- published: 03 Aug 2019
- views: 12122
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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Bottoms Up may refer to:
" 's Up" (short for Bottom's Up) is the fifth episode of the first series of British sitcom Bottom. It was first broadcast on Tuesday 15 October 1991.
Richie and Eddie mind their landlord's shop for him, but end up getting stuck on the rooftop after trying to watch cricket from there.
As the episode begins, Richie is trying to enjoy an English Sunday morning, while Eddie is trying to watch what he believes are pornographic videos. After Eddie has forced Richie to sit down to watch the film, the pair observe that the film is not particularly erotic and Richie suggests that the "Furry Honey-pot Adventure" is probably a kids film. Eddie's other purchases also turn out to be innocent - "Big Jugs" is a history of Victorian pottery and "Swedish Lesbians in Blackcurrant Jam" turns out to be "Swedish Legends in Blackcurrant Jam Making" Eddie was disappointed that he spend an hour choosing some wrong videos and ruin his Sunday entertainment. At this point, the landlord Mr. Harrison bursts into the flat asking Richie and Eddie if they would mind his shop, so inconvenienced is he with his "stupid Mother's bloody funeral!".
"Bottoms Up" is a song recorded by American country rock artist Brantley Gilbert. It is the first single from his third studio album Just as I Am, and was released on December 16, 2013. The song was written by Gilbert, Justin Weaver and Brett James.
The song is a mid-tempo song with country rock influences. The song has the male narrator addressing his lover and offering to party with her by telling her, "tonight it's bottoms up."
Giving it 4 out of 5 stars, Markos Papadatos of Digital Journal wrote that "With this new song, he has shown maturity as both a vocalist and songwriter…'Bottoms Up' seems like a fun track for him to play at his live shows that will surely get the crowd excited." Matt Bjorke of Roughstock rated it 3.5 out of 5, saying that "If you like the sound of the stuff from Luke Bryan, Florida Georgia Line and Thomas Rhett, you’ll certainly enjoy 'Bottoms Up.' If you wanted the more ‘edgy’ rockin’ side to Brantley, this one certainly isn’t gonna be your kind of song. It’s certainly no 'Hell on Wheels' or 'Kick It in the Sticks' but it’s also not far removed vocally from 'More Than Miles.'"
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
I do not own copyright of the songs. Copyright belongs to artists and company. For More Jazz / Blues / Rock / Soul / Greek Music, check my channel Vinyl Rip From The Original LP (1968) 1.Bottoms Up [0:00] 2.Port Of Rico [3:11] 3.You Left Me All Alone [7:16] 4.Sassy [11:01] 5.Jivin' With Jack The Bellboy [16:38] 6.Ghost Of A Chance [22:10] 7.Our Delight [28:15] ILLINOIS JACQUET : tenor sax BARRY HARRIS : piano BEN TUCKER : bass ALAN DAWSON : drums
Autumn Leaves Solo Piano and Trio Arrangement. Sheet Music Solo Piano Version): http://bit.ly/2oIZkjA Sheet Music (Trio Version): http://bit.ly/2pi2m1y Autumn Leaves Improvisation (Full Collection): https://goo.gl/MqDfev Jazz Piano Bundle Vol. 1 https://goo.gl/AzDrEa Blues Piano Bundle Vol. 1: https://goo.gl/YeedFl Notes: Solo Piano arrangement Bar 12: The chord symbol shows the right chord, but I missed to add a "b" front of the A note. Bar 31-32: I play the last G note on the "4+" instead of 1. When I wrote the arrangement 1 sounded really good, when I recorded it 4+ sounded even better :) Therefore I wanted to keep both in the video. Trio Arrangement: Bar 18: It is originally a Am7b5 chords, but Bill Evans plays a beautiful A7 chord these, so I wanted to add this to the arrange...
Line up : Bill Evans (Saxophone), Gary Grainger (Basse), Simon Oslender (Claviers), Wolfgang Haffner (Batterie)
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian.[1] The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What". The use of the double bass to play the main theme makes the piece unusual. This arrang...
Provided to YouTube by Believe SAS All The Things You Are · Illinois Jacquet Bottoms Up (The Definitive Black & Blue Sessions) (Paris, France 1974) ℗ Disques Black & Blue Released on: 2007-10-15 Composer: Kern - Hammerstein Music Publisher: Disques Black & Blue Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Hip Side · Gonzalo Rubalcaba Avatar ℗ 2007 Blue Note Records Released on: 2007-01-01 Associated Performer, Keyboards, Piano, Producer: Gonzalo Rubalcaba Associated Performer, Flugelhorn, Trumpet: Mike Rodriguez Associated Performer, Tenor Saxophone, Alto Saxophone, Soprano Saxophone: Yosvany Terry Associated Performer, Upright Bass: Matt Brewer Associated Performer, Drums: Marcus Gilmore Studio Personnel, Engineer, Recording Engineer: Jim Anderson Studio Personnel, Editor: Mario Garcia Haya Studio Personnel, Mastering Engineer, Mix Engineer: Allan Tucker Studio Personnel, Assistant Mixer, Asst. Recording Engineer: Brian Montgomery Composer: Yosvany Terry Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Hey! Who's coming with me?
To kick a hole in the sky
I love the whiskey
Lets drink that shit till it's dry
So grab a Jim B, JD
Whatever you need
Have a shot from the bottom
Doesn't matter to me
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!
(YEAH!) This is what it's all about
No one can slow us down
We ain't gonna stop until the clock runs out
(BOTTOMS UP!) Hell can't handle all of us
So get your bottles up
Drinkin' ever drop until it all runs out
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!
So grab your best friend
And make your way to the bar
But keep your distance
We're gonna light it on fire
We're drink black tooth, 80% Proof
Straight gasoline
Slam as much can take and hand the bottle to me
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!
(YEAH!) This is what it's all about
No one can slow us down
We ain't gonna stop until the clock runs out
(BOTTOMS UP!) Hell can't handle all of us
So get your bottles up
Drinkin' ever drop until it all runs out
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!
This is what it's all about
No one can slow us down
We ain't gonna stop until they throw us all out
Hell can't handle all of us
So get your bottles up
Drinkin' ever drop until it all runs out
(YEAH!) This is what it's all about
No one can slow us down
We ain't gonna stop until the clock runs out
(BOTTOMS UP!) Hell can't handle all of us
So get your bottles up
Drinkin' ever drop until it all runs out
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!
'Nother round, fill her up
Hammer down, grab a cup
Bottoms up!