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Court painting, both devotional and secular, has a long history in India and has inspired artists from diverse global traditions. This Bulletin features more than fifty stunning examples of Indian court painting by Mughal, Deccani, Rajasthani, and Pahari artists all from the former collection of British painter Howard Hodgkin (1932–2017). The works featured include stunning portraits, beautifully
With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world's first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; he
The Met is celebrating 150 years of collecting and presenting works of art in its galleries. But now, some of those works can be in a gallery of your very own: the sizable, virtual museums of Animal Crossing. The in-game art museum and Blathers, its owl curator, have been beloved features of the video game series for nearly twenty years. In honor of their official return in Animal Crossing: New Ho
Exhibition Catalogue This lavishly illustrated monograph spans the entire career of one the world's most celebrated contemporary artists. Buy Now Devoted to one of the greatest artists of our time, Gerhard Richter: Painting After All considers Richter's six-decade-long preoccupation with the dual means of representation and abstraction to explore the material, conceptual and historical implication
This collection includes over 650 eighteenth- and nineteenth-century Japanese illustrated books held in The Met's Department of Asian Art. Nearly four hundred of these are from an important acquisition in 2013 of the Arthur and Charlotte Vershbow collection of Japanese illustrated books, purchased with a gift from the Mary and James G. Wallach Family Foundation. Artists represented in the collecti
Exhibition Catalogue Handsomely designed and profusely illustrated, this groundbreaking book discusses more than one hundred works that illuminate the importance of Genji. Buy Now This is the first major loan exhibition in North America to focus on the artistic tradition inspired by Japan's most celebrated work of literature, The Tale of Genji. Written by Murasaki Shikibu, a lady-in-waiting in the
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Press release Statement from Daniel H. Weiss, President and CEO of The Met, on the U.S. Decision to Withdraw from UNESCO "One of our most important responsibilities as museum leaders is to protect cultural heritage and promote international education. For more than half a century The Met and countless other museums have successfully partnered with UNESCO, an organization that has earned the respec
Exhibition Catalogue Lavishly illustrated with brilliant new photographs, this publication presents more than 120 examples of Kawakubo's designs for Comme des Garçons. Buy Now The Costume Institute's spring 2017 exhibition examines the work of fashion designer Rei Kawakubo, known for her avant-garde designs and ability to challenge conventional notions of beauty, good taste, and fashionability. Th
You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.
«As of today, all images of public-domain works in The Met collection are available under Creative Commons Zero (CC0). So whether you're an artist or a designer, an educator or a student, a professional or a hobbyist, you now have more than 375,000 images of artworks from our collection to use, share, and remix—without restriction. This policy change to Open Access is an exciting milestone in The
The Metropolitan Museum of Art creates, organizes, and disseminates a broad range of digital images and data that document the rich history of the Museum, its collection, exhibitions, events, people, and activities. Images of artworks in the Museum's collection fall into two categories: images of works the Museum believes to be in the public domain, or those to which the Museum waives any copyrigh
Show Only:HighlightsArtworks With ImageArtworks on DisplayOpen Access As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
Samurai arms and equipment are widely recognized as masterpieces in steel, silk, and lacquer. This extensively illustrated volume includes the finest examples of swords, sword mountings and fittings, armor and helmets, saddles, banners, and paintings from Japanese collections. Dating from the fifth to the nineteenth century, these majestic objects offer a complete picture of samurai culture and it
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The high regard accorded arms and armor throughout history also reflected on their origin of manufacture and their makers. In medieval and early modern Europe, numerous regions and cities consolidated and expanded their age-old standing and reputation as centers for the production of arms and armor. Critical factors in the establishment and success of any such center were proximity to water (which
New Web Program Allows Free Image Download for Non-Commercial Use (New York, May 16, 2014)—Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that more than 400,000 high-resolution digital images of public domain works in the Museum’s world-renowned collection may be downloaded directly from the Museum’s website for non-commercial use—including in scholarly pub
Travel around the world and across 5,000 years of history through 490,000+ works of art.
During the Late Period and Ptolemaic times mongooses were represented in bronze statuettes such as this one, standing, forepaws raised, atop small bronze boxes. The pose of raised paws signifies the animal's adoration of the sun god when he rises in the morning. Some scholars have identified these animals as otters rather than mongooses. In myth, mongooses were particularly attached to the goddess
The Academy of the Sword: Illustrated Fencing Books 1500–1800 LaRocca, Donald J. (1998)
The Costume Institute's collection of more than thirty-three thousand objects represents seven centuries of fashionable dress and accessories for men, women, and children, from the fifteenth century to the present. The redesigned Costume Institute space reopened in May 2014, after a two-year renovation, as the Anna Wintour Costume Center with the exhibition Charles James: Beyond Fashion. The compl
"The 1688 Paradise Lost and Dr. Aldrich": Metropolitan Museum Journal, v. 6 (1972) Boorsch, Suzanne (1972) "The 1869 Regensburger Silberfund: A Seventeenth-Century Hoard of Silver": Metropolitan Museum Journal, v. 58 (2023) Stielau, Allison (2023)
Explore over 1,700 titles published by The Metropolitan Museum of Art, including books, museum guides, and periodicals from the last six decades.
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai Japanese ca. 1830–32 Not on view The breathtaking composition of this woodblock print, said to have inspired Debussy’s La Mer (The Sea) and Rilke’s Der Berg (The Mountain), ensures its reputation as an icon of world art. Hokusai c
The urge to modify camera images is as old as photography itself—only the methods have changed. Nearly every type of manipulation we now associate with digital photography was also part of the medium's pre-digital repertoire: smoothing away wrinkles, slimming waistlines, adding people to a scene (or removing them)—even fabricating events that never took place. This international loan exhibition tr
Oriole Cullen Furniture, Textiles and Fashion Department, Victoria and Albert Museum October 2003 Dress of the eighteenth century is not without anachronisms and exoticisms of its own, but that singular, changing, revolutionizing century has become an icon in the history of fashion. The eighteenth century was a time not without memory. Its masques and remembrances of the seventeenth century were v
Better Broken Navina Haidar “We live in a world of half-completed things or damaged objects, but I had never articulated to myself that in fact there were times quite often that I preferred the objects that way.” Islamic art curator Navina Haidar extols the implications and aesthetics of the broken or incomplete. April 13 Dark Energy Navina Haidar “...another world, far more elemental...” Islamic
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