- published: 25 Oct 2018
- views: 13
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Provided to YouTube by Universal Music Group Verdi: La traviata / Act 2 - "Annina, donde vieni?" - "Oh mio rimorso!" · Rolando Villazón · Diane Pilcher · Wiener Philharmoniker · Carlo Rizzi 50 Years Großes Festspielhaus Salzburg ℗ 2005 Deutsche Grammophon GmbH, Berlin Released on: 2010-01-01 Producer, Executive Producer: Bogdan Dr. Roscic Producer, Associate Producer: Christopher Alder Producer, Recording Producer, Studio Personnel, Balance Engineer, Engineer: Rainer Maillard Studio Personnel, Balance Engineer: Gregor Hornacek Studio Personnel, Recording Engineer: Jürgen Bulgrin Studio Personnel, Asst. Recording Engineer: Henning Birkenhake Composer: Giuseppe Verdi Author: Francesco Maria Piave Author, Original Text Author: Alexandre Dumas Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Verdi: La traviata / Act 2 - "Annina, donde vieni?" - "Oh mio rimorso!" · Frank Lopardo · Gillian Knight · Orchestra of the Royal Opera House, Covent Garden · Sir Georg Solti Verdi: La Traviata ℗ 1995 Decca Music Group Limited Released on: 1995-01-01 Producer, Recording Producer: Andrew Cornall Studio Personnel, Recording Engineer: John Dunkerley Studio Personnel, Recording Engineer: Simon Eadon Studio Personnel, Recording Engineer: Michael Mailes Composer: Giuseppe Verdi Author: Francesco Maria Piave Author, Original Text Author: Alexandre Dumas Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises La Traviata Act II, Scene I: "Annina, donde vieni?... O mio rimorso!" · Giuseppe Verdi · Orchestra dell'Opera di Roma · Coro dell'Opera di Roma · Tullio Serafin · Coro e Orchestra del Teatro dell'Opera di Roma Verdi: La Traviata ℗ 2017 Smith & Co. Released on: 2017-03-20 Music Publisher: Public Domain Auto-generated by YouTube.
Provided to YouTube by NAXOS of America La traviata*: Act II: Annina, donde vieni? … Oh mio rimorso! (Alfredo, Annina) · Parma Teatro Regio Orchestra Verdi: La Traviata ℗ 2014 C Major Released on: 2014-03-25 Artist: Antonella Trevisan Artist: Massimo Giordano Orchestra: Parma Teatro Regio Orchestra Conductor: Yuri Temirkanov Composer: Giuseppe Verdi Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises La Traviata: Act II, Scene III, "Annina done viene?" · Giuseppe Verdi · Rico Saccani · Diana Soviero · Jerry Hadley · Brian Schexnayder Verdi: La Traviata ℗ 2008 Rico Saccani Released on: 2009-02-07 Music Publisher: Public Domain Auto-generated by YouTube.
Provided to YouTube by Warner Classics La traviata, Act II, Scene 1, Scene & Aria, De' miei.....: Annina, donde vieni? O mio rimorso! · Alfredo Kraus/Cynthia Buchan/Philharmonia Orchestra/Riccardo Muti Verdi: La traviata ℗ 1982 Warner Classics, Warner Music UK Ltd Vocals: Alfredo Kraus Lead Vocals: Renata Scotto Soprano Vocals: Renata Scotto Lead Vocals: Cynthia Buchan Mezzo-soprano Vocals: Cynthia Buchan Lead Vocals: Philharmonia Orchestra Lead Vocals: Renato Bruson Bass-baritone Vocals: Renato Bruson Lead Vocals: Riccardo Muti Lead Vocals: Sarah Walker Mezzo-soprano Vocals: Sarah Walker Produced by: John Mordler Lead Vocals: Henry Newman Bass-baritone Vocals: Henry Newman Bass: Richard Van Allan Lead Vocals: Richard Van Allan Lead Vocals: Suso Mariategui Tenor Vocals: ...
