- published: 13 May 2016
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Madama Butterfly (IPA: [maˈdaːma ˈbatterflai]; Madame Butterfly) is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The opera is based in part on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based partially on stories told to Long by his sister Jennie Correll and partially on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as a one-act play, Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved on to London, where Puccini saw it in the summer of that year.
The original version of the opera, in two acts, had its premiere on 17 February 1904 at Teatro alla Scala in Milan. It was poorly received, despite such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in its lead roles; this was due in part to a late completion by Puccini, and thus inadequate time for rehearsals. Puccini revised the opera, splitting Act II into two (with the Humming Chorus as a bridge to what became Act III) and making other changes. Success ensued, starting with the first performance, on 28 May 1904 in Brescia.
Madama is a border settlement on the northeast frontier of Niger. Little more than an army post, the settlement serves as a frontier station controlling travel between Niger and Libya. It is also the site of a former French colonial fort, built in 1931. The fort is now surrounded by barbed wire and a field of landmines.
The army of Niger maintains a garrison of a hundred soldiers, depending on the 24th Interarmes Battalion from Dirkou.
On Oct 23, 2014, the French government announced plans to base helicopters and 50 French troops here, under the Operation Barkhane. The French Army builds a forward operating base. The French military is about 200 to 250 soldiers in January 1, 2015.
The operational base of Madama served as a command post for a military operation zone control for the French, Niger and Chad armies from 20 to 27 December 2014.
Aerodrome Madama consists of a laterite track (21°57′0.10″N 13°39′2.13″E / 21.9500278°N 13.6505917°E / 21.9500278; 13.6505917) with a length of 1 300 meters. The work of the 25th Air Engineer Regiment and the 19th Engineer Regiment allowed the reconstruction of the runway from November 2014; will be extended to a length of 1800 meters; summary aviation facilities will be added: ramp, two parking for aircraft and helicopter pads. Tactical transport aircraft can land there since December 2014.
RADIO STATION | GENRE | LOCATION |
---|---|---|
Free Palestine Radio | World Middle East | Palestine |
Alaqsa Voice | Talk | Palestine |
Al-Quds Radio | News,World Middle East | Palestine |
Raya FM | Varied | Palestine |
✖ All music and images copyrights belong to original artists and distributors. Performed by Lorin Maazel Madama Butterfly (IPA: [maˈdaːma ˈbatterflai]; Madame Butterfly) is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The opera is based in part on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based partially on stories told to Long by his sister Jennie Correll and partially on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as a one-act play, Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved on to London, where Puccini saw it in the summer of that year. The or...
Anna Netrebko (born 18th September 1971) is a Russian operatic soprano. Born in Krasnodar (Russia), in a family of Kuban Cossack background. While a student at the Saint Petersburg conservatoire, Netrebko worked at Saint Petersburg's Mariinsky Theatre. Later, she auditioned for the Mariinsky Theatre, where conductor Valery Gergiev recognized her from her prior work in the theater. He subsequently became her vocal mentor. Under Gergiev's guidance, Netrebko made her operatic stage debut at the Mariinsky at age 22, as Susanna in Le nozze di Figaro. She went on to sing many prominent roles with the Kirov Opera, including Amina in La sonnambula, Pamina in Die Zauberflöte, Rosina in Barbiere di Siviglia, and Lucia in Lucia di Lammermoor.
From the album 'The Very Best of Maria Callas'.
Maria Callas - Madame Butterfly: Act II; "Un bel dì, vedremo" Movie scenes - Memoirs of a Geisha, a historical novel by American author Arthur Golden, published in 1997. Maria Callas, soprano. Philharmonia Orchestra, Dir. Tullio Serafin. ___ Madame Butterfly is an opera in three acts (originally two acts) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The libretto of the opera is based in part on the short story "Madame Butterfly" (1898) by John Luther Long – which in turn was based partially on stories told to Long by his sister Jennie Correll and partially on the semi-autographical 1887 French novel Madame Chrysanthème by Pierre Loti. "Un bel dì vedremo" ("One fine day we’ll see") is a soprano aria from the opera Madama Butterfly when she imagines a...
