- published: 23 Mar 2015
- views: 207
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Figure 8 is the fifth studio album by American singer-songwriter Elliott Smith, and the final album he completed before his death. It was recorded from 1999 to 2000 at numerous studios and released on April 18, 2000 through DreamWorks Records. Preceded by the singles "Happiness" and "Son of Sam", Figure 8 was Smith's second release on a major label.
Figure 8 was recorded at Sunset Sound in Hollywood, Sonora Studios in Los Angeles, Capitol Studios in Hollywood and Abbey Road Studios in London.
The title is thought to be taken from a song by Schoolhouse Rock!; Smith covered this song, but it did not make the final track listing. Regarding the album's title, Smith said this in a May 11, 2000 article in Boston Herald:
Smith described the songs on the album as "more fragmented and dreamlike".
The wall Smith stands in front of in Autumn de Wilde's photograph on the cover of the album exists in Los Angeles, and since his death it has become a memorial to him. It is located at 4334 W. Sunset Boulevard, which is a store by the name of Solutions Audio-Video Repair, just east of the intersection of Sunset Boulevard and Fountain Avenue. It has at some stages been covered with written messages containing lyrics and personal messages to Smith, as well as displaying a stencil of Smith in order to mimic the photo on the album cover. It is regularly graffiti-ed over, followed by regular restorations from fans.
Making Mirrors is the third studio album by Belgian-Australian artist Gotye. The album was released in Australia on 19 August 2011. In December 2011 it was announced that Making Mirrors was voted Triple J listeners' number-one album of 2011, making Gotye the first artist to win the Triple J album poll twice. It included the hit "Somebody That I Used to Know", which reached and topped charts worldwide. In Poland, after one day of release, the album was certified platinum. The album won the 2013 Grammy for Best Alternative Music Album.
The album was largely recorded at a converted studio at Gotye's parents' farm in the Mornington Peninsula.
"Eyes Wide Open" saw Gotye explore new musical territory, with the main bass line from the song recorded on a fence: "I was out there with my old band called The Basics—and Winton is home to this phenomenal thing called the Winton Musical Fence, which is a large fence made out of metal strings stretched between posts and you can pluck it and play it with all sorts of different materials - it makes these amazing bass sounds so I sampled some bits there in 08 and they made it into the first single I put out off the new record called Eyes Wide Open."
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Provided to YouTube by CDBaby Easy Way Out · Bill Evans The Other Side of Something ℗ 2008 Bill Evans Released on: 2008-10-20 Auto-generated by YouTube.
Autumn Leaves Solo Piano and Trio Arrangement. Sheet Music Solo Piano Version): http://bit.ly/2oIZkjA Sheet Music (Trio Version): http://bit.ly/2pi2m1y Autumn Leaves Improvisation (Full Collection): https://goo.gl/MqDfev Jazz Piano Bundle Vol. 1 https://goo.gl/AzDrEa Blues Piano Bundle Vol. 1: https://goo.gl/YeedFl Notes: Solo Piano arrangement Bar 12: The chord symbol shows the right chord, but I missed to add a "b" front of the A note. Bar 31-32: I play the last G note on the "4+" instead of 1. When I wrote the arrangement 1 sounded really good, when I recorded it 4+ sounded even better :) Therefore I wanted to keep both in the video. Trio Arrangement: Bar 18: It is originally a Am7b5 chords, but Bill Evans plays a beautiful A7 chord these, so I wanted to add this to the arrange...
Bill Evans improvisational lick in 12 keys built on II - V progression.. Great exercise to improve improvisation skills and ear training. Taken from Bill Evans . Bill Evans improvisational lick in 12 keys built on II - V progression.. Great exercise to improve improvisation skills and ear training. Taken from Bill Evans . In this . In this weeks lesson we take a look at how to play and sing our way through my adaptation of a Bill Evans ii-V-I melody. The best way you can support my .
Provided to YouTube by CDBaby Right Lady · Bill Evans · JJ Grey · Scott Metzger · Marco Benevento · Joe Russo · Vaneese Thomas Rise Above ℗ 2016 Bill Evans Released on: 2016-05-20 Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Some people look at themselves,
With such doubt, Some people
Just take the easy way out.
But I don't want to.
Some people don't care,
Whats wrong or right,
Some people just wanna
Walk through life,
Some people just try to follow the crowd.
But I don't want too.
They'll never know what life is about.
So don't be like them,
Don't take the easy way out,
Don't take the easy way out,
Oh No,
Don't take the easy way.
Some people look at the
World with such doubt
(Don't take the easy way.)
Some people just
Take the easy way out,
But I don't want too.
Some people don't try
To be themselves,
Some people wanna be,
Somebody else,
Some people don't mind keepin'
Their voice down,
But I don't want too.
They'll never know what life is about.
So don't be like them,
Don't take the easy way out,
Don't take the easy way out,
Oh No,
Don't take the easy way.
If you've got a point to make,
Make it,
If you've got something to say,
Say it,
Its your life so whatever you do,
Don't fake it,
Don't fake it.
They'll never know what life is about.
So don't be like them,
Don't be like them.
Don't be like them.
Don't take the easy way out,
Don't take the easy way out,
Oh No,