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Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
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Subscribe to our:
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published: 02 Dec 2020
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Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s f...
published: 27 Jul 2017
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Maria Callas - Puccini - O mio babbino caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, beh...
published: 10 Dec 2012
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Maria Callas - 50 Most Beautiful Opera Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I,...
published: 11 Mar 2016
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Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
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published: 04 Jul 2017
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Maria Callas - 90 Opera Arias, Carmen, Norma, Tosca, Traviata, Butterfly.. NEW MASTERING (Ct.rec.)
Album available // Maria Callas: 90 Opera Arias
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*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean...
published: 28 Aug 2020
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Maria By Callas | Official US Trailer HD (2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t ava...
published: 11 Sep 2018
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Madame Butterfly - Maria Callas - Puccini - (Subtitles: Italian and English)
By Giulia Zarantonello
published: 02 Aug 2016
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The life and loves of virtuoso Maria Callas explored in the play "Master Class".
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
published: 08 Mar 2024
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Maria Callas - Ave Maria
published: 09 Mar 2013
7:14
Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Se...
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
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Follow us on:
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Listen to us on:
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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
#ClassicalMusic #Opera #MariaCallas
https://wn.com/Maria_Callas_Sings_Casta_Diva_(Bellini_Norma,_Act_1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
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Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
#ClassicalMusic #Opera #MariaCallas
- published: 02 Dec 2020
- views: 25429739
6:22
Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambul...
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
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Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Maria_Callas_Live_Bizet's_Carmen_Habanera,_Hamburg_1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 27 Jul 2017
- views: 31494014
2:01
Maria Callas - Puccini - O mio babbino caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas so...
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
https://wn.com/Maria_Callas_Puccini_O_Mio_Babbino_Caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
- published: 10 Dec 2012
- views: 6326099
4:14:05
Maria Callas - 50 Most Beautiful Opera Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Nor...
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I, Scene 5: "Divinités du Styx" (Alceste)
11 - 49:57 - Medea, Act I: "Taci, Giason" (Medea, Giasone)
12 - 52:24 - La vestale, Act II: "O nume tutelar" (Julia)
13 - 54:53 - The Barber of Seville, Act I, Scene 5: "Una voce poco fa" (Rosina)
14 - 01:01:12 - Anna Bolena, Act II, Scene 13: "Coppia iniqua"
15 - 01:04:14 - Lucia di Lammermoor, Act III, Scene 4: "Oh, giusto cielo!... Il dolce suono" (Coro, Lucia)
16 - 01:07:42 - Il pirata, Act II, Scene 12: "Qual suono ferale echeggia" & "Oh, sole! Ti vela di tenebre oscure"
17 - 01:11:57 - La sonnambula, Act I: "Care compagne" (Amina, Choeur)
18 - 01:14:08 - I puritani, Act II: "O rendetemi la speme... Qui la voce" (Elvira, Giorgio, Riccardo)
19 - 01:26:59 - Adriana Lecouvreur, Act I, Scene 2: "Ecco: respiro appena" (Adriana)
20 - 01:30:42 - Adriana Lecouvreur, Act IV, Scene 5: "Poveri fiori" (Adriana)
21 - 01:33:53 - Nabucco, Act II, Scene 1: "Ben io t'invenni - Anch'io dischiuso un giorno" (Abigaille)
22 - 01:43:01 - Ernani, Act I, Scene 3: "Surta è la notte" & Cavatina. "Ernani! Ernani, involami" (Elvira)
23 - 01:49:17 - Macbeth, Act II, Scene 1: "La luce langue" (Lady Macbeth)
24 - 01:53:25 - Rigoletto, Act I: "Gualtier Maldé" (Gilda)
25 - 02:00:53 - La traviata, Act I, Scene 5: "Ah, fors'è lui" (Violetta)
26 - 02:03:54 - La traviata, Act I, Scene 5: "Sempre libera degg'io" (Violetta, Alfredo)
27 - 02:07:50 - I vespri siciliani, Act V, Scene 2: "Mercé, dilette amiche" (Elena)
28 - 02:11:48 - Un ballo in maschera, Act II: "Ecco l'orrido campo" (Amelia)
29 - 02:18:32 - La forza del destino, Act II, Scene 10: "La Vergine degli angeli" (Coro, Leonora)
30 - 02:22:07 - Don Carlo, Act IV, Scene 2: "Tu che le vanità" (Elisabeth)
31 - 02:32:48 - Aida, Act I: "Ritorna vincitor" (Aida)
