- published: 08 Nov 2014
- views: 446
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
In botany, a tree is a perennial plant with an elongated stem, or trunk, supporting branches and leaves in most species. In some usages, the definition of a tree may be narrower, including only woody plants with secondary growth, plants that are usable as lumber or plants above a specified height. Trees are not a taxonomic group but include a variety of plant species that have independently evolved a woody trunk and branches as a way to tower above other plants to compete for sunlight. In looser senses, the taller palms, the tree ferns, bananas and bamboos are also trees. Trees tend to be long-lived, some reaching several thousand years old. The tallest known tree, a coast redwood named Hyperion, stands 115.6 m (379 ft) high. Trees have been in existence for 370 million years. It is estimated that there are just over 3 trillion mature trees in the world.
A tree typically has many secondary branches supported clear of the ground by the trunk. This trunk typically contains woody tissue for strength, and vascular tissue to carry materials from one part of the tree to another. For most trees it is surrounded by a layer of bark which serves as a protective barrier. Below the ground, the roots branch and spread out widely; they serve to anchor the tree and extract moisture and nutrients from the soil. Above ground, the branches divide into smaller branches and shoots. The shoots typically bear leaves, which capture light energy and convert it into sugars by photosynthesis, providing the food for the tree's growth and development. Flowers and fruit may also be present, but some trees, such as conifers, instead have pollen cones and seed cones; others, such as tree ferns, produce spores instead.
A tree is a perennial woody plant.
Tree or trees may also refer to:
The Trees is a song by Canadian rock band Rush, from their 1978 album Hemispheres. The song is also featured on many of Rush's compilation albums, and has long been a staple of the band's live performances. On the live album Exit...Stage Left, the song features an extended acoustic guitar introduction titled "Broon's Bane."
The lyrics relate a short story about a conflict between maple and oak trees in a forest. Rush drummer and lyricist Neil Peart was asked in the April/May 1980 issue of the magazine Modern Drummer if there was a message in the lyrics, to which he replied "No. It was just a flash. I was working on an entirely different thing when I saw a cartoon picture of these trees carrying on like fools. I thought, 'What if trees acted like people?' So I saw it as a cartoon really, and wrote it that way. I think that's the image that it conjures up to a listener or a reader. A very simple statement."
Provided to YouTube by The Orchard Enterprises The Trees They Do Grow High · Joan Baez Bob Dylan & The Band's Basement Tapes Influences ℗ 2013 Chrome Dreams Released on: 2013-02-11 Auto-generated by YouTube.
Here's my third upload from the extremely rare Savoy Hotel Recordings, which were taped on May 4, 1965 for the documentary film Don't Look Back (you can hear the ticking of the film camera in the background). The other two tracks can be found on my playlist titled "Savoy Hotel, UK 1965." I will be uploading the five other tracks shortly. These recordings were only released in 5,000 copies, which is, in my opinion, cruel of Sony/Columbia. Thankfully, I can upload them to YouTube until they get taken down. So enjoy this gem while you can!
Joan Baez sings the British folk song 'The Trees They Do Grow High' from her 1961 Vanguard album 'Joan Baez, Vol. 2'. The song lyrics are in the video and listed below along with some notes on the song. [Vinyl/Lyrics/9-Images/WAV] The Trees They Do Grow High Singer - Joan Baez The trees, they grow high and the leaves they do grow green Many is the time my true love I've seen Many an hour I've watched him all alone He's young but he's daily growing Father, dear father, you've done me great wrong You've married me to a boy who is too young I'm twice twelve and he is but fourteen He's young but he's daily growing Daughter, dear daughter, I've done you no wrong I've married you to a great lord's son He'll make a lord for you to wait upon He's young but he's daily growing Father, dear fa...
Provided to YouTube by The Orchard Enterprises The Trees They Do Grow High (Remastered) · Joan Baez Three Classic Albums Plus (Joan Baez / Joan Baez Vol 2 / In Concert - Part 1) (Remastered) ℗ 2016 AVID Ltd Released on: 2016-08-26 Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Trees They Do Grow High · Joan Baez Volume 2 Trees They Do Grow High ℗ 2012 Smith & Co. Released on: 2012-11-27 Music Publisher: CHANDOS-MUSIC CO Auto-generated by YouTube.
chàng trai ấy rồi sẽ dần lớn lên chàng trai ấy rồi sẽ dần lớn lên... điều hiển nhiên bỗng một ngày kết thúc original video by miyan0129 (douyin) --- lyrics Trees, they grow high and the leaves they do grow green Many is the time my true love I've seen Many an hour I have watched him all alone He's young but he's daily growing Father, dear, father you've done me great wrong You've married me to a boy who is too young I'm twice twelve and he is but fourteen He's young but he's daily growing Daughter, dear daughter, I've done you no wrong I have married you to a great lord's son He'll make a lord for you to wait upon He's young but he's daily growing Father, dear father, if you see fit We'll send him to college for one year yet I'll tie blue ribbons all around his head To let the maidens...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide