- published: 21 Feb 2015
- views: 411
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Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Giacomo Puccini ("senior") (1712-1781) was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Puccini studied in Bologna under Giuseppe Carretti, who was maestro di cappella at Bologna's San Petronio Basilica. In Bologna Puccini became friends with Padre Martini. After returning to Lucca in 1739, he served as organist in the cathedral and later Maestro di Cappella to the Most Serene Republic. Puccini belonged to the Accademia Filarmonica of Bologna and was a skilled teacher.
His musical style incorporated elements of both the Baroque and early Classic periods. Puccini was known as an excellent organist. He wrote many dramatic and sacred works, including a Te Deum for four voices and instruments, a Domine for four voices, masses, and psalm settings. Between 1733 and 1780, Puccini wrote 31 servizi ecclesiastici for the annual Feast of the Exaltation of the Holy Cross (Festa della Esaltazione della Santa Croce). Some of Puccini's works, including a processional motet in eight voices, continued to be performed into at least the early 19th Century. A Requiem for eight voices by Puccini was performed at the Vienna Musical Exposition of 1892, together with music by his son Antonio, grandson Domenico, and great-grandson Michele.
Far or FAR may refer to:
Farø is an island in Denmark, located between the islands Sjælland and Falster. It has an area of 0.93 km² and has a population of four people (2006). Administratively it is part of Vordingborg Municipality.
The Farø Bridges (Farøbroerne) connect Sjælland with Falster via Farø, on the European Routes E47 and E55 combined. Junction 42 of E55 is located on the western side of Farø. The island is connected by causeway with the islands of Bogø and Møn by route 287 Grønsundvej.
Coordinates: 54°57′1″N 11°59′29″E / 54.95028°N 11.99139°E / 54.95028; 11.99139
The Sun Is Often Out (stylized as THE SUN iS OfTEN oUT) is the debut album by Longpigs, released in 1996 on U2's record label, Mother Records.
All songs written by Crispin Hunt except where noted.
Provided to YouTube by The Orchard Enterprises Puccini: Madama Butterfly: Due cose potrei far (Act Two) · Montserrat Caballe, Bernabe Marti · Montserrat Caballe · Bernabe Marti · Manuel Ausensi · Carmen Rigai · Diego Monjo · Juan Rico · Jose Demar · Antonio Leval · Orchestra & Chorus of Spanish Radio & Television · Giacomo Puccini · Gianfranco Rivoli Madama Butterfly ℗ 2006 Opera d'Oro Released on: 2001-03-01 Auto-generated by YouTube.
Provided to YouTube by IIP-DDS Madama Butterfly, Act II: Due cose potrei far · Orchestra Sinfonica di Torino della Rai · Coro Cetra · Angelo Questa · Clara Petrella Puccini: Madama Butterfly - Act. 2 ℗ Urania RC Released on: 2021-05-17 Music Publisher: Urania Records Composer: Giacomo Puccini Lyricist: Giuseppe Giocosa Lyricist: Luigi Illica Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Puccini: Madama Butterfly / Act 2: Due cose potrei far · Renata Tebaldi · Giovanni Inghilleri · Orchestra dell'Accademia Nazionale di Santa Cecilia · Alberto Erede Puccini: Madama Butterfly ℗ 1952 Decca Music Group Limited Released on: 1951-01-01 Producer: Victor Olof Studio Personnel, Engineer: Gil Went Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Madama Butterfly: Act II, "Due cose potrei far" (Butterfly, Sharpless) · Renata Scotto · Renato Cioni · RAI Chorus, Turin · Giacomo Puccini · Arturo Basile · RAI Symphony Orchestra, Turin Puccini: Madama Butterfly ℗ 2008 Opera d'Oro Released on: 2008-08-29 Auto-generated by YouTube.
Provided to YouTube by Sony Classical Madama Butterfly (Remastered) : Act II - Due cose potrei far · Erich Leinsdorf · Giacomo Puccini · RCA Italiana Opera Orchestra · Leontyne Price · Philip Maero Puccini: Madama Butterfly ℗ 1963 Sony Music Entertainment Released on: 2016-10-14 Librettist: Luigi Illica Librettist: Giuseppe Giacosa Producer: Richard Mohr Recording Engineer: Lewis Layton Auto-generated by YouTube.
