- published: 02 Dec 2020
- views: 25429739
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry. The official Maria Callas website: http://www.maria-callas.com/ This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► ...
http://www.maria-callas.com Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s f...
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis O mio babbino caro Gianni Schicchi, Puccini Maria Callas soprano Georges Prêtre conductor Recorded at Théâtre des Champs-Elysées, Paris, in the 60's © Idéale Audience / img Artists Available on www.medici.tv, #1 in classical music | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv | Follow us on Instagram https://www.instagram.com/medici.tv/ Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, beh...
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition 1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro) 2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen) 3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro) 4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally) 5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta) 6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly) 7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena) 8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora) 9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo) 10 - 45:37 - Alceste, Act I,...
Maria Callas Live: http://www.maria-callas.com Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition. __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: http://www.instagram.com/...
Album available // Maria Callas: 90 Opera Arias 🎧 Qobuz https://bit.ly/3RSzTfJ Tidal https://bit.ly/3FgBOUx 🎧 Deezer https://bit.ly/3ZX4QAx Amazon Music https://amzn.to/3SrKf6L 🎧 Youtube Music https://bit.ly/3MUTpp5 Napster https://bit.ly/481oJu2 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本… ❤️ Join us on our WhatsApps fanpage (our preview releases): https://bit.ly/3Mraw1r *Click to activate the English subtitles for the presentation* (00:00-09:32) Georges Bizet (1838-1875) / Carmen 1.L’amour est un oiseau rebelle / Habanera, Act l (00:00) 2.Près des remparts de Seville / Séguedille, Act l (04:17) Tenor : Nicolai Gedda 3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47) Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau Chœurs René Duclos / Chorus Master : Jean...
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words. Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time. Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t ava...
By Giulia Zarantonello
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
That evening, resting up after the cookout (A Real Nice Clambake), everyone
Prepares for the annual treasure hunt.
Jigger, pretending to show Carrie self-defense maneuvers, gets her into a
compromising position just as Mister Snow appears. Now the gender scuffling
turns serius, as Snow walks out on Carrie, Billy heads off with Jigger for
their robbery despite Julie's protests, and the women lament their lack of
power (Geraniums In The Winter/Stonecutters Cut It On Stone/What's The Use Of Wond'rin').
Back to the mainland, Billy and Jigger await the arrival of their intended
victim by playing twenty-one. Jigger, dealing, cheats Billy out of virtually
all his share of the coming boodle. But the robbery is foiled, Jigger escapes,
and Billy, seeing his whole life as a failure, kills himself crying, "Julie!"
The clambakers arrive, Julie only just in time to trade a few words with Billy
Before he dies. "I love you," she tells him, for the first time in her life,
After he has died. Nettie comforts her (You'll Never Walk Alone).
It's not over yet. A heavenly Friend shows up to take Billy "Up There," where
In a scene suggestive of some advanced Protestant sect's open-air meeting house,
An austere Starkeeper allows Billy to go back and resolve problems he left "Down
Here" - for instance, his daughter, Louise, who is now fifteen and as wild and
resentful as Billy was. The Starkeeper gives Billy a star to take to her as a
present.
A ballet reveals Louise to us: as a tomboy cut-up, then as a young woman tasting
love with a boy she meets in the ruins of her father's carousel (Ballet: Pas de
Deux). She is, in effect, recreating her mother's experience, breaking out of a
Drab life in a dangerous yet wonderful relationship. But the boy wanders off,
Leaving Louise heartbroken and destructively defiant.
Back on earth with the Heavenly Friend, Billy tries to give Louise the star, she
suspiciously resists, and he slaps her face - once again, in his inarticulate
rage, failing to express his true feelings to those he loves (If I Loved You
reprise).
"Common sense may tell you that the endin' will be sad" - but, at Louise's
high-school graduation, Billy heartens his daughter and tells julie "I loved
you."
As the congregation clusters in socio-religious community, Billy, in a distance,
Climbs a great stairway to heaven (You'll Nevr Walk Alone reprise).