- published: 12 Apr 2016
- views: 4185
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 – November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6 ft 2 in (1.88 m), 180 lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0–1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21⅔ innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128–127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
Dolphin usually refers to any member of the mammal families Delphinidae (oceanic dolphins) and Platanistoidea (river dolphins).
It can also refer to either species in the fish family Coryphaenidae:
Dolphin may also refer to:
The Dolphin is a French literary fairy tale by Madame d'Aulnoy.
Another literary tale of this type is Giambattista Basile's older Peruonto. A folk variant is the French Half-Man.
A king and queen had several children, but loved them only if they were good and beautiful. One, Alidor, being ugly, in time left his parents secretly. More distressed over their reputation than his fate, they sent after him, but he had chosen his path with care and vanished. He met a young man in service to the King of the Woods and heard of his beautiful daughter Livorette, and so resolved to go there. Once there, Livorette and all her ladies laughed at his ugliness. The queen, however, drew him aside and inquired after him. He soon became a favorite at the court because of his intelligence and courtesy, but Livorette still laughed at him, and being madly in love with her, Alidor soon became melancholy. Trying to distract himself, he fished, but he caught nothing, and Livorette mocked him for it. One day, he caught a dolphin. The dolphin asked him to put it back, promising to help him, and reasoned with him about the princess. When he freed it, he despaired, but it came back and gave him an abundance of fish. It then discussed how to win Livorette, saying it would be necessary to deceive her. He brought back the fish, and then turned himself into a canary. In this form, he wooed the princess but would not speak to anyone else.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
Bill Evans (1929–1980), was a jazz pianist.
Bill Evans may also refer to:
From Left To Right Released 1971 Bill Evans – piano, Fender-Rhodes Eddie Gómez – bass Marty Morell – drums Sam Brown – guitar Michael Leonard – conductor, arranger Unidentified brass, woodwinds and strings
Bill Evans / From Left To Right
Bill Evans tocando The Dolphin, ao Piano Fender Rhodes, com cordas, flauta em uníssono, violão e percussão, magistral, como o próprio autor Luiz Eça admitiu, em Especial na Rádio JB-AM.
From Left To Right (1970) 05. The Dolphin - Before His performance is light but heavy. He is definitely one of the best jazz pianists and musician. Thanks for watching .
Provided to YouTube by Universal Music Group The Dolphin - Before (Complete Take 8) · Bill Evans The Complete Bill Evans On Verve ℗ 1970 Polydor Inc. Released on: 1997-10-07 Producer: Helen Keane Composer: Luiz Eça Arranger, Work Arranger: Michael Leonard Auto-generated by YouTube.
On Green Dolphin Street by Bill Evans from On Green Dolphin Street(1959) Bill Evans(p) Paul Chambers(b) Philly Joe Jones(d)
Provided to YouTube by Universal Music Group The Dolphin - Before (Complete Take 6) · Bill Evans The Complete Bill Evans On Verve ℗ 1970 Polydor Inc. Released on: 1997-10-07 Producer: Helen Keane Composer: Luiz Eça Arranger, Work Arranger: Michael Leonard Auto-generated by YouTube.
William John "Bill" Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
There was a dolphin playing with his love and friend
A hunting ship turned up and caught her in the end
He struggled to defend her but soon she just was gone
He never ever gave up searching for his love
He kept on crossing every ocean, every sea
He searched in hurricanes and cold untiringly
He missed the games they play and
How he missed the love they had
Without his girl his life was empty and so sad
True love will never surrender
True love will never fade away
He searched in storm and in sunshine
He'll keep on searching everyday
You'll hear him cry in the ocean
You'll hear him call his friend
He doesn't realise they will not meet again
He saw so many things he'd never seen before
Big whales that soon won't be existing anymore
He went through tainted waters
Pain seemed to have no end
But still he kept on searching for his love and friend
Turn around - while you can
Turn around - understand
You're alone - so go back home
Turn around....
True love will never surrender
True love will never fade away
He searched in storm and in sunshine
He'll keep on searching everyday
You'll hear him cry in the ocean
You'll hear him call his friend
He doesn't realise they will not meet again