- published: 24 Sep 2006
- views: 9238929
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
My Foolish Heart is an album by Brazilian singer Nara Leão. It was released in 1989.
Foolish Heart may refer to:
Foolish Heart (Spanish: Corazón iluminado) is a 1998 Argentine, Brazilian, and French drama film directed by Héctor Babenco. The screenplay was written by Babenco and Ricardo Piglia. The film stars Miguel Ángel Solá, Maria Luísa Mendonça, and others.
The picture is based on the story by Catulo Castillo.
The film tells of seventeen-year-old Juan (Walter Quiroz). He lives with his parents and spends time with several intellectuals who are interested in photography. The girlfriend of the group's money person is Ana (Maria Luísa Mendonça), and Juan is attracted to her.
Ana spent two years at a mental institution because she was considered "crazy", yet Juan sees Ana often.
Juan is training as a door-to-door salesman, but when a photographer gives him a viewfinder, it changes his life. He's put on the path to his later success as a Hollywood director.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans : piano,Larry bunker : drum , Chuck Israel : bass.
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter This is the fourth and final album by one of the most influential groups in jazz history, a unit that redefined the notion of the piano trio. Recorded (like its companion volume Sunday at the Village Vanguard) just days before the highway accident that took bassist Scott LaFaro’s life, it summarizes the level of creative interaction that made the Bill Evans Trio a harbinger of jazz possibilities in the coming decades. Evans, LaFaro, and Paul Motian play with astounding freedom in these performances, maintaining all the while a keen balance and a pervasive sense of beauty. The flow of tempos and ...
"My Foolish Heart" is a popular song and jazz standard that was published in 1949. The music was composed by Victor Young, and the lyric was written by Ned Washington. The song was introduced by the singer Martha Mears in the 1949 film of the same name. The song failed to escape critics' general laceration of the film. Time wrote in its review that "nothing offsets the blight of such tear-splashed excesses as the bloop-bleep-bloop of a sentimental ballad on the sound track." Nevertheless, the song was nominated for the Academy Award for Best Original Song in 1949 but lost out to “Baby, It's Cold Outside” by Frank Loesser.
Album: Waltz For Debby Year: 1961 Label: Riverside Bill Evans - piano Scott LaFaro - bass Paul Motian - drums
Provided to YouTube by CDBaby My Foolish Heart · Bill Evans The Definitive Rare Albums Collection ℗ 1960 Bill Evans Estate Music, LLC Released on: 1960-01-01 Auto-generated by YouTube.
If you would like the sheet music in PDF format, please visit my website at http://www.rowanhudson.com/shop or send me an email at [email protected]. I charge £5 (or $7 US) per transcription. If you're interested in hearing my own music you can listen here: Rowan Hudson's Passing Ships: https://rowanhudson.bandcamp.com/album/rowan-hudsons-passing-ships Solo Piano Music: https://rowanhudson.bandcamp.com/album/whalebed-ten-pieces-for-piano I also offer online Jazz Piano lessons via Skype so feel free to send me a message if that's something you'd be interested in. Recording cited for education purposes only
The Tony Bennett Bill Evans Album Tony Bennett Vocal Bill Evans Piano Recorded:June 10–13, 1975
Provided to YouTube by Universal Music Group My Foolish Heart · Bill Evans Trio Waltz For Debby ℗ 2010 Concord Music Group Inc. Released on: 2010-01-01 Composer Lyricist: Ned Washington Composer Lyricist: Victor Young Auto-generated by YouTube.
“My Foolish Heart” sheet music & mp3 https://nonpopmusic.gumroad.com/l/mXZvf This song is included in this collection. Piano sheet music “Jazz Piano New” https://nonpopmusic.gumroad.com/l/HkSoCv Piano sheet music "Jazz Piano New" https://pianobook.ivory.ne.jp/sheet/sheet%20jazz%20new%20e.php Piano sheet music Home https://pianobook.ivory.ne.jp/index.php #Jazzfortwo #jazzpiano Pianist/Arranger Hiroshi Nakamura
Follow/Stream Bill Evans: https://found.ee/StreamBillEvans Shop the Craft Recordings Store: https://craftrecordings.com/collections/all Sign Up for Craft Updates: https://found.ee/CraftNewsletter Ranked time after time as one of the best live jazz recording sessions in history, and yielding two of Evans’ most classic albums (Waltz for Debby, Sunday at the Village Vanguard), The Complete Village Vanguard Recordings, 1961 represents the pinnacle of spontaneous musical communication: three men breathing as one on a tiny bandstand. The performances on these LPs demonstrate a new and more interactive approach to playing as a trio, one in which all instruments carry melodic responsibilities and function as equal voices. Keepnews recalls in his liner notes that “from the very first moments of...
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
I need a love that grows
I don't want it unless I know
With each passing hour, someone somehow
Will be there ready to share
I need a love that's strong
I'm so tired of being alone
But will my lonely heart play the part
Of the fool again before I begin
Foolish heart, hear me callin'
Stop before you start fallin'
Foolish heart heed my warnin'
You've been wrong before, don't be wrong anymore
Feelin' that feelin' again
I'm playin' a game I can't win
Love's knockin' on the door of my heart once more
Think I'll let her in before I begin
Foolish heart, hear me callin'
Stop before you start fallin'
Foolish heart, heed my warnin'
You've been wrong before, don't be wrong anymore
Foolish heart, foolish, foolish heart
You've been wrong before
Foolish heart, hear me callin'
Stop before you start fallin'
Foolish heart, heed my warnin'
You've been wrong before, don't be wrong anymore
Foolish heart, oh, foolish, foolish heart
You've been wrong before
Foolish, foolish heart