- published: 10 May 2018
- views: 121
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Voi is the largest town in Taita-Taveta County in southern Kenya, in the former Coast Province. It lies at the western edge of the Taru Desert, south and west of the Tsavo East National Park. The Sagala Hills are to the south. Voi is also a municipality.
Voi is a marketplace for the agricultural and meat products from the fertile Taita Hills as well as other surrounding areas. Voi's town centre consists of mostly general stores, shops, markets, kiosks and a few hotels. Most lodges that service tourists for the national park are located in the suburbs at the edge of town. The Voi Sisal Estates are located to the west of the town. A large squatter community exists in the Mwatate Sisal Estates, also to the west of town.
According to local history the name of town comes from a slave trader called Chief Kivoi who settled near the Voi River about 400 years ago. There after the village grew as a trading centre for the local Taita people with other Kenyan tribes and Arabs.
The town started to grow at the end of the 19th century when the Uganda Railway was constructed. People started to move in to work on the railway and the nearby sisal estates. However, township status with an area of about 16.27 square kilometres (6.28 sq mi) was not granted until 1932. The town has long since outgrown the original grant.
Voi may refer to:
VOI, as an acronym, may refer to:
Provided to YouTube by Universal Music Group Puccini: Tosca / Act 1: "Voi! Cavaradossi!" · Silvio Maionica · Franco Corelli · Orchestra dell'Accademia Nazionale di Santa Cecilia · Lorin Maazel Puccini: Tosca ℗ 1967 Decca Music Group Limited Released on: 1967-07-13 Producer: Christopher Raeburn Studio Personnel, Balance Engineer: Kenneth Wilkinson Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
27th August 2022, Palazzo Guarnieri, Feltre Angelotti (Bass-baritone) - Fabian Tindale Geere Cavaradossi (Tenor) - Andrew Rawlings Piano - Michael Pugh Music from "Tosca" by Giacomo Puccini Lyrics: ANGELOTTI Voi? Cavaradossi! Vi manda Iddio! Non mi ravvisate? Il carcere m'ha dunque assai mutato! CAVARADOSSI Angelotti! Il Console della spenta repubblica romana! ANGELOTTI Fuggii pur ora da Castel Sant'Angelo!... CAVARADOSSI Disponete di me! VOCE DI TOSCA Mario! CAVARADOSSI Celatevi! È una donna... gelosa. Un breve istante e la rimando. VOCE DI TOSCA Mario! CAVARADOSSI Eccomi! ANGELOTTI Sono stremo di forze, più non reggo... CAVARADOSSI In questo panier v'è cibo e vino! ANGELOTTI Grazie! CAVARADOSSI Presto!
Provided to YouTube by Alexandre Bak - Classical Music Reference Recording "Voi! Cavaradossi!" - Act 1, Tosca (Remastered 2022, Version 1962) · Leontyne Price · Herbert von Karajan · Wiener Philharmoniker · Giacomo Puccini Puccini: Tosca by Leontyne Price ℗ 2022 Alexandre Bak - Classical Music Reference Recording Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Tosca / Act 1 - "Voi! Cavaradossi!" · Silvio Maionica · Mario del Monaco · Renata Tebaldi · Orchestra dell'Accademia Nazionale di Santa Cecilia · Francesco Molinari-Pradelli Puccini: Tosca (highlights) ℗ 1959 Decca Music Group Limited Released on: 1959-01-01 Producer: Ray Minshull Producer: James Walker Studio Personnel, Engineer: Roy Wallace Studio Personnel, Engineer: Gil Went Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Tosca / Act 1: "Voi! Cavaradossi!" · Richard van Allan · Luciano Pavarotti · Mirella Freni · National Philharmonic Orchestra · Nicola Rescigno Puccini: Tosca ℗ 1979 Decca Music Group Limited Released on: 1979-04-01 Studio Personnel, Balance Engineer: James Mallinson Studio Personnel, Balance Engineer: Colin Moorfoot Studio Personnel, Balance Engineer: Kenneth Wilkinson Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Tosca / Act 1: "Mario! Mario! Mario!" "Son qui!" - "Mia gelosa!" · Mirella Freni · Luciano Pavarotti · National Philharmonic Orchestra · Nicola Rescigno Puccini: Tosca ℗ 1979 Decca Music Group Limited Released on: 1979-04-01 Studio Personnel, Balance Engineer: James Mallinson Studio Personnel, Balance Engineer: Colin Moorfoot Studio Personnel, Balance Engineer: Kenneth Wilkinson Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
"Qual occhio al mundo" from Act 1 of: Giacomo Puccini's "Tosca" Wichita Grand Opera March 9, 2007 Executive Producer: Parvan Bakardiev Production Concept and Design: Margaret Ann Pent Conductor: Nayden Todorov Director: Margaret Ann Pent CAST: Floria Tosca - Annalisa Raspagliosi Baron Scarpia - Samuel Ramey Mario Cavaradossi - Marin Iliev Cesare Angelotti - Diman Panchev Sacristan - - Stefano de Peppo Spoletta - Dimitar Kyurkehiev Sciarrone - Valyu Totev Jailer - Evereich Sutter* Shepard Boy - Mary Ellen Swords+ Set Designer: Ivan Savov Lighting Designer: Steve Heinz
Provided to YouTube by Xelon Entertainment Tosca, Act 1: Voi! Cavaradossi! · Carlo Cava · Giuseppe Di Stefano · Leontyne Price · Herbert von Karajan · Vienna Philarmonic Orchestra Puccini: Tosca ℗ 2020 Digital Revival Released on: 2020-01-01 Auto-generated by YouTube.
Provided to YouTube by RCA Red Seal Tosca: Act I: Voi! Cavaradossi! · Zubin Mehta · Clifford Grant · Plácido Domingo · Leontyne Price · Giacomo Puccini Puccini: Tosca ℗ 1973 BMG Music Released on: 2008-02-05 Producer: Richard Mohr Lyricist: Giuseppe Giacosa Lyricist: Luigi Illica Associated Performer: New Philharmonia Orchestra Auto-generated by YouTube.
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!