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Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
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Subscribe to our:
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published: 02 Dec 2020
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Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s f...
published: 27 Jul 2017
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Maria Callas - Puccini - O mio babbino caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, beh...
published: 10 Dec 2012
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Maria Callas - 50 Most Beautiful Opera Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I,...
published: 11 Mar 2016
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Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
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published: 04 Jul 2017
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Maria Callas - 90 Opera Arias, Carmen, Norma, Tosca, Traviata, Butterfly.. NEW MASTERING (Ct.rec.)
Album available // Maria Callas: 90 Opera Arias
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*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean...
published: 28 Aug 2020
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Maria By Callas | Official US Trailer HD (2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t ava...
published: 11 Sep 2018
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Madame Butterfly - Maria Callas - Puccini - (Subtitles: Italian and English)
By Giulia Zarantonello
published: 02 Aug 2016
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The life and loves of virtuoso Maria Callas explored in the play "Master Class".
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
published: 08 Mar 2024
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Maria Callas - Ave Maria
published: 09 Mar 2013
7:14
Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Se...
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
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Follow us on:
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Listen to us on:
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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
#ClassicalMusic #Opera #MariaCallas
https://wn.com/Maria_Callas_Sings_Casta_Diva_(Bellini_Norma,_Act_1)
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry.
The official Maria Callas website: http://www.maria-callas.com/
This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
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Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
#ClassicalMusic #Opera #MariaCallas
- published: 02 Dec 2020
- views: 25429739
6:22
Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambul...
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
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Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Maria_Callas_Live_Bizet's_Carmen_Habanera,_Hamburg_1962
http://www.maria-callas.com
Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 27 Jul 2017
- views: 31494014
2:01
Maria Callas - Puccini - O mio babbino caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas so...
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
https://wn.com/Maria_Callas_Puccini_O_Mio_Babbino_Caro
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis
O mio babbino caro
Gianni Schicchi, Puccini
Maria Callas soprano
Georges Prêtre conductor
Recorded at Théâtre des Champs-Elysées, Paris, in the 60's
© Idéale Audience / img Artists
Available on www.medici.tv, #1 in classical music
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
| Follow us on Instagram https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
- published: 10 Dec 2012
- views: 6326099
4:14:05
Maria Callas - 50 Most Beautiful Opera Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Nor...
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I, Scene 5: "Divinités du Styx" (Alceste)
11 - 49:57 - Medea, Act I: "Taci, Giason" (Medea, Giasone)
12 - 52:24 - La vestale, Act II: "O nume tutelar" (Julia)
13 - 54:53 - The Barber of Seville, Act I, Scene 5: "Una voce poco fa" (Rosina)
14 - 01:01:12 - Anna Bolena, Act II, Scene 13: "Coppia iniqua"
15 - 01:04:14 - Lucia di Lammermoor, Act III, Scene 4: "Oh, giusto cielo!... Il dolce suono" (Coro, Lucia)
16 - 01:07:42 - Il pirata, Act II, Scene 12: "Qual suono ferale echeggia" & "Oh, sole! Ti vela di tenebre oscure"
17 - 01:11:57 - La sonnambula, Act I: "Care compagne" (Amina, Choeur)
18 - 01:14:08 - I puritani, Act II: "O rendetemi la speme... Qui la voce" (Elvira, Giorgio, Riccardo)
19 - 01:26:59 - Adriana Lecouvreur, Act I, Scene 2: "Ecco: respiro appena" (Adriana)
20 - 01:30:42 - Adriana Lecouvreur, Act IV, Scene 5: "Poveri fiori" (Adriana)
21 - 01:33:53 - Nabucco, Act II, Scene 1: "Ben io t'invenni - Anch'io dischiuso un giorno" (Abigaille)
22 - 01:43:01 - Ernani, Act I, Scene 3: "Surta è la notte" & Cavatina. "Ernani! Ernani, involami" (Elvira)
23 - 01:49:17 - Macbeth, Act II, Scene 1: "La luce langue" (Lady Macbeth)
24 - 01:53:25 - Rigoletto, Act I: "Gualtier Maldé" (Gilda)
25 - 02:00:53 - La traviata, Act I, Scene 5: "Ah, fors'è lui" (Violetta)
26 - 02:03:54 - La traviata, Act I, Scene 5: "Sempre libera degg'io" (Violetta, Alfredo)
27 - 02:07:50 - I vespri siciliani, Act V, Scene 2: "Mercé, dilette amiche" (Elena)
28 - 02:11:48 - Un ballo in maschera, Act II: "Ecco l'orrido campo" (Amelia)
29 - 02:18:32 - La forza del destino, Act II, Scene 10: "La Vergine degli angeli" (Coro, Leonora)
30 - 02:22:07 - Don Carlo, Act IV, Scene 2: "Tu che le vanità" (Elisabeth)
31 - 02:32:48 - Aida, Act I: "Ritorna vincitor" (Aida)
32 - 02:40:05 - Le pardon de Ploërmel, Act II, Scene 3: "Ombra leggera" (Dinorah)
33 - 02:45:44 - Mignon, Act II: "Ah, pour ce soir... Je suis Titania la blonde" (Philine)
34 - 02:50:51 - Hamlet, Act IV: "Et maintenant écoutez ma chanson" (Ophélie)
35 - 02:55:14 - Roméo et Juliette, Act I: "Ah! Je veux vivre dans ce rêve" (Juliette)
36 - 02:58:49 - Mefistofele, Act III: "L'altra notte in fondo al mare" (Margherita)
37 - 03:06:12 - Carmen, Act I, Scene 10: "Près des remparts de Séville" (Carmen)
38 - 03:08:12 - La Gioconda, Act I, Scene 3: "Madre adorata" (La Gioconda, Barnaba, La Cieca)
39 - 03:12:03 - Samson et Dalila, Op. 47, Act I, Scene 6: "Printemps qui commence" (Dalila)
40 - 03:17:15 - Lakmé, Act II: "Dov'è l'indiana bruna?" (Lakmé)
41 - 03:25:17 - Le Cid, Act III: "De cet affreux combat... Pleurez mes yeux" (Chimène)
42 - 03:31:20 - Pagliacci, Act I, Scene 2: "Qual fiamma avea nel guardo!" - "Stridono lassù" (Nedda)
43 - 03:35:59 - Louise, Act III, Scene 1: "Depuis le jour" (Louise)
44 - 03:40:42 - Manon Lescaut, Act IV: "Sola, perduta, abbandonata" (Manon)
45 - 03:46:32 - La bohème, Act I: "Sì. Mi chiamano Mimì" & "Ehi! Rodolfo!" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
46 - 03:52:08 - La bohème, Act III: "Donde lieta uscì" (Mimì)
47 - 03:55:25 - Tosca, Act II, Scene 5: "Vissi d'arte, vissi d'amore" (Tosca)
48 - 03:58:40 - Madama Butterfly, Act I: "Vogliatemi bene" (Madama Butterfly, Pinkerton)
49 - 04:05:56 - Suor Angelica, Act I: "Senza mamma" (Suor Angelica)
50 - 04:11:28 - Turandot, Act I: "Signore, ascolta!" (Liù)
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
https://wn.com/Maria_Callas_50_Most_Beautiful_Opera_Arias
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition
1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro)
2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen)
3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro)
4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally)
5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta)
6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly)
7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena)
8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora)
9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo)
10 - 45:37 - Alceste, Act I, Scene 5: "Divinités du Styx" (Alceste)
11 - 49:57 - Medea, Act I: "Taci, Giason" (Medea, Giasone)
12 - 52:24 - La vestale, Act II: "O nume tutelar" (Julia)
13 - 54:53 - The Barber of Seville, Act I, Scene 5: "Una voce poco fa" (Rosina)
14 - 01:01:12 - Anna Bolena, Act II, Scene 13: "Coppia iniqua"
15 - 01:04:14 - Lucia di Lammermoor, Act III, Scene 4: "Oh, giusto cielo!... Il dolce suono" (Coro, Lucia)
16 - 01:07:42 - Il pirata, Act II, Scene 12: "Qual suono ferale echeggia" & "Oh, sole! Ti vela di tenebre oscure"
17 - 01:11:57 - La sonnambula, Act I: "Care compagne" (Amina, Choeur)
18 - 01:14:08 - I puritani, Act II: "O rendetemi la speme... Qui la voce" (Elvira, Giorgio, Riccardo)
19 - 01:26:59 - Adriana Lecouvreur, Act I, Scene 2: "Ecco: respiro appena" (Adriana)
20 - 01:30:42 - Adriana Lecouvreur, Act IV, Scene 5: "Poveri fiori" (Adriana)
21 - 01:33:53 - Nabucco, Act II, Scene 1: "Ben io t'invenni - Anch'io dischiuso un giorno" (Abigaille)
22 - 01:43:01 - Ernani, Act I, Scene 3: "Surta è la notte" & Cavatina. "Ernani! Ernani, involami" (Elvira)
23 - 01:49:17 - Macbeth, Act II, Scene 1: "La luce langue" (Lady Macbeth)
24 - 01:53:25 - Rigoletto, Act I: "Gualtier Maldé" (Gilda)
25 - 02:00:53 - La traviata, Act I, Scene 5: "Ah, fors'è lui" (Violetta)
26 - 02:03:54 - La traviata, Act I, Scene 5: "Sempre libera degg'io" (Violetta, Alfredo)
27 - 02:07:50 - I vespri siciliani, Act V, Scene 2: "Mercé, dilette amiche" (Elena)
28 - 02:11:48 - Un ballo in maschera, Act II: "Ecco l'orrido campo" (Amelia)
29 - 02:18:32 - La forza del destino, Act II, Scene 10: "La Vergine degli angeli" (Coro, Leonora)
30 - 02:22:07 - Don Carlo, Act IV, Scene 2: "Tu che le vanità" (Elisabeth)
31 - 02:32:48 - Aida, Act I: "Ritorna vincitor" (Aida)
32 - 02:40:05 - Le pardon de Ploërmel, Act II, Scene 3: "Ombra leggera" (Dinorah)
33 - 02:45:44 - Mignon, Act II: "Ah, pour ce soir... Je suis Titania la blonde" (Philine)
34 - 02:50:51 - Hamlet, Act IV: "Et maintenant écoutez ma chanson" (Ophélie)
35 - 02:55:14 - Roméo et Juliette, Act I: "Ah! Je veux vivre dans ce rêve" (Juliette)
36 - 02:58:49 - Mefistofele, Act III: "L'altra notte in fondo al mare" (Margherita)
37 - 03:06:12 - Carmen, Act I, Scene 10: "Près des remparts de Séville" (Carmen)
38 - 03:08:12 - La Gioconda, Act I, Scene 3: "Madre adorata" (La Gioconda, Barnaba, La Cieca)
39 - 03:12:03 - Samson et Dalila, Op. 47, Act I, Scene 6: "Printemps qui commence" (Dalila)
40 - 03:17:15 - Lakmé, Act II: "Dov'è l'indiana bruna?" (Lakmé)
41 - 03:25:17 - Le Cid, Act III: "De cet affreux combat... Pleurez mes yeux" (Chimène)
42 - 03:31:20 - Pagliacci, Act I, Scene 2: "Qual fiamma avea nel guardo!" - "Stridono lassù" (Nedda)
43 - 03:35:59 - Louise, Act III, Scene 1: "Depuis le jour" (Louise)
44 - 03:40:42 - Manon Lescaut, Act IV: "Sola, perduta, abbandonata" (Manon)
45 - 03:46:32 - La bohème, Act I: "Sì. Mi chiamano Mimì" & "Ehi! Rodolfo!" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
46 - 03:52:08 - La bohème, Act III: "Donde lieta uscì" (Mimì)
47 - 03:55:25 - Tosca, Act II, Scene 5: "Vissi d'arte, vissi d'amore" (Tosca)
48 - 03:58:40 - Madama Butterfly, Act I: "Vogliatemi bene" (Madama Butterfly, Pinkerton)
49 - 04:05:56 - Suor Angelica, Act I: "Senza mamma" (Suor Angelica)
50 - 04:11:28 - Turandot, Act I: "Signore, ascolta!" (Liù)
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Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 11 Mar 2016
- views: 5647747
4:43
Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For man...
