- published: 25 Nov 2023
- views: 447736
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William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
William Lawrence Evans (March 25, 1919 β November 30, 1983) was a relief pitcher in Major League Baseball who played for the Chicago White Sox (1949) and Boston Red Sox (1951). Listed at 6Β ft 2Β in (1.88Β m), 180Β lb., Evans batted and threw right-handed. He was born in Quanah, Texas.
In a two-season Major League career, Evans posted a 0β1 record with a 4.36 ERA in 13 appearances, including five games finished, four strikeouts, 16 walks, and 21β innings pitched. In 12 seasons in minor league baseball, he worked in 386 games and compiled a 128β127 (.502) mark, retiring after the 1955 season.
Evans served in the US Army in World War II as an infantry man, eventually earning the Bronze Star Medal and Silver Stars.
Evans died in Grand Junction, Colorado, at age 64.
William D. "Bill" Evans (born February 9, 1958 in Clarendon Hills, Illinois) is an American jazz saxophonist. His father was a classical piano prodigy and until junior high school Evans studied classical clarinet. Early in his studies he was able to hear such artists as Sonny Stitt and Stan Getz live at the Jazz Showcase in Chicago. He attended Hinsdale Central High School and studied with tenor saxophonist Vince Micko. His stylistic influences are wide ranging and include players such as Sonny Rollins, Joe Henderson, John Coltrane, Stan Getz, Steve Grossman, and Dave Liebman. He has stated that although he never transcribed solos, he was able to get a very deep intuitive feel and understanding of each of these players' styles.
He plays primarily tenor and soprano saxophones. Evans attended University of North Texas and William Paterson University, where he studied with Dave Liebman, a Miles Davis alumnus. Moving to NYC in 1979 he spent countless hours in lofts playing jazz standards and perfecting his improvisational style. At the age of 22 he joined Miles Davis and was part of his musical comeback in the early to mid-1980s. Notable albums recorded with Miles include The Man With The Horn, We Want Miles, Star People, and Decoy. In addition he has played, toured and recorded with artists such as Herbie Hancock, John McLaughlin,Michael Franks, Willie Nelson, Mick Jagger, Les McCann, Mark Egan, Danny Gottlieb, Ian Anderson, Randy Brecker, The Allman Brothers Band, and Medeski, Martin, and Wood among others. He is featured on the Petite Blonde album with Victor Bailey, Dennis Chambers, Mitch Forman, and Chuck Loeb. Two of his most recent albums Soul Insider and Soulgrass were nominated for Grammy awards. Soulgrass was a ground breaking bluegrass/jazz fusion concept involving such musicians as Bela Fleck, Sam Bush, Bruce Hornsby, and drummer Vinnie Colaiuta.
The Gate may refer to:
Mark Deutrom is a musician, composer, songwriter, and producer.
In the early 1980s Deutrom was a member of a Los Angeles based art co-op called Werkgruppe founded by D. Emily Hicks and Daniel Joseph Martinez. Lori Black was also a member. Deutrom contributed several multichannel soundtracks for Hicks' and Martinez's conceptual pieces culminating in a 23 channel synthetic audio environment for the 1984 Olympics Arts Festival installation entitled "The Peoples of Los Angeles". The piece included multiplex holograms of individuals from Los Angeles reciting soundtracks of their experiences in the region against a constantly shifting holographic audio ambience. Other collaborators included physicist and holographer Lloyd Cross, holographer Sharon McCormack, artist Abbe Don and musician Chili Charles. The exhibition was held at the University of Southern California Atelier Gallery in Santa Monica. A catalog was published that included 3-D glasses. "The Peoples of Los Angeles" was reviewed in The Los Angeles Herald Examiner. It was also reviewed in The Los Angeles Times.
Art D'Lugoff (August 2, 1924 - November 4, 2009) was an American jazz impresario. He opened The Village Gate, a jazz club in New York City's Greenwich Village, in 1958. D'Lugoff sought out the hottest talent, hosting prominent jazz artists, including Billie Holiday, Duke Ellington, Dizzy Gillespie, Aretha Franklin, and Miles Davis, as well as the best in comedy, including Bill Cosby, Mort Sahl, Woody Allen, and John Belushi.
D'Lugoff turned away Bob Dylan, prompting the latter to write music in the basement of the club. He also fired a Dustin Hoffman for providing poor table service. Playwright Sam Shepard once bused tables. D'Lugoff styled himself on the famous showman Sol Hurok. His avant-garde programming also set the stage for theatrical nudity in New York - the 1974 musical review Let My People Come featured a fully nude co-ed cast.
Financial reverses led D'Lugoff to declare bankruptcy in 1991. He closed the club in 1994. In the wake of The Village Gate's closing, D'Lugoff dreamed of opening a new jazz club near Times Square. He worked on raising money for the development of a national jazz museum and hall of fame to be located in New York City. D'Lugoff's idea of a museum eventually developed into the National Jazz Museum of Harlem.
