group My Funny Valentine (Alt. Take) · Bill Evans · Jim Hall Undercurrent ℗ 1988 Blue Note Records Released on: 2002-01-01 Producer: Alan Douglas Studio Personnel, Mastering Engineer: Ron McMaster Producer: Michael Cuscuna Composer: Richard Rodgers Author: Lorenz Hart Auto-generated by YouTube.
To find these pdfs and others, go to my website for free www.thejazztranscripts.com
Provided to YouTube by Virgin Music Group My Funny Valentine (Live) · Bill Evans Behind the Dikes: The 1969 Netherlands Recordings ℗ 2021 Elemental Music Records Released on: 2021-08-20 Composer, Writer: Richard Rodgers Composer, Writer: Lorenz Hart Auto-generated by YouTube.
Provided to YouTube by Blue Moon Music My Funny Valentine (Remastered) · Bill Evans · Jim Hall My Funny Valentine ℗ Caribe Sound Released on: 2018-04-09 Composer: Bill Evans Lyricist: Bill Evans Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
My funny valentine, sweet comic valentine
You make me smile with my heart
Your looks are laughable, un-photographable
Yet, you're my favorite work of art
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
Are you smart?
But, don't change a hair for me
Not if you care for me
Stay little valentine, stay
Each day is Valentine's Day
(Orchestral Break)
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
Are you smart?
But, don't change a hair for me
Not if you care for me
Stay little valentine, stay