- published: 23 Mar 2015
- views: 1341
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Back to the Wall is a recording by American folk and blues guitarist Peter Lang, released in 1978. It is out of print.
"Back to the Wall" is a song by Australian rock group Divinyls. Released in 1988 as the lead single from their third studio album Temperamental, the song made the top forty on the Australian singles chart.
By October 1986, Divinyls had been reduced to the duo of Christina Amphlett and Mark McEntee. Their third studio album Temperamental was in the recording stages and their label Chrysalis Records informed them that it would be make-or-break record, largely depending on whether it received attention internationally such as in the US.
"Back to the Wall" was released in early-mid 1988 as the album's lead single, where it made the top forty on the Australian Singles Chart, peaking at number thirty-three.
The song was played in the 1988 hit horror film A Nightmare on Elm Street 4: The Dream Master and is on the soundtrack to the film.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Provided to YouTube by CDBaby Back To The Wall · Bill Evans Bill Evans Touch ℗ 1999 Bill Evans Released on: 1999-11-30 Auto-generated by YouTube.
Cuando a los 10 años de iniciar mi proyecto divulgativo musical YouTube me negó la posibilidad de monetizar el canal (cumpliendo los requisitos en números de seguidores y horas de visualización) porque es un “Canal donde se usa el contenido de otra persona sin cambiarlo de forma significativa”, no me pareció bien porque en algunas de mis presentaciones aparece publicidad y porque el poco dinero que pudiera ingresar me podía ir bien para el mantenimiento de la página https://www.gramolaglobal.com y para colaborar con entidades que se dedican a ayudar a otras personas. Un tiempo después veo que estar al margen del tema económico y seguir exclusivamente centrado en el aspecto divulgativo me sigue dando la libertad de poder hacer las cosas sin preocupaciones y me evita problemas que pudieran ...
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A jazz piano lesson to help you learn the jazz standard “Interplay” by the great Bill Evans. Take your LH playing to the next level with my free ebook: Jazz Piano Left Hand Techniques: https://keyboardimprov.com/jazz-left-hand-techniques-ebook/ You'll find my book, The Inner World of Piano Improvisation, on Amazon. Incorporating the whole history of piano music into our jazz improvisations 0:00 Rootless A and B chord voicings as derived from Bill Evan’s harmonic concept 0:48 The benefit of playing 7th chords as a beginning jazz pianist 1:15 Are rootless voicings always effective when playing solo jazz piano? 2:42 Bill Evans’ use of shell voicings when playing solo 3:43 Using left hand rootless chord voicings when they’re appropriate and effective 4:51 Playing simple roots with your l...
Bill Evans on the Creative Process and Self-Teaching Conversation With His Brother Harry, 1966 Songs appeared: 0:00 Spartacus Love Theme (aka Emily) 13:06 I Like New York in June, How About You? 17:53 Star Eyes (Analyzing the Melody and Harmonics) 22:07 Star Eyes (Full Song) 40:52 Very Early 42:15 Time Remembered 43:07 My Bells “I believe that all people are in possession of what might be called a universal musical mind. Any true music speaks with this universal mind, to the universal mind in all people. The understanding that results will vary only in so far as people have or have not been conditioned to the various styles of music in which the universal mind speaks. Consequently, often some effort and exposure is necessary in order to understand some of the music coming from a differen...
Thanks to the International Society of Bassists for lending me Scott LaFaro's bass and making this video possible. Additional s/o to Kolstein in Manhattan, NY for providing a home for this instrument. In this video, I break down my favorite 3 examples of Scott LaFaro's bass playing, and his impact on the history of jazz bass. 01:08 Solar 10:20 Nardis 16:58 I Love You https://www.patreon.com/coledavismusic
love Mark Knopfler/Dire Straits, can't believe i haven't posted any before this is the first solo from the song hope u enjoy :)
Miami guards Haley and Hanna Cavinder on TikTok. 2/13/2023
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
All alone at night
Thoughts roll thru my mind
Plannin my escape
How long will I wait
Reaching out to someone
There's no one on the line
Testin out my faith
How much can I take
Til I
Reach the other side
I don't wanna waste no time
Only the strong will survive
With my back to the wall
I'll never fall
I'm gonna fight until the end
With my back to the wall
I'll never give up
I'm goin hard until I win
With my back to the wall [x2]
I can see the light
In my lonely mind
I believe in fate
But how long will it take
Til I
Reach the other side
I don't wanna waste no time
Only the strong will survive
With my back to the wall
I'll never fall
I'm gonna fight until the end
With my back to the wall
I'll never give up
I'm goin hard until I win
With my back to the wall [x2]
No one can stop me
I am not afraid
Over my dead body
Will I cave
With my back to the wall
I'll never fall
I'm gonna fight until the end
With my back to the wall
I'll never give up
I'm goin hard until I win