- published: 03 Aug 2009
- views: 28368
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Il trovatore (pronounced [il trovaˈtoːre]; Italian for "The Troubadour") is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play El trovador (1836) by Antonio García Gutiérrez. It was Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident."
The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of Il trovatore. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose significant revisions, which were accomplished under his direction. These revisions are seen largely in the expansion of the role of Leonora.
Inés- Luisa Villa. Orchestra Teatro alla Scala, Milano. Dir. Karajan.
Maria Callas thrills with an amazing performance from Il Trovatore, Mexico City 1950
Improved audio! I bought a bottle of Record Revirginizer and cleaned this LP with excellent results, it removed all the excess noise. Regarding the audio - this is an exact rip of the BJR LP, i think it plays a little fast (either that or every other copy of this performance i've heard has been slowed down) - when i slowed it by about 5% it matched the melodram version i have. But in the interest of representing the BJR label as is, i've left it at original speed.
Maria Callas performing the arias Tacea La Notte Placida and Di Tale Amor, from Verdi's Il Trovatore, live in Naples in 1951 under the baton of Tullio Serafin. This recording is from the Gli Anni D'oro Collection (Vol. I, 1951-1953) of live Maria Callas opera recordings. I find her voice to be in fine form here, with no sign of the wobble that was later introduced into her higher register. I'm just amazed by the control she has over her voice! Everything is exactly as she wants it to be. She is phenomenal. I'm going to be uploading exerpts from live Callas recordings of Il Trovatore, I Puritani, Armida, Norma and Medea all recorded between 1951 and 1953. Hope you enjoy, and let me know if you have any aria/duet/ensemble requests!
Anna Netrebko singt aus der Oper 'Il Trovatore' von Giuseppe Verdi die Leonoren-Arie "Di tale amor che dirsi'/1.Akt. - Salzburger Festspiele 2015.
Soprano Maria Callas sings the aria "D'amor sull'ali rosee" from the opera "Il trovatore" by Verdi in a concert in Paris, 1958. parterre box
Maria Callas: la divina senza tempo
Maria Callas Tacea la notte placida Giuseppe Verdi Il trovatore
Provided to YouTube by The Orchard Enterprises Il trovatore: Tacea la notte placida... Di tale amor che dirsi · Giuseppe Verdi · Maria Callas One Year, One Voice ℗ 2005 Fono Released on: 2005-01-01 Auto-generated by YouTube.
Tacea la Notte Placida...Di Tale Amor, from Robin Hood Records RHR500. This recording has possibly the best available sound quality of this performance.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."