- published: 07 Nov 2008
- views: 373871
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Notte is a river of Brandenburg, Germany.
Coordinates: 52°11′N 13°25′E / 52.183°N 13.417°E / 52.183; 13.417
Maria Callas Tacea la notte placida Giuseppe Verdi Il trovatore
Inés- Luisa Villa. Orchestra Teatro alla Scala, Milano. Dir. Karajan.
Improved audio! I bought a bottle of Record Revirginizer and cleaned this LP with excellent results, it removed all the excess noise. Regarding the audio - this is an exact rip of the BJR LP, i think it plays a little fast (either that or every other copy of this performance i've heard has been slowed down) - when i slowed it by about 5% it matched the melodram version i have. But in the interest of representing the BJR label as is, i've left it at original speed.
Teatro Romano de Orange. Reynald Giovaninetti, cond. 23.07.1972
Provided to YouTube by Warner Classics Il trovatore, Act 1: "Tacea la notte placida ... Di tale amor" (Leonora) · Maria Callas, Nicola Rescigno, Orchestre de la Société des Concerts du Conservatoire · Nicola Rescigno · Orchestre De La Société Des Concerts Du Conservatoire Callas sings Arias from Verdi Operas - Callas Remastered ℗ 1972 Warner Classics, Warner Music UK Ltd. Digital remastering (p) 2014 Warner Classics, Warner Music UK Ltd. Soprano Vocals: Maria Callas Conductor: Nicola Rescigno Orchestra: Orchestre De La Société Des Concerts Du Conservatoire Composer: Giuseppe Verdi Auto-generated by YouTube.
"Tacea la notte placida" Il Trovatore La Scala, 1956 Karajan
Maria Callas Zaccaria Giulietta Simionato Il trovatore
Fragmento final del aria: "Tacea la notte placida" de la ópera Il Trovatore (1853) de Giuseppe Verdi (1813-1901) interpretada por la soprano Maribel Salazar en la función a prensa en el Palacio de Bellas Artes. 19 junio 2013, México. Orquesta del teatro de Bellas Artes. Director: Federico Santi. Ines: Sandra Malika.
Maria Callas performing the arias Tacea La Notte Placida and Di Tale Amor, from Verdi's Il Trovatore, live in Naples in 1951 under the baton of Tullio Serafin. This recording is from the Gli Anni D'oro Collection (Vol. I, 1951-1953) of live Maria Callas opera recordings. I find her voice to be in fine form here, with no sign of the wobble that was later introduced into her higher register. I'm just amazed by the control she has over her voice! Everything is exactly as she wants it to be. She is phenomenal. I'm going to be uploading exerpts from live Callas recordings of Il Trovatore, I Puritani, Armida, Norma and Medea all recorded between 1951 and 1953. Hope you enjoy, and let me know if you have any aria/duet/ensemble requests!
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Se di giorno non ti penso
So che poi ritornerai
Come ogni notte a tormentare
La mia mente e i sogni miei
Se di giorno splende il sole
So che poi ritornerò
Come ogni notte a naufragare
Nei ricordi annegherò
Sei già qui ti vedo bella più che mai
Ed invano io credo di afferrarti ma
Ma la notte la tua immagine è come il vento
Sei di più sei tu la notte io ti cerco ti trovo e ti perdo
Finché il giorno verrÃ
Ma la notte i tuoi occhi mi guardano dentro
Sei di più sei tu la notte io ti chiamo ti voglio ti sento
Quando all'alba ritorni da lui
La notte sì la notte, oh, la notte
Se di giorno c'è il lavoro
So che poi ritornerai
Come ogni notte insieme a loro
Con i fantasmi miei
Ma stanotte dormo fuori
Dove no non la saprai
Poi nel silenzio della sera
Sento chiari i passi tuoi
Sei già qui che cosa ancora vuoi da me
Ed invano io cerco di scacciarti ma