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
► Website: http://www.warnerclassics.com
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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Maria_Callas_Sings_Puccini_Tosca_'Vissi_D'Arte'_At_Covent_Garden_1964
Maria Callas Live: http://www.maria-callas.com
Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition.
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 04 Jul 2017
- views: 1672559
7:36:39
Maria Callas - 90 Opera Arias, Carmen, Norma, Tosca, Traviata, Butterfly.. NEW MASTERING (Ct.rec.)
Album available // Maria Callas: 90 Opera Arias
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Album available // Maria Callas: 90 Opera Arias
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*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean Laforge
Orchestre du Théâtre National de l'Opéra de Paris / Georges Prêtre, 1964
Léo Delibes (1836-1891) / Lakmé
4.Dov'è l'indiana bruna ? / Lakmé, Act Il (13:04)
Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
Giacomo Puccini (1858-1924) / Gianni Schicchi
5.O mio babbino caro (21:03)
Philharmonia Orchestra / Tullio Serafin, 1954
G. P. / Tosca
6.Mario! Mario! Mario!, Act I (23:34)
7.Vissi d'arte, Act II (35:44)
8.Senti, l'ora vicina, Act Ill (39:00)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Victor de Sabata, 1953
Vincenzo Bellini (1801-1835) / Norma
9.Casta Diva, Act l
10.Mira, o Norma, Act Il (44:22)
Mezzo-Soprano : Ebe Stignani (51:40)
Coro e Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1954
G. P. / La Bohème
11.O soave fanciulla, Act I (58:52)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1956
12.Sì. Mi chiamano Mimì, Act I (1:02:56)
13.Donde pieta uscì, Act III (1:07:43)
G. P. / Suor Angelica
14.Senza mamma, O bimbo (1:10:58)
Philharmonia Orchestra / Tullio Serafin, 1954
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Christoph Willibald Gluck (1714-1787) / Orphée et Eurydice
23.J’ai perdu mon Eurydice, Act IV (1:47:20)
Camille Saint-Saëns (1835-1921) / Samson et Dalila
24.Printemps qui commence, Act l (1:51:40)
25.Samson, recherchant ma présence..Amour! Viens aider ma faiblesse! Act Il (1:56:49)
26.Mon coeur s'ouvre ta voix, Act Il (2:00:55)
Charles Gounod (1818-1893) / Roméo et Juliette
(...)
G. P. / Manon Lescaut
39.In quelle trine morbide, Act II (3:11:11)
40.Sola, perduta, abbandonata, Act IV (3:13:57)
G. P. / Madama Butterfly
41.Vogliatemi bene, Act l (3:19:47)
Tenor : Nicolai Gedda
Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1955
42.Un bel dì vedremo, Act Il (3:27:03)
43.Con onor muore, Act Il (3:31:32)
G. P. / Turandot
44.Signore, ascolta, Act l (3:35:10)
45.ln questa reggia Act Il (3:37:34)
46.Tu, che di gel sei cinta, Act III (3:43:54)
Philharmonia Orchestra / Tullio Serafin, 1954
(...)
Giuseppe Verdi (1813-1901) / Rigoletto
54.Gualtier Maldè.. Caro nome, Act l (4:25:05)
Tenor : Renato Ercolani / Baritone : William Dickie / Bass : Carlo Forti
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Il Trovatore
55.Che più t'arresti?.. (4:32:33)
56.Tacea la notte placida, Act l (4:34:49)
57.Quanto narrasti di turbamento.. (4:38:23)
58.Di tale amor, Act l (4:39:13)
59.Siam giunti; ecco la torre.. (4:40:49)
60.D’amor sull'ali rosee, Act IV (4:43:55)
61.Miserere...Quel suon, quelle preci, Act IV (4:47:56)
62.Di te, di te scordami! Tu vedrai che amore in terra, Act IV (4:52:50)
Mezzo Soprano : Luisa Villa
Tenors : Giuseppe di Stefano, Renato Ercolani
Coro e Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1956
(...)
G. V. / Aida
67.Qui Radamès verrà!.. (5:21:19)
68.O patria mia, Act III (5:22:59)
69.O terra, addio, Act IV (5:28:24)
Tenor : Richard Tucker / Mezzo-Soprano : Fedora Barbieri
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Macbeth
70.Nel della vittoria.. Ambizoso spirto.. Vieni! t'affretta, Act l (5:33:17)
71.La luce langue, Act Il (5:41:00)
72.Una macchia qui tuttora, Act IV (5:45:07)
G. V. / Ernani 73.Surta la notte...Ernani, Ernani. involami, Act l (5:56:20)
G. V. / Don Carlo 74.Tu che le vanità, Act IV (6:02:33)
Philharmonia Orchestra / Nicola Rescigno, 1958
G. V. / Otello
75.Mi parea. M'ingiunse di coricarmi.. (6:13:12)
76.Piangea cantando.. (6:18:31)
77.Ave Maria, piena di grazia, Act IV (6:25:46)
Orchestre de la Société des Concerts du Conservatoire / Nicola Rescigno 1963-64
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Soprano : MARIA CALLAS
New Mastering in 2020 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
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Thank you :) https://www.patreon.com/cmrr
Maria Callas sings: Norma, Tosca, Butterfly, Rosina & Lakmé (Centenary 2023 // Remastered) https://youtu.be/OzzYwyV4zRA?si=FBwQ3P9fLGNBp7ss
https://wn.com/Maria_Callas_90_Opera_Arias,_Carmen,_Norma,_Tosca,_Traviata,_Butterfly.._New_Mastering_(Ct.Rec.)
Album available // Maria Callas: 90 Opera Arias
🎧 Qobuz https://bit.ly/3RSzTfJ Tidal https://bit.ly/3FgBOUx
🎧 Deezer https://bit.ly/3ZX4QAx Amazon Music https://amzn.to/3SrKf6L
🎧 Youtube Music https://bit.ly/3MUTpp5 Napster https://bit.ly/481oJu2
🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本…
❤️ Join us on our WhatsApps fanpage (our preview releases): https://bit.ly/3Mraw1r
*Click to activate the English subtitles for the presentation* (00:00-09:32)
Georges Bizet (1838-1875) / Carmen
1.L’amour est un oiseau rebelle / Habanera, Act l (00:00)
2.Près des remparts de Seville / Séguedille, Act l (04:17)
Tenor : Nicolai Gedda
3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47)
Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau
Chœurs René Duclos / Chorus Master : Jean Laforge
Orchestre du Théâtre National de l'Opéra de Paris / Georges Prêtre, 1964
Léo Delibes (1836-1891) / Lakmé
4.Dov'è l'indiana bruna ? / Lakmé, Act Il (13:04)
Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
Giacomo Puccini (1858-1924) / Gianni Schicchi
5.O mio babbino caro (21:03)
Philharmonia Orchestra / Tullio Serafin, 1954
G. P. / Tosca
6.Mario! Mario! Mario!, Act I (23:34)
7.Vissi d'arte, Act II (35:44)
8.Senti, l'ora vicina, Act Ill (39:00)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Victor de Sabata, 1953
Vincenzo Bellini (1801-1835) / Norma
9.Casta Diva, Act l
10.Mira, o Norma, Act Il (44:22)
Mezzo-Soprano : Ebe Stignani (51:40)
Coro e Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1954
G. P. / La Bohème
11.O soave fanciulla, Act I (58:52)
Tenor : Giuseppe di Stefano
Orchestra del Teatro alla Scala di Milano / Antonino Votto, 1956
12.Sì. Mi chiamano Mimì, Act I (1:02:56)
13.Donde pieta uscì, Act III (1:07:43)
G. P. / Suor Angelica
14.Senza mamma, O bimbo (1:10:58)
Philharmonia Orchestra / Tullio Serafin, 1954
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Christoph Willibald Gluck (1714-1787) / Orphée et Eurydice
23.J’ai perdu mon Eurydice, Act IV (1:47:20)
Camille Saint-Saëns (1835-1921) / Samson et Dalila
24.Printemps qui commence, Act l (1:51:40)
25.Samson, recherchant ma présence..Amour! Viens aider ma faiblesse! Act Il (1:56:49)
26.Mon coeur s'ouvre ta voix, Act Il (2:00:55)
Charles Gounod (1818-1893) / Roméo et Juliette
(...)
