- published: 03 Jan 2014
- views: 178388
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Act III may refer to:
Act III is the third studio album by the thrash metal band Death Angel, released in 1990 on Geffen Records. Regarded by many critics and fans as the band's finest effort, the album was produced by famed metal producer Max Norman (Ozzy Osbourne, Megadeth, Loudness), and marked the first (and only) major label release by Death Angel. The album spawned the singles "Seemingly Endless Time" and "A Room with a View", with both songs receiving music videos and airplay on MTV's Headbangers Ball. Songs like "Discontinued" incorporate elements of funk.
On tour in support of Act III in 1991, the band suffered a serious tour bus crash in which drummer Andy Galeon was critically injured. During his yearlong recovery, singer Mark Osegueda left the band, effectively ending Death Angel. In 2001, the band reunited for Testament singer Chuck Billy's Thrash of the Titans benefit concert (minus Gus Pepa) and went on to release more albums.
All songs written by Rob Cavestany, except where noted.
Act III is the third album by the progressive bluegrass Maryland band The Seldom Scene. The album features the band in their "classic" lineup. .
with
18. "E lucevan le stelle" (Instrumental) from Act III of the opera Tosca by Giacomo Puccini. From the album "Puccini Without Words." Performed by Andre Kostelanetz and his orchestra & Columbia Symphony Orchestra. © 1969, 1970, 1990. All rights belong to Sony Music Entertainment (SME) and to the performers. No copyright infringement is intended. This video and its content are being posted solely for non-profit, education, research, comment and critique purposes -- all of which are "fair use" under the Copyright Act of 1976 (NOTE: As of January 6, 2014, the iTunes music store still had not corrected the track listing for the Puccini Without Words album. All of the titles on their track listing in the iTunes store are paired with all the WRONG track numbers. Therefore, if you want the correc...
I am beginning a series of posts of the pieces that I have included in my book, HONORING MARCEL MOYSE, FOLLOWING IN THE STEPS OF A MASTER ALONG THE PATH TO TONE DEVELOPMENT THROUGH INTERPRETATION FOR THE FLUTE. This book is written in a similar format to Marcel Moyse's Tone Development through Interpretation, complete with all new musical selections and examples with thorough explanations and suggestions toward artistic mastery of all the cited genres as well as personal reminiscences of my studies with Moyse. Moyse had me promise him that I would write such a book, & now decades later, semi-retired, I have finally had the time to fulfill this promise. The price is $30 shipping inclusive. Email me at alancox999@gmail if you would like to order a copy. Thanks!
Provided to YouTube by Universal Music Group Puccini: Tosca / Act 3 - "E lucevan le stelle" · Luciano Pavarotti · Orchestra of the Royal Opera House, Covent Garden · Sir Edward Downes Luciano Pavarotti - The Best ℗ 1964 Decca Music Group Limited Released on: 2005-01-01 Producer, Recording Producer: John Mordler Studio Personnel, Recording Engineer: James Lock Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
Watch Plácido Domingo sing the famous aria "E lucevan le stelle" from Puccini's Tosca in this film production with Bruno Bartoletti conducting the New Philharmonia Orchestra, directed by Gianfranco de Bosio. See more information: https://www.deutschegrammophon.com/en/catalogue/products/puccini-tosca-domingo-bartoletti-4545 Puccini: Tosca - "E lucevan le stelle" Plácido Domingo New Philharmonia Orchestra Bruno Bartoletti Directed by Gianfranco de Bosio Listen to „forever DOMINGO“ – https://www.deutschegrammophon.com/en/catalogue/products/forever-domingo-4597 _______________ Subscribe here – The Best Of Classical Music: http://bit.ly/Subscribe_DG Find Deutsche Grammophon Online: Homepage: http://deutschegrammophon.com Facebook: http://fb.com/deutschegrammophon Twitter: http://twitter...
Jonas Kaufmann--Tenor Marco Armiliato--Conductor Prague Philharmonic Orchestra 2008
Provided to YouTube by Universal Music Group Puccini: Tosca, SC 69 / Act 3 - "E lucevan le stelle" · Jonas Kaufmann · Prague Philharmonic Orchestra · Marco Armiliato · Giacomo Puccini Romantic Arias ℗ 2008 Decca Music Group Limited Released on: 2008-01-01 Producer, Recording Producer: Christopher Alder Studio Personnel, Balance Engineer: Philip Siney Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Author, Original Text Author: Victorien Sardou Auto-generated by YouTube.
Tow arias from Tosca, Mario Cavaradossi? a voi and E lucevan Le Stele James, Levin Conductor Plàcido Domingo, Mario Cavaradossi
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!