Term Paper Spoliarium
Term Paper Spoliarium
Term Paper Spoliarium
Term Paper
Submitted to
Dr. Dolores B. Liwag
Pamantasan ng Lungsod ng Maynila
Intramuros, Manila
by
Jaira S. Hernandez
PAMANTASAN NG LUNGSOD NG MAYNILA
The Spoliarium
A true work of art can often speak for itself and releases its true artistic meaning just
by looking at it. No doubt that the painting commands attention and gives off a majestic
aura. As we analyze the story behind the Spoliarium you will be amazed. It is truly an
overwhelming type of art. You’d be filled with astonishment at the mere sight of the
painting. And it will make you so proud that you are a Filipino and it’s a proof that Filipino’s
This painting describe as the tragic and hardship. It represents various emotions being
portrayed especially during that period wherein people are too brutal and vicious to value the
importance of life and how hug an impact it leaves to a lot of people and this is being
presented by the woman in the portrait. It is believed that the woman crouched on the right
side of the paintings is the Mother Country or the Inang bayan who weeps for her
Philippines.
We can see the blood of every person dragging by the soldiers in one place. The
blood thirsty crowd to the left represents the social cancer at that time. These people being
drag in some certain place in the painting are the fallen gladiators who are being dragged in
the painting are the Filipino people that had been slave by the Romans. The dragging of the
body of the gladiator shows how useless they find one’s life in which is why they exploit it
more often just for the entertainment of the Romans or the representative of the Spanish rule.
Romans drag the gladiators to the rooms which Romans will rip their lives, and some people
PAMANTASAN NG LUNGSOD NG MAYNILA
claimed that this was only room for their slaves but they will brutally hurt them. The
gladiators are dragged away from the wide and powerful arena as they attempted to fight
their Roman oppressors, with their own precious God given lives.
Diagonal lines are very noticeable in the two soldiers dragging bodies of brutally
killed persons. Thus, we imagine tension, adding to it is the use of contour lines seen in the
gladiator’s arms, legs, and back. On the left side, there is so much energy and their emotions
are running high with tension while on the right a more somber mood is seen by a lady and an
old man. The painting gives us a clear picture of how we can bloodily fight for our liberty.
Just like the dead persons being dragged who were so desperate to be free and fought to their
In addition these slaves on this world-renowned painting of Juan Luna wee physically
stripped of their clothing in order to gratify the lewd and devilish contempt of those roman
oppressors. This artwork had excellently embodied the essence of the political, moral and
social lives of the Filipino, based on the critical analysis of Dr. Jose Rizal, the national hero
According to the author of Noli Me Tangere, the masterpiece of Juan Luna centered
on the severe ordeal of the Filipino nation, in which its encompassing human nature, had
never been regained. Also, his Spoliarium had provided a distinctive picture and persona of
an open struggle against reason and idealism, which were coupled with justice, fanaticism
The embers of Philippine history are as colorful as the Filipinos regard for Philippine
visual arts. These types of artworks depict the inner political and socio-cultural views; as
painter named, Juan Luna. With the help of Felix Resurreccion Hidalgo and won the gold
medal for this particular painting during the Exposicion Nacional de Bellas Artes in 1884.
Spoliarium is a Latin word referring to the basement o the Roman Collosuem was the fallen
and dying gladiators are dumped and devoid of their worldly possessions.
Any viewer of the painting will feel dwarfed by the large painting and may feel
overwhelmed by the magnanimity of it. The next thing we'll notice about the painting is the
rich in colors used. Mostly, the painter made use of warm colors for his work of art, with reds
being a central color that attracts the most attention. As what other's personal experience, the
The Spoliarium of Juan Luna was sold for 20,000 pesetas to Diputaciom Provincial
de Barcelona. Hence, the said genial craftsmanship of Luna can be found at the National
Museum in the Philippines. Based on historical accounts, the young and brilliant Juan Luna
had spent almost eight months of his fruitful life, to finally finish the historically significant
Spoliarium.
It is later moved to the Museum of Modern Art. There is remained in storage for
years till the museum got burned and looted during the Spanish civil war in 1937. The
damaged painting was then sent to Madrid for restoration, and for 18 years, it stayed there till
PAMANTASAN NG LUNGSOD NG MAYNILA
the 1950’s when it was sent to manila as a gift from the Spanish government to the
It’s a microscopic view of the past and the forgotten memory of the Filipinos, it let us
see the memory of those who live in the era where the Filipinos are under the tyranny of an
overlord. Neoclassicism like this may seem severe and blunt but so much is happening in
Juan Luna’s The Spoliarium. Interplay of historical, personal, political and aesthetic pieces
build together to force us to see what we don’t know, to make us look at something beautiful
Thus, to make it a world-class work of art, it was painted on a very large canvass with
utmost love, care and beyond compare perfection. To prove this astonishing impression by
the author of this article, a famous Filipino historian by the name of Ambeth Ocampo had
once said, “The fact that remains that when Juan Luna and Felix R. Hidalgo won the top
awards in the Madrid Exposition of 1884, they had proved to the world that indios can,
despite their supposed barbarian race, paint better than the Spaniards who colonized them.”
Of course, even if Rizal was a genius in a very subtle way, the greatest influence of
Spoliarium can never be denied nor eradicated, from his conscious and critical views of the
socio-political realities in the Philippines. In line with this, he had proudly lauded this
momentous achievement of Juan Luna alongside with Felix Hidalgo, during an exclusive
gathering of expatriates which were incidentally, all Filipinos. With this magnificent
painting, Rizal was happy to know that at long last, there were Filipino artists who had
bluntly fought the tyrannical regime of the Spaniards through a simple; but, meaningful work
of art.
PAMANTASAN NG LUNGSOD NG MAYNILA
the painting is still happening in our world today. As we see or hear the news about
corruption, exploitation, war and etc. we can confirm that there is still high possibility of that
the more powerful countries might attempt to colonize or overrule other less powerful
countries. This is also because human’s greed prides or wishes still exist that we cannot deny
that there is not. Consequently, I ask everyone not to think about their own benefit but see the
society as a whole and the power of their country or society as their own power and pride.
If there is one thing that can be said about the art, it is that the art being a
representation of reality viewers can with some imagination and see what they want to see.
PAMANTASAN NG LUNGSOD NG MAYNILA
References:
https://nicoleeeco.wordpress.com/2011/11/09/the-spolarium/
http://driftwoodjourneys.com/the-historical-triumph-and-social-relevance-juan-lunas-
spoliarium/
https://www.quora.com/What-is-a-good-analysis-of-the-painting-Spoliarium-by-Juan-
Luna
https://steemit.com/philippines/@vonromulobalsamo/juan-luna-s-spoliarium-a-short-
critique
https://www.antiessays.com/free-essays/Spoliarium-590028.html
https://yoongippeum.wordpress.com/2011/12/09/spoliarium/
http://www.populopost.ph/francisjay/2017/04/09/understanding-art-spoliarium-by-
juan-luna/
https://medium.com/@shaynamaydagelet/spoliarium-by-juan-luna-6d13bffd1f58
https://prezi.com/zdjpv3l7d2lx/spoliarium/
https://opinion.inquirer.net/103923/see-one-wants-see