32 - 02:40:05 - Le pardon de Ploërmel, Act II, Scene 3: "Ombra leggera" (Dinorah)
33 - 02:45:44 - Mignon, Act II: "Ah, pour ce soir... Je suis Titania la blonde" (Philine)
34 - 02:50:51 - Hamlet, Act IV: "Et maintenant écoutez ma chanson" (Ophélie)
35 - 02:55:14 - Roméo et Juliette, Act I: "Ah! Je veux vivre dans ce rêve" (Juliette)
36 - 02:58:49 - Mefistofele, Act III: "L'altra notte in fondo al mare" (Margherita)
37 - 03:06:12 - Carmen, Act I, Scene 10: "Près des remparts de Séville" (Carmen)
38 - 03:08:12 - La Gioconda, Act I, Scene 3: "Madre adorata" (La Gioconda, Barnaba, La Cieca)
39 - 03:12:03 - Samson et Dalila, Op. 47, Act I, Scene 6: "Printemps qui commence" (Dalila)
40 - 03:17:15 - Lakmé, Act II: "Dov'è l'indiana bruna?" (Lakmé)
41 - 03:25:17 - Le Cid, Act III: "De cet affreux combat... Pleurez mes yeux" (Chimène)
42 - 03:31:20 - Pagliacci, Act I, Scene 2: "Qual fiamma avea nel guardo!" - "Stridono lassù" (Nedda)
43 - 03:35:59 - Louise, Act III, Scene 1: "Depuis le jour" (Louise)
44 - 03:40:42 - Manon Lescaut, Act IV: "Sola, perduta, abbandonata" (Manon)
45 - 03:46:32 - La bohème, Act I: "Sì. Mi chiamano Mimì" & "Ehi! Rodolfo!" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
46 - 03:52:08 - La bohème, Act III: "Donde lieta uscì" (Mimì)
47 - 03:55:25 - Tosca, Act II, Scene 5: "Vissi d'arte, vissi d'amore" (Tosca)
48 - 03:58:40 - Madama Butterfly, Act I: "Vogliatemi bene" (Madama Butterfly, Pinkerton)
49 - 04:05:56 - Suor Angelica, Act I: "Senza mamma" (Suor Angelica)
50 - 04:11:28 - Turandot, Act I: "Signore, ascolta!" (Liù)
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
https://wn.com/Maria_Callas_50_Most_Beautiful_Opera_Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I, Scene 5: "Divinités du Styx" (Alceste)
11 - 49:57 - Medea, Act I: "Taci, Giason" (Medea, Giasone)
12 - 52:24 - La vestale, Act II: "O nume tutelar" (Julia)
13 - 54:53 - The Barber of Seville, Act I, Scene 5: "Una voce poco fa" (Rosina)
14 - 01:01:12 - Anna Bolena, Act II, Scene 13: "Coppia iniqua"
15 - 01:04:14 - Lucia di Lammermoor, Act III, Scene 4: "Oh, giusto cielo!... Il dolce suono" (Coro, Lucia)
16 - 01:07:42 - Il pirata, Act II, Scene 12: "Qual suono ferale echeggia" & "Oh, sole! Ti vela di tenebre oscure"
17 - 01:11:57 - La sonnambula, Act I: "Care compagne" (Amina, Choeur)
18 - 01:14:08 - I puritani, Act II: "O rendetemi la speme... Qui la voce" (Elvira, Giorgio, Riccardo)
19 - 01:26:59 - Adriana Lecouvreur, Act I, Scene 2: "Ecco: respiro appena" (Adriana)
20 - 01:30:42 - Adriana Lecouvreur, Act IV, Scene 5: "Poveri fiori" (Adriana)
21 - 01:33:53 - Nabucco, Act II, Scene 1: "Ben io t'invenni - Anch'io dischiuso un giorno" (Abigaille)
22 - 01:43:01 - Ernani, Act I, Scene 3: "Surta è la notte" & Cavatina. "Ernani! Ernani, involami" (Elvira)
23 - 01:49:17 - Macbeth, Act II, Scene 1: "La luce langue" (Lady Macbeth)
24 - 01:53:25 - Rigoletto, Act I: "Gualtier Maldé" (Gilda)
25 - 02:00:53 - La traviata, Act I, Scene 5: "Ah, fors'è lui" (Violetta)
26 - 02:03:54 - La traviata, Act I, Scene 5: "Sempre libera degg'io" (Violetta, Alfredo)
27 - 02:07:50 - I vespri siciliani, Act V, Scene 2: "Mercé, dilette amiche" (Elena)
28 - 02:11:48 - Un ballo in maschera, Act II: "Ecco l'orrido campo" (Amelia)
29 - 02:18:32 - La forza del destino, Act II, Scene 10: "La Vergine degli angeli" (Coro, Leonora)
30 - 02:22:07 - Don Carlo, Act IV, Scene 2: "Tu che le vanità" (Elisabeth)
31 - 02:32:48 - Aida, Act I: "Ritorna vincitor" (Aida)
32 - 02:40:05 - Le pardon de Ploërmel, Act II, Scene 3: "Ombra leggera" (Dinorah)
33 - 02:45:44 - Mignon, Act II: "Ah, pour ce soir... Je suis Titania la blonde" (Philine)
34 - 02:50:51 - Hamlet, Act IV: "Et maintenant écoutez ma chanson" (Ophélie)
35 - 02:55:14 - Roméo et Juliette, Act I: "Ah! Je veux vivre dans ce rêve" (Juliette)
36 - 02:58:49 - Mefistofele, Act III: "L'altra notte in fondo al mare" (Margherita)
37 - 03:06:12 - Carmen, Act I, Scene 10: "Près des remparts de Séville" (Carmen)
38 - 03:08:12 - La Gioconda, Act I, Scene 3: "Madre adorata" (La Gioconda, Barnaba, La Cieca)
39 - 03:12:03 - Samson et Dalila, Op. 47, Act I, Scene 6: "Printemps qui commence" (Dalila)
40 - 03:17:15 - Lakmé, Act II: "Dov'è l'indiana bruna?" (Lakmé)
41 - 03:25:17 - Le Cid, Act III: "De cet affreux combat... Pleurez mes yeux" (Chimène)
42 - 03:31:20 - Pagliacci, Act I, Scene 2: "Qual fiamma avea nel guardo!" - "Stridono lassù" (Nedda)
43 - 03:35:59 - Louise, Act III, Scene 1: "Depuis le jour" (Louise)
44 - 03:40:42 - Manon Lescaut, Act IV: "Sola, perduta, abbandonata" (Manon)
45 - 03:46:32 - La bohème, Act I: "Sì. Mi chiamano Mimì" & "Ehi! Rodolfo!" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
46 - 03:52:08 - La bohème, Act III: "Donde lieta uscì" (Mimì)
47 - 03:55:25 - Tosca, Act II, Scene 5: "Vissi d'arte, vissi d'amore" (Tosca)
48 - 03:58:40 - Madama Butterfly, Act I: "Vogliatemi bene" (Madama Butterfly, Pinkerton)
49 - 04:05:56 - Suor Angelica, Act I: "Senza mamma" (Suor Angelica)
50 - 04:11:28 - Turandot, Act I: "Signore, ascolta!" (Liù)
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Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 11 Mar 2016
- views: 5647747
4:43
Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For man...