G. P. / Manon Lescaut
39.In quelle trine morbide, Act II (3:11:11)
40.Sola, perduta, abbandonata, Act IV (3:13:57)
G. P. / Madama Butterfly
41.Vogliatemi bene, Act l (3:19:47)
Tenor : Nicolai Gedda
Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1955
42.Un bel dì vedremo, Act Il (3:27:03)
43.Con onor muore, Act Il (3:31:32)
G. P. / Turandot
44.Signore, ascolta, Act l (3:35:10)
45.ln questa reggia Act Il (3:37:34)
46.Tu, che di gel sei cinta, Act III (3:43:54)
Philharmonia Orchestra / Tullio Serafin, 1954
(...)
Giuseppe Verdi (1813-1901) / Rigoletto
54.Gualtier Maldè.. Caro nome, Act l (4:25:05)
Tenor : Renato Ercolani / Baritone : William Dickie / Bass : Carlo Forti
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Il Trovatore
55.Che più t'arresti?.. (4:32:33)
56.Tacea la notte placida, Act l (4:34:49)
57.Quanto narrasti di turbamento.. (4:38:23)
58.Di tale amor, Act l (4:39:13)
59.Siam giunti; ecco la torre.. (4:40:49)
60.D’amor sull'ali rosee, Act IV (4:43:55)
61.Miserere...Quel suon, quelle preci, Act IV (4:47:56)
62.Di te, di te scordami! Tu vedrai che amore in terra, Act IV (4:52:50)
Mezzo Soprano : Luisa Villa
Tenors : Giuseppe di Stefano, Renato Ercolani
Coro e Orchestra del Teatro alla Scala di Milano / Herbert von Karajan, 1956
(...)
G. V. / Aida
67.Qui Radamès verrà!.. (5:21:19)
68.O patria mia, Act III (5:22:59)
69.O terra, addio, Act IV (5:28:24)
Tenor : Richard Tucker / Mezzo-Soprano : Fedora Barbieri
Coro e Orchestra del Teatro alla Scala di Milano / Tullio Serafin, 1955
G. V. / Macbeth
70.Nel della vittoria.. Ambizoso spirto.. Vieni! t'affretta, Act l (5:33:17)
71.La luce langue, Act Il (5:41:00)
72.Una macchia qui tuttora, Act IV (5:45:07)
G. V. / Ernani 73.Surta la notte...Ernani, Ernani. involami, Act l (5:56:20)
G. V. / Don Carlo 74.Tu che le vanità, Act IV (6:02:33)
Philharmonia Orchestra / Nicola Rescigno, 1958
G. V. / Otello
75.Mi parea. M'ingiunse di coricarmi.. (6:13:12)
76.Piangea cantando.. (6:18:31)
77.Ave Maria, piena di grazia, Act IV (6:25:46)
Orchestre de la Société des Concerts du Conservatoire / Nicola Rescigno 1963-64
*COMPLETE PLAYLIST : LOOK THE FIRST COMMENT*
Soprano : MARIA CALLAS
New Mastering in 2020 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) https://www.patreon.com/cmrr
Maria Callas sings: Norma, Tosca, Butterfly, Rosina & Lakmé (Centenary 2023 // Remastered) https://youtu.be/OzzYwyV4zRA?si=FBwQ3P9fLGNBp7ss
- published: 28 Aug 2020
- views: 2185323
2:11
Maria By Callas | Official US Trailer HD (2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through per...
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t available, Joyce DiDonato, one of contemporary opera’s biggest stars, reads her words.
#Sony #MariaByCallas #MariaCallas #TomVolf #SonyClassics
https://wn.com/Maria_By_Callas_|_Official_US_Trailer_Hd_(2018)
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t available, Joyce DiDonato, one of contemporary opera’s biggest stars, reads her words.
#Sony #MariaByCallas #MariaCallas #TomVolf #SonyClassics
- published: 11 Sep 2018
- views: 1395581
33:23
The life and loves of virtuoso Maria Callas explored in the play "Master Class".
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how chil...
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
https://wn.com/The_Life_And_Loves_Of_Virtuoso_Maria_Callas_Explored_In_The_Play_Master_Class_.
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
- published: 08 Mar 2024
- views: 14
-
Mozart - Don Giovanni - complete (English Subtitles) - HD
W.A.Mozart's Don Giovanni complete opera with English subtitles. Zurich 2001 production موزارت モーツァルト
Don Giovanni - Rodney Gilfry
Leporello - László Polgár
Donna Anna - Isabel Rey
Don Ottavio - Roberto Saccà
Donna Elvira - Cecilia Bartoli
Zerlina - Liliana Nikiteanu
Masetto - Oliver Widmer
Commendatore - Matti Salminen
Conductor - Nikolaus Harnoncount
Director - Brian Large
Music - Wolfgang Amadeus Mozart
Libretto - Lorenzo Da Ponte
Country - Switzerland
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer
published: 05 Nov 2017
-
Don Giovanni - Commendatore Scene - EN Sub (Better Quality)
Don Giovanni (Don Juan), having killed the Commendatore whilst defending his daughter early in the opera, later mocks the old man's statue in a graveyard and invites him to dinner as a joke.
The statue's ghostly voice agrees.
Later at dinner, Don Giovanni and his servant Leporello are shocked when the ghostly statue arrives. This is what happens next.
Starring Samuel Ramey (Giovanni), Kurt Moll (Commendatore), Ferruccio Furlanetto (Leporello).
published: 07 Mar 2021
-
DON GIOVANNI. HD full opera by W. A. MOZART. Subtitles: ITALIANO – ENGLISH – FRANÇAIS (embedded).
DON GIOVANNI. HD full opera.
Composed by Wolfgang Amadeus MOZART. Libretto by Lorenzo DA PONTE. Première: 1787.
Audio: ITALIAN. Subtitles: ITALIANO (CC) – ENGLISH (CC) – FRANÇAIS (intégré dans la vidéo).
One of the best known and most popular operas ever.
This version was enacted at the Festival of Aix–en–Provence, in France.
The staging presents some quite radical features – very interesting and thought–provoking, by the way – concerning mainly the personality of Don Giovanni himself. A little bit too devilish, perhaps.
But the singing is quite classical – and excellent.
DO NOT MISS the opportunity to compare this more "classical" version with the very original staging of ACHIM FREYER (musically also excellent): https://youtu.be/1IBkJI_ec-s
Conductor: Jérémie ROHRER.
Stage Direc...
published: 13 Nov 2022
-
Mozart - Don Giovanni dramma giocoso K. 527 (Herbert von Karajan, Salzburg Festival, 1987)
„Don Giovanni“ from the Salzburg Festival in 1987. One of the last opera productions under the baton of Herbert von Karajan, directed by Michael Hampe. The entire performance in best possible quality is presented by the “Eliette und Herbert von Karajan Institut”.
Wolfgang Amadeus Mozart (1756 – 1791) “Don Giovanni”, dramma giocoso K. 527
Don Giovanni: Samuel Ramey
Il Commendatore: Paata Burchuladze
Donna Anna: Anna Tomowa-Sintow
Donna Elvira: Júlia Várady
Don Ottavio: Gösta Winbergh
Leporello: Ferruccio Furlanetto
Masetto: Alexander Malta
Zerlina: Kathleen Battle
Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmoniker
Conductor: Herbert von Karajan
Stage direction: Michael Hampe
Set: Mauro Pagano
Footage licensed from ZDF Studios. All rights reserved.
#Karajan #Mozart # DonGio...
published: 29 Jan 2021
-
Mozart - Don Giovanni, Overture, K. 527 | Mozart from Prague
From the Estates Theatre, Prague, 2006
Gala Concert for the 250th anniversary of W.A. Mozart's birth
Czech Philharmonic Orchestra
Manfred Honeck - conductor
Wolfgang Amadeus Mozart - Don Giovanni, Overture, K. 527
Click here to watch the full "Mozart from Prague" Concert: https://goo.gl/xYN6kk
Click here for more Mozart's Concerts: https://goo.gl/bUpHef
Subscribe to EuroArts: https://goo.gl/jrui3M
The highlight of the Mozart Year 2006 in Prague takes place at the Estates Theatre. The Czech Philharmonic Orchestra under the baton of Manfred Honeck performs the most famous compositions by W.A. Mozart related to Prague: Overture to “Don Giovanni”, “Prague Symphony” and the Clarinet Concerto with the excellent Sharon Kam on the clarinet.
The Estates Theatre is one of the most beautiful hi...
published: 02 Aug 2018
-
Mozart - Don Giovanni Opera + Presentation (E.Wächter - reference recording : Carlo Maria Giulini)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Wolfgang Amadeus Mozart (1756-1791) - Don Giovanni - Opera in two acts.
La scène se passe à Séville / The Scene is set in Seville
Overture (00:00)
Act 1. Scène 1 : A l'extérieur, devant la maison du Commandeur.
*Click to activate the English subtitles for the presentation* (06:16-07:34)
Don Giovanni s'est introduit dans la demeure dans l'espoir d'y retrouver la fille du Commandeur, Donna Anna. Leporello, le domestique de Don Giovanni, est resté dehors pour monter la garde ; il rouspète d'avoir à travailler si dur pour un maître aussi ingrat. Don Giovanni surgit tout à coup, poursuivi par Donna Anna. Il a été contraint de battre subitement en retraite et de quitter la maison; il dissimule son visage à Donna Anna ...
published: 05 Dec 2016
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Don Giovanni: “Là ci darem la mano”
Peter Mattei and Ying Fang sing an excerpt from the title character and Zerlina’s Act I duet in an early dress rehearsal. Production: Ivo van Hove. Conductor: Nathalie Stutzmann. 2022–23 season. Videography by Neville Braithwaite.
published: 27 Apr 2023
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Mozart: Don Giovanni, K. 527 / Act 1 - "Là ci darem la mano" (Live)
Luciano Pavarotti - The Official Motion Picture Soundtrack
Order now: https://lnk.to/PavFilmOSTID
In Decca's 90th anniversary year, the historic label releases the official soundtrack to the film, continuing Pavarotti's musical legacy and celebrating his extraordinary life. See the greatest like you've never seen him before, and listen to the performances that thrilled audiences all around the world.
