- published: 30 Jul 2018
- views: 5182
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Provided to YouTube by Universal Music Group Puccini: Suor Angelica: Nel silenzio di quei raccoglimenti · Christa Ludwig · National Philharmonic Orchestra · Richard Bonynge Christa Ludwig - The Essentials ℗ 1979 Decca Music Group Limited Released on: 2018-03-02 Producer: Richard Beswick Studio Personnel, Balance Engineer: James Lock Studio Personnel, Balance Engineer: Kenneth Wilkinson Composer: Giacomo Puccini Author: Giovacchino Forzano Auto-generated by YouTube.
Rachelle Moss, contralto Joan Lundquist, piano Suor Angelica (Sister Angelica) is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano and is the second opera of the trio of operas known as Il trittico (the Tryptich). Written as an operatic answer to Dante’s Divine Comedy, “Il Trittico” features the tales of three separate lives, each headed either toward heaven, hell, or purgatory. Suor Angelica is a tragic tale of loss and repentance of a woman who bears a child out of wedlock and is sent to a convent to repent for her sins. As dark as this opera seems, it is actually an uplifting tale of religious redemption. In this aria, Sister Angelica’s aunt recounts how, when in church, communing with her dead sister’s spirit, she feels nothing for her ni...
Provided to YouTube by Warner Classics Suor Angelica: "Nel silenzio di quei raccoglimenti" (La Zia principessa) · Antonio Pappano · Bernadette Manca Di Nissa Puccini: Il trittico ℗ A Warner Classics release, ℗ 1999 Parlophone Records Limited Conductor: Antonio Pappano Contralto Vocals: Bernadette Manca Di Nissa Producer: David Groves Orchestra: Philharmonia Orchestra Engineer: Simon Rhodes Composer: Giacomo Puccini Poet: Giovacchino Forzano Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Suor Angelica: Nel silenzio di quei raccoglimenti · Elena Souliotis · Orchestra del Maggio Musicale Fiorentino · Bruno Bartoletti Puccini: Il Trittico ℗ 1994 Decca Music Group Limited Released on: 1994-01-01 Producer: Chris Hazell Producer: Christopher Pope Producer: Christopher Raeburn Studio Personnel, Balance Engineer: James Lock Studio Personnel, Editor: Nigel Gayler Composer: Giacomo Puccini Author: Giovacchino Forzano Auto-generated by YouTube.
31st May 2022. Festival "Srerijino pozorje" Faculty of Music in Belgrade production of Puccini's "Suor Angelica" Director: Vladan Djurković Conductor: Nina Fuštar Piano accompanist: Nikola Lekić
Nel silenzio di quei raccoglimenti: Suor Angelica (Giacomo Puccini) Laurel Semerdjian, mezzo-soprano Benjamin Read, piano Filmed and recorded by Conduit Studios October 2021
Celebrando o centenário de GIACOMO PUCINI (1924-2024), o elenco do PROJETO ÓPERA NA UFRJ 2024 apresenta, como parte da programação do Circuito PROART, um concerto dedicado a marcar o centenário de falecimento do gênio da ópera italiana Giacomo Puccini (1858-1924). O programa do concerto “PRIMAVERA, PRIMAVERA!” traz excertos de muitas das obras de Puccini, como La Bohème, Le Villi, La Rondine, Suor Angelica, Il Tabarro, Madama Butterfly, Edgar, Gianni Schicchi e Manon Lescaut, além de momentos de sua música de câmara vocal, sob a interpretação de jovens talentos do cenário lírico brasileiro, acompanhados pelos pianistas Renan Santos e José Sacramento. Direção musical: Lenine Santos. Direção cênica: José Henrique Moreira e Marcellus Ferreira. Assistente de Direção: Azul Scorzelli. PROGR...
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!