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
► Website: http://www.warnerclassics.com
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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Maria_Callas_Sings_Puccini_Tosca_'Vissi_D'Arte'_At_Covent_Garden_1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 04 Jul 2017
- views: 1672559
7:36:39
Maria Callas - 90 Opera Arias, Carmen, Norma, Tosca, Traviata, Butterfly.. NEW MASTERING (Ct.rec.)
Album available // Maria Callas: 90 Opera Arias
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Album available // Maria Callas: 90 Opera Arias
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*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean Laforge
Orchestre du Théâtre National de l'Opéra de Paris / Georges Prêtre, 1964
Léo Delibes (1836-1891) / Lakmé
4.Dov'è l'indiana bruna ? / Lakmé, Act Il (13:04)
Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
Giacomo Puccini (1858-1924) / Gianni Schicchi
5.O mio babbino caro (21:03)
Philharmonia Orchestra / Tullio Serafin, 1954
G. P. / Tosca
6.Mario! Mario! Mario!, Act I (23:34)
7.Vissi d'arte, Act II (35:44)
8.Senti, l'ora vicina, Act Ill (39:00)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Victor de Sabata, 1953
Vincenzo Bellini (1801-1835) / Norma
9.Casta Diva, Act l
10.Mira, o Norma, Act Il (44:22)
Mezzo-Soprano : Ebe Stignani (51:40)
Coro e Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1954
G. P. / La Bohème
11.O soave fanciulla, Act I (58:52)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1956
12.Sì. Mi chiamano Mimì, Act I (1:02:56)
13.Donde pieta uscì, Act III (1:07:43)
G. P. / Suor Angelica
14.Senza mamma, O bimbo (1:10:58)
Philharmonia Orchestra / Tullio Serafin, 1954
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Christoph Willibald Gluck (1714-1787) / Orphée et Eurydice
23.J’ai perdu mon Eurydice, Act IV (1:47:20)
Camille Saint-Saëns (1835-1921) / Samson et Dalila
24.Printemps qui commence, Act l (1:51:40)
25.Samson, recherchant ma présence..Amour! Viens aider ma faiblesse! Act Il (1:56:49)
26.Mon coeur s'ouvre ta voix, Act Il (2:00:55)
Charles Gounod (1818-1893) / Roméo et Juliette
(...)
G. P. / Manon Lescaut
39.In quelle trine morbide, Act II (3:11:11)
40.Sola, perduta, abbandonata, Act IV (3:13:57)
G. P. / Madama Butterfly
41.Vogliatemi bene, Act l (3:19:47)
Tenor : Nicolai Gedda
Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1955
42.Un bel dì vedremo, Act Il (3:27:03)
43.Con onor muore, Act Il (3:31:32)
G. P. / Turandot
44.Signore, ascolta, Act l (3:35:10)
45.ln questa reggia Act Il (3:37:34)
46.Tu, che di gel sei cinta, Act III (3:43:54)
Philharmonia Orchestra / Tullio Serafin, 1954
(...)
Giuseppe Verdi (1813-1901) / Rigoletto
54.Gualtier Maldè.. Caro nome, Act l (4:25:05)
Tenor : Renato Ercolani / Baritone : William Dickie / Bass : Carlo Forti
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Il Trovatore
55.Che più t'arresti?.. (4:32:33)
56.Tacea la notte placida, Act l (4:34:49)
57.Quanto narrasti di turbamento.. (4:38:23)
58.Di tale amor, Act l (4:39:13)
59.Siam giunti; ecco la torre.. (4:40:49)
60.D’amor sull'ali rosee, Act IV (4:43:55)
61.Miserere...Quel suon, quelle preci, Act IV (4:47:56)
62.Di te, di te scordami! Tu vedrai che amore in terra, Act IV (4:52:50)
Mezzo Soprano : Luisa Villa
Tenors : Giuseppe di Stefano, Renato Ercolani
Coro e Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1956
(...)
