- published: 21 Jul 2015
- views: 727
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Mandarin/Eng/Nat With only two days left until the opening night of Puccini's "Turandot" at the Forbidden City in Beijing, dress rehearsals are in full swing. World famous director Zhang Yimou and Maestro Zubin Mehta have joined forces for what some are calling the opera event of the century. And from September the 5th, audiences from all over the world will be able to enjoy the fruits of their collaboration. After five long years of preparatory work, the production of "Turandot" at the Forbidden City has finally come together. The eight open-air performances will take place in front of what is today called the "People's Cultural Palace". Built during the Ming Dynasty (1368-1644), the site was originally known as the "Imperial Ancestral Temple". It's a location rich w...
Add " &fmt=18 " to the url address for stereo sound! Part 10. Nessun dorma, by Sergej Larin. September, 1998 - A spectacular show staged live in the Forbidden City in Peking, China. Starring Giovanna Casolla and Sergej Larin, and among others Carlo Colombara and Barbara Frittoli. Please buy the high-quality DVD.
Provided to YouTube by Universal Music Group Puccini: Turandot / Act 1 - "Gira la cote!" · The John Alldis Choir · Wandsworth School Boys Choir · London Philharmonic Orchestra · Zubin Mehta Puccini: Turandot (Highlights) ℗ 1973 Decca Music Group Limited Released on: 1973-01-01 Producer: Ray Minshull Producer: Michael Woolcock Studio Personnel, Balance Engineer: James Lock Studio Personnel, Balance Engineer: Kenneth Wilkinson Composer: Giacomo Puccini Author: Giuseppe Adami Author: Renato Simoni Author, Original Text Author: Carlo Gozzi Contributor, Work Editor: Franco Alfano Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Puccini: Turandot: Ola, Pang! Ola, Pong! - Ping · Giacomo Puccini · Gianandrea Gavazzeni · Renato Capecchi Turandot ℗ 2006 Opera d'Oro Released on: 1998-02-17 Auto-generated by YouTube.
Giacomo Puccini - Turandot - Perché tarda la luna? Turandot, Katia Ricciarelli Timur, Ruggero Raimondi Calaf, Placido Domingo Liù: Barbara Hendricks Ping, Gottfried Hornik Pang, Heinz Zednik Pong, Francisco Araiza Wiener Staatsoperchor Wiener Philharmoniker Herbert von Karajan People : Why does the moon delay? Wan fance. Show thyself in the sky! Hurry, come! Rise! O severed head! O forlorn one! Come! Rise! Show thyself in the sky! Oh, severed head! Oh, bloodless one! Oh, bloodless, oh, forlorn! Oh, silent one! Oh, gaunt lover of the dead! Oh, silent one...show thyself in the sky! How eagerly...Oh, silent one! thy funereal light is awaited by the graveyards! Oh, bloodless, forlorn one! Oh, severed head! See, over there, a glimmer! Come, hurry, rise! Oh severed head...rise....
Esta ópera quedó inconclusa a la muerte del compositor en 1924. El duo entre Turandot y Calaf y la escena final que cierran el Acto III fueron completados por Franco Alfano y recortados por Arturo Toscanini, el director encargado del estreno en 1926 en Milán. ACTO I (00:00) Escena "Popolo di Pekino" https://open.spotify.com/track/6RaF9Iq8P4imZb3iNqVaNX El mandarín anuncia la próxima ejecución del último pretendiente de la princesa china Turandot, por no haber resuelto los tres enigmas que deben resolver para obtener su mano. (00:27) Coro "Gira la cote!" https://open.spotify.com/track/7B00KDBgir6dzV30rsGWzL El verdugo prepara el hacha para la ejecución entre el clamor del público. (00:43) Coro "Perché tarda la luna?" https://open.spotify.com/track/3YNPTk1nCmxMmkwECGIUt4 Cuando aparece e...
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!