- published: 07 Nov 2013
- views: 3863
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
A Matter of Time or Matter of Time may refer to:
Matter of Time is the first studio album by the band Axium. The album was mixed, mastered, and produced by Mitch Rosenow and features David Cook (vocals, guitar); Bobby Kerr (drums); Jerron Nichols (bass); and Jeff Shrout (guitar).
Liberman is the fifth studio album by American singer-songwriter Vanessa Carlton, released on October 23, 2015, through Dine Alone Records. It is the follow up to Carlton's 2011 album Rabbits on the Run and marks her first release since signing with Dine Alone Records. The title of the album comes from an oil painting made by Carlton's late grandfather, whose given surname was Liberman.
Following the 2011 release Rabbits on the Run, Carlton took time off to get married, start a family and write another album. She tells CBS News that these changes in her life are reflected in Liberman's songs and that she "wanted the whole album to feel like an escape type of album, where you put it on and you feel like you're in this dreamy state."
To avoid preconceived notions, demos recorded were sent to Dine Alone Records without Carlton's name attached. Label president Joel Carriere recalls hearing the demos and tells The Toronto Star, "The songs were amazing, it was atmospheric, it kind of fit into what we’re all into ... and we never would have guessed it was Vanessa Carlton because her voice has developed so much since her pop songs 14 years ago and the songwriting had obviously changed. We were, like: 'Yeah, we want to do this. But what is it we’re doing?'"
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
... thanks to ... Why I skydive and other crazy memories (A tribute to friends) http://youtu.be/c9613bTfDjI Matter of Time (Philippe Saisse) Sen-Saisse-Tional Music/Ascap Bill Evans - Tenor and Soprano Saxophones Philippe Saisse - Keyboards Mark Egan - Bass Chuck Loeb - Guitar Mixed by Eric Calvi Contact: [212] 302-9200 Fax: [212] 382-1639 Bill Evans - Push Line-up/Musicians Bill Evans (tenor, alto & Soprano saxophones, keyboards, b. vocals, programming) Clifford Carter (keyboards, drum loops) Jeff Golub, Chuck Loeb, Nick Moroch (guitars) Chris Minh Doky, Mark Egan (basses) Bob James, Bruce Evans, Bruce Hornsby (piano) Philippe Saisse (keyboards) Chris Botti (trumpet) Michael Davis (trombone) Keith O'Quinn, Cinard Herwing, Gary Smulyan, Barry Brydon, Dave Stahl (horns) KC Flight (rap, p...
From the 1972 LP, Living Time
Album: A simple Matter of Conviction (1966) Bill Evans: piano, Shelly Manne: drums, Eddie Gomez: bass; Composition: Bill Evans
Bill Evans — Some Other Time: The Lost Session From the Black Forest Release Date: 4/22/16 (*LP on 4/16/16 for Record Store Day) Available as Deluxe 2-CD & Limited Edition 2-LP Sets Available at Resonance Records: http://www.bit.ly/1nFu1Vp Amazon.com: http://www.amzn.to/1QP54CH Download on iTunes: http://www.apple.co/1PdwigM Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Av...
My interpretation of Sid Jacobs' arrangement of this Bill Evans tune.
Bill Evans Trio - Unless It's You (Orbit) (1966) Personnel: Bill Evans (piano), Eddie Gomez (bass), Shelly Manne (drums) from the album 'A SIMPLE MATTER OF CONVICTION' (Verve Records)
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Where'd we stay
So distant for me
Have your way
So you're gonna break me down
Pulling my love around
My mind says aloud
But loud and clear's unheard
Guilty pleasures you'd say
I can't explain
How I feel
All the ways
My love is real
Promises
For all I've found
Don't you know I need more
It's just a matter of time
Before you break me down
It's just a matter of time
Before you break me now
No kisses lying why'd you
But something makes me wait
Then distant for a long time
I know you have your way
So you break me
When I don't know
It should make me stronger
But I can't last forever
It's just a matter of time
Before you break me down
It's just a matter of time
Before you break me now
Before you break me now
Can't you see it why
You do it to me
Do it to me
Do it to me
Can't you see it why
Can't you see it why
You do it to me
Do it to me
Do it to me
Can't you see it why
Can't you see it why