G. V. / Aida
67.Qui Radamès verrà!.. (5:21:19)
68.O patria mia, Act III (5:22:59)
69.O terra, addio, Act IV (5:28:24)
Tenor : Richard Tucker / Mezzo-Soprano : Fedora Barbieri
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Macbeth
70.Nel della vittoria.. Ambizoso spirto.. Vieni! t'affretta, Act l (5:33:17)
71.La luce langue, Act Il (5:41:00)
72.Una macchia qui tuttora, Act IV (5:45:07)
G. V. / Ernani 73.Surta la notte...Ernani, Ernani. involami, Act l (5:56:20)
G. V. / Don Carlo 74.Tu che le vanità, Act IV (6:02:33)
Philharmonia Orchestra / Nicola Rescigno, 1958
G. V. / Otello
75.Mi parea. M'ingiunse di coricarmi.. (6:13:12)
76.Piangea cantando.. (6:18:31)
77.Ave Maria, piena di grazia, Act IV (6:25:46)
Orchestre de la Société des Concerts du Conservatoire / Nicola Rescigno 1963-64
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Soprano : MARIA CALLAS
New Mastering in 2020 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
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Thank you :) https://www.patreon.com/cmrr
Maria Callas sings: Norma, Tosca, Butterfly, Rosina & Lakmé (Centenary 2023 // Remastered) https://youtu.be/OzzYwyV4zRA?si=FBwQ3P9fLGNBp7ss
https://wn.com/Maria_Callas_90_Opera_Arias,_Carmen,_Norma,_Tosca,_Traviata,_Butterfly.._New_Mastering_(Ct.Rec.)
Album available // Maria Callas: 90 Opera Arias
🎧 Qobuz https://bit.ly/3RSzTfJ Tidal https://bit.ly/3FgBOUx
🎧 Deezer https://bit.ly/3ZX4QAx Amazon Music https://amzn.to/3SrKf6L
🎧 Youtube Music https://bit.ly/3MUTpp5 Napster https://bit.ly/481oJu2
🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本…
❤️ Join us on our WhatsApps fanpage (our preview releases): https://bit.ly/3Mraw1r
*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean Laforge
Orchestre du Théâtre National de l'Opéra de Paris / Georges Prêtre, 1964
Léo Delibes (1836-1891) / Lakmé
4.Dov'è l'indiana bruna ? / Lakmé, Act Il (13:04)
Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
Giacomo Puccini (1858-1924) / Gianni Schicchi
5.O mio babbino caro (21:03)
Philharmonia Orchestra / Tullio Serafin, 1954
G. P. / Tosca
6.Mario! Mario! Mario!, Act I (23:34)
7.Vissi d'arte, Act II (35:44)
8.Senti, l'ora vicina, Act Ill (39:00)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Victor de Sabata, 1953
Vincenzo Bellini (1801-1835) / Norma
9.Casta Diva, Act l
10.Mira, o Norma, Act Il (44:22)
Mezzo-Soprano : Ebe Stignani (51:40)
Coro e Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1954
G. P. / La Bohème
11.O soave fanciulla, Act I (58:52)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1956
12.Sì. Mi chiamano Mimì, Act I (1:02:56)
13.Donde pieta uscì, Act III (1:07:43)
G. P. / Suor Angelica
14.Senza mamma, O bimbo (1:10:58)
Philharmonia Orchestra / Tullio Serafin, 1954
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Christoph Willibald Gluck (1714-1787) / Orphée et Eurydice
23.J’ai perdu mon Eurydice, Act IV (1:47:20)
Camille Saint-Saëns (1835-1921) / Samson et Dalila
24.Printemps qui commence, Act l (1:51:40)
25.Samson, recherchant ma présence..Amour! Viens aider ma faiblesse! Act Il (1:56:49)
26.Mon coeur s'ouvre ta voix, Act Il (2:00:55)
Charles Gounod (1818-1893) / Roméo et Juliette
(...)
G. P. / Manon Lescaut
39.In quelle trine morbide, Act II (3:11:11)
40.Sola, perduta, abbandonata, Act IV (3:13:57)
G. P. / Madama Butterfly
41.Vogliatemi bene, Act l (3:19:47)
Tenor : Nicolai Gedda
Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1955
42.Un bel dì vedremo, Act Il (3:27:03)
43.Con onor muore, Act Il (3:31:32)
G. P. / Turandot
44.Signore, ascolta, Act l (3:35:10)
45.ln questa reggia Act Il (3:37:34)
46.Tu, che di gel sei cinta, Act III (3:43:54)
Philharmonia Orchestra / Tullio Serafin, 1954
(...)
Giuseppe Verdi (1813-1901) / Rigoletto
54.Gualtier Maldè.. Caro nome, Act l (4:25:05)
Tenor : Renato Ercolani / Baritone : William Dickie / Bass : Carlo Forti
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Il Trovatore
55.Che più t'arresti?.. (4:32:33)
56.Tacea la notte placida, Act l (4:34:49)
57.Quanto narrasti di turbamento.. (4:38:23)
58.Di tale amor, Act l (4:39:13)
59.Siam giunti; ecco la torre.. (4:40:49)
60.D’amor sull'ali rosee, Act IV (4:43:55)
61.Miserere...Quel suon, quelle preci, Act IV (4:47:56)
62.Di te, di te scordami! Tu vedrai che amore in terra, Act IV (4:52:50)
Mezzo Soprano : Luisa Villa
Tenors : Giuseppe di Stefano, Renato Ercolani
Coro e Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1956
(...)
