- published: 03 Jul 2018
- views: 443015
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Messa di Gloria is a nine movement mass, composed by Gioacchino Rossini for the Arciconfraternita di San Luigi. First performed on 24 March 1820 in the Chiesa di San Ferdinando in Naples, it is in the traditional form of a "Gloria" mass, that is a setting of the first two prayers of the Catholic mass, the Kyrie and Gloria. (A "Gloria" mass omits the Credo, Sanctus, and Agnus Dei.) The Messa di Gloria was the only major piece of sacred music written while Rossini was still an active opera composer.
The "Kyrie" is divided into three portions, the first a dotted-rhythm "Kyrie eleison" for chorus in E-flat minor, the second, a more lyrical E-flat major "Christe eleison" for two tenors with the first minor-key section rounding out the prayer.
The "Gloria" portion takes up the vast majority of the work and is split up into operatic-style "numbers", soprano soloists alternating with tenors, basses, etc. The high point, emotionally, comes at the "Qui Sedes", which begins with a slow portion for chorus and tenor, then concludes with a brilliant cabaletta, showing off the extreme upper end of the tenor's range. Critics of the time were slightly scandalized by Rossini's morphing of sacred ceremony into opera seria, and even buffa, at times.
Giacomo Puccini's Messa or Messa a quattro voci (currently more widely known under the apocryphal name of Messa di Gloria) is a Mass composed for orchestra and four-part choir with tenor, bass and baritone soloists. Strictly speaking, the piece is a full Mass, not a true Messa di Gloria (which contains only the Kyrie and Gloria and omits the Credo, Sanctus, Benedictus and Agnus Dei).
Puccini composed the Mass as his graduation exercise from the Istituto Musicale Pacini. It had its first performance in Lucca on July 12, 1880. However, the Credo had already been written and performed in 1878 and was initially conceived by Puccini as a self-contained work. Puccini never published the full manuscript of the Messa, and although well received at the time, it was not performed again until 1952 (first in Chicago and then in Naples). However, he re-used some of its themes in other works, such as the Agnus Dei in his opera Manon Lescaut and the Kyrie in Edgar.
At the end of World War II, Fr. Dante Del Fiorentino purchased an old copy of the manuscript of the Messa from the Vandini family in Lucca, imagining it was the original score. However, the autograph, in the possession of the Puccini family, was given by his daughter-in-law to Ricordi, Puccini's publishing firm. The ensuing legal battle was finally resolved by dividing the rights to the work between Ricordi and Mills Music (the publishers of Fiorentino's manuscript).
Giacomo Puccini: Messa di Gloria ∙ (Auftritt) 00:00 ∙ I. Kyrie 00:39 • II. Gloria 06:06 • 1. Gloria in excelsis Deo • 2.Laudamus te • 3. Gratias agimus tibi • 4. Gloria in excelsis Deo • 5. Domine Deus • 6. Qui tollis peccata mundi • 7. Quoniam tu solus Sanctus • 8. Cum Sancto Spiritu • III. Credo 24:25 • 1. Credo in unum Deum • 2. Et incarnatus est • 3. Crucifixus etiam pro nobis • 4. Et resurrexit • 5. Et in Spiritum Sanctum • 6. Et unam sanctam • 7. Et vitam venturi saeculi • IV. Sanctus e Benedictus 37:55 • 1. Sanctus Dominus Deus • 2. Benedictus qui venit • V. Agnus Dei 41:49 • hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ MDR Rundfunkchor • Philipp Ahmann, Choreinstudierung • Massimo Giordano, Tenor • Shenyan...
Provided to YouTube by Warner Classics Messa di Gloria, Op.posth., Gloria: Gratias agimus tibi · Roberto Alagna/London Symphony Chorus/London Symphony Orchestra/Antonio Pappano Puccini : Messa di Gloria etc ℗ 2001 Warner Classics, Warner Music UK Ltd Conductor: Antonio Pappano Producer: David Groves Chorus: London Symphony Chorus Choir: Stephen Westrop Choir: London Symphony Chorus Lead Vocals: London Symphony Chorus Chorus: London Symphony Chorus (Lsc) Featured Vocalist, Orchestra: London Symphony Orchestra Lead Vocals: Antonio Pappano Tonmeister: Jonathan Allen Produced by: David Groves Orchestra: London Symphony Orchestra (LSO) Vocals: Roberto Alagna Editor: Sally Drew Composer: Giacomo Puccini Auto-generated by YouTube.
L'incanto armonico - Concerti spettacoli intattenimenti www.lincantoarmonico.com Fabio Buonocore, tenore - Valentino Salvini, baritono Coro polifonico Cremonese, direttore Federico Mantovani
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!