- published: 07 Jun 2019
- views: 81007121
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Limited 2LP Colour Vinyl out June 14, 2024. Get your copy https://w.lnk.to/3tenlpLY Renowned Italian tenor Pavarotti (1935–2007) sings the aria from the final act of Puccini's opera Turandot, live in concert with The Three Tenors in Los Angeles in 1994. Watch the full performance, newly available in digital video: https://w.lnk.to/The3TenorsLY The Three Tenors (José Carreras, Plácido Domingo, and Luciano Pavarotti) are joined by conductor Zubin Mehta, the L.A. Philharmonic, and the L.A. Music Center Opera Chorus. A Tibor Rudas production. ________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: ...
Teatro La Fenice - stagione 2018/ 2019 Giacomo Puccini, Turandot "Gira la cote! – Perchè tarda la luna?" (Atto 1) Orchestra e Coro del Teatro La Fenice Direttore | Daniele Callegari Maestro del Coro | Claudio Marino Moretti Regia | Cecilia Ligorio Scene | Alessia Colosso Costumi | Simone Valsecchi Luci | Fabio Barettin Cast Turandot | Oksana Dyka Calaf | Walter Fraccaro Liù | Carmela Remigio Altoum | Marcello Nardis Timur | Simon Lim Ping | Alessio Arduini Pong | Paolo Antognetti Pang | Valentino Buzza Un mandarino | Armando Gabba
Giacomo Puccini. Turandot. (Alternative ending) Act 3. Begining. Cosi comanda Turandot. Nessun dorma. Gran Teatre del Liceu. Barcelona. 8 October 1999. reopening Gala, the Liceu was rebuilt after the destruction by the fire in 1994. Reparto: Turandot: Giovanna Casolla Calaf: Jan Blinkhof Timur: Stefano Palatchi Liù: María Bayo Altoum: Dalmau González Ping: Lluís Sintes Pang: Pong: Vicenç Esteve, Francisco Vas Dir. Escena: Nuria Espert Cor de Cambra del Palau de la Música Catalana. Dir. Jordi Casas Cor de nens de Badalona. Cor Infantil Escola Pia Balmes. Montserrat Pi, Mireia Barrera, Jordi Farrera. Cor del Gran Teatre del Liceu. Dir. William Spaulding. Orquestra Simfònica del Gran Teatre del Liceu. Dir. Bertrand de Billy.
Turandot es la ópera inconclusa en tres actos del compositor italiano Giacommo Puccini. En ella se narra la aventura del príncipe tártaro Calaf para conseguir el amor de la despiadada princesa Turandot. La historia está basada en un antiguo poema persa que Francois de la Croix, orientalista francés, recogió allá por el siglo XVIII cambiando la ambientación de Persia a China. Fue el escritor Carlo Gozzi quien dio Turandot la estructura que luego Puccini empleó para su ópera. Con la muerte de Puccini, la misión de concluir la obra recayó en el compositor Franco Alfano. En su estreno en la Scala de Milán en 1926, durante el tercer acto la música cesó y el director, Arturo Toscanini, pronunció: Qui il Maestro finí (Aquí terminó el maestro). Así fue como terminó la obra. En las interpretaciones...
►Luciano Pavarotti-King of the High C's FACEBOOK Fan page: https://www.facebook.com/Luciano.Pavarotti.King.Of.The.High.Cs ◀ We don't own this video.
Giacomo Puccini. Tosca. Atto 1. Scena quinta Mario! Mario! Son qui! Non la sospiri la nostra casetta Ah, quegli occhi!... - Quale occhio al mondo Floria Tosca - Martina Serafin Mario Cavaradossi - Andrea Carè Orchester der Staatsoper Nationaltheater Prag Conductor – Michael Güttler St Margarethen, 2015
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!