G. V. / Aida
67.Qui Radamès verrà!.. (5:21:19)
68.O patria mia, Act III (5:22:59)
69.O terra, addio, Act IV (5:28:24)
Tenor : Richard Tucker / Mezzo-Soprano : Fedora Barbieri
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Macbeth
70.Nel della vittoria.. Ambizoso spirto.. Vieni! t'affretta, Act l (5:33:17)
71.La luce langue, Act Il (5:41:00)
72.Una macchia qui tuttora, Act IV (5:45:07)
G. V. / Ernani 73.Surta la notte...Ernani, Ernani. involami, Act l (5:56:20)
G. V. / Don Carlo 74.Tu che le vanità, Act IV (6:02:33)
Philharmonia Orchestra / Nicola Rescigno, 1958
G. V. / Otello
75.Mi parea. M'ingiunse di coricarmi.. (6:13:12)
76.Piangea cantando.. (6:18:31)
77.Ave Maria, piena di grazia, Act IV (6:25:46)
Orchestre de la Société des Concerts du Conservatoire / Nicola Rescigno 1963-64
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Soprano : MARIA CALLAS
New Mastering in 2020 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) https://www.patreon.com/cmrr
Maria Callas sings: Norma, Tosca, Butterfly, Rosina & Lakmé (Centenary 2023 // Remastered) https://youtu.be/OzzYwyV4zRA?si=FBwQ3P9fLGNBp7ss
- published: 28 Aug 2020
- views: 2185323
2:11
Maria By Callas | Official US Trailer HD (2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through per...
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t available, Joyce DiDonato, one of contemporary opera’s biggest stars, reads her words.
#Sony #MariaByCallas #MariaCallas #TomVolf #SonyClassics
https://wn.com/Maria_By_Callas_|_Official_US_Trailer_Hd_(2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t available, Joyce DiDonato, one of contemporary opera’s biggest stars, reads her words.
#Sony #MariaByCallas #MariaCallas #TomVolf #SonyClassics
- published: 11 Sep 2018
- views: 1395581
33:23
The life and loves of virtuoso Maria Callas explored in the play "Master Class".
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how chil...
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
https://wn.com/The_Life_And_Loves_Of_Virtuoso_Maria_Callas_Explored_In_The_Play_Master_Class_.
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
- published: 08 Mar 2024
- views: 14
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Manon Lescaut al Teatro di San Carlo
published: 01 Apr 2020
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JOSÉ CURA, " Manon Lescaut " -- Teatro alla Scala. 1998
JOSÉ CURA, "Manon Lescaut" -- Teatro alla Scala in Millan in 1998
Live televised at Teatro alla Scala.
JOSÉ CURA sang his first Des Grieux in 1998
Manon Lescaut
Teatro alla Scala in Milan
In 1998, firmly entrenched as one of the great modern voices,
JOSÉ CURA made his remarkable debut as Des Grieux in Puccini's
Manon Lescaut at Teatro alla Scala in Milan in June in 1998.
Grieux: JOSÉ CURA.
Manon Lescaut: Maria Guleghina,
Lescaut: Lucio Gallo,
Geronte di Ravoir: Luigi Roni
Edmondo: Marco Berti
L'oste: Orazio Mori
Il maestro di ballo: Mario Bolognesi
Un musico: Gloria Banditelli
Un lampionaio: Ernesto Gavazzi
Un sergente degli arceri: Aldo Bramante
Un sergente: Silvestro Sammaritano
Un ...
published: 14 Oct 2020
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MANON LESCAUT. G. Puccini. Kanawa / Carreras.
Paolo Coni, Natale de Carolis, Piero de Palma, Carlo Gaifa, Jose Carreras, Ledo Freschi, William Matteuzzi, Giorgio Tadeo, Italo Tajo, Dame Kiri Te Kanawa, Margarita Zimmermann.
Orchestra del Teatro Comunale di Bologna.
Riccardo Chailly, conductor.
published: 24 Jun 2016
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Manon Lescaut - Puccini - Glyndebourne
Manon : Adina Nitescu
des Grieux : Patrick Denniston
Lescaut : Roberto De Candia
published: 13 Oct 2016
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Puccini "Manon Lescaut" -- Renata Tebaldi -- Mario Del Monaco -- Fernando Corena 1954 Full Opera
Manon Lescaut: Renata Tebaldi
Lescaut: Mario Borriello
Des Grieux: Mario Del Monaco
Geronte: Fernando Corena
Edmondo: Piero De Palma
Una voce sola: Luisa Ribacchi
L'oste: Antonio Sacchetti
Il maestro di ballo: Adelio Zagonora
Un sergente degli arcieri: Antonio Sacchetti
Lampionaio: Angelo Mercuriali
Un comandante di Marina: Dario Caselli
Coro dell Accademia Nationale de Santa Cecilia
Orchestra dell Accademia Nationale de Santa Cecilia
Dirigent: Francesco Molinari-Pradelli
published: 09 Nov 2013
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Manon Lescaut
http://www.eurochannel.com/es/Manon-Lescaut-Gabriel-Aghion-Francia.html
published: 03 Oct 2019
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Maria Callas. Sola, perduta, abbandonata. Manon Lescaut. Giacomo Puccini.
Maria Callas, soprano.
Philharmonia Orchestra.
Dir. Tullio Serafin.
published: 08 Oct 2009
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Manon Lescaut – Donna non vidi mai (Jonas Kaufmann, The Royal Opera)
Jonas Kaufmann as Des Grieux sings 'Donna non vidi mai' from Act I of Jonathan Kent's production of Giacomo Puccini's Manon Lescaut, The Royal Opera, 2014. Find out more at http://www.roh.org.uk/manonlescaut
Puccini’s publisher tried to prevent him from adapting Abbé Prévost’s L’Histoire du chevalier des Grieux et de Manon Lescaut – Massenet had already created a highly successful opera based on the novel. But Puccini was not to be dissuaded, claiming ‘a woman like Manon can have more than one lover’. Despite a troubled gestation (five librettists were engaged in the project), the premiere of Manon Lescaut in 1893 was Puccini’s first major triumph – a hit with critics and the public alike.
