- published: 07 May 2017
- views: 2809
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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Notte is a river of Brandenburg, Germany.
Coordinates: 52°11′N 13°25′E / 52.183°N 13.417°E / 52.183; 13.417
Maria Callas, soprano | Philharmonia Orchestra conducted by Nicola Rescigno | Recorded: 19–21, 24.IX.1958, No.1 Studio, Abbey Road, London | Surta è la notte, e Silva non ritorna! Ah, non tornasse ei più! Questo odiato veglio, che quale immondo spettro ognor m'insegue, col favellar d'amore, più sempre Ernani mi configge in core. Ernani!... Ernani, involami all'abborrito amplesso. Fuggiam... se teco vivere mi sia d'amor concesso, per antri e lande inospiti ti seguirà il mio piè. Un Eden di delizia saran quegli antri a me.
Soprano: Anna Tomowa-Sintow, en el papel de Elvira. Orquesta del Metropolitan de Nueva York (MET). Director: James Levine. Centennial Gala, 1983. Aria con enorme dificultad vocal con un par de escalas descendentes de dos octavas y frecuentes ascensos al sobreagudo. Como me hizo ver Norberto Tenor, la partitura incrustada en el vídeo está transportada 1 tono más abajo que la que canta la soprano. La partitura original está en Mib y la incrustada en Reb. Este es un vídeo con finalidad cultural, sin ánimo de lucro.
rescigno. Maria Callas: Weight loss In the early years of her career, Callas was a heavy and full-figured woman, though she admitted to weighing "no more than 200 pounds."[13] Despite her figure, Meneghini and others considered her beautiful, but during her initial performances in Cherubini's Medea in May 1953, Callas decided that she needed a leaner face and figure to do dramatic justice to this as well as the other roles she was undertaking: I was getting so heavy that even my vocalizing was getting heavy. I was tiring myself, I was perspiring too much, and I was really working too hard. And I wasn't really well, as in health; I couldn't move freely. And then I was tired of playing a game, for instance playing this beautiful young woman, and I was heavy and uncomfortable to m...
Provided to YouTube by Warner Classics Ernani, Act 1: "Surta è la notte .... Ernani! Ernani, involami" (Elvira) · Maria Callas, Philharmonia Orchestra, Nicola Rescigno · Nicola Rescigno · Philharmonia Orchestra Callas portrays Verdi Heroines - Callas Remastered ℗ 1959 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2014 Warner Classics, Warner Music UK Ltd Soprano Vocals: Maria Callas Conductor: Nicola Rescigno Orchestra: Philharmonia Orchestra Composer: Giuseppe Verdi Auto-generated by YouTube.
Jihyun Cecilia Lee, Sopran
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Se di giorno non ti penso
So che poi ritornerai
Come ogni notte a tormentare
La mia mente e i sogni miei
Se di giorno splende il sole
So che poi ritornerò
Come ogni notte a naufragare
Nei ricordi annegherò
Sei già qui ti vedo bella più che mai
Ed invano io credo di afferrarti ma
Ma la notte la tua immagine è come il vento
Sei di più sei tu la notte io ti cerco ti trovo e ti perdo
Finché il giorno verrÃ
Ma la notte i tuoi occhi mi guardano dentro
Sei di più sei tu la notte io ti chiamo ti voglio ti sento
Quando all'alba ritorni da lui
La notte sì la notte, oh, la notte
Se di giorno c'è il lavoro
So che poi ritornerai
Come ogni notte insieme a loro
Con i fantasmi miei
Ma stanotte dormo fuori
Dove no non la saprai
Poi nel silenzio della sera
Sento chiari i passi tuoi
Sei già qui che cosa ancora vuoi da me
Ed invano io cerco di scacciarti ma