Giuseppe Verdi: La Traviata: "Annina, donde vieni?" - "Oh mio rimorso!", Regie Anna Dlugolecka, Dariusz Mikulski - Music director (Dirigent), Stara Kopalnia Walbrzych, Waldenburg, Sudeten Filharmonie, Filharmonia Sudecka, Joanna Horodko (Violetta), Elżbieta Kaczmarzyk-Janczak (Flora), Agnieszka Kadłubowska (Anina), Tomasz Janczak (Alfredo), Bogusław Szynalski (Germont), Robert Delegiewicz (Dottore), „Cordex" Szkoła Tańca „Dawka Energii" Teatr Tańca, „Fresh Crew" Grupa taneczna , Teatr „Mundi" przy Ogólnopolskim Teatrze „Wilhelm Es"
Provided to YouTube by NAXOS of America La traviata: Act I: Ah, fors' e lui (Violetta) · Maria Callas Verdi: La traviata (Live) ℗ 2015 MYTO Historical Released on: 2015-03-01 Artist: Maria Callas Artist: Silvana Zanolli Artist: Luisa Mandelli Artist: Gianni Raimondi Artist: Ettore Bastianini Artist: Giuseppe Zampieri Artist: Arturo La Porta Artist: Dario Caselli Artist: Silvio Maionica Artist: Franco Ricciardi Artist: Vittorio Tatozzi Artist: Carlo Forti Choir: Milan La Scala Chorus Conductor: Carlo Maria Giulini Orchestra: Milan La Scala Orchestra Composer: Giuseppe Verdi Auto-generated by YouTube.
La Traviata, Giuseppe Verdi . Chile, 11 de Noviembre 2011 E strano... Ah, forse lui... Sempre libera ( www.MariaJoseDulin.com ) Maria José Dulin: Violetta Valery Violetta Valéry / María José Dulin Alfredo Germont/ Norberto Fernández Giorgio Germont/ Fernando Santiago Flora Bernoix- Annina/Estela Leiva Doctor Grenvil/ Arturo Jiménez Barón Douphol/ Alejandro Lacedra Marqués d'Obigny/Pablo San Martín Gastóne/ Nicolás Menich Giuseppe/ Esteban Villagrán Criado de Flora/Guillermo Marín Mensajero/ Matías Moncada Los amores y desencantos de esta fatídica protagonista pondrán en la escena de La Araucanía la hipocresía y la elegancia de la sociedad francesa del siglo XIX, con la excelencia artística del Teatro Municipal de Temuco. La producción ha requerido de largos meses de trabajo c...
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
That evening, resting up after the cookout (A Real Nice Clambake), everyone
Prepares for the annual treasure hunt.
Jigger, pretending to show Carrie self-defense maneuvers, gets her into a
compromising position just as Mister Snow appears. Now the gender scuffling
turns serius, as Snow walks out on Carrie, Billy heads off with Jigger for
their robbery despite Julie's protests, and the women lament their lack of
power (Geraniums In The Winter/Stonecutters Cut It On Stone/What's The Use Of Wond'rin').
Back to the mainland, Billy and Jigger await the arrival of their intended
victim by playing twenty-one. Jigger, dealing, cheats Billy out of virtually
all his share of the coming boodle. But the robbery is foiled, Jigger escapes,
and Billy, seeing his whole life as a failure, kills himself crying, "Julie!"
The clambakers arrive, Julie only just in time to trade a few words with Billy
Before he dies. "I love you," she tells him, for the first time in her life,
After he has died. Nettie comforts her (You'll Never Walk Alone).
It's not over yet. A heavenly Friend shows up to take Billy "Up There," where
In a scene suggestive of some advanced Protestant sect's open-air meeting house,
An austere Starkeeper allows Billy to go back and resolve problems he left "Down
Here" - for instance, his daughter, Louise, who is now fifteen and as wild and
resentful as Billy was. The Starkeeper gives Billy a star to take to her as a
present.
A ballet reveals Louise to us: as a tomboy cut-up, then as a young woman tasting
love with a boy she meets in the ruins of her father's carousel (Ballet: Pas de
Deux). She is, in effect, recreating her mother's experience, breaking out of a
Drab life in a dangerous yet wonderful relationship. But the boy wanders off,
Leaving Louise heartbroken and destructively defiant.
Back on earth with the Heavenly Friend, Billy tries to give Louise the star, she
suspiciously resists, and he slaps her face - once again, in his inarticulate
rage, failing to express his true feelings to those he loves (If I Loved You
reprise).
"Common sense may tell you that the endin' will be sad" - but, at Louise's
high-school graduation, Billy heartens his daughter and tells julie "I loved
you."
As the congregation clusters in socio-religious community, Billy, in a distance,
Climbs a great stairway to heaven (You'll Nevr Walk Alone reprise).