Luciano Pavarotti - The Greatest Hits
Order now: https://lnk.to/PavGreatestID
Decca are also releasing an incredible greatest hits album, comprising an impressive 71 tracks and over four hours of music, featuring great opera arias, favourite songs and sacred arias, and iconic duets with some of the biggest names in music, including five previously unreleased tracks. A definitive collection f...
published: 10 May 2019
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Mirella Freni; Nicolai Ghiaurov; "Là ci darem la mano"; DON GIOVANNI; Wolfgang Amadeus Mozart
This channel is the re-establishment of previous channels that have been sadly terminated.
==============
Mirella Freni--soprano
Nicolai Ghiaurov--bass
Otto Klemperer--conductor
New Philharmonia Orchestra
1966
=================
"Mirella Freni, OMRI (Italian: [miˈrɛlːa ˈfreːni], born Mirella Fregni, 27 February 1935 – 9 February 2020)[1] was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses.
Freni is associated with the role of Mimi in Puccini's La bohème,[2] which featured in her repertoire from 1957 to 1999[3] and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan.[4] She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York ...
published: 31 Mar 2024
-
Mozart: Don Giovanni (Full Opera)
💿 Order "50 Arias Opera" (CD) on Amazon ✨: https://lnk.to/50OperaArias
🛍️Visit the Halidon shop on Amazon: https://lnk.to/StoreHalidon
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il Dissoluto Punito
Performed by Orchestra Filarmonica Italiana
Conductor: Alessandro Arigoni
DON GIOVANNI: Lorenzo Battagion
COMMENDATORE: Marco Pauluzzo
DONNA ANNA: Alexandra Zabala
DON OTTAVIO: Enrico Iviglia
DONNA ELVIRA: Frances Ginsberg
LEPORELLO: Gabriele Bolletta
MASETTO: Zaha Katsuhisa
ZERLINA: Monica Tarone
📖 ITA/ENG libretto: https://bit.ly/DonGiovanniLibretto
👉 SYNOPSIS: https://bit.ly/DonGiovanniSynopsis
Act 1
0:00:00 Overture
0:06:47 Notte e giorno fatigar
0:11:43 Leporello, ove sei?
0:12:24 Ma qual mai s'offre, oh Dei
0:19:37 Ah! Chi mi dice mai
0:21:56 Chi è là?
0:25:37 Madamina, il catal...
published: 26 Mar 2023
2:54:23
Mozart - Don Giovanni - complete (English Subtitles) - HD
W.A.Mozart's Don Giovanni complete opera with English subtitles. Zurich 2001 production موزارت モーツァルト
Don Giovanni - Rodney Gilfry
Leporello - László Polgár
Do...
W.A.Mozart's Don Giovanni complete opera with English subtitles. Zurich 2001 production موزارت モーツァルト
Don Giovanni - Rodney Gilfry
Leporello - László Polgár
Donna Anna - Isabel Rey
Don Ottavio - Roberto Saccà
Donna Elvira - Cecilia Bartoli
Zerlina - Liliana Nikiteanu
Masetto - Oliver Widmer
Commendatore - Matti Salminen
Conductor - Nikolaus Harnoncount
Director - Brian Large
Music - Wolfgang Amadeus Mozart
Libretto - Lorenzo Da Ponte
Country - Switzerland
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer
https://wn.com/Mozart_Don_Giovanni_Complete_(English_Subtitles)_Hd
W.A.Mozart's Don Giovanni complete opera with English subtitles. Zurich 2001 production موزارت モーツァルト
Don Giovanni - Rodney Gilfry
Leporello - László Polgár
Donna Anna - Isabel Rey
Don Ottavio - Roberto Saccà
Donna Elvira - Cecilia Bartoli
Zerlina - Liliana Nikiteanu
Masetto - Oliver Widmer
Commendatore - Matti Salminen
Conductor - Nikolaus Harnoncount
Director - Brian Large
Music - Wolfgang Amadeus Mozart
Libretto - Lorenzo Da Ponte
Country - Switzerland
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer
- published: 05 Nov 2017
- views: 984022
6:55
Don Giovanni - Commendatore Scene - EN Sub (Better Quality)
Don Giovanni (Don Juan), having killed the Commendatore whilst defending his daughter early in the opera, later mocks the old man's statue in a graveyard and in...
Don Giovanni (Don Juan), having killed the Commendatore whilst defending his daughter early in the opera, later mocks the old man's statue in a graveyard and invites him to dinner as a joke.
The statue's ghostly voice agrees.
Later at dinner, Don Giovanni and his servant Leporello are shocked when the ghostly statue arrives. This is what happens next.
Starring Samuel Ramey (Giovanni), Kurt Moll (Commendatore), Ferruccio Furlanetto (Leporello).
https://wn.com/Don_Giovanni_Commendatore_Scene_En_Sub_(Better_Quality)
Don Giovanni (Don Juan), having killed the Commendatore whilst defending his daughter early in the opera, later mocks the old man's statue in a graveyard and invites him to dinner as a joke.
The statue's ghostly voice agrees.
Later at dinner, Don Giovanni and his servant Leporello are shocked when the ghostly statue arrives. This is what happens next.
Starring Samuel Ramey (Giovanni), Kurt Moll (Commendatore), Ferruccio Furlanetto (Leporello).
- published: 07 Mar 2021
- views: 1782660
2:50:33
DON GIOVANNI. HD full opera by W. A. MOZART. Subtitles: ITALIANO – ENGLISH – FRANÇAIS (embedded).
DON GIOVANNI. HD full opera.
Composed by Wolfgang Amadeus MOZART. Libretto by Lorenzo DA PONTE. Première: 1787.
Audio: ITALIAN. Subtitles: ITALIANO (CC) – ...
DON GIOVANNI. HD full opera.
Composed by Wolfgang Amadeus MOZART. Libretto by Lorenzo DA PONTE. Première: 1787.
Audio: ITALIAN. Subtitles: ITALIANO (CC) – ENGLISH (CC) – FRANÇAIS (intégré dans la vidéo).
One of the best known and most popular operas ever.
This version was enacted at the Festival of Aix–en–Provence, in France.
The staging presents some quite radical features – very interesting and thought–provoking, by the way – concerning mainly the personality of Don Giovanni himself. A little bit too devilish, perhaps.
But the singing is quite classical – and excellent.
DO NOT MISS the opportunity to compare this more "classical" version with the very original staging of ACHIM FREYER (musically also excellent): https://youtu.be/1IBkJI_ec-s
Conductor: Jérémie ROHRER.
Stage Director: Jean–François SIVADIER.
Orchestre: LE CERCLE DE L'HARMONIE.
Choir: ENGLISH VOICES.
Choir Director: Tim BROWN.
Don Giovanni: Philippe SLY.
Leporello: Nahuel di PIERRO.
Donna Elvira: Isabel LEONARD.
Donn'Anna: Eleonora BURATTO.
Don Ottavio: Pavol BRESLIK.
Zerlina: Julie FUCHS.
Masetto: Krzysztof BACZYK.
Il Commendatore: David LEIGH.
MILESTONES
A thousand thanks to @FeliziaLederer for a tremendous – and certainly very useful – effort, which I would never have been able to undertake:
01:34 Ouvertura
07:04 ACT ONE – Introduzione.
07:19 Notte e giorno faticar.
10:52 Ah, soccorso!
12:12 Leporello, ove sei?
12:59 Ah, del padre in periglio!
13:09 Mà qual mai s’offre, oh Dei?
15:51 Fuggi, crudele, fuggi!
19:26 Orsù, spicciati presto!
21:21 Ah, chi mi dice mai?
24:48 Chi è là?
27:45 Madamina, il catalogo è questo!
33:27 In questa forma dunque.
34:00 Giovinette che fate l’amore.
35:21 Manco male, è partita!
37:32 Hò capito!
39:02 Alfin siam liberati!
41:03 Là ci darem la mano!
44:25 Fermati, scelerato!
45:07 Ah, fuggi il traditor!
46:17 Mi par ch’oggi il demonio.
47:38 Non ti fidar, o misera!
51:14 Povera sventurata!
51:41 Don Ottavio, son morta!
54:45 Or sai chi l’onore.
57:46 Come mai creder deggio?
58:16 Dalla sua pace.
1:02:28 Io deggio ad ogni patto.
1:04:42 Fin ch’hau dal vino.
1:06:03 Masetto, senti un po’!
1:07:19 Batti, batti, o bel Masetto!
1:11:12 Guarda un po’!
1:11:43 Presto, presto!
1:13:25 Tra quest’arbori celata.
1:14:55 Adesso fate core!
1:16:19 Signor, guardate un poco!
1:17:14 Protegga il giusto cielo.
1:19:24 Riposate, vezzose ragazze!
1:20:38 Venite pur avanti.
1:22:02 Meco tu dei ballare!
1:23:39 Gente, ajuto!
1:24:10 Ecco il birbo!
1:25:23 Trema, trema!
1:28:15 ACT TWO – Eh! Via, buffone!
1:29:12 Leporello!
1:31:20 Ah, taci, ingiusto core!
1:36:06 Amico, che ti par?
1:38:36 Deh, vieni alla finestra!
1:40:39 V’è gente alla finestra.
1:41:45 Metà di voi qua vadano!
1:44:29 Zitto, lascia ch’io senta!
1:46:32 Vedrai, carino!
1:50:14 Di molti faci il lume.
1:50:50 Sola, sola in buio loco.
1:55:19 Mille torbidi pensieri.
1:57:44 Dunque, quello sei tu!
1:58:04 Ah, pietà, Signori miei!
1:59:44 Ferma, perfida, ferma!
2:00:26 Il mio tesoro intanto.
2:05:04 In quali eccessi, o numi.
2:07:26 Mi tradì quell’alma ingrata.
2:11:23 Ah, ah, ah, questa è bona!
2:15:57 O statua gentilissima!
2:19:20 Calmatevi, idol mio!
2:20:18 Crudele? Ah no, mio bene!