Provided to YouTube by G.O.P. Madama Butterfly, Act II: "Due cose potrei far" (Cio-cio-san, Sharpless) · Orchestra del Teatro Metropolitan · Fausto Cleva · Gabriella Tucci · Clifford Harvuot Puccini - Madama Butterfly ℗ Gop Released on: 2017-04-19 Orchestra: Orchestra del Teatro Metropolitan Conductor: Fausto Cleva vocalist: Gabriella Tucci vocalist: Clifford Harvuot Composer: Giacomo Puccini Lyricist: Luigi Illica Lyricist: Giuseppe Giacosa Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Madame Butterfly: Due cose potrei far · Various Artist · Giacomo Puccini · Alberto Erede · Coro e Orchestra dell'Academia di Santa Cecilia · Renata Tebaldi · Giovanni Inghilleri Love Affairs of the Opera - Great Arias And Scenes -Vol.2 ℗ 2008 M.A.T. Music Theme Licensing Ltd. Released on: 2008-09-01 Auto-generated by YouTube.
Provided to YouTube by Warner Classics Madama Butterfly, Act 2, Scene 1: "Due cose potrei far" (Butterfly, Sharpless) · Antonio Pappano · Angela Gheorghiu · Fabio Capitanucci Puccini: Madama Butterfly ℗ A Warner Classics release, ℗ 2009 Parlophone Records Limited Soprano Vocals: Angela Gheorghiu Conductor: Antonio Pappano Producer: David Groves Baritone Vocals: Fabio Capitanucci Engineer: Jonathan Allen Orchestra: Orchestra dell'Accademia Nazionale di Santa Cecilia Composer: Giacomo Puccini Poet: Giuseppe Giacosa Poet: Luigi Illica Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Madama Butterfly, Act II: Due cose potrei far · Philip Maero · Leontyne Price Giacomo Puccini: Madama Butterfly ℗ 2013 Unchained Melodie Released on: 2013-03-15 Composer: Giacomo Puccini Auto-generated by YouTube.
Provided to YouTube by DashGo Madama Butterfly, Act II: "Due cose potrei far" · Giacomo Puccini,Arturo Basile,Orchestra Sinfonica & Coro di Torino Della RAI Puccini: Madama Butterfly ℗ 1998 Opera d'Oro Released on: 1998-02-17 Auto-generated by YouTube.
Giacomo Antonio Domenico Michele Secondo Maria Puccini (Italian: [ˈdʒaːkomo putˈtʃiːni]; 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards.
Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.
Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781). This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem.
Rodolfo
Mimì è tanto malata!
Ogni dì più declina.
La povera piccina
è condannata!
Marcello
Mimì?
Mimì
Che vuol dire?
Rodolfo
Una terribile tosse
l'esil petto le scuote
e già le smunte gote
di sangue ha rosse...
Marcello
Povera Mimì!
Mimì
Ahimè, morire!
Rodolfo
La mia stanza è una tana squallida
il fuoco ho spento.
V'entra e l'aggira il vento
di tramontana.
Essa canta e sorride
e il rimorso m'assale.
Me, cagion del fatale
mal che l'uccide!
Marcello
Che far dunque?
Mimì
O mia vita!
Translation:
Mimì is so sick!
Every day she gets worse.
The poor little thing
Is doomed!
He moves out of Mimì's earshot
Mimì?
She moves closer to them.
What does he mean?
A terrible cough
Shakes her slender breast,
And yet her pale cheeks
Are flushed…
Marcello is upset, knowing Mimì can hear.
Poor Mimì!
Weeping
Alas – to die!
My room is a squalid hole…
I've used up the fire
The north wind enters there
And whirls around.
She sings and smiles,
And remorse attacks me
I am the cause of the fatal
Illness that is killing her.
What to do, then?
O my life!