- published: 14 Jan 2011
- views: 19433
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
More info: http://www.icaclassics.com Peter Heyworth in the Observer commented, 'it was a performance of outstanding distinction and musicality, full of details that illuminated again and again the part as though for the first time'. Opera News said, 'there must have been many Verdi lovers who felt at last that they had come face to face with Violetta herself...' John Ardoin praised the conductor Nicola Rescigno who 'brings sanity and song to the performance and was remarkably one with Callas in the ends she sought'. This recording drawn from private tapes has been remastered by Paul Baily using the ICA's Ambient Mastering process, which has enhanced and widened the sound considerably. Catalogue Number: ICAC 5006 Verdi: La Traviata Maria Callas / Cesare Valletti / Mario Zanasi / ...
Provided to YouTube by Warner Classics La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) · Maria Callas · Francesco Albanese Pure - Maria Callas ℗ 1954 Fonit Cetra, Warner Music Italia Srl. Remastered (p) 2014 Fonit Cetra, Warner Music Italia Srl. Tenor Vocals: Francesco Albanese Conductor: Gabriele Santini Soprano Vocals: Maria Callas Orchestra: Orchestra Sinfonica di Torino della RAI Poet: Francesco Maria Piave Composer: Giuseppe Verdi Auto-generated by YouTube.
"E strano, e strano...Follie! follie...Sempre libera". La Traviata de G. Verdi. Soprano: María Callas en el papel de Violeta. Tenor: Francesco Albanesse en el papel de Alfredo. Orchestra sinfonica di Torino della RAI. Director: Gabriele Santini. Maestro del coro Giulio Mogliotti. Grabación en estudio del año 1953. Torino, Rai Auditorium. Aunque esta es una grabación de Maria Callas hecha en estudio, he incluido como escenario el Teatro alla Scala en una interpretación libre. Los flashes finales son también una recreación artística, sabiendo que en la Scala muy pocas veces se disparan flashes durante las representaciones o al final de estas. Nótese como disminuye la luz en el teatro al caer el telón y cómo este rebota casi naturalmente. También debería decir que hay notas (normalmente corc...
Provided to YouTube by Warner Classics La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) (Live, Milan 1955) · Maria Callas · Orchestra del Teatro alla Scala di Milano · Carlo Maria Giulini · Giuseppe Di Stefano Verdi: La traviata (Live, Milan 1955) ℗ A Warner Classics release, ℗ 1990, 1997 Parlophone Records Limited Conductor: Carlo Maria Giulini Tenor Vocals: Giuseppe Di Stefano Soprano Vocals: Maria Callas Orchestra: Orchestra del Teatro alla Scala di Milano Poet: Francesco Maria Piave Composer: Giuseppe Verdi Auto-generated by YouTube.
花から花へ(歌劇「椿姫」第1幕より(ヴェルディ))/マリア・カラス -Video Upload powered by https://www.TunesToTube.com
Provided to YouTube by The Orchard Enterprises La Traviata. Act 1: Follie! follie! Delirio vano è questo! … Sempre libera · Maria Callas · Giuseppe Verdi · Orchestra Sinfonica di Torino della Rai · Gabriele Santini The Complete Verdi Operas, Vol. 3 ℗ 2015 Membran Rights Management Ltd Released on: 2014-12-13 Music Publisher: Public Domain Auto-generated by YouTube.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Freed from labor, mill girls joyously meet their boy friends at an amusement
park (Prologue: Carousel Waltz).Among them are the effervescent Carrie and
the moody Julie, who infuriates Mrs. Mullin, the carousel owner, by arousing
the interest of her barker (and lover, we infer), Billy. In the ensuing quarrel,
Billy is fired.
Carrie thinks Julie is attracted to Billy (You're a Queer One, Julie Jordan)
and fittingly chooses this as the moment to reveal that she, too, has a beau
(Mister Snow).
Billy returns, chases Carrie off, and romances Julie (If I Loved You).
Two months later, Julie and Billy are married and living with Julie's cousin
Nettie. Preparing for that evening's clambake, the girls and boys indulge in
a bit of gender scuffling, then, with Nettie presiding, celebrate the erotic
liberation of spring (Give It To 'Em Good, Carrie.../June Is Bustin' Out All Over.)
Julie confides toCarrie he marital problems: Billy is out of work and angry.
He has even hit Julie. Carrie's news is happier - Mister Snow and she are
engaged. The eavesdropping girls are thrilled, not least when Snow himself
shows up (Mister Snow reprise). Snow and Carrie look foward to married life:
a big family and a thriving business in canned sardines (When The Children
Are Asleep).
Whalers on the shore leave pile into a waterfront dive (Blow High, Blow Low)
and get into a brawl. One whaler, the infinitely sleazy Jigger, tries to
interest Billy in robbery, which they can pull off during the clambake.
Billy is leery - but then Julie tells him she is pregnant.
Overjoyed at the thought of fatherhood as he walks along the beach
(Soliloquy), Billy decides to turn thief with Jigger after all.
Nettie, Billy and Julie, Carrie and Mister Snow, Jigger and the rest of the
Gang sail off to the clambake.