Bill Evans (born 1961 in Los Angeles, California) (AKA, Bass Man Bill Evans ) is an American bass guitarist who focuses on funk and rock. He currently resides in Las Vegas with his family and enjoys playing at his local church Canyon Ridge Christian Church.
At the age of fifteen Evans began playing the electric bass. He quickly moved from playing rock to funk and jazz. Evans is mainly a self-taught bassist, although he briefly studied with the bassists John Patitucci and Valda Hammick. He plays a custom Warwick fretted 4 string and fretless 5 string. He uses '"Bass Man Bill Evans"' as his career name to distinguish himself from the Jazz piano legend Bill Evans.
As a studio musician and performer, he has recorded and toured with Sony recording artist "Strongheart" with the guitarist/vocalist Wilbur Hess and drummer Bobby Arechiga. He also played and toured with Storm, James Burton and Jeff Burton with Dave Koz; and worked with the legendary team of Harry Vanda and George Young of Albert productions. He has paid his dues in many gigs throughout the world ranging from hard rock to funk/jazz.
π λ΄κ° μ± μ½μ λ λ€μΌλ €κ³ λ§λ λΉ μλ°μ€ (Bill Evans) νλ μ΄λ¦¬μ€νΈ β» μμ€24λ μμ μ λν μ μκΆ μμ μκ° μλλ―λ‘ μμ λ° κ΄κ³ λ₯Ό ν΅ν΄ μμ΅ μ°½μΆμ ν μ μμ΅λλ€. ν΄λΉ μμμ μλμΌλ‘ κ΄κ³ κ° λ°μν μ μμΌλ©°, κ΄κ³ λ‘ μΈν μμ΅μ μμ μ μκΆμμκ² λμκ°λλ€. - #νλ μ΄λ¦¬μ€νΈ #λΉμλ°μ€ #BillEvans #μ§μ€ν리 #λ μν리
Five 00:00 Introduction by Humphrey Lyttelton 00:50 How my heart sings 01:50 Nardis 05:53 Who can I turn to 11:37 Someday my prince will come 17:37 How deep is the ocean 23:11 Waltz for debby 29:17 Five 34:11 Elsa 36:45 Summertime 41:43 Come rain or come shine 47:18 My foolish heart 52:35 Re: Person I knew 57:49 Israel 01:02:09 Five 01:07:38 Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)
Bill Evans : piano,Larry bunker : drum , Chuck Israel : bass.
Bill Evans - Waltz For Debby,players' cast shown in comment of [lk2u] and [stefshop].thanks for the information.
Just great!
Purchase a pdf of this transcription ($5) - https://www.patreon.com/MichaelSolomon/shop/my-foolish-heart-bill-evans-187869?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=productshare_creator&utm_content=join_link Bill Evans: piano, Larry bunker: drum, Chuck Israels: bass. This is a live recording of the Bill Evans Trio playing βMy Foolish Heartβ. I transcribed Bill Evansβ piano solo by ear. This performance was on March 19, 1965 at the BBC studios in London as part of the program Jazz 625. The best way to support me as an artist and youtuber is to subscribe. Iβm interested in creating some really innovative music related content so supporting me helps me so much in doing that. If you feel called to support me on patreon, thatβs also greatly appreciated - https://www.patreon...
Adam has a new course! - https://openstudiojazz.link/maness Adam Maness is gonna teach you the key to emulating Bill Evans on the piano. π€ Are you hip to Sugar Chords? https://youtu.be/DoOTYEpdYJM
Probably my favorite track from Bill. His genius is on full display here. Amazing stuff.
Music to enjoy in the background. Music to work to. Music to love to. Β© Music & Movie is Copyrighted. #JazzTone #BackgroundMusic #BillEvans #LuxuryJazz
The Oslo Concerts
SETLIST 1. Dixie Hop 2. Smells Like Teen Spirit 3. Sex Pots 4. Kiss From Rose 5. Black Hole Sun 6. Hearts Of Havana 7. Dancing Barefoot 8. Jean Pierre Besetzung Bill Evans (sax) Niels Lan Doky (keys) Darryl Jones (bass) Harves Mason (drums) Der kreative Ansatz der Jazz/Takes Supergroup ist so komplex wie knifflig, das Konzept ist einfach. Es geht darum, einen Kanon zeitgenΓΆssischer Musik quer durch diverse Genres zu interpretieren. Und zwar so, dass die Ohren der ZuhΓΆrer*innen am Ende der kΓΌnstlerischen Transformation nur ein Ergebnis funken kΓΆnnen: Mehr Jazz geht nicht. Um diesem kΓΌnstlerischen Verwandlungsprozess auf die BΓΌhne zu bringen, treten vier Jazzmusiker an, die eins eint: Jeder von ihren ist lange im Musicbiz dabei, und jeder hat schon erfolgreich in den unterschiedlichsten Ko...
