- published: 26 Jul 2009
- views: 11503
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
"Egli non riede ancor...Non so le tetre immagini" - MARIA CALLAS ATTO PRIMO SCENA IV Stanze di Medora nella vecchia torre, con verone verso il mare. MEDORA (sola): (Siede e s 'accompagna) Non so le tetre immagini Fugar del mio pensiero, Sempre dannata a gemere All'ombra d'un mistero: E se di speme un pallido Raggio su me traluce, E passeggiera luce Di lampo ingannator. Meglio è morir! Se l'anima Se 'n voli in seno a Dio; Se il mio Corrado a piangere Verrà sul cener mio: Premio una cara lagrima Chieggo all'amor soltanto, Virtù non vieta il pianto Per chi moria d'amor.
Egli non riede ancora! Oh come lunghe, eterne, quando lungi è da me, lore mi sono! (Prende larpa.) Arpa che or muta giaci, vieni, ed i miei sospiri seconda, sì, che più veloce giunga il flebile lamento al cor del mio fedel sullali al vento. Non so le tetre immagini fugar del mio pensiero sempre dannata a gemere allombra dun mistero: e se di speme un pallido raggio su me traluce, è passeggiera luce di lampo ingannator. Meglio è morir! se lanima sen voli in seno a Dio; se il mio Corrado a piangere verrà sul cener mio: premio una cara lagrima chieggo allamor soltanto, virtù non niega il pianto per chi moria damor. ------------------------------------- The pirate Corrado lives on an island in the Aegean. While he is making plans with his lieutenant Giovanni to sail o...
Il Corsaro rehearsal in 1969 with Maria Callas as Medora. Act I, Scene 2: (In Medora's room in an old tower with a balcony looking at the sea) MEDORA Egli non riede ancora! Oh come lunghe, eterne, Quando lungi è da me, l'ore mi sono! (Takes harp.) Arpa che or muta giaci, Vieni, ed i miei sospiri Seconda sì, che più veloce giunga Il flebile lamento Al cor del mio fedel, sull'ali al vento. Non so le tetre immagini Fugar del mio pensiero, Sempre dannata a gemere All'ombra d'un mistero: E se di speme un pallido Raggio su me traluce, E passeggiera luce Di lampo ingannator. Meglio è morir! Se l'anima Se 'n voli in seno a Dio; Se il mio Corrado a piangere Verrà sul cener mio: Premio una cara lagrima Chieggo all'amor soltanto, Virtù non vieta il pianto Per chi moria d'amor.
Provided to YouTube by IIP-DDS Il Corsaro- Piave, Romanza Di Medora, Act I: Egli Non Riede Ancor... Non So Le Tetre Immagini · Maria Callas and Nicola Rescigno The Legend ℗ Maestoso Released on: 2000-01-01 Artist: Maria Callas Artist: Nicola Rescigno Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Verdi: Il Corsaro / Act 1 - "Egli non riede ancora!" - "Non so le tetre immagini" · Jessye Norman · New Philharmonia Orchestra · Lamberto Gardelli Jessye Norman - Classics ℗ 1976 Universal International Music B.V. Released on: 1991-01-01 Composer: Giuseppe Verdi Author: Francesco Maria Piave Auto-generated by YouTube.
Giuseppe Verdi Arias, Vol.2 Il Corsaro 1. Act 1. Egli non riedere ancor 0:00 2. Act 2, Ne sulla terra 5:18 Il Trovatore 3. Act 1, Tacea la notte placida 9:18 Un ballo in maschera 4. Act 3, Morro ma prima in grazia 15:25 Attila 5. Act 1, Liberamente or piangi 19:51 Otello 6. Act 4, Mia madre aveva una povera ancella 25:14 7. Piangea cantando (Willow Song) 30:34 8. Ave Maria 37:51 Aroldo 9. Act 1, Ciel, ch'io respiri!... 42:25 10. Act 2, Oh cielo! Ove son io? 45:50 Don Carlo 11. Act 2, Non pianger, mia compagna 55:34 12. Act 3, O don fatale 1:00:26 1-2 Orchestre du Theatre National de l'Opera Paris 3-12 Monte Carlo Conservatory Concert Society Orchestra Nicola Rescigno, Conductor
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."