2:21:52 Non mi dir, bell’idol mio!
2:26:56 Già la mensa è preparata!
2:27:52 Bravi! “Cosa rara”!
2:29:08 Evvivano “I litiganti”!
2:29:50 Questa poi la conosco pur troppo!
2:30:55 L’ultima prova.
2:33:29 Ah Signor, per carità!
2:34:17 Don Giovanni, a cenar teco!
2:39:20 Da qual tremore insolito?
2:40:22 Ah dov’è il perfido?
2:41:55 Or che tutti, o mio tesoro!
2:44:43 Questo è il fin di chi fa mal!
https://wn.com/Don_Giovanni._Hd_Full_Opera_By_W._A._Mozart._Subtitles_Italiano_–_English_–_Français_(Embedded).
DON GIOVANNI. HD full opera.
Composed by Wolfgang Amadeus MOZART. Libretto by Lorenzo DA PONTE. Première: 1787.
Audio: ITALIAN. Subtitles: ITALIANO (CC) – ENGLISH (CC) – FRANÇAIS (intégré dans la vidéo).
One of the best known and most popular operas ever.
This version was enacted at the Festival of Aix–en–Provence, in France.
The staging presents some quite radical features – very interesting and thought–provoking, by the way – concerning mainly the personality of Don Giovanni himself. A little bit too devilish, perhaps.
But the singing is quite classical – and excellent.
DO NOT MISS the opportunity to compare this more "classical" version with the very original staging of ACHIM FREYER (musically also excellent): https://youtu.be/1IBkJI_ec-s
Conductor: Jérémie ROHRER.
Stage Director: Jean–François SIVADIER.
Orchestre: LE CERCLE DE L'HARMONIE.
Choir: ENGLISH VOICES.
Choir Director: Tim BROWN.
Don Giovanni: Philippe SLY.
Leporello: Nahuel di PIERRO.
Donna Elvira: Isabel LEONARD.
Donn'Anna: Eleonora BURATTO.
Don Ottavio: Pavol BRESLIK.
Zerlina: Julie FUCHS.
Masetto: Krzysztof BACZYK.
Il Commendatore: David LEIGH.
MILESTONES
A thousand thanks to @FeliziaLederer for a tremendous – and certainly very useful – effort, which I would never have been able to undertake:
01:34 Ouvertura
07:04 ACT ONE – Introduzione.
07:19 Notte e giorno faticar.
10:52 Ah, soccorso!
12:12 Leporello, ove sei?
12:59 Ah, del padre in periglio!
13:09 Mà qual mai s’offre, oh Dei?
15:51 Fuggi, crudele, fuggi!
19:26 Orsù, spicciati presto!
21:21 Ah, chi mi dice mai?
24:48 Chi è là?
27:45 Madamina, il catalogo è questo!
33:27 In questa forma dunque.
34:00 Giovinette che fate l’amore.
35:21 Manco male, è partita!
37:32 Hò capito!
39:02 Alfin siam liberati!
41:03 Là ci darem la mano!
44:25 Fermati, scelerato!
45:07 Ah, fuggi il traditor!
46:17 Mi par ch’oggi il demonio.
47:38 Non ti fidar, o misera!
51:14 Povera sventurata!
51:41 Don Ottavio, son morta!
54:45 Or sai chi l’onore.
57:46 Come mai creder deggio?
58:16 Dalla sua pace.
1:02:28 Io deggio ad ogni patto.
1:04:42 Fin ch’hau dal vino.
1:06:03 Masetto, senti un po’!
1:07:19 Batti, batti, o bel Masetto!
1:11:12 Guarda un po’!
1:11:43 Presto, presto!
1:13:25 Tra quest’arbori celata.
1:14:55 Adesso fate core!
1:16:19 Signor, guardate un poco!
1:17:14 Protegga il giusto cielo.
1:19:24 Riposate, vezzose ragazze!
1:20:38 Venite pur avanti.
1:22:02 Meco tu dei ballare!
1:23:39 Gente, ajuto!
1:24:10 Ecco il birbo!
1:25:23 Trema, trema!
1:28:15 ACT TWO – Eh! Via, buffone!
1:29:12 Leporello!
1:31:20 Ah, taci, ingiusto core!
1:36:06 Amico, che ti par?
1:38:36 Deh, vieni alla finestra!
1:40:39 V’è gente alla finestra.
1:41:45 Metà di voi qua vadano!
1:44:29 Zitto, lascia ch’io senta!
1:46:32 Vedrai, carino!
1:50:14 Di molti faci il lume.
1:50:50 Sola, sola in buio loco.
1:55:19 Mille torbidi pensieri.
1:57:44 Dunque, quello sei tu!
1:58:04 Ah, pietà, Signori miei!
1:59:44 Ferma, perfida, ferma!
2:00:26 Il mio tesoro intanto.
2:05:04 In quali eccessi, o numi.
2:07:26 Mi tradì quell’alma ingrata.
2:11:23 Ah, ah, ah, questa è bona!
2:15:57 O statua gentilissima!
2:19:20 Calmatevi, idol mio!
2:20:18 Crudele? Ah no, mio bene!
2:21:52 Non mi dir, bell’idol mio!
2:26:56 Già la mensa è preparata!
2:27:52 Bravi! “Cosa rara”!
2:29:08 Evvivano “I litiganti”!
2:29:50 Questa poi la conosco pur troppo!
2:30:55 L’ultima prova.
2:33:29 Ah Signor, per carità!
2:34:17 Don Giovanni, a cenar teco!
2:39:20 Da qual tremore insolito?
2:40:22 Ah dov’è il perfido?
2:41:55 Or che tutti, o mio tesoro!
2:44:43 Questo è il fin di chi fa mal!
- published: 13 Nov 2022
- views: 95878
3:10:59
Mozart - Don Giovanni dramma giocoso K. 527 (Herbert von Karajan, Salzburg Festival, 1987)
„Don Giovanni“ from the Salzburg Festival in 1987. One of the last opera productions under the baton of Herbert von Karajan, directed by Michael Hampe. The enti...
„Don Giovanni“ from the Salzburg Festival in 1987. One of the last opera productions under the baton of Herbert von Karajan, directed by Michael Hampe. The entire performance in best possible quality is presented by the “Eliette und Herbert von Karajan Institut”.
Wolfgang Amadeus Mozart (1756 – 1791) “Don Giovanni”, dramma giocoso K. 527
Don Giovanni: Samuel Ramey
Il Commendatore: Paata Burchuladze
Donna Anna: Anna Tomowa-Sintow
Donna Elvira: Júlia Várady
Don Ottavio: Gösta Winbergh
Leporello: Ferruccio Furlanetto
Masetto: Alexander Malta
Zerlina: Kathleen Battle
Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmoniker
Conductor: Herbert von Karajan
Stage direction: Michael Hampe
Set: Mauro Pagano
Footage licensed from ZDF Studios. All rights reserved.
#Karajan #Mozart # DonGiovanni
https://wn.com/Mozart_Don_Giovanni_Dramma_Giocoso_K._527_(Herbert_Von_Karajan,_Salzburg_Festival,_1987)
„Don Giovanni“ from the Salzburg Festival in 1987. One of the last opera productions under the baton of Herbert von Karajan, directed by Michael Hampe. The entire performance in best possible quality is presented by the “Eliette und Herbert von Karajan Institut”.
Wolfgang Amadeus Mozart (1756 – 1791) “Don Giovanni”, dramma giocoso K. 527
Don Giovanni: Samuel Ramey
Il Commendatore: Paata Burchuladze
Donna Anna: Anna Tomowa-Sintow
Donna Elvira: Júlia Várady
Don Ottavio: Gösta Winbergh
Leporello: Ferruccio Furlanetto
Masetto: Alexander Malta
Zerlina: Kathleen Battle
Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmoniker
Conductor: Herbert von Karajan
Stage direction: Michael Hampe
Set: Mauro Pagano
Footage licensed from ZDF Studios. All rights reserved.
#Karajan #Mozart # DonGiovanni
- published: 29 Jan 2021
- views: 776782
7:11
Mozart - Don Giovanni, Overture, K. 527 | Mozart from Prague
From the Estates Theatre, Prague, 2006
Gala Concert for the 250th anniversary of W.A. Mozart's birth
Czech Philharmonic Orchestra
Manfred Honeck - conductor
W...
From the Estates Theatre, Prague, 2006
Gala Concert for the 250th anniversary of W.A. Mozart's birth
Czech Philharmonic Orchestra
Manfred Honeck - conductor
Wolfgang Amadeus Mozart - Don Giovanni, Overture, K. 527
Click here to watch the full "Mozart from Prague" Concert: https://goo.gl/xYN6kk
Click here for more Mozart's Concerts: https://goo.gl/bUpHef
Subscribe to EuroArts: https://goo.gl/jrui3M
The highlight of the Mozart Year 2006 in Prague takes place at the Estates Theatre. The Czech Philharmonic Orchestra under the baton of Manfred Honeck performs the most famous compositions by W.A. Mozart related to Prague: Overture to “Don Giovanni”, “Prague Symphony” and the Clarinet Concerto with the excellent Sharon Kam on the clarinet.
The Estates Theatre is one of the most beautiful historical theatres in Europe. Part of its charm, magic, and value lies in its historical significance, from the musical career of Mozart to modern times. In 1787 Mozart conducted here the premiere of "Don Giovanni".
https://wn.com/Mozart_Don_Giovanni,_Overture,_K._527_|_Mozart_From_Prague
From the Estates Theatre, Prague, 2006
Gala Concert for the 250th anniversary of W.A. Mozart's birth
Czech Philharmonic Orchestra
Manfred Honeck - conductor
Wolfgang Amadeus Mozart - Don Giovanni, Overture, K. 527
Click here to watch the full "Mozart from Prague" Concert: https://goo.gl/xYN6kk
Click here for more Mozart's Concerts: https://goo.gl/bUpHef
Subscribe to EuroArts: https://goo.gl/jrui3M
The highlight of the Mozart Year 2006 in Prague takes place at the Estates Theatre. The Czech Philharmonic Orchestra under the baton of Manfred Honeck performs the most famous compositions by W.A. Mozart related to Prague: Overture to “Don Giovanni”, “Prague Symphony” and the Clarinet Concerto with the excellent Sharon Kam on the clarinet.
