- published: 02 Dec 2020
- views: 26164836
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Volume One, Volume 1, or Volume I may refer to:
Vol. 1 is the debut studio album by American Electronic Art rock band The Tempers, self-released on 31 October 2010. A Music video for the track "Alone Again" was released following Vol. 1.
All tracks written and composed by The Tempers
Breed 77 (pronounced "Breed Seven-Seven") is a British band from the overseas territory of Gibraltar whose music is a fusion of alternative metal and flamenco.
Breed 77 comes from the British overseas territory of Gibraltar. Old Gibraltarian school friends, Paul Isola, Danny Felice, and Stuart Cavilla met up in London and became informally known as the Gibraltarian Mafia. When, in late April 1996, this circle of friends formed a band, they wanted a name to reflect their joint origins and called themselves simply Breed. The band were forced to change their name because it was previously registered by Steve Hewitt (formerly of Placebo) on his vanity record label. Stuart Cavilla, the band's bass player, had previously worked as a motorcycle courier under the call sign of Kilo 77 or K77, and the band became Breed 77.
In 1998, Kerrang! readers voted Breed 77 the 'Best Unsigned Band'. In 1999, they won both the Metal Hammer and Kerrang! awards for the best new band. Then in 2001 they signed a five album deal with Albert Productions, the legendary Australian publisher of AC/DC.
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry. The official Maria Callas website: http://www.maria-callas.com/ This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► ...
http://www.maria-callas.com Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s f...
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis O mio babbino caro Gianni Schicchi, Puccini Maria Callas soprano Georges Prêtre conductor Recorded at Théâtre des Champs-Elysées, Paris, in the 60's © Idéale Audience / img Artists Available on www.medici.tv, #1 in classical music | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv | Follow us on Instagram https://www.instagram.com/medici.tv/ Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, beh...
Discover, stream and download the Vivaldi Edition everywhere: https://lnk.to/VivaldiEdition 1 - 00:00 - Norma, Act I, Scene 4: "Casta diva... Fine al rito" (Norma, Coro) 2 - 10:50 - Carmen, Act I, Scene 5: "L'amour est un oiseau rebelle" (Carmen) 3 - 14:50 - La traviata, Act I, Scene 2: "Libiam ne' lieti calici" (Alfredo, Violetta, Coro) 4 - 18:02 - La Wally, Act I: "Ebben? Ne andrò lontana" (Wally) 5 - 22:51 - Gianni Schicchi, Act I: "O mio babbino caro" (Lauretta) 6 - 25:23 - Madama Butterfly, Act II: "Un bel dì, vedremo" (Madama Butterfly) 7 - 30:04 - Andrea Chénier, Act III: "La mamma morta" (Maddalena) 8 - 34:54 - La forza del destino, Act IV: "Pace, pace, mio Dio" (Leonora) 9 - 41:17 - Orfeo ed Euridice, Act III, Scene 1: "J'ai perdu mon Eurydice" (Orfeo) 10 - 45:37 - Alceste, Act I,...
Maria Callas Live: http://www.maria-callas.com Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition. __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: http://www.instagram.com/...
Album available // Maria Callas: 90 Opera Arias 🎧 Qobuz https://bit.ly/3RSzTfJ Tidal https://bit.ly/3FgBOUx 🎧 Deezer https://bit.ly/3ZX4QAx Amazon Music https://amzn.to/3SrKf6L 🎧 Youtube Music https://bit.ly/3MUTpp5 Napster https://bit.ly/481oJu2 🎧 Pandora, Anghami, Soundcloud, QQ音乐, LineMusic 日本… ❤️ Join us on our WhatsApps fanpage (our preview releases): https://bit.ly/3Mraw1r *Click to activate the English subtitles for the presentation* (00:00-09:32) Georges Bizet (1838-1875) / Carmen 1.L’amour est un oiseau rebelle / Habanera, Act l (00:00) 2.Près des remparts de Seville / Séguedille, Act l (04:17) Tenor : Nicolai Gedda 3.Les tringles des sistres tintaient / Chanson bohème, Act Il (08:47) Mezzo Soprano : Jane Berbié, Soprano : Nadine Sauterau Chœurs René Duclos / Chorus Master : Jean...
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words. Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time. Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t ava...
By Giulia Zarantonello
Also on Arizona Spotlight: The International Uranium Film Festival returns to Tucson; the comedy of Elliot Glicksman; and "Stories That Soar!" looks at how children cope with depression.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
All those stars you have looked in the eyes
Are long dead reminders of the past you are leaving behind
So don't be shocked if you see me collapse
I'm just not that stable
I think if you're able
You'd best get the hell out of here
Cause I could even go supernova now
So fierce and bright
But I might go too far
Become a black hole
And pull the light right out of you
Pulling the light out of you
Is what I would do with my gravity and my mass
Warping your time and your space
You'd better not look back his way with that beautiful
Face and those eyes and those sweet and soft Xs and Os
I will pull the light right out of those