Bill Evans : Saxophone - Etienne MbappΓ© : Bass - Fred Dupont : B3 - Nicolas Viccaro : Drums
Provided to YouTube by CDBaby The Sunday After Β· Bill Evans Escape β 1996 Bill Evans Released on: 1996-10-20 Auto-generated by YouTube.
Die WDR BIG BAND feat. Bill Evans mit dem MusikstΓΌck "Vans Joint" (K: Bill Evans, A: Michael Abende). Weitere Gastsolisten sind Dave Wreckl (Schlagzeug) und Mark Egan (Bass). Die WDR BIG BAND wird geleitet von Chefdirigent Michael Abene. Soli spielen Bill Evans (Tenorsaxofon) und Frank Chastenier (Hammond). Das Konzert "Bill EvansΒ΄s Special" wurde aufgezeichnet fΓΌr WDR JAZZLINE auf den Leverkusener Jazztage 2009. Mehr WDR Big Band: http://www.wdr-bigband.de https://www.facebook.com/wdrbigband/ Mehr WDR Jazzline: http://www1.wdr.de/fernsehen/kultur/w...
Mike Mainieri : Vibraphone - Bill Evans : Saxophone - Γtienne MbappΓ© : Bass - Nicolas Viccaro : Drums - Anthony Jambon : Guitare
Ernie Watts:as Bill Evans:ss Stanley Turrentine:ts Michael Brecker:ts Don Grolnick:p Yoshio Suzuki:b Adam Nussbaum:ds Select Live Under The Sky
Provided to YouTube by CDBaby In only in your Dreams Β· Bill Evans Push β 1993 Bill Evans Released on: 1993-11-12 Auto-generated by YouTube.
Today on #SoulmatesMonday : Bill Evans' Soprano Saxophone SOLO You want to see Bill Evans with his Mandoki Soulmates LIVE? See us live on stage with our brand new Double Album βLiving in the gap + Hungarian Picturesβ: βΊβΊ https://www.eventim.de/artist/mandoki-soulmates/ We show you guys an unique live performance of our soulmate. Touching moments from our last βWings of Freedomβ concert tour. Moments, we don't want to miss! Bill, we are very proud of you and we can't wait to go on tour with you again. Your Mandoki Soulmates π€π» Letβs ROCK! ________ ________ Mandoki Soulmates on Facebook: βΊ https://www.facebook.com/mandoki.soulmates Mandoki Soulmates on Instagram: βΊ https://www.instagram.com/themandokisoulmates/ Mandoki Soulmates Hompage: βΊ https://mandoki-soulmates.com
Provided to YouTube by CDBaby Vans Joint Β· Bill Evans Soul Insider β 2000 Bill Evans Released on: 2000-12-15 Auto-generated by YouTube.
Final Set of the 2010 NYC run, here is a special treat, an upscaled version of DREAMS with jazz great Bill Evans on saxophone. Talk about strange coincidences, two musicians named Bill Evans played and recorded with Miles Davis. The other was of course the jazz legend, pianist, Bill Evans. This Bill Evans was really diggin' what Derek was puttin' down. An amazing night. Gregg Allman, Butch Trucks, Derek Trucks, Warren Haynes, Oteil Burbridge, Jaimoe, and Marc QuiΓ±ones .
William John "Bill" Evans (pronunciation: /ΛΙvΙns/, August 16, 1929Β β September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, he was classically trained, and studied at Southeastern Louisiana University. In 1955, he moved to New York, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, where he was to have a profound influence. In 1959, the band, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.
In late 1959, Evans left the Miles Davis band and began his career as a leader with Scott LaFaro and Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, ten days after recording the highly acclaimed Sunday at the Village Vanguard and Waltz for Debby, LaFaro died in a car accident. After months of seclusion, Evans re-emerged with a new trio, featuring bassist Chuck Israels.
Listen to the step taking you further towards something you know will make your agony sustain
Against your own knowledge the sound and smells react like repulsive hits to your mind
You harden as it gets closer, preparing yourself
You harden as it gets closer, preparing yourself
The decay of it all is overwhelming
Surrounded by it all it's hard to keep the guard up, swallow the anger
Like running into a wall voluntary, head first
As time decays your inside, your weakness grows
Tired ripples that grows without control
The decay of it all is overwhelming
Closely following your desperate attempt of denial
The hold witch makes the pain flow free
It tastes your squandering twitches
Like a foul thought that just wont leave your mind
Strangely it hits you like a surprise every time
Like pebbles of tears, your eyes cry
The familiar sense of reprisals
Been here before, welcome to decya
Eaten from inside, ready to suffer again
My soul will not take anymore of the agony to come
Been here before, welcome to decya
Eaten from inside, ready to suffer again
The sarcastic look of the hordes passing you by
Like faces of smoke they shape to the thing you fear the most
The decay of it all is overwhelming
Pulsating, inside of it all
Swarming through your whole being
Black holes, like denial in a wake world
The taste of it all
What to become in the end?
Is there an answer to it all?
Can it be won?