- published: 19 Sep 2014
- views: 45732
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
"I Believe in You (You Believe in Me)" is a song written and produced by Don Davis and recorded by Johnnie Taylor. Davis had originally begun writing the song in 1965. When he found himself two songs short while working to complete Taylor's Taylored in Silk LP, Davis chose "I Believe in You (You Believe in Me) as one of the songs that would fill out the album. The basic track was cut at Muscle Shoals Sound in Alabama with members of its famed rhythm section: bassist David Hood, drummer Roger Hawkins, guitarist Jimmy Johnson, keyboardist Barry Beckett, and Davis later overdubbed strings at United Sound Recording Studio, the recording studio in Detroit that Davis had bought in 1971. Released as a single in the summer of 1973, "I Believe in You (You Believe in Me)" became one of the biggest hits of Taylor's career, holding the #1 spot on Billboard's Hot Soul Singles Chart for two weeks and reaching the number eleven position on the Billboard Pop Singles chart. The single was also certified gold by the RIAA for sales of one million copies.
"I Believe in You" is a song by Australian singer Kylie Minogue. It was written by Minogue and Scissor Sisters members Jake Shears and Babydaddy and produced by Shears and Babydaddy. It received an overall positive reception from music critics when it was released as the first single from Minogue's second greatest hits compilation, Ultimate Kylie, in December 2004. In the song, Minogue describes how she believes in her lover rather than anything else.
The single peaked at number two in the United Kingdom and at number six in Australia. The song became a dance club hit in the United States, peaking at number three on the Billboard Hot Dance Club Play chart in 2005 and earning a nomination for a 2006 Grammy Award in the "Best Dance Recording" category.
"I Believe in You" is a pop and Euro disco song, which features the use of synthesizers and keyboards. The lyrics of the song, co-written by Minogue, describe how she does not believe in anything except her lover, although the song details of a spirit the speaker believes in hence the lyrics "I don't believe that when you die your presence isn't felt." Written and recorded for Ultimate Kylie during the summer of 2004 in London, the song takes its inspiration from disco and 80s new wave electropop music (and has been described as similar to 80s-era New Order).
"I Believe in You" is a song written by Gene Dunlap and Buddy Cannon, and recorded by American country music artist Mel Tillis. It was released in April 1978 as the first single and title track from the album I Believe in You. The song was Mel Tillis' fourth number one on the country chart. "I Believe in You" stayed at number one for one week and spent a total of fourteen weeks on the country chart.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he...
Bill Evans (p), Monty Budwig (b), Shelly Manne (ds) Album:" Shelly Manne, Bill Evans With Monty Budwig / Empathy " Recorded:New York City, August 14, 1962
Provided to YouTube by Believe SAS I Believe in You · Bill Evans I Believe in You ℗ True Origin Records Released on: 2015-09-18 Music Publisher: D.R Author: Frank Loesser Composer: Frank Loesser Auto-generated by YouTube.
Bill Evans Trio - I Believe in You Playlist Jazz Vibes: https://goo.gl/jItfi5 Listen on Deezer: https://goo.gl/G4hK6A --------------------------------- Subscribe Channel Jazz Music Social Club is your channel for all the best jazz music. Find your favorite songs and artists and experience the best of jazz music. Subscribe for free to stay connected to our channel and easily access our video updates! YouTube: http://yt.vu/c/UCPt1hYxzytco3FVtJqQ9D6A Facebook: https://www.facebook.com/JazzMusicSocialClub/ Twitter: https://twitter.com/JazzMusicClub Google+ https://goo.gl/V8A2LO --------------------------------- ® 2017 Jazz Music Social Club
Provided to YouTube by Believe SAS I Believe in You (Remastered) · Bill Evans 100 (100 Tracks Remastered) ℗ Forrest Hill Released on: 2014-07-01 Music Publisher: D.R Composer: Frank Loesser Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
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I feel sorry, I feel sorry
I feel sorry, I feel sorry
I feel for sorry for any man out there
When he can't look around
And say, this is my woman
My woman alone
I feel sorry, yeah
For any woman out there
Who can't say I got somebody
That I can call my very own
I feel sorry, I feel sorry
I feel sorry, I feel sorry
One thing I can say about the people of the world today
They see you with a good thing
They want to take it away
But I believe in you, you believe in me too, yeah
Even your best friend will come around making sly remarks
Trying to put you down
I believe in you, you believe in me too
Listen honey, people talking, trying to pull us apart
Sticking pins and needles in both of our hearts
I love you no matter
Don't care about the stormy weather
I heard your mother say
Loving me didn't make no sense
But when she put me down
You stood up in my defense
I believe in you
Anytime you against your own mother
It makes me know
You believe in me, yeah
Here's another thing
We had our hard times
And almost didn't make it
We always worked it
Never tried to fake it
But I believe in you
You believe in me too
Here's anything about it
People talking, trying to pull us apart
Always ticking pins and needles in both of our hearts
Our love together
Don't care about the stormy weather
I believe in you
You believe in me too, yeah
I believe, that's why every time we get a chance
I tell you, honey, how much I love you
Love you, love you
Love you, love you
And most of all, how much I trust you
The reason why I trust you, baby
Is because of one thing
I can lean on you, yeah, baby
And you can lean on me too
One more time I'm gonna say
I believe in you
Honey, please let me believe in you
I know a lot of folk out there
Wish they had somebody they could believe in
I believe, I believe in you
You believe in me too
Anytime you against your own mother
It makes me know
You believe in me
I believe in you
And you've shown me enough to know