- published: 30 Nov 2012
- views: 539286
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
La traviata (Italian: [la traviˈaːta; traˈvjaːta], The Fallen Woman) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.
Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.
For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would become Il trovatore, but work on this opera could not proceed while the composer was writing Rigoletto, which premiered in Venice in March 1851. In addition, personal affairs in his home town limited his activities that spring, but after Rigoletto's success in Venice, an additional commission was offered by Brenna, the secretary of La Fenice. After Verdi's return from Paris a contract was signed in May 1852, with performances scheduled for March 1853, although no subject was chosen at that time.
La Traviata is a 1982 Italian film written, designed, and directed by Franco Zeffirelli. It is based on the opera La traviata with music by Giuseppe Verdi and libretto by Francesco Maria Piave. Soprano Teresa Stratas, tenor Plácido Domingo, and baritone Cornell MacNeil starred in the movie, in addition to singing their roles. The film premiered in Italy in 1982 and went into general release there the following year. It opened in theatres in the U.S. on April 22, 1983. The movie's soundtrack with James Levine conducting the Metropolitan Opera Orchestra won a Grammy Award for Best Opera Recording.
The film opens in the Paris home of courtesan Violetta Valery, where sheets cover the furniture in dimly lit rooms. Creditors, appraisers, and movers are removing much of the artwork and ornate furnishings. One of them curiously wanders through the rooms, until he comes upon Violetta, bedridden and looking pallid and weak, and he stares at her with undisguised awe. She is startled to see him and follows him to see what he is doing. As she gazes down the long hallway, her delirious mind drifts back to a happier time, and via flashback we are transported to a lavish party she is hosting to celebrate her recovery from an illness. One of her guests, Count Gastone, has brought with him his friend, the young nobleman Alfredo Germont, who has long adored Violetta from afar. She becomes dizzy and retires to her bedroom to recover; he follows her and declares his love. At first Violetta rejects him, telling him love means nothing to her, but she is touched by his concern and offers him a camellia, telling him to return it when it has wilted. He promises to see her the next day.
"E strano, e strano...Follie! follie...Sempre libera". La Traviata de G. Verdi. Soprano: María Callas en el papel de Violeta. Tenor: Francesco Albanesse en el papel de Alfredo. Orchestra sinfonica di Torino della RAI. Director: Gabriele Santini. Maestro del coro Giulio Mogliotti. Grabación en estudio del año 1953. Torino, Rai Auditorium. Aunque esta es una grabación de Maria Callas hecha en estudio, he incluido como escenario el Teatro alla Scala en una interpretación libre. Los flashes finales son también una recreación artística, sabiendo que en la Scala muy pocas veces se disparan flashes durante las representaciones o al final de estas. Nótese como disminuye la luz en el teatro al caer el telón y cómo este rebota casi naturalmente. También debería decir que hay notas (normalmente corc...
Recorded in 1953. Maria Callas as Violetta.
Maria Callas - Famous Arias Giusepe Verdi - La Traviata E strano... Ah! Forse e lui...follie!... Alfredo: Francesco Albanese Orchestra Sinfonia di Torino della Rai Direttori: Gabriele Santini, Antonio Votto, Olivero De Fabritis, Arturo Basile Registrazioni: 1952, 1953, 1949
Maria Callas..........................Violetta Valéry Francesco Albanese...........Alfredo Germont La Traviata 1 9 5 3 Orchestra Sinfonica di Torino della RAI conducted by Gabriele Santini
With curtain callas and radio commentary. Oh, to have been there!
Diana Damrau . Soprano Verdi . La traviata Estrano...Ah forse lui...Sempre libera Paris . 2014 www.facebook.com/brravovideo
Maria Callas (1923-1977) Giuseppe Verdi (1813-1901) La traviata E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera Alfredo - Francesco Albanese Orchestra sinfonica di Torino della RAI Conducted by Gabriele Santini 1953 VIOLETTA (sola) È strano! È strano! In core scolpiti ho quegli accenti! Saria per me sventura un serio amore? Che risolvi, o turbata anima mia? Null'uomo ancora t'accendeva -- O gioia ch'io non conobbi, esser amata amando! E sdegnarla poss'io per l'aride follie del viver mio? Ah, fors'è lui che l'anima solinga ne' tumulti godea sovente pingere de' suoi colori occulti! Lui che modesto e vigile all'egre soglie ascese, e nuova febbre accese, destandomi all'amor. A quell'amor ch'è palpito dell'universo intero, misterioso, altero, croce e delizia ...
La Traviata Melodrama en tres actes Libretto di Francesco Maria Piave Música di Giuseppe Verdi Acte 1er: È strano,..!è strano....!Ah, fors'è lui che l'anima...Sempre libera Violetta Valery - Natalie Dessay Alfredo Germont - Charles Castronovo London Symphony Orchestra Director musical: natalie Dessay, Director d'escena: Jean-Francois Sivadier Aix-en-Provence, 16 de juliol de 2011
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."