The Estates Theatre is one of the most beautiful historical theatres in Europe. Part of its charm, magic, and value lies in its historical significance, from the musical career of Mozart to modern times. In 1787 Mozart conducted here the premiere of "Don Giovanni".
- published: 02 Aug 2018
- views: 480969
2:42:21
Mozart - Don Giovanni Opera + Presentation (E.Wächter - reference recording : Carlo Maria Giulini)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Wolfgang Amadeus Mozart (1756-1791) - Don Giovanni - Opera in two acts.
La scène ...
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Wolfgang Amadeus Mozart (1756-1791) - Don Giovanni - Opera in two acts.
La scène se passe à Séville / The Scene is set in Seville
Overture (00:00)
Act 1. Scène 1 : A l'extérieur, devant la maison du Commandeur.
*Click to activate the English subtitles for the presentation* (06:16-07:34)
Don Giovanni s'est introduit dans la demeure dans l'espoir d'y retrouver la fille du Commandeur, Donna Anna. Leporello, le domestique de Don Giovanni, est resté dehors pour monter la garde ; il rouspète d'avoir à travailler si dur pour un maître aussi ingrat. Don Giovanni surgit tout à coup, poursuivi par Donna Anna. Il a été contraint de battre subitement en retraite et de quitter la maison; il dissimule son visage à Donna Anna en se protégeant de son manteau. Leporello les observe. L’agitation a éveillé le Commandeur, père d'Anna. Celle-ci retourne au palais chercher du secours. Le Commandeur provoque le séducteur, mais après un duel très court, s'écroule mortellement blessé. Don Giovanni retrouve Leporello qui lui reproche sa conduite; Don Giovanni lui impose le silence et tous deux s'enfuient. Anna reparaît, accompagnée de son fiancé, Don Ottavio, et de quelques domestiques. Elle découvre le cadavre et s'évanouit. Des domestiques lui apportent des sels puis emmènent le corps. Donna Anna revient à elle, très abattue. Don Ottavio tente de consoler Donna Anna, dont la détresse se transforme immédiatement en pensées vengeresses ; elle fait jurer Don Ottavio de venger la mort de son père.
Notte E Giorno Fatica (06:16)
Non Sperar, Se Non M (07:56)
Lasciala, Indegno! (09:18)
Leporello, Ove Sei (11:21)
Ah Del Padre In (11:48)
Fuggi, Crudele, Fu (14:24)
**COMPLETE PLAYLIST : LOOK THE FIRST COMMENT PINNED.**
**PLAYLIST ET COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.**
Act 2. Scène 5 : Une pièce dans la demeure de Don Giovanni.
*Click to activate the English subtitles for the presentation* (2:21:25-2:23:05)
Tandis que Leporello sert le dîner de son maître, des musiciens jouent des airs tirés d'opéras célèbres de Martin y Soler, de Sarti et de Mozart (Figaro). Leporello vole une bouchée de faisan, mais Don Giovanni n'est pas dupe. Elvira surgit précipitamment et tente un ultime recours, désespéré. En le quittant, elle pousse un cri d'épouvante. Leporello est envoyé pour voir de quoi il retourne ; on l'entend pousser à son tour un cri d'horreur. Reparaissant, il annonce la venue de la statue : si Don Giovanni demeure incrédule, Leporello préfère se cacher. La statue entre puis, déclinant l'offre de Don Giovanni de prendre quelque nourriture, lui rend son invitation à dîner. Don Giovanni, sur ses gardes, tend sa main à la statue en signe d'acquiescement ; il sent son sang se geler dans ses veines lorsque la statue le somme par trois fois de se repentir. Don Giovanni refuse. Des flammes l'entourent. La terreur finit par s'emparer du séducteur, au moment où il est entraîné par des démons en enfer. Elvira, Anna, Zerlina et Masetto surviennent, à la recherche de Don Giovanni. Leporello leur révèle ce qu'il vient d'arriver. Don Ottavio accepte de repousser d'un an son mariage avec Donna Anna, pour respecter son deuil. Donna Elvira fait le voeu d'entrer au couvent. Masetto et Zerlina n'ont d'autre désir que d'enfin pouvoir fêter leurs noces, quand Leporello espère trouver la prochaine fois un meilleur maître ; tous trois s'accordent pour laisser Don Giovanni rôtir en enfer. Tous les cinq chantent en chœur la moral( de l'histoire : à la toute fin, les perfides reçoivent toujours un juste châtiment.
Già La Mensa È Preparata (2:21:25)
L'Ultima Prova Dell'Amor Mio (2:26:01)
Che Grido È Questo Mai (2:28:16)
Don Giovanni, A Cenar Teco (2:29:31)
Da Qual Tremore Insolito (2:34:50)
Ah, Dov'È Il Perfido (2:35:56)
Or Che Tutti, O Mio Tesoro (2:37:36)
Resti Dunque Quel Birbon (2:40:00)
Questo È Fin (2:40:34)
Don Giovanni : Eberhard Wächter
Donna Anna : Joan Sutherland
Don Ottavio : Luigi Alva
Commendatore : Gottlob Frick
Donna Elvira : Elisabeth Schwarzkopf
Leporello : Giuseppe Taddei
Masetto : Piero Cappuccilli
Zerlina : Graziella Sciutti
Philharmonia Orchestra & Chorus
Chorus Master : Roberto Benaglio
Harpsichord : Heinrich Schmidt
Conductor : Carlo Maria Giulini
Recorded in 1959
Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr
Mozart - Don Giovanni Opera by Wilhelm Furtwängler (1954), NEW MASTERING (recording of the Century) : https://www.youtube.com/watch?v=cwysHE1Lx1k&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=7
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
https://wn.com/Mozart_Don_Giovanni_Opera_Presentation_(E.Wächter_Reference_Recording_Carlo_Maria_Giulini)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Wolfgang Amadeus Mozart (1756-1791) - Don Giovanni - Opera in two acts.
La scène se passe à Séville / The Scene is set in Seville
Overture (00:00)
Act 1. Scène 1 : A l'extérieur, devant la maison du Commandeur.
*Click to activate the English subtitles for the presentation* (06:16-07:34)
Don Giovanni s'est introduit dans la demeure dans l'espoir d'y retrouver la fille du Commandeur, Donna Anna. Leporello, le domestique de Don Giovanni, est resté dehors pour monter la garde ; il rouspète d'avoir à travailler si dur pour un maître aussi ingrat. Don Giovanni surgit tout à coup, poursuivi par Donna Anna. Il a été contraint de battre subitement en retraite et de quitter la maison; il dissimule son visage à Donna Anna en se protégeant de son manteau. Leporello les observe. L’agitation a éveillé le Commandeur, père d'Anna. Celle-ci retourne au palais chercher du secours. Le Commandeur provoque le séducteur, mais après un duel très court, s'écroule mortellement blessé. Don Giovanni retrouve Leporello qui lui reproche sa conduite; Don Giovanni lui impose le silence et tous deux s'enfuient. Anna reparaît, accompagnée de son fiancé, Don Ottavio, et de quelques domestiques. Elle découvre le cadavre et s'évanouit. Des domestiques lui apportent des sels puis emmènent le corps. Donna Anna revient à elle, très abattue. Don Ottavio tente de consoler Donna Anna, dont la détresse se transforme immédiatement en pensées vengeresses ; elle fait jurer Don Ottavio de venger la mort de son père.
Notte E Giorno Fatica (06:16)
Non Sperar, Se Non M (07:56)
Lasciala, Indegno! (09:18)
Leporello, Ove Sei (11:21)
Ah Del Padre In (11:48)
Fuggi, Crudele, Fu (14:24)
**COMPLETE PLAYLIST : LOOK THE FIRST COMMENT PINNED.**
**PLAYLIST ET COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ.**
Act 2. Scène 5 : Une pièce dans la demeure de Don Giovanni.
*Click to activate the English subtitles for the presentation* (2:21:25-2:23:05)
Tandis que Leporello sert le dîner de son maître, des musiciens jouent des airs tirés d'opéras célèbres de Martin y Soler, de Sarti et de Mozart (Figaro). Leporello vole une bouchée de faisan, mais Don Giovanni n'est pas dupe. Elvira surgit précipitamment et tente un ultime recours, désespéré. En le quittant, elle pousse un cri d'épouvante. Leporello est envoyé pour voir de quoi il retourne ; on l'entend pousser à son tour un cri d'horreur. Reparaissant, il annonce la venue de la statue : si Don Giovanni demeure incrédule, Leporello préfère se cacher. La statue entre puis, déclinant l'offre de Don Giovanni de prendre quelque nourriture, lui rend son invitation à dîner. Don Giovanni, sur ses gardes, tend sa main à la statue en signe d'acquiescement ; il sent son sang se geler dans ses veines lorsque la statue le somme par trois fois de se repentir. Don Giovanni refuse. Des flammes l'entourent. La terreur finit par s'emparer du séducteur, au moment où il est entraîné par des démons en enfer. Elvira, Anna, Zerlina et Masetto surviennent, à la recherche de Don Giovanni. Leporello leur révèle ce qu'il vient d'arriver. Don Ottavio accepte de repousser d'un an son mariage avec Donna Anna, pour respecter son deuil. Donna Elvira fait le voeu d'entrer au couvent. Masetto et Zerlina n'ont d'autre désir que d'enfin pouvoir fêter leurs noces, quand Leporello espère trouver la prochaine fois un meilleur maître ; tous trois s'accordent pour laisser Don Giovanni rôtir en enfer. Tous les cinq chantent en chœur la moral( de l'histoire : à la toute fin, les perfides reçoivent toujours un juste châtiment.