Puccini’s sumptuous, richly-coloured score is characterized by youthful vitality and filled with gl...
published: 21 Aug 2015
2:06:23
JOSÉ CURA, " Manon Lescaut " -- Teatro alla Scala. 1998
JOSÉ CURA, "Manon Lescaut" -- Teatro alla Scala in Millan in 1998
Live televised at Teatro alla Scala.
JOSÉ CURA sang his first Des Grieux in 1998 ...
JOSÉ CURA, "Manon Lescaut" -- Teatro alla Scala in Millan in 1998
Live televised at Teatro alla Scala.
JOSÉ CURA sang his first Des Grieux in 1998
Manon Lescaut
Teatro alla Scala in Milan
In 1998, firmly entrenched as one of the great modern voices,
JOSÉ CURA made his remarkable debut as Des Grieux in Puccini's
Manon Lescaut at Teatro alla Scala in Milan in June in 1998.
Grieux: JOSÉ CURA.
Manon Lescaut: Maria Guleghina,
Lescaut: Lucio Gallo,
Geronte di Ravoir: Luigi Roni
Edmondo: Marco Berti
L'oste: Orazio Mori
Il maestro di ballo: Mario Bolognesi
Un musico: Gloria Banditelli
Un lampionaio: Ernesto Gavazzi
Un sergente degli arceri: Aldo Bramante
Un sergente: Silvestro Sammaritano
Un commandante di Marina: Ernesto Panariello
Conductor: Riccardo Muti
Director: Liliana Cavani
Scene: Dante Ferretti
Costume Design: Gabriella Pescucci
Orchestra e Coro del Teatro alla Scala
Chorus conductor: Piero Corradino
Venue: Teatro alla Scala in Milan, Italy
Date: 05, 08, 10, 11, 15, 16, and, 18, June, 1998
The fame of super-dude-tenor José Cura
The raison d’etre for the recording is probably the fame of super-dude-tenor José Cura, and he does not disappoint. The voice is a hefty spinto, dark in color but very bright at the top. The sound itself is very attractive and Cura sings off the text well, shading his phrases from time to time with real concern.
--- Classics Today
Cura is both visually and vocally first rate
Although Muti's tempos are often slow and ponderous, both Guleghina and Cura are visually excellent and manage to convey the emotional aspects of the text dramatically. Cura is both visually and vocally first rate.
--- Fanfare
The star power of José Cura
This live performance from June 1998 at La Scala is clearly banking on the star power of José Cura, who indeed makes his memorable mark on des Grieux. It's exactly the kind of role to let his strengths shine, and Cura uses his wonderfully dark, ardent tenor to embody des Grieux in all his helpless passion.
--- Amazon Editoral, Thomas May
A Look at José Cura
Those interested in seeing José Cura in top form need look no further than the Scala video of Puccini’s Manon Lescaut. The video preserves Cura’s remarkable debut as Des Grieux. When asked what made his Manon different from Massenet’s, Puccini indicated that it was the prominence accorded the young chevalier, replying that he had “invested all [his] emotion in the voice of that man, wounded in his heart.” It is precisely this quality of vulnerability, of devastating emotional honesty, that sets Cura’s Des Grieux apart. This young man has already made his mark on the role: his soaring cries in Act IV, thrilling though they may be, transcend mere vocal beauty, conveying a desperate, almost animalistic anguish. The overall performance makes one anticipate all the more keenly his forthcoming Erato recital of verismo arias….
--- American Record Guide, September / October 1999
José Cura is in fine voice, colorful and ardent
José Cura, as Des Grieux, is in fine voice, colorful and ardent. His singing with Guleghina (their voices blending so well) ravishes the ear especially in their tempestuous Act II duets and in the intensity of their Act IV duet as Manon dies in the arms of a distraught Des Grieux.
--- MusicWeb International, 2005 (DVD)
Cura's presence is charismatic from the start
Poised to inherit the mantle and the juicy operatic roles of the Three Tenors, José Cura has been subject to intense scrutiny. Does he have the vocal goods to match the pretty face and dashing figure? This live recording of Puccini's ‘Manon Lescaut,’ recorded at La Scala in 1998, offers promising evidence. As the young student Des Grieux, Cura's presence is charismatic from the start, blossoming into a passionate rendition of the famous Act I tenor aria, “Donna non vidi mai.” It's been noted that Cura's voice leans toward a darker, almost baritonal range, but while his top notes don't ring out á la Pavarotti, they're resonant enough to convince you that his future as an audience-pleasing heartthrob is both secure and deserved.
--- Editorial Review, Barnes and Nobles (DVD)
https://wn.com/José_Cura,_Manon_Lescaut_Teatro_Alla_Scala._1998
JOSÉ CURA, "Manon Lescaut" -- Teatro alla Scala in Millan in 1998
Live televised at Teatro alla Scala.
JOSÉ CURA sang his first Des Grieux in 1998
Manon Lescaut
Teatro alla Scala in Milan
In 1998, firmly entrenched as one of the great modern voices,
JOSÉ CURA made his remarkable debut as Des Grieux in Puccini's
Manon Lescaut at Teatro alla Scala in Milan in June in 1998.
Grieux: JOSÉ CURA.
