- published: 10 Apr 2020
- views: 68
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Provided to YouTube by The Orchard Enterprises La Traviata: Act 2, Lunge da lei per me non v'ha diletto! · Giuseppe Verdi · Maria Callas La Traviata: Arias from Acts 1 & 2 ℗ 2010 Orange Leisure Released on: 2010-06-21 Auto-generated by YouTube.
Provided to YouTube by Warner Classics La Traviata, Act 2: "Lunge da lei" (Alfredo) (Live) · Maria Callas · Alfredo Kraus Verdi: La traviata (1958 - Lisbon) - Callas Live Remastered ℗ 2017 Digital Remastering Parlophone Records Limited, a Warner Music Group Company Tenor Vocals: Alfredo Kraus Conductor: Franco Ghione Orchestra: Orquestra Sinfónica do Teatro Nacional de São Carlos, Lisboa Poet: Francesco Maria Piave Composer: Giuseppe Verdi Auto-generated by YouTube.
Provided to YouTube by WM Italy La Traviata : Act 2 "Lunge da lei per me non v' ha diletto!" [Alfredo] · Gabriele Santini · Maria Callas La Traviata ℗ 1954 Fonit Cetra Spa - Warner Music Group Company Vocals: Francesco Albanese Conductor: Gabriele Santini Orchestra: Orchestra Sinfonica di Torino della Rai Lyricist: Francesco Maria Piave Composer: Giuseppe Verdi Auto-generated by YouTube.
Provided to YouTube by Independent Digital La Traviata: Act 2, Scene 1 - Lunge da lei; De’ miei bollenti spiriti (Remastered 2021, Version 1955) · Maria Callas · Orchestra Del Teatro Alla Scala, Milano · Carlo Maria Giulini · Giuseppe Verdi Verdi: La Traviata ℗ 2021 Alexandre Bak - Classical Music Reference Recording Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises La traviata: Act II, Scene 1 - "Lunge da lei" · Giuseppe Verdi · Gabriele Santini · Maria Callas · Francesco Albanese · Ugo Savarese · RAI Chorus, Turin · RAI Orchestra, Turin Verdi: La traviata, Vol. 1 ℗ 2010 Classical Moments Released on: 2010-04-28 Music Publisher: Classical Moments Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises La Traviata, Act II: "Lunge da lei" (Alfredo) · Maria Callas · Ugo Savarese · Ines Marietti · Mariano Caruso · Alberto Albertini · Mario Zogniotti · Francesco Albanese · Ede Marietti Gandolfo · Orchestra Sinfonica della RAI · Cetra Chorus · Giuseppe Verdi · Gabriele Santini Verdi: La Traviata ℗ 2010 Cclassics Released on: 2010-12-08 Auto-generated by YouTube.
Provided to YouTube by NAXOS of America La traviata: Act II Scene 1: Lunge da lei (Alfredo) · Maria Callas Verdi, G.: Traviata (La) (Opera) (Callas) (1958) ℗ 2008 IDIS Released on: 2008-01-01 Artist: Maria Callas Artist: Cesare Valletti Artist: Mario Zanasi Artist: Marie Collier Artist: Lea Roberts Artist: Dermot Troy Artist: Forbes Robinson Choir: Royal Opera House Chorus, Covent Garden Conductor: Nicola Rescigno Orchestra: Royal Opera House Orchestra, Covent Garden Composer: Giuseppe Verdi Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Verdi: La Traviata: Lunge da lei... De' miei bollenti spiriti · Giuseppe Verdi · Umberto Mugnai · Giuseppe Di Stefano · Maria Callas, Giuseppe Di Stefano La Traviata ℗ 2006 Opera d'Oro Released on: 2000-01-11 Auto-generated by YouTube.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
That evening, resting up after the cookout (A Real Nice Clambake), everyone
Prepares for the annual treasure hunt.
Jigger, pretending to show Carrie self-defense maneuvers, gets her into a
compromising position just as Mister Snow appears. Now the gender scuffling
turns serius, as Snow walks out on Carrie, Billy heads off with Jigger for
their robbery despite Julie's protests, and the women lament their lack of
power (Geraniums In The Winter/Stonecutters Cut It On Stone/What's The Use Of Wond'rin').
Back to the mainland, Billy and Jigger await the arrival of their intended
victim by playing twenty-one. Jigger, dealing, cheats Billy out of virtually
all his share of the coming boodle. But the robbery is foiled, Jigger escapes,
and Billy, seeing his whole life as a failure, kills himself crying, "Julie!"
The clambakers arrive, Julie only just in time to trade a few words with Billy
Before he dies. "I love you," she tells him, for the first time in her life,
After he has died. Nettie comforts her (You'll Never Walk Alone).
It's not over yet. A heavenly Friend shows up to take Billy "Up There," where
In a scene suggestive of some advanced Protestant sect's open-air meeting house,
An austere Starkeeper allows Billy to go back and resolve problems he left "Down
Here" - for instance, his daughter, Louise, who is now fifteen and as wild and
resentful as Billy was. The Starkeeper gives Billy a star to take to her as a
present.
A ballet reveals Louise to us: as a tomboy cut-up, then as a young woman tasting
love with a boy she meets in the ruins of her father's carousel (Ballet: Pas de
Deux). She is, in effect, recreating her mother's experience, breaking out of a
Drab life in a dangerous yet wonderful relationship. But the boy wanders off,
Leaving Louise heartbroken and destructively defiant.
Back on earth with the Heavenly Friend, Billy tries to give Louise the star, she
suspiciously resists, and he slaps her face - once again, in his inarticulate
rage, failing to express his true feelings to those he loves (If I Loved You
reprise).
"Common sense may tell you that the endin' will be sad" - but, at Louise's
high-school graduation, Billy heartens his daughter and tells julie "I loved
you."
As the congregation clusters in socio-religious community, Billy, in a distance,
Climbs a great stairway to heaven (You'll Nevr Walk Alone reprise).