Not so much a CLOVERFIELD sequel/anthology as it is a thriller with CLOVERFIELD references tacked on to make it seem more significant than it is.
I would have much rather had this movie be approached as a self-contained, almost B-movie type suspense or horror film than slapping it with the CLOVERFIELD. The content of the movie doesn't really justify the title.
The movie was still cool, though.
We often champion films as masterpieces because they maintain their relevancy over time. So a masterwork must be something that adds to it.
One of my least favorite trends of the last 3 or so years in film (which I'm possibly the most guilty of) is viewing films, music or art of any kind through the lens of the Trump era as a first reaction.
12 Angry Men, despite being over 60 years old, is the best possible critique of…
There's a moment when the main character is running through a crumbling town at night that honestly felt like I was staring at the face of god.
1917 is the war movie for people that don't like war movies. An intense, harrowing, odyssey that for the umpteenth time shows the brutality of war. Set in one of the last truly honorable wars the world has fought in, this rivals Saving Private Ryan in heart and Dunkirk in execution (The Thin…
A charming, vintage and sweet little adventure movie in desperate need of an update.
I regrettably had this as a 1/2 star before tonight’s IMAX viewing.
I’m a bad cíñëphîlłę.
I liked it a hell of a lot more this time around. If someone shaved off a half hours worth of fat, I could probably bump this up another half star.
DEFINITELY worth checking out in IMAX.
Grade: 8/10
Not as technically proficient as 2001, but I think I like it more.
Someday, the children of the new sun will meet the children of the old
God, what a perfect ending to this story. We’re sleeping on a possible masterpiece here. Science fiction doesn’t get much better than this.
Come at me film bros.
Solid premise that feels a smidge wasted on a blandish story.
Hate to say it, but if this was made in the 80’s, it would have been a lot more fun.
Billy Crystal’s direction is admirable, and you can feel his passion bursting through the screen, but the way the story is told mostly in prose rather than poetry, which is needed when you tell a baseball story. The script’s also a little rough and moves too fast.
Aaron Judge is my home run king.
Any movie with this much Muse and parkour cannot be legally considered good.