- published: 30 Oct 2010
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Bill Evans (born December 30, 1948) is a current college basketball head coach for Idaho State University and a former head coach for Southern Utah University.
"Detour Ahead" is the third track on Bill Evans live masterpiece "Waltz for Debby"
Live in Belgium, 1965 Personnel: Bill Evans (p) Eddie Gómez (b) Marty Morrell (dr)
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter This is the fourth and final album by one of the most influential groups in jazz history, a unit that redefined the notion of the piano trio. Recorded (like its companion volume Sunday at the Village Vanguard) just days before the highway accident that took bassist Scott LaFaro’s life, it summarizes the level of creative interaction that made the Bill Evans Trio a harbinger of jazz possibilities in the coming decades. Evans, LaFaro, and Paul Motian play with astounding freedom in these performances, maintaining all the while a keen balance and a pervasive sense of beauty. The flow of tempos and ...
If you would like the sheet music in PDF format, please visit my website at http://www.rowanhudson.com/shop or send me an email at [email protected]. I charge £5 (or $7 US) per transcription. If you're interested in hearing my own music you can listen here: Rowan Hudson's Passing Ships: https://rowanhudson.bandcamp.com/album/rowan-hudsons-passing-ships Solo Piano Music: https://rowanhudson.bandcamp.com/album/whalebed-ten-pieces-for-piano I also offer online Jazz Piano lessons via Skype so feel free to send me a message if that's something you'd be interested in. Recording cited for education purposes only
Bill Evans performing “Detour Ahead” with Lee Konitz on saxophone, Niels-Henning Ørsted Pedersen on bass and Alan Dawson on drums live at the Paris Jazz Festival in 1965. Colorised by @ebjazz93
Riverside Records releases vinyl box set of pivotal Bill Evans live performances, The Complete Village Vanguard Recordings, 1961 LOS ANGELES, Calif. — Concord Music Group is proud to announce the forthcoming vinyl reissue of Bill Evans’ The Complete Village Vanguard Recordings, 1961, one of the greatest live jazz recording sessions of all time. Pressed on 180-gram vinyl, the four LPs are packaged with a 12-page booklet, complete with new liner notes by reissue producer Bill Belmont, as well as the original liner notes by the producer of the initial recordings, Orrin Keepnews. Reproductions of Keepnews’ session annotations and photographer Steve Schapiro’s proof sheets from the performances add vintage context to the packaging. As a bonus, a stunning metallic and black poster of the famous...
Provided to YouTube by CDBaby Detour Ahead · Bill Evans The Definitive Rare Albums Collection ℗ 1960 Bill Evans Estate Music, LLC Released on: 1960-01-01 Auto-generated by YouTube.
Detour Ahead is a jazz standard with words and music credited to Herb Ellis, John Frigo, and Lou Carter. The song was written in 1947 while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey's orchestra. In 1949 Billie Holiday recorded the song with Tiny Grimes' Sextet. While officially credited to Carter, Frigo, and Ellis, there is no agreement in whether all three composed the song. The original lyrics compare love's progress to a motor trip -- the perfect metaphor in 1950s America. William John Evans, known as Bill Evans (August 16, 1929 -- September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by ...
Learn how to play Detour Ahead (Bill Evans) from The Real Book (2). This is how I would approach learning a new tune using The Real Book. In this piano tutorial I make some suggestions & notations. Watch my creative process: I play it through AS IS, and THEN make it my own. Watch & Enjoy! Paul Tobey 00:30 The Real Book 01:44 Bill Evans Detour Ahead 02:29 Play it through once 03:16 Last 2 bars 05:00 Now, lets make more out of it! 05:45 Real Book Tips 06:39 Rootless voicings 09:19 Add voicings 11:07 Grace Note 11:25 How do I interpret real book chords 11:55 How to make it your own 🎵🎵🎵 Download Detour Ahead Tutorial Sheet Music 🎵🎵🎵 _________________________________________________________ https://jazzmentl.com/detour-ahead-sheet-music/ 🎹 Jazz Piano Education _________________________ ...
Amazon: http://smarturl.it/VillageVanguardLPbox Facebook: https://www.facebook.com/BillEvansOfficial Free Download: http://smarturl.it/BillEvansDownload RIVERSIDE RECORDS RELEASES VINYL BOX SET OF PIVOTAL BILL EVANS LIVE PERFORMANCES, THE COMPLETE VILLAGE VANGUARD RECORDINGS, 1961 Collectible package includes limited-edition lithograph, carefully crafted production replicas, plus new and original liner notes. Release is the crown jewel in a year-long vinyl and box-set rollout celebrating the legendary jazz pianist. Concord Music Group is proud to announce the forthcoming vinyl reissue of Bill Evans’ The Complete Village Vanguard Recordings, 1961, one of the greatest live jazz recording sessions of all time. Pressed on 180-gram vinyl, the four LPs are packaged with a 12-page b...
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Smooth road clear day
But why am I the only one
Traveling' this way
How strange the road you love
Can be so easy
Can there be a detour ahead
Wake up slow down
Before you crash and brake your heart
Gullible clown
You fool, you're heading
In the wrong direction
Can't you see the detour ahead
The further you travel
The harder to unravel
The way he spins around you
Turn back while there is time
Can't you see the danger sign
Soft shoulders surround you
Smooth road clear night
Oh lucky me that suddenly
I saw the light
I'm turning back away
From all that trouble
Smooth road, smooth road