Già La Mensa È Preparata (2:21:25)
L'Ultima Prova Dell'Amor Mio (2:26:01)
Che Grido È Questo Mai (2:28:16)
Don Giovanni, A Cenar Teco (2:29:31)
Da Qual Tremore Insolito (2:34:50)
Ah, Dov'È Il Perfido (2:35:56)
Or Che Tutti, O Mio Tesoro (2:37:36)
Resti Dunque Quel Birbon (2:40:00)
Questo È Fin (2:40:34)
Don Giovanni : Eberhard Wächter
Donna Anna : Joan Sutherland
Don Ottavio : Luigi Alva
Commendatore : Gottlob Frick
Donna Elvira : Elisabeth Schwarzkopf
Leporello : Giuseppe Taddei
Masetto : Piero Cappuccilli
Zerlina : Graziella Sciutti
Philharmonia Orchestra & Chorus
Chorus Master : Roberto Benaglio
Harpsichord : Heinrich Schmidt
Conductor : Carlo Maria Giulini
Recorded in 1959
Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr
Mozart - Don Giovanni Opera by Wilhelm Furtwängler (1954), NEW MASTERING (recording of the Century) : https://www.youtube.com/watch?v=cwysHE1Lx1k&list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7&index=7
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
- published: 05 Dec 2016
- views: 374688
2:29
Don Giovanni: “Là ci darem la mano”
Peter Mattei and Ying Fang sing an excerpt from the title character and Zerlina’s Act I duet in an early dress rehearsal. Production: Ivo van Hove. Conductor: N...
Peter Mattei and Ying Fang sing an excerpt from the title character and Zerlina’s Act I duet in an early dress rehearsal. Production: Ivo van Hove. Conductor: Nathalie Stutzmann. 2022–23 season. Videography by Neville Braithwaite.
https://wn.com/Don_Giovanni_“Là_Ci_Darem_La_Mano”
Peter Mattei and Ying Fang sing an excerpt from the title character and Zerlina’s Act I duet in an early dress rehearsal. Production: Ivo van Hove. Conductor: Nathalie Stutzmann. 2022–23 season. Videography by Neville Braithwaite.
- published: 27 Apr 2023
- views: 107364
3:33
Mozart: Don Giovanni, K. 527 / Act 1 - "Là ci darem la mano" (Live)
Luciano Pavarotti - The Official Motion Picture Soundtrack
Order now: https://lnk.to/PavFilmOSTID
In Decca's 90th anniversary year, the historic label releases ...
Luciano Pavarotti - The Official Motion Picture Soundtrack
Order now: https://lnk.to/PavFilmOSTID
In Decca's 90th anniversary year, the historic label releases the official soundtrack to the film, continuing Pavarotti's musical legacy and celebrating his extraordinary life. See the greatest like you've never seen him before, and listen to the performances that thrilled audiences all around the world.
Luciano Pavarotti - The Greatest Hits
Order now: https://lnk.to/PavGreatestID
Decca are also releasing an incredible greatest hits album, comprising an impressive 71 tracks and over four hours of music, featuring great opera arias, favourite songs and sacred arias, and iconic duets with some of the biggest names in music, including five previously unreleased tracks. A definitive collection for the true Pavarotti superfan.
http://pavarottiofficial.com
https://www.facebook.com/pavarottiofficial/
Join the Pavarotti Messenger Bot and we'll keep you updated on all the latest news and information through Facebook Messenger. Click the link or the icon above to get started: https://m.me/pavarottiofficial
Music video by Luciano Pavarotti, Sheryl Crow, Orchestra Filarmonica Di Torino, Marco Armiliato performing Mozart: Don Giovanni, K. 527 / Act 1 - "Là ci darem la mano" (Live). © 1996 Decca Music Group Limited
http://vevo.ly/KWIxyc
https://wn.com/Mozart_Don_Giovanni,_K._527_Act_1_Là_Ci_Darem_La_Mano_(Live)
Luciano Pavarotti - The Official Motion Picture Soundtrack
Order now: https://lnk.to/PavFilmOSTID
In Decca's 90th anniversary year, the historic label releases the official soundtrack to the film, continuing Pavarotti's musical legacy and celebrating his extraordinary life. See the greatest like you've never seen him before, and listen to the performances that thrilled audiences all around the world.
Luciano Pavarotti - The Greatest Hits
Order now: https://lnk.to/PavGreatestID
Decca are also releasing an incredible greatest hits album, comprising an impressive 71 tracks and over four hours of music, featuring great opera arias, favourite songs and sacred arias, and iconic duets with some of the biggest names in music, including five previously unreleased tracks. A definitive collection for the true Pavarotti superfan.
http://pavarottiofficial.com
https://www.facebook.com/pavarottiofficial/
Join the Pavarotti Messenger Bot and we'll keep you updated on all the latest news and information through Facebook Messenger. Click the link or the icon above to get started: https://m.me/pavarottiofficial
Music video by Luciano Pavarotti, Sheryl Crow, Orchestra Filarmonica Di Torino, Marco Armiliato performing Mozart: Don Giovanni, K. 527 / Act 1 - "Là ci darem la mano" (Live). © 1996 Decca Music Group Limited
http://vevo.ly/KWIxyc
- published: 10 May 2019
- views: 746342
3:18
Mirella Freni; Nicolai Ghiaurov; "Là ci darem la mano"; DON GIOVANNI; Wolfgang Amadeus Mozart
This channel is the re-establishment of previous channels that have been sadly terminated.
==============
Mirella Freni--soprano
Nicolai Ghiaurov--bass
Otto Kl...
This channel is the re-establishment of previous channels that have been sadly terminated.
==============
Mirella Freni--soprano
Nicolai Ghiaurov--bass
Otto Klemperer--conductor
New Philharmonia Orchestra
1966
=================
"Mirella Freni, OMRI (Italian: [miˈrɛlːa ˈfreːni], born Mirella Fregni, 27 February 1935 – 9 February 2020)[1] was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses.
Freni is associated with the role of Mimi in Puccini's La bohème,[2] which featured in her repertoire from 1957 to 1999[3] and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan.[4] She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965.[4] In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing.[5] Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from The New York Times describes her as a "matchless Italian prima donna".[1]
Born in Modena, she had the same wet-nurse as Luciano Pavarotti, with whom she grew up and who was to become a frequent tenor partner on stage.[5] She studied voice first with her uncle, Dante Arcelli,[6] then with Luigi Bertazzoni and Ettore Campogalliani. She later changed her name thinking it was easier to pronounce.[5] Freni made her operatic debut at the Teatro Municipale in her hometown on 3 March 1955 as Micaëla in Bizet's Carmen.[5][7] She later married her teacher, the pianist and director Leone Magiera;[7] the couple had a daughter.[8] Freni resumed her career in 1958 when she performed Mimì in Puccini's La bohème at the Teatro Regio in Turin,[5] and sang in De Nederlandse Opera's 1959–60 season. Her international breakthrough came at the Glyndebourne Festival, where she appeared in 1960 as Zerlina in Mozart's Don Giovanni,[6] alongside Joan Sutherland as Donna Anna, and in 1962 as Susanna in The Marriage of Figaro, and as Adina in Donizetti's L'elisir d'amore, directed by Franco Zeffirelli.[2][5][6]
In 1961, Freni first performed at the Royal Opera House in London as Nannetta in Verdi's Falstaff.[2] She stepped in as Nanetta at La Scala in Milan for Renata Scotto.[9] On 31 January 1963, she appeared there as Mimi in a production staged by Franco Zeffirelli and conducted by Herbert von Karajan.[5] She became one of the conductor 's favourite singers in operas and concerts.[7] The production was repeated at the Vienna State Opera the same year,[4][10] and she appeared at the house in eleven roles, including the title role of Puccini's Manon Lescaut, and Amelia in Verdi's Simon Boccanegra.[10]
On 29 September 1965, she first appeared at the Metropolitan Opera in New York City, again as Mimi,[5] with Gianni Raimondi as Rodolfo who also made his house debut. Reviewer Alan Rich wrote in the New York Herald Tribune:
Miss Freni is—well, "irresistible" will do for a start. Beautiful to look at, and actress of simple naturalness and overwhelming intelligence, she used voice and gesture to create a Mimi of ravishing femininity and grace. The voice itself is pure and fresh, operating without seam from bottom to top, marvelously colored at every point by what seems to be an instinctive response to the urging of the text.[11]
Freni chose her roles carefully, saying in an interview: "I am generous in many ways, but not when I think it will destroy my voice. Some singers think they are gods who can do everything. But I have always been honest with myself and my possibilities."[1] She refused Karajan's offers of Leonora in Verdi's Il trovatore and the title role in Puccini's Turandot.[7] Elvira in Ernani was set aside after a single run at La Scala (and despite offers to sing the role elsewhere).[7] She never sang Cio-Cio-San on stage, but recorded it twice, not including the 1975 film Madama Butterfly, alongside Plácido Domingo, with Karajan conducting and Jean-Pierre Ponnelle directing.[2] She played Susanna in the Ponnelle film Le nozze di Figaro, which also featured Dietrich Fischer-Dieskau, Kiri Te Kanawa and Hermann Prey.[4]
In 1978, after her marriage to Magiera had ended in divorce,[8] she married Nicolai Ghiaurov, one of the leading operatic basses of the post-war period. Together they helped to establish the Centro Universale del Bel Canto in Vignola, where they began giving master classes in 2002.
Freni died on 9 February 2020 at her home in Modena. According to her manager, she died "after a long degenerative illness and a series of strokes".[1][7] On 12 February, her coffin was moved from the funeral home to the Teatro Comunale Modena for public tribute and then transferred in a procession to Modena Cathedral, where the funeral took place.[17]"; Wikipedia (edited)
https://wn.com/Mirella_Freni_Nicolai_Ghiaurov_Là_Ci_Darem_La_Mano_Don_Giovanni_Wolfgang_Amadeus_Mozart
This channel is the re-establishment of previous channels that have been sadly terminated.
==============
Mirella Freni--soprano
Nicolai Ghiaurov--bass
Otto Klemperer--conductor
New Philharmonia Orchestra
1966
=================
"Mirella Freni, OMRI (Italian: [miˈrɛlːa ˈfreːni], born Mirella Fregni, 27 February 1935 – 9 February 2020)[1] was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses.
