- published: 27 Jul 2020
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
DONATIONS/DONAZIONI: https://www.paypal.me/diemannerderoper - US$1 is more than enough to keep this channel on! https://www.patreon.com/oldschoolsingers Il Tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold [nl]'s play La houppelande. #Opera #IlTabarro #OldSchoolSingers Share with your friends! Gift me a like and suscribe! Thanks! ¿Next Opera? You decide, on the comments..! Ciao!
This video is uploaded purely for educational purposes—for singers and students to be able to observe and examine the vocal technique of an advanced singer—his breathing coordination, mouth shape and jaw opening, etc.—and to organize this visualization with a aural model. This video is not monetized by this channel. #Baritones #BelCanto #Opera ..................................... Yes, the singing is... extra. Trrill™ is about florid passages, improvisatory underpinnings, staccato'd intuitions, and virtuosities even at their most ridiculous. But it's also about the biggest, boldest form of vocal emission, with aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness...
El aria "Nulla! Silenzio!" de la ópera "Il Tabarro" de Giacomo Puccini, canta el barítono Piero Cappuccilli en una producción del Teatro Alla Scala, Milán, en 1983. Subtitulada en español
From Hamburg Staatsoper. Sorry for the late start at the beginning! Hope you enjoy! I liked the different perspective from the stage that audiences don't normally get to see. Up close to the drama!! Conducted by Alexander Joel
Ilya Silchukov sings an aria of Michele "Nulla! Silenzio!" from the opera "Il tabarro" by Giacomo Puccini. A barge-owner Michele expresses his suspicions that his wife Giorgetta is in love with another man, but he cannot figure out who it is. The 21st Century Orchestra, conductor Erki Pehk. Ilya Silchukov is the prize winner of the Klaudia Taev Competition for Young Opera Singers.
Nulla! Silenzio! *Nothing! Silence.* È la! Non s'è spogliata, non dorme... *There she is!* She isn't undressed or sleeping Aspetta. Chi? Che cosa aspetta? *She's waiting. Who? What does she wait for?* Chi? Chi? Forse il mio sonno. *Who? Who? Perhaps for me to sleep.* Chi l'ha trasformata? *Who has changed her?* Qual ombra maledetta è discesa fra noi? *What wretched shadow is cast between us?* Chi l'ha insidiata? *Who's made her stray?* Il Talpa! Troppo vecchio. *Talpa! Too old.* Il Tinca forse? No, no, non pensa, beve. *Perhaps Tinca? No, I don't think so ‑ he drinks.* E dunque chi? Luigi? Who then? Luigi? No, se proprio questa sera voleva abbandonarmi *No; this same evening he asked to leave me* e m'ha fatto preghiera di sbarcarlo a Rouen! *and made the request to go ashore at Roue...
da Il tabarro di Puccini, l'aria "Nulla... silenzio" canta Tito Gobbi nei panni di Michele. The New Symphony Orchestra Direttore | Edward Downes Editore Universal Music Publishing Ricordi srl, Milano Riprese video della serie televisiva "Great Characteres in Opera", prodotta nel 1966 da Patricia Foy per la BBC E’ questo il risultato di un lungo lavoro di recupero di un documento quanto mai prezioso e raro il video relativo alla produzione de "Il tabarro" di Giacomo Puccini che Tito Gobbi realizzò nel 1966 per la serie televisiva Great Characters in Opera prodotta dalla BBC di Londra, magistralmente letto, digitalizzato e restaurato dal Laboratorio di acustica della Scuola di San Giorgio con la collaborazione della Fondazione Tito Gobbi di Roma. (qui l'integrale: http://svel.to/l2i) Un’...
Following the beautiful duet “perché non m’ami piu”, Michele is left alone and utters the expletive, “Sgualdrina!”(Slut). He has deduced that his wife is unfaithful to him. In this dramatic monologue, Michele begins to catalog in his mind possible suspects. One is too old, one drinks heavily, and the last is leaving them soon. And as the music changes, Michele begins swearing revenge ending with the declaration, “La pace nella morte!” (Peace in death!)
Concerto di Laurea 30 Ottobre 2015 Parma, Italia
GIACOMO PUCCINI - "Nulla!.. Silenzio!" (da Il Tabarro) Baritono Alessandro PALIAGA (1950 - 2018) Pianista Michele D'ELIA Associazione Amici della Lirica Tito Schipa Museo Sigismondo Castromediano Lecce, 16 marzo 2005
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!