- published: 23 Mar 2015
- views: 139
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
Bill Evans (born December 30, 1948) is a current college basketball head coach for Idaho State University and a former head coach for Southern Utah University.
Provided to YouTube by CDBaby Walk into the LIght · Bill Evans The Other Side of Something ℗ 2008 Bill Evans Released on: 2008-10-20 Auto-generated by YouTube.
Provided to YouTube by CDBaby Easy Way Out · Bill Evans The Other Side of Something ℗ 2008 Bill Evans Released on: 2008-10-20 Auto-generated by YouTube.
Please Wake Up! Poem written by Supreme Master Ching Hai Music: Oscar & 5-time Emmy winner Bill Conti Vocals: Denise Donatelli, Doug Katsaros, Giorgia Fumanti, Joy Valencia, Karen Ziemba, Kerry Walsh, Margie Evans, Trina Parks & Supreme Master Ching Hai International Association Choir O world, wake up and behold Rivers and mountains are in tumult Burnt forests, eroded hills, desiccated streams Whither do the poor souls go in the end of all dreams? O great Earth, lessened be your agony For the tears will stay with the persistent night. O seas and lakes, cease not your melodies Allowing hope for a morrow among humanity... O sentient beings, have respite in the realm beyond Though you departed without the last utterance. Let the throbbing of my heart abate While I ...
"Lovely Day" by Bill Withers Listen to Bill Withers: https://BillWithers.lnk.to/listenYD Subscribe to Bill Withers on YouTube: https://BillWithers.lnk.to/subscribeYD Watch more videos by Bill Withers: https://BillWithers.lnk.to/listenYD/youtube Follow Bill Withers: Facebook: https://BillWithers.lnk.to/followFI Website: https://BillWithers.lnk.to/followWI Spotify: https://BillWithers.lnk.to/followSI Ask your voice device to play Bill Withers! #BillWithers #LovelyDay #Blues #Soul Lyrics: When I wake up in the morning, love And the sunlight hurts my eyes And something without warning, love Bears heavy on my mind [Chorus] Then I look at you And the world's alright with me Just one look at you And I know it's gonna be A lovely day
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Hurry Up, Show's Startin'
I ca't believe they're still having it
I better get my butt in there right now
Ladies and gentleman, welcome to the sensational
and amazing... "Carnival of Carnage"
They said it couldn't happen, they said it wouldn't last
but boys and girls and everyone we got a carnival for that ass!
Tens of thousands of freaks,sideshows, and fools
a carnival who together lives by their own rules
We looked into the stars,foretold everyone
Something dark and wicked this way comes
We told of oddities, crawling from the dark
And a carnival which we can all belong (all belong)
I dwell upon the streets, and I can tell you this
I see some circus, Juggalo shit going on
People drawn together by rare and scubby music
And we even gather once a year to put it down
With Tilt a whirls and merry goes, and a carnival of faygo
We're just tryin to tell you about the light, right
Now all the jokers cards have fallen with spectacular array
So when the wraith is calling,walk into the light,right
I hold a bloody axe, dress in hatchet red
We speak languages people don't understand
I send faygos via punted clear across a staduim in fashion
Only fuckin juggalos could ever demand
I got ninjaz in my backyard wearing Anybody Killa paint
I'm thinkin What the fuck is going on?
Then I see the platinum on the wall, and I realize
The carnivals been right here all along, so lets bring it on
The crows have overlooked, we gave you all they gave
The carousel will spin on through the night (through the night)
In oz, I'd be the wizard cause I'm overwhelmed
We just hoped the jokers cards would point you out to the light