Provided to YouTube by Universal Music Group Puccini: Madama Butterfly / Act II - "Un bel dì vedremo" · Anna Netrebko · Orchestra dell'Accademia Nazionale di Santa Cecilia · Antonio Pappano Verismo ℗ 2016 Deutsche Grammophon GmbH, Berlin Released on: 2016-09-02 Producer: Sid McLauchlan Studio Personnel, Recording Engineer: Stephan Flock Studio Personnel, Recording Engineer: Philip Krause Studio Personnel, Asst. Recording Engineer: Giacomo de Caterini Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Auto-generated by YouTube.
12. Un bel di vedremo (Instrumental) from Act II of the opera Madama Butterfly by Giacomo Puccini. From the album "Puccini Without Words." Performed by Andre Kostelanetz and his orchestra & Columbia Symphony Orchestra. © 1969, 1970, 1990. All rights belong to Sony BMG Music Entertainment and to the performers. No copyright infringement is intended. This video and its content are being posted solely for non-profit, education, research, comment and critique purposes -- all of which are "fair use" under the Copyright Act of 1976 (NOTE: As of January 6, 2014, the iTunes music store still had not corrected the track listing for the Puccini Without Words album. All of the titles on their track listing in the iTunes store are paired with all the WRONG track numbers. Therefore, if you want the c...
Ermonela Jaho (Cio-Cio-San) and Marcelo Puente (Pinkerton) perform the duet ‘Vogliatemi bene’ from Act I of Puccini’s Madama Butterfly. Find out more at http://www.roh.org.uk/ Giacomo Puccini was entranced by David Belasco’s play Madame Butterfly (based on a popular short story by John Luther Long) when he saw it in London in 1900. He collaborated with librettists Luigi Illica and Giuseppe Giacosa (with whom he had created La bohème and Tosca) to adapt Cio-Cio-San’s (Butterfly’s) tragic tale for the operatic stage. Although the premiere at La Scala, Milan, in 1904 was poorly received, that same year Puccini revised and restaged the opera for performances in Brescia, to great acclaim. Madama Butterfly quickly became a hugely popular opera with performers and audiences alike, and remains on...
Provided to YouTube by Universal Music Group Puccini: Madama Butterfly, SC 74, Act II: Un bel dì vedremo · Renée Fleming · London Philharmonic Orchestra · Sir Charles Mackerras Renée Fleming ℗ 2000 Decca Music Group Limited Released on: 2000-01-01 Producer: Michael Haas Studio Personnel, Balance Engineer: Jonathan Stokes Studio Personnel, Balance Engineer: Philip Siney Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Madama Butterfly / Act 2 - "Un bel dì vedremo" · Mirella Freni · Wiener Philharmoniker · Herbert von Karajan Puccini: Madama Butterfly - Highlights ℗ 1974 Decca Music Group Limited Released on: 1974-01-01 Producer: Christopher Raeburn Producer: Michael Woolcock Studio Personnel, Recording Engineer: Gordon Parry Studio Personnel, Recording Engineer: James Lock Studio Personnel, Recording Engineer: Jack Law Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Auto-generated by YouTube.
Rosa, here's your video Ying Huang is a Chinese operatic soprano. She first came to international attention when she sang the title role in Frédéric Mitterrand's 1995 film adaptation of Madama Butterfly and went on to an international career both in opera and on the concert stage. Madame Butterfly is an opera in three acts (originally two acts) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Puccini based his opera in part on the short story "Madame Butterfly" (1898) by John Luther Long, which was dramatized by David Belasco The story of Cho-Cho-San (Butterfly, Butterfly in Japanese) held in Nagasaki, around 1870. Benjamin Franklin Pinkerton, U.S. Navy officer in Nagasaki, has just made a great deal, not only buying a house on the hill overlooki...
Giacomo Puccini - Madame Butterfly - Act II Part 1: Un bel di vedremo - One beautiful day - Instrumental Version (arr. for flute oboe and piano) - Dennis Helmrich This famous aria opens Act II, after Butterfly, the young Japanese Geisha girl, has married her American admirer Pinkerton in Act I. It establishes that Butterfly has now been abandoned by Pinkerton, but still clings to the hope that he will come back to her. The oppressive atmosphere of the house, which penniless Butterfly now rarely leaves, is conjured by Puccini's unique sound world: two flutes open the act, playing in unison. Butterfly entreats her maid to have faith, and reassures her that Pinkerton will return to save them. She sings of keeping watch for his boat, secure in the knowledge that 'one beautiful day' (un be...
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!