- published: 23 May 2015
- views: 34082
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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Provided to YouTube by Warner Classics Ah! perfido, Op.65 (1997 Remastered Version) · Nicola Rescigno/Maria Callas/Orchestre de la Société des Concerts du Conservatoire Maria Callas - Mozart, Beethoven & Weber Arias ℗ 1964 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1997 Warner Classics, Warner Music UK Ltd Boy Soprano: Maria Callas Lead Vocals: Maria Callas Soprano Vocals: Maria Callas Producer: Michel Glotz Conductor: Nicola Rescigno Lead Vocals: Nicola Rescigno Orchestra, Vocals: Orchestre de la Société des Concerts du Conservatoire Tonmeister: Paul Vavasseur Remastering Engineer: Simon Gibson Composer: Ludwig van Beethoven Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Ah Perfido!, Op. 65 · Ludwig van Beethoven · Philharmonia Orchestra · Herbert von Karajan · Elisabeth Schwarzkopf Shwarzkopf Sings Schubert Lieder ℗ 2013 Regis Records Released on: 2013-08-22 Auto-generated by YouTube.
Beethoven: Ah, perfido, Op. 65. Mozart: Don Giovanni - Or sai chi l'onore; Crudele?... Non mi dir; In quali eccessi, o Numi ! ... Mi tradi quell'alma ingrata. Mozart: The Marriage of Figaro - Porgi, amor. Weber: Oberon - Ocean ! thou mighty monster. Maria Callas , soprano. Paris Conservatoire Orchestra / Nicola Rescigno. Recording first published 1964. http://www.limelightmagazine.com.au/Article/358421,maria-callas-the-ultimate-diva.aspx?utm_source=feed&utm_medium=rss&utm_campaign=Limelight+Opera+feed
Ludwig van Beethoven Concert aria for soprano and orchestra Cheryl Studer - Soprano Berliner Philharmoniker Claudio Abbado Berlin, Schauspielhaus Lyrics by Pietro Metastasio: Ah! perfido, spergiuro, Barbaro traditor, tu parti? E son questi gl'ultimi tuoi congedi? Ove s'intese tirannia più crudel? Va, scellerato! va, pur fuggi da me, L'ira de' numi non fuggirai. Se v'è giustizia in ciel, se v'è pietà, Congiureranno a gara tutti a punirti! Ombra seguace, presente, ovunque vai, Vedrò le mie vendette, Io già le godo immaginando. I fulmini ti veggo già balenar d'intorno. Ah no! Fermate, vindici Dei! Risparmiate quel cor, ferite il mio! S'ei non è più qual era, son io qual fui, Per lui vivea, voglio morir per lui! Per pietà, non dirmi addio! Di te priva che farò? Tu lo sai, bell'idol mio! Io...
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."