Manon Lescaut: Maria Guleghina,
Lescaut: Lucio Gallo,
Geronte di Ravoir: Luigi Roni
Edmondo: Marco Berti
L'oste: Orazio Mori
Il maestro di ballo: Mario Bolognesi
Un musico: Gloria Banditelli
Un lampionaio: Ernesto Gavazzi
Un sergente degli arceri: Aldo Bramante
Un sergente: Silvestro Sammaritano
Un commandante di Marina: Ernesto Panariello
Conductor: Riccardo Muti
Director: Liliana Cavani
Scene: Dante Ferretti
Costume Design: Gabriella Pescucci
Orchestra e Coro del Teatro alla Scala
Chorus conductor: Piero Corradino
Venue: Teatro alla Scala in Milan, Italy
Date: 05, 08, 10, 11, 15, 16, and, 18, June, 1998
The fame of super-dude-tenor José Cura
The raison d’etre for the recording is probably the fame of super-dude-tenor José Cura, and he does not disappoint. The voice is a hefty spinto, dark in color but very bright at the top. The sound itself is very attractive and Cura sings off the text well, shading his phrases from time to time with real concern.
--- Classics Today
Cura is both visually and vocally first rate
Although Muti's tempos are often slow and ponderous, both Guleghina and Cura are visually excellent and manage to convey the emotional aspects of the text dramatically. Cura is both visually and vocally first rate.
--- Fanfare
The star power of José Cura
This live performance from June 1998 at La Scala is clearly banking on the star power of José Cura, who indeed makes his memorable mark on des Grieux. It's exactly the kind of role to let his strengths shine, and Cura uses his wonderfully dark, ardent tenor to embody des Grieux in all his helpless passion.
--- Amazon Editoral, Thomas May
A Look at José Cura
Those interested in seeing José Cura in top form need look no further than the Scala video of Puccini’s Manon Lescaut. The video preserves Cura’s remarkable debut as Des Grieux. When asked what made his Manon different from Massenet’s, Puccini indicated that it was the prominence accorded the young chevalier, replying that he had “invested all [his] emotion in the voice of that man, wounded in his heart.” It is precisely this quality of vulnerability, of devastating emotional honesty, that sets Cura’s Des Grieux apart. This young man has already made his mark on the role: his soaring cries in Act IV, thrilling though they may be, transcend mere vocal beauty, conveying a desperate, almost animalistic anguish. The overall performance makes one anticipate all the more keenly his forthcoming Erato recital of verismo arias….
--- American Record Guide, September / October 1999
José Cura is in fine voice, colorful and ardent
José Cura, as Des Grieux, is in fine voice, colorful and ardent. His singing with Guleghina (their voices blending so well) ravishes the ear especially in their tempestuous Act II duets and in the intensity of their Act IV duet as Manon dies in the arms of a distraught Des Grieux.
--- MusicWeb International, 2005 (DVD)
Cura's presence is charismatic from the start
Poised to inherit the mantle and the juicy operatic roles of the Three Tenors, José Cura has been subject to intense scrutiny. Does he have the vocal goods to match the pretty face and dashing figure? This live recording of Puccini's ‘Manon Lescaut,’ recorded at La Scala in 1998, offers promising evidence. As the young student Des Grieux, Cura's presence is charismatic from the start, blossoming into a passionate rendition of the famous Act I tenor aria, “Donna non vidi mai.” It's been noted that Cura's voice leans toward a darker, almost baritonal range, but while his top notes don't ring out á la Pavarotti, they're resonant enough to convince you that his future as an audience-pleasing heartthrob is both secure and deserved.
--- Editorial Review, Barnes and Nobles (DVD)
- published: 14 Oct 2020
- views: 76273
1:55:35
MANON LESCAUT. G. Puccini. Kanawa / Carreras.
Paolo Coni, Natale de Carolis, Piero de Palma, Carlo Gaifa, Jose Carreras, Ledo Freschi, William Matteuzzi, Giorgio Tadeo, Italo Tajo, Dame Kiri Te Kanawa, Marg...
Paolo Coni, Natale de Carolis, Piero de Palma, Carlo Gaifa, Jose Carreras, Ledo Freschi, William Matteuzzi, Giorgio Tadeo, Italo Tajo, Dame Kiri Te Kanawa, Margarita Zimmermann.
Orchestra del Teatro Comunale di Bologna.
Riccardo Chailly, conductor.
https://wn.com/Manon_Lescaut._G._Puccini._Kanawa_Carreras.
Paolo Coni, Natale de Carolis, Piero de Palma, Carlo Gaifa, Jose Carreras, Ledo Freschi, William Matteuzzi, Giorgio Tadeo, Italo Tajo, Dame Kiri Te Kanawa, Margarita Zimmermann.
Orchestra del Teatro Comunale di Bologna.
Riccardo Chailly, conductor.
- published: 24 Jun 2016
- views: 45880
2:00:59
Manon Lescaut - Puccini - Glyndebourne
Manon : Adina Nitescu
des Grieux : Patrick Denniston
Lescaut : Roberto De Candia
Manon : Adina Nitescu
des Grieux : Patrick Denniston
Lescaut : Roberto De Candia
https://wn.com/Manon_Lescaut_Puccini_Glyndebourne
Manon : Adina Nitescu
des Grieux : Patrick Denniston
Lescaut : Roberto De Candia
- published: 13 Oct 2016
- views: 71238
1:46:11
Puccini "Manon Lescaut" -- Renata Tebaldi -- Mario Del Monaco -- Fernando Corena 1954 Full Opera
Manon Lescaut: Renata Tebaldi
Lescaut: Mario Borriello
Des Grieux: Mario Del Monaco
Geronte: Fernando Corena
Edmondo: Piero De Palma
Una voce sola: Luisa Ribacc...
Manon Lescaut: Renata Tebaldi
Lescaut: Mario Borriello
Des Grieux: Mario Del Monaco
Geronte: Fernando Corena
Edmondo: Piero De Palma
Una voce sola: Luisa Ribacchi
L'oste: Antonio Sacchetti
Il maestro di ballo: Adelio Zagonora
Un sergente degli arcieri: Antonio Sacchetti
Lampionaio: Angelo Mercuriali
Un comandante di Marina: Dario Caselli
Coro dell Accademia Nationale de Santa Cecilia
Orchestra dell Accademia Nationale de Santa Cecilia
Dirigent: Francesco Molinari-Pradelli
https://wn.com/Puccini_Manon_Lescaut_Renata_Tebaldi_Mario_Del_Monaco_Fernando_Corena_1954_Full_Opera
Manon Lescaut: Renata Tebaldi
Lescaut: Mario Borriello
Des Grieux: Mario Del Monaco
Geronte: Fernando Corena
Edmondo: Piero De Palma
Una voce sola: Luisa Ribacchi
L'oste: Antonio Sacchetti
Il maestro di ballo: Adelio Zagonora
Un sergente degli arcieri: Antonio Sacchetti
Lampionaio: Angelo Mercuriali
Un comandante di Marina: Dario Caselli
Coro dell Accademia Nationale de Santa Cecilia
Orchestra dell Accademia Nationale de Santa Cecilia
Dirigent: Francesco Molinari-Pradelli
- published: 09 Nov 2013
- views: 90387
0:49
Manon Lescaut
http://www.eurochannel.com/es/Manon-Lescaut-Gabriel-Aghion-Francia.html
http://www.eurochannel.com/es/Manon-Lescaut-Gabriel-Aghion-Francia.html
https://wn.com/Manon_Lescaut
http://www.eurochannel.com/es/Manon-Lescaut-Gabriel-Aghion-Francia.html
- published: 03 Oct 2019
- views: 18796
2:23
Manon Lescaut – Donna non vidi mai (Jonas Kaufmann, The Royal Opera)
Jonas Kaufmann as Des Grieux sings 'Donna non vidi mai' from Act I of Jonathan Kent's production of Giacomo Puccini's Manon Lescaut, The Royal Opera, 2014. Find...
Jonas Kaufmann as Des Grieux sings 'Donna non vidi mai' from Act I of Jonathan Kent's production of Giacomo Puccini's Manon Lescaut, The Royal Opera, 2014. Find out more at http://www.roh.org.uk/manonlescaut
Puccini’s publisher tried to prevent him from adapting Abbé Prévost’s L’Histoire du chevalier des Grieux et de Manon Lescaut – Massenet had already created a highly successful opera based on the novel. But Puccini was not to be dissuaded, claiming ‘a woman like Manon can have more than one lover’. Despite a troubled gestation (five librettists were engaged in the project), the premiere of Manon Lescaut in 1893 was Puccini’s first major triumph – a hit with critics and the public alike.
Puccini’s sumptuous, richly-coloured score is characterized by youthful vitality and filled with glorious melodies. Des Grieux expresses his passion for Manon in the Act I aria ‘Vedete? io son fedele’, lively dances evoke Manon’s luxurious life in Paris in Act II, while in the impassioned finale to Act III, ‘Pazza son!’, Des Grieux begs to be allowed to join the imprisoned Manon on her voyage to America. The opera culminates in Manon’s heartbreaking Act IV aria ‘Sola, perduta, abbandonata’, as she contemplates her impending death. Jonathan Kent's controversial new production for The Royal Opera, with a star-studded cast including Jonas Kaufmann as Des Grieux and Kristine Opolais as Manon, was The Royal Opera's first production in more than thirty years.
Visit our People Page for more about Jonas Kaufmann: http://www.roh.org.uk/people/jonas-kaufmann
https://wn.com/Manon_Lescaut_–_Donna_Non_Vidi_Mai_(Jonas_Kaufmann,_The_Royal_Opera)
Jonas Kaufmann as Des Grieux sings 'Donna non vidi mai' from Act I of Jonathan Kent's production of Giacomo Puccini's Manon Lescaut, The Royal Opera, 2014. Find out more at http://www.roh.org.uk/manonlescaut
Puccini’s publisher tried to prevent him from adapting Abbé Prévost’s L’Histoire du chevalier des Grieux et de Manon Lescaut – Massenet had already created a highly successful opera based on the novel. But Puccini was not to be dissuaded, claiming ‘a woman like Manon can have more than one lover’. Despite a troubled gestation (five librettists were engaged in the project), the premiere of Manon Lescaut in 1893 was Puccini’s first major triumph – a hit with critics and the public alike.
Puccini’s sumptuous, richly-coloured score is characterized by youthful vitality and filled with glorious melodies. Des Grieux expresses his passion for Manon in the Act I aria ‘Vedete? io son fedele’, lively dances evoke Manon’s luxurious life in Paris in Act II, while in the impassioned finale to Act III, ‘Pazza son!’, Des Grieux begs to be allowed to join the imprisoned Manon on her voyage to America. The opera culminates in Manon’s heartbreaking Act IV aria ‘Sola, perduta, abbandonata’, as she contemplates her impending death. Jonathan Kent's controversial new production for The Royal Opera, with a star-studded cast including Jonas Kaufmann as Des Grieux and Kristine Opolais as Manon, was The Royal Opera's first production in more than thirty years.
Visit our People Page for more about Jonas Kaufmann: http://www.roh.org.uk/people/jonas-kaufmann
- published: 21 Aug 2015
- views: 511182