Freni is associated with the role of Mimi in Puccini's La bohème,[2] which featured in her repertoire from 1957 to 1999[3] and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan.[4] She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965.[4] In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing.[5] Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from The New York Times describes her as a "matchless Italian prima donna".[1]
Born in Modena, she had the same wet-nurse as Luciano Pavarotti, with whom she grew up and who was to become a frequent tenor partner on stage.[5] She studied voice first with her uncle, Dante Arcelli,[6] then with Luigi Bertazzoni and Ettore Campogalliani. She later changed her name thinking it was easier to pronounce.[5] Freni made her operatic debut at the Teatro Municipale in her hometown on 3 March 1955 as Micaëla in Bizet's Carmen.[5][7] She later married her teacher, the pianist and director Leone Magiera;[7] the couple had a daughter.[8] Freni resumed her career in 1958 when she performed Mimì in Puccini's La bohème at the Teatro Regio in Turin,[5] and sang in De Nederlandse Opera's 1959–60 season. Her international breakthrough came at the Glyndebourne Festival, where she appeared in 1960 as Zerlina in Mozart's Don Giovanni,[6] alongside Joan Sutherland as Donna Anna, and in 1962 as Susanna in The Marriage of Figaro, and as Adina in Donizetti's L'elisir d'amore, directed by Franco Zeffirelli.[2][5][6]
In 1961, Freni first performed at the Royal Opera House in London as Nannetta in Verdi's Falstaff.[2] She stepped in as Nanetta at La Scala in Milan for Renata Scotto.[9] On 31 January 1963, she appeared there as Mimi in a production staged by Franco Zeffirelli and conducted by Herbert von Karajan.[5] She became one of the conductor 's favourite singers in operas and concerts.[7] The production was repeated at the Vienna State Opera the same year,[4][10] and she appeared at the house in eleven roles, including the title role of Puccini's Manon Lescaut, and Amelia in Verdi's Simon Boccanegra.[10]
On 29 September 1965, she first appeared at the Metropolitan Opera in New York City, again as Mimi,[5] with Gianni Raimondi as Rodolfo who also made his house debut. Reviewer Alan Rich wrote in the New York Herald Tribune:
Miss Freni is—well, "irresistible" will do for a start. Beautiful to look at, and actress of simple naturalness and overwhelming intelligence, she used voice and gesture to create a Mimi of ravishing femininity and grace. The voice itself is pure and fresh, operating without seam from bottom to top, marvelously colored at every point by what seems to be an instinctive response to the urging of the text.[11]
Freni chose her roles carefully, saying in an interview: "I am generous in many ways, but not when I think it will destroy my voice. Some singers think they are gods who can do everything. But I have always been honest with myself and my possibilities."[1] She refused Karajan's offers of Leonora in Verdi's Il trovatore and the title role in Puccini's Turandot.[7] Elvira in Ernani was set aside after a single run at La Scala (and despite offers to sing the role elsewhere).[7] She never sang Cio-Cio-San on stage, but recorded it twice, not including the 1975 film Madama Butterfly, alongside Plácido Domingo, with Karajan conducting and Jean-Pierre Ponnelle directing.[2] She played Susanna in the Ponnelle film Le nozze di Figaro, which also featured Dietrich Fischer-Dieskau, Kiri Te Kanawa and Hermann Prey.[4]
In 1978, after her marriage to Magiera had ended in divorce,[8] she married Nicolai Ghiaurov, one of the leading operatic basses of the post-war period. Together they helped to establish the Centro Universale del Bel Canto in Vignola, where they began giving master classes in 2002.
Freni died on 9 February 2020 at her home in Modena. According to her manager, she died "after a long degenerative illness and a series of strokes".[1][7] On 12 February, her coffin was moved from the funeral home to the Teatro Comunale Modena for public tribute and then transferred in a procession to Modena Cathedral, where the funeral took place.[17]"; Wikipedia (edited)
- published: 31 Mar 2024
- views: 48
2:28:01
Mozart: Don Giovanni (Full Opera)
💿 Order "50 Arias Opera" (CD) on Amazon ✨: https://lnk.to/50OperaArias
🛍️Visit the Halidon shop on Amazon: https://lnk.to/StoreHalidon
Wolfgang Amadeus Mozart...
💿 Order "50 Arias Opera" (CD) on Amazon ✨: https://lnk.to/50OperaArias
🛍️Visit the Halidon shop on Amazon: https://lnk.to/StoreHalidon
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il Dissoluto Punito
Performed by Orchestra Filarmonica Italiana
Conductor: Alessandro Arigoni
DON GIOVANNI: Lorenzo Battagion
COMMENDATORE: Marco Pauluzzo
DONNA ANNA: Alexandra Zabala
DON OTTAVIO: Enrico Iviglia
DONNA ELVIRA: Frances Ginsberg
LEPORELLO: Gabriele Bolletta
MASETTO: Zaha Katsuhisa
ZERLINA: Monica Tarone
📖 ITA/ENG libretto: https://bit.ly/DonGiovanniLibretto
👉 SYNOPSIS: https://bit.ly/DonGiovanniSynopsis
Act 1
0:00:00 Overture
0:06:47 Notte e giorno fatigar
0:11:43 Leporello, ove sei?
0:12:24 Ma qual mai s'offre, oh Dei
0:19:37 Ah! Chi mi dice mai
0:21:56 Chi è là?
0:25:37 Madamina, il catalogo è questo
0:31:37 Giovinette che fate all’amore
0:33:10 Manco male, è partita
0:35:10 Ho capito, signorsì!
0:36:31 Alfin siam liberati
0:38:39 Là ci darem la mano
0:42:38 Mi par ch'oggi il demonio si diverta
0:43:58 Non ti fidar, o misera
0:47:48 Povera sventurata
0:48:16 Don Ottavio... son morta!
0:54:35 Come mai creder deggio
0:55:07 Dalla sua pace la mia
0:59:44 Io deggio ad ogni patto
1:01:42 Finch'han del vino
1:03:17 Masetto, senti un po'
1:04:02 Batti, batti, o bel Masetto
1:08:05 Riposate, vezzose ragazze
1:09:32 Venite pure avanti
Act 2
1:17:25 Eh via, buffone, non mi seccar
1:18:33 Leporello, vien qui
1:19:48 Ah! Taci, ingiusto core
1:24:16 Amico, che ti par?
1:26:52 Deh! Vieni alla finestra
1:29:15 V'è gente alla finestra
1:30:21 Metà di voi qua vadano
1:32:24 Zitto! Lascia ch'io senta
1:34:48 Vedrai, carino, se sei buonino
1:39:08 Di molte faci il lume
1:39:44 Sola, sola in buio loco
1:47:16 Dunque quello sei tu
1:47:47 Ah! Pietà, signori miei
1:49:43 Ferma, perfido; ferma
1:50:24 Il mio tesoro intanto
1:54:56 In quali eccessi, o numi
2:02:03 Ah, ah, ah! questa è buona
2:06:31 Oh statua gentilissima
2:10:22 Calmatevi, idol mio
2:11:11 Crudele? Ah no, mio bene
2:18:21 Già la mensa è preparata
2:27:15 Don Giovanni! A cenar teco
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
Artwork: The Garter, Jean François de Troy (1724).
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#mozart #opera All rights reserved
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il Dissoluto Punito
Performed by Orchestra Filarmonica Italiana
Conductor: Alessandro Arigoni
DON GIOVANNI: Lorenzo Battagion
COMMENDATORE: Marco Pauluzzo
DONNA ANNA: Alexandra Zabala
DON OTTAVIO: Enrico Iviglia
DONNA ELVIRA: Frances Ginsberg
LEPORELLO: Gabriele Bolletta
MASETTO: Zaha Katsuhisa
ZERLINA: Monica Tarone
📖 ITA/ENG libretto: https://bit.ly/DonGiovanniLibretto
👉 SYNOPSIS: https://bit.ly/DonGiovanniSynopsis
Act 1
0:00:00 Overture
0:06:47 Notte e giorno fatigar
0:11:43 Leporello, ove sei?
0:12:24 Ma qual mai s'offre, oh Dei
0:19:37 Ah! Chi mi dice mai
0:21:56 Chi è là?
0:25:37 Madamina, il catalogo è questo
0:31:37 Giovinette che fate all’amore
0:33:10 Manco male, è partita
0:35:10 Ho capito, signorsì!
0:36:31 Alfin siam liberati
0:38:39 Là ci darem la mano
0:42:38 Mi par ch'oggi il demonio si diverta
0:43:58 Non ti fidar, o misera
0:47:48 Povera sventurata
0:48:16 Don Ottavio... son morta!
0:54:35 Come mai creder deggio
0:55:07 Dalla sua pace la mia
0:59:44 Io deggio ad ogni patto
1:01:42 Finch'han del vino
1:03:17 Masetto, senti un po'
1:04:02 Batti, batti, o bel Masetto
1:08:05 Riposate, vezzose ragazze
1:09:32 Venite pure avanti
Act 2
1:17:25 Eh via, buffone, non mi seccar
1:18:33 Leporello, vien qui
1:19:48 Ah! Taci, ingiusto core
1:24:16 Amico, che ti par?
1:26:52 Deh! Vieni alla finestra
1:29:15 V'è gente alla finestra
1:30:21 Metà di voi qua vadano
1:32:24 Zitto! Lascia ch'io senta
1:34:48 Vedrai, carino, se sei buonino
1:39:08 Di molte faci il lume
1:39:44 Sola, sola in buio loco
1:47:16 Dunque quello sei tu
1:47:47 Ah! Pietà, signori miei
1:49:43 Ferma, perfido; ferma
1:50:24 Il mio tesoro intanto
1:54:56 In quali eccessi, o numi
2:02:03 Ah, ah, ah! questa è buona
2:06:31 Oh statua gentilissima
2:10:22 Calmatevi, idol mio
2:11:11 Crudele? Ah no, mio bene
2:18:21 Già la mensa è preparata
2:27:15 Don Giovanni! A cenar teco
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".
Artwork: The Garter, Jean François de Troy (1724).
Similar videos:
Puccini: Madama Butterfly (Full Opera Live) https://youtu.be/IYrbdiee9SU
Bizet: Carmen (Full Opera Live) https://youtu.be/u_VkfIthWHo
Puccini: La Bohème (Full Opera Live) https://youtu.be/P-zWV6B-C54
#mozart #opera All rights reserved
- published: 26 Mar 2023
- views: 122645