- published: 11 Sep 2018
- views: 1395581
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Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."
Tom Volf’s MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words. Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs—nearly all of which have never been shown to the public—the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time. Assembling the material for the film took director Volf four years of painstaking research, which included personal outreach to dozens of Callas’s closest friends and associates, who allowed him to share their personal memorabilia in the film. When recordings of Callas’s voice aren’t ava...
The great Maria Callas performs an aria from her signature role, Bellini's druid priestess Norma, with the Orchestre de l'Opera National de Paris and Georges Sebastian. Recorded live at the Palais Garnier on the 19th of December 1958, this concert marked the soprano's debut at the Paris Opera, a major social event for Parisians and for which Callas donned her most elegant couture and a million dollars' worth of jewelry. The official Maria Callas website: http://www.maria-callas.com/ This recording is featured on La Callas Toujours, available on DVD and Bluray: https://w.lnk.to/lacallasLY __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► ...
http://www.maria-callas.com Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s f...
Maria Callas, O mio babbino caro, full programme available here https://bit.ly/MariaCallasInParis O mio babbino caro Gianni Schicchi, Puccini Maria Callas soprano Georges Prêtre conductor Recorded at Théâtre des Champs-Elysées, Paris, in the 60's © Idéale Audience / img Artists Available on www.medici.tv, #1 in classical music | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv | Follow us on Instagram https://www.instagram.com/medici.tv/ Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, beh...
Maria callas sings habanera in covent garden 1962.
Maria Callas Live: http://www.maria-callas.com Maria Callas' final appearance on the operatic stage was in Tosca at Covent Garden's 1965 Royal Gala. For many opera lovers, Maria Callas and Tosca's Vissi d'Arte are inseparable. "I lived for art; I lived for love" became La Divina's cri de coeur, her swansong, the perfect expression of her own triumphs and tragedies. This unrivaled recording is from that legendary Zeffirelli production in 1964 and is one of just many jewels in the Maria Callas Live edition. __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: http://www.instagram.com/...
#betterthanrosaponselle #betterthankiritekanawa #betterthanmariacallas #betterthanrenatatebaldi #betterthankirstenflagstad #betterthanlilypons #betterthanluisatetrazzini #opera #classicalmusic #classicalsinging Best soprano of all time. Has better coloratura than Luisa Tetrazzini, better low notes than Rosa Ponselle, and a better stage personality than Maria Callas.
Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was a Greek-American soprano, and one of the most renowned and influential opera singers of the 20th century. Some critics praised her bel canto technique, wide-ranging voice and dramatic interpretations, while others found her voice displeasing and considered that a defective technique was responsible for her premature decline. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. The